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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E347DF it is the complementary color #1CB820. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E347DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E347DF shade: #E847DA, #F959ED, #FF6BFF, #FF7DFF and #FF8FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E347DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E347DF shade: #E347DF, #D235CC, #C123B9, #B011A6 and #9F0093

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E347DF shade: #E344DF, #E344B4, #E34489, #E3445E and #E34444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E347DF shade: #E344DF, #BC44E3, #9144E3, #6644E3 and #4444E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E347DF shade matches the following richer shades: #E344DF and #F433EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E347DF shade: #E344DF, #D155CE, #C067BE, #AF78AD and #9D899D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E347DF shade: #9144E3, #BB44E3, #E344E0, #E344B6 and #E3448B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E347DF shade: #B91BB5, #DD21D8, #E344DF, #E868E5 and #ED8CEB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E347DF shade: #E347DF, #E36644 and #44E3A6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E347DF shade: #E347DF, #E0E344 and #44E0E3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E347DF shade: #E347DF, #E36644, #44E347 and #44C0E3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E347DF shade: #E347DF, #E39644, #44E347 and #4491E3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 2 / 11

HEX #E347DF

RGB 227 71 223

HSL 301.54, 0.74%, 0.58%

LAB 58.19, 76.29, -46.62

 

Complementary color

CMYK 85 / 0 / 83 / 28

HEX #1CB820

RGB 28 184 32

HSL 121.54, 0.74%, 0.42%

LAB 65.46, -64.63, 59.92

 

CMYK 0 / 69 / 6 / 9

HEX #E847DA

RGB 232 71 218

HSL 305.22, 0.78%, 0.59%

LAB 58.72, 76.63, -42.92

 

CMYK 0 / 64 / 5 / 2

HEX #F959ED

RGB 249 89 237

HSL 304.5, 0.93%, 0.66%

LAB 64.48, 77.01, -44.31

 

CMYK 0 / 58 / 0 / 0

HEX #FF6BFF

RGB 255 107 255

HSL 300, 1%, 0.71%

LAB 68.75, 74.2, -47.46

 

CMYK 0 / 51 / 0 / 0

HEX #FF7DFF

RGB 255 125 255

HSL 300, 1%, 0.75%

LAB 71.65, 66.33, -42.9

 

CMYK 0 / 44 / 0 / 0

HEX #FF8FFF

RGB 255 143 255

HSL 300, 1%, 0.78%

LAB 74.9, 57.79, -37.84

 

CMYK 0 / 69 / 2 / 11

HEX #E347DF

RGB 227 71 223

HSL 301.54, 0.74%, 0.58%

LAB 58.19, 76.29, -46.62

 

CMYK 0 / 75 / 3 / 18

HEX #D235CC

RGB 210 53 204

HSL 302.29, 0.64%, 0.52%

LAB 52.52, 75.42, -44.98

 

CMYK 0 / 82 / 4 / 24

HEX #C123B9

RGB 193 35 185

HSL 303.04, 0.69%, 0.45%

LAB 47.03, 73.78, -42.84

 

CMYK 0 / 90 / 6 / 31

HEX #B011A6

RGB 176 17 166

HSL 303.77, 0.82%, 0.38%

LAB 41.82, 71.08, -40.06

 

CMYK 0 / 100 / 8 / 38

HEX #9F0093

RGB 159 0 147

HSL 304.53, 1%, 0.31%

LAB 36.89, 67.26, -36.6

 

CMYK 0 / 70 / 2 / 11

HEX #E344DF

RGB 227 68 223

HSL 301.51, 0.74%, 0.58%

LAB 57.84, 77.29, -47.18

 

CMYK 0 / 70 / 21 / 11

HEX #E344B4

RGB 227 68 180

HSL 317.74, 0.74%, 0.58%

LAB 55.85, 71.1, -25.71

 

CMYK 0 / 70 / 40 / 11

HEX #E34489

RGB 227 68 137

HSL 333.96, 0.74%, 0.58%

LAB 54.31, 66.11, -2.77

 

CMYK 0 / 70 / 59 / 11

HEX #E3445E

RGB 227 68 94

HSL 350.19, 0.74%, 0.58%

LAB 53.25, 62.5, 21.39

 

CMYK 0 / 70 / 70 / 11

HEX #E34444

RGB 227 68 68

HSL 0, 0.74%, 0.58%

LAB 52.82, 61.02, 36.07

 

CMYK 0 / 70 / 2 / 11

HEX #E344DF

RGB 227 68 223

HSL 301.51, 0.74%, 0.58%

LAB 57.84, 77.29, -47.18

 

CMYK 17 / 70 / 0 / 11

HEX #BC44E3

RGB 188 68 227

HSL 285.28, 0.74%, 0.58%

LAB 52.25, 69.8, -58.69

 

CMYK 36 / 70 / 0 / 11

HEX #9144E3

RGB 145 68 227

HSL 269.06, 0.74%, 0.58%

LAB 46.58, 61.4, -68.14

 

CMYK 55 / 70 / 0 / 11

HEX #6644E3

RGB 102 68 227

HSL 252.83, 0.74%, 0.58%

LAB 42.01, 54.2, -75.79

 

CMYK 70 / 70 / 0 / 11

HEX #4444E3

RGB 68 68 227

HSL 240, 0.74%, 0.58%

LAB 39.43, 49.89, -80.13

 

CMYK 0 / 70 / 2 / 11

HEX #E344DF

RGB 227 68 223

HSL 301.51, 0.74%, 0.58%

LAB 57.84, 77.29, -47.18

 

CMYK 0 / 79 / 2 / 4

HEX #F433EF

RGB 244 51 239

HSL 301.55, 0.9%, 0.58%

LAB 59.74, 87.85, -52.98

 

