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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E344D8 it is the complementary color #1CBB27. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E344D8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E344D8 shade: #E844D3, #F956E6, #FF68F9, #FF7AFF and #FF8CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E344D8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E344D8 shade: #E344D8, #D232C5, #C120B2, #B00E9F and #9F008C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E344D8 shade: #E344D8, #E344AD, #E34482, #E34457 and #E34444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E344D8 shade: #E344D8, #C344E3, #9844E3, #6D44E3 and #4444E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E344D8 shade matches the following richer shades: #E344D8 and #F433E7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E344D8 shade: #E344D8, #D155C9, #C067BA, #AF78AB and #9D899C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E344D8 shade: #9944E3, #C344E3, #E344D8, #E344AE and #E34484

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E344D8 shade: #B91BAE, #DD21D0, #E344D8, #E868DF and #ED8CE7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E344D8 shade: #E344D8, #E36E44 and #44E3AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E344D8 shade: #E344D8, #D8E344 and #44D8E3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E344D8 shade: #E344D8, #E36E44, #44E34F and #44B8E3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E344D8 shade: #E344D8, #E39E44, #44E34F and #4489E3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 5 / 11

HEX #E344D8

RGB 227 68 216

HSL 304.15, 0.74%, 0.58%

LAB 57.49, 76.22, -43.79

 

Complementary color

CMYK 85 / 0 / 79 / 27

HEX #1CBB27

RGB 28 187 39

HSL 124.15, 0.74%, 0.42%

LAB 66.47, -65.1, 58.86

 

CMYK 0 / 71 / 9 / 9

HEX #E844D3

RGB 232 68 211

HSL 307.68, 0.78%, 0.59%

LAB 58.03, 76.58, -40.04

 

CMYK 0 / 65 / 8 / 2

HEX #F956E6

RGB 249 86 230

HSL 306.99, 0.93%, 0.66%

LAB 63.76, 77.05, -41.55

 

CMYK 0 / 59 / 2 / 0

HEX #FF68F9

RGB 255 104 249

HSL 302.38, 1%, 0.7%

LAB 68.02, 74.46, -45.32

 

CMYK 0 / 52 / 0 / 0

HEX #FF7AFF

RGB 255 122 255

HSL 300, 1%, 0.74%

LAB 71.15, 67.7, -43.7

 

CMYK 0 / 45 / 0 / 0

HEX #FF8CFF

RGB 255 140 255

HSL 300, 1%, 0.77%

LAB 74.34, 59.25, -38.72

 

CMYK 0 / 70 / 5 / 11

HEX #E344D8

RGB 227 68 216

HSL 304.15, 0.74%, 0.58%

LAB 57.49, 76.22, -43.79

 

CMYK 0 / 76 / 6 / 18

HEX #D232C5

RGB 210 50 197

HSL 304.88, 0.64%, 0.51%

LAB 51.85, 75.22, -42

 

CMYK 0 / 83 / 8 / 24

HEX #C120B2

RGB 193 32 178

HSL 305.59, 0.72%, 0.44%

LAB 46.43, 73.41, -39.69

 

CMYK 0 / 92 / 10 / 31

HEX #B00E9F

RGB 176 14 159

HSL 306.3, 0.85%, 0.37%

LAB 41.29, 70.48, -36.7

 

CMYK 0 / 100 / 12 / 38

HEX #9F008C

RGB 159 0 140

HSL 307.17, 1%, 0.31%

LAB 36.49, 66.27, -32.94

 

CMYK 0 / 70 / 5 / 11

HEX #E344D8

RGB 227 68 216

HSL 304.15, 0.74%, 0.58%

LAB 57.49, 76.22, -43.79

 

CMYK 0 / 70 / 24 / 11

HEX #E344AD

RGB 227 68 173

HSL 320.38, 0.74%, 0.58%

LAB 55.57, 70.2, -22.07

 

CMYK 0 / 70 / 43 / 11

HEX #E34482

RGB 227 68 130

HSL 336.6, 0.74%, 0.58%

LAB 54.11, 65.42, 1.1

 

CMYK 0 / 70 / 62 / 11

HEX #E34457

RGB 227 68 87

HSL 352.83, 0.74%, 0.58%

LAB 53.12, 62.05, 25.37

 

CMYK 0 / 70 / 70 / 11

HEX #E34444

RGB 227 68 68

HSL 0, 0.74%, 0.58%

LAB 52.82, 61.02, 36.07

 

CMYK 0 / 70 / 5 / 11

HEX #E344D8

RGB 227 68 216

HSL 304.15, 0.74%, 0.58%

LAB 57.49, 76.22, -43.79

 

CMYK 14 / 70 / 0 / 11

HEX #C344E3

RGB 195 68 227

HSL 287.92, 0.74%, 0.58%

LAB 53.26, 71.23, -57.03

 

CMYK 33 / 70 / 0 / 11

HEX #9844E3

RGB 152 68 227

HSL 271.7, 0.74%, 0.58%

LAB 47.44, 62.71, -66.71

 

CMYK 52 / 70 / 0 / 11

HEX #6D44E3

RGB 109 68 227

HSL 255.47, 0.74%, 0.58%

LAB 42.66, 55.26, -74.7

 

CMYK 70 / 70 / 0 / 11

HEX #4444E3

RGB 68 68 227

HSL 240, 0.74%, 0.58%

LAB 39.43, 49.89, -80.13

 

CMYK 0 / 70 / 5 / 11

HEX #E344D8

RGB 227 68 216

HSL 304.15, 0.74%, 0.58%

LAB 57.49, 76.22, -43.79

 

CMYK 0 / 79 / 5 / 4

HEX #F433E7

RGB 244 51 231

HSL 304.04, 0.9%, 0.58%

LAB 59.32, 86.69, -49.17

 

CMYK 0 / 70 / 5 / 11

HEX #E344D8

RGB 227 68 216

HSL 304.15, 0.74%, 0.58%

LAB 57.49, 76.22, -43.79

 

CMYK 0 / 59 / 4 / 18

HEX #D155C9

RGB 209 85 201

HSL 303.87, 0.57%, 0.58%

LAB 56.36, 63.08, -37.21

 

CMYK 0 / 46 / 3 / 25

HEX #C067BA

RGB 192 103 186

HSL 304.04, 0.41%, 0.58%

LAB 56.54, 47.25, -28.52

 

CMYK 0 / 31 / 2 / 31

HEX #AF78AB

RGB 175 120 171

HSL 304.36, 0.26%, 0.58%

LAB 57.55, 29.9, -18.52

 

CMYK 0 / 13 / 1 / 38

HEX #9D899C

RGB 157 137 156

HSL 303, 0.09%, 0.58%

LAB 59.4, 11.04, -7.31

 

CMYK 33 / 70 / 0 / 11

HEX #9944E3

RGB 153 68 227

HSL 272.08, 0.74%, 0.58%

LAB 47.56, 62.9, -66.5

 

CMYK 14 / 70 / 0 / 11

HEX #C344E3

RGB 195 68 227

HSL 287.92, 0.74%, 0.58%

LAB 53.26, 71.23, -57.03

 

CMYK 0 / 70 / 5 / 11

HEX #E344D8

RGB 227 68 216

HSL 304.15, 0.74%, 0.58%

LAB 57.49, 76.22, -43.79

 

CMYK 0 / 70 / 23 / 11

HEX #E344AE

RGB 