CMYK 0 / 70 / 2 / 11

HEX #E344DF

RGB 227 68 223

HSL 301.51, 0.74%, 0.58%

LAB 57.84, 77.29, -47.18

 

CMYK 0 / 59 / 1 / 18

HEX #D155CE

RGB 209 85 206

HSL 301.45, 0.57%, 0.58%

LAB 56.59, 63.91, -39.69

 

CMYK 0 / 46 / 1 / 25

HEX #C067BE

RGB 192 103 190

HSL 301.35, 0.41%, 0.58%

LAB 56.71, 47.97, -30.55

 

CMYK 0 / 31 / 1 / 31

HEX #AF78AD

RGB 175 120 173

HSL 302.18, 0.26%, 0.58%

LAB 57.62, 30.28, -19.56

 

CMYK 0 / 13 / 0 / 38

HEX #9D899D

RGB 157 137 157

HSL 300, 0.09%, 0.58%

LAB 59.43, 11.24, -7.84

 

CMYK 36 / 70 / 0 / 11

HEX #9144E3

RGB 145 68 227

HSL 269.06, 0.74%, 0.58%

LAB 46.58, 61.4, -68.14

 

CMYK 18 / 70 / 0 / 11

HEX #BB44E3

RGB 187 68 227

HSL 284.91, 0.74%, 0.58%

LAB 52.11, 69.59, -58.93

 

CMYK 0 / 70 / 1 / 11

HEX #E344E0

RGB 227 68 224

HSL 301.13, 0.74%, 0.58%

LAB 57.89, 77.45, -47.66

 

CMYK 0 / 70 / 20 / 11

HEX #E344B6

RGB 227 68 182

HSL 316.98, 0.74%, 0.58%

LAB 55.93, 71.37, -26.74

 

CMYK 0 / 70 / 39 / 11

HEX #E3448B

RGB 227 68 139

HSL 333.21, 0.74%, 0.58%

LAB 54.37, 66.31, -3.87

 

CMYK 0 / 85 / 2 / 27

HEX #B91BB5

RGB 185 27 181

HSL 301.52, 0.75%, 0.42%

LAB 44.85, 73.32, -44.05

 

CMYK 0 / 85 / 2 / 13

HEX #DD21D8

RGB 221 33 216

HSL 301.6, 0.74%, 0.5%

LAB 53.4, 83.96, -50.32

 

CMYK 0 / 70 / 2 / 11

HEX #E344DF

RGB 227 68 223

HSL 301.51, 0.74%, 0.58%

LAB 57.84, 77.29, -47.18

 

CMYK 0 / 55 / 1 / 9

HEX #E868E5

RGB 232 104 229

HSL 301.41, 0.74%, 0.66%

LAB 63.93, 65.39, -40.9

 

CMYK 0 / 41 / 1 / 7

HEX #ED8CEB

RGB 237 140 235

HSL 301.24, 0.73%, 0.74%

LAB 71.39, 50.55, -32.56

 

CMYK 0 / 69 / 2 / 11

HEX #E347DF

RGB 227 71 223

HSL 301.54, 0.74%, 0.58%

LAB 58.19, 76.29, -46.62

 

CMYK 0 / 55 / 70 / 11

HEX #E36644

RGB 227 102 68

HSL 12.83, 0.74%, 0.58%

LAB 58.27, 46.48, 42.38

 

CMYK 70 / 0 / 27 / 11

HEX #44E3A6

RGB 68 227 166

HSL 156.98, 0.74%, 0.58%

LAB 81.25, -54.96, 18.13

 

CMYK 0 / 69 / 2 / 11

HEX #E347DF

RGB 227 71 223

HSL 301.54, 0.74%, 0.58%

LAB 58.19, 76.29, -46.62

 

CMYK 1 / 0 / 70 / 11

HEX #E0E344

RGB 224 227 68

HSL 61.13, 0.74%, 0.58%

LAB 87.58, -19.35, 72.86

 

CMYK 70 / 1 / 0 / 11

HEX #44E0E3

RGB 68 224 227

HSL 181.13, 0.74%, 0.58%

LAB 81.89, -38.37, -13.2

 

CMYK 0 / 69 / 2 / 11

HEX #E347DF

RGB 227 71 223

HSL 301.54, 0.74%, 0.58%

LAB 58.19, 76.29, -46.62

 

CMYK 0 / 55 / 70 / 11

HEX #E36644

RGB 227 102 68

HSL 12.83, 0.74%, 0.58%

LAB 58.27, 46.48, 42.38

 

CMYK 70 / 0 / 69 / 11

HEX #44E347

RGB 68 227 71

HSL 121.13, 0.74%, 0.58%

LAB 79.97, -69.51, 61.58

 

CMYK 70 / 15 / 0 / 11

HEX #44C0E3

RGB 68 192 227

HSL 193.21, 0.74%, 0.58%

LAB 72.54, -22.94, -27.36

 

CMYK 0 / 69 / 2 / 11

HEX #E347DF

RGB 227 71 223

HSL 301.54, 0.74%, 0.58%

LAB 58.19, 76.29, -46.62

 

CMYK 0 / 34 / 70 / 11

HEX #E39644

RGB 227 150 68

HSL 30.94, 0.74%, 0.58%

LAB 68.43, 21.77, 53.53

 

CMYK 70 / 0 / 69 / 11

HEX #44E347

RGB 68 227 71

HSL 121.13, 0.74%, 0.58%

LAB 79.97, -69.51, 61.58

 

CMYK 70 / 36 / 0 / 11

HEX #4491E3

RGB 68 145 227

HSL 210.94, 0.74%, 0.58%

LAB 59, 2.86, -48.49

 

Description

Color code: HEX #E347DF | qconv.com Color code: HEX #E347DF | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 71 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 71 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 2 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 2% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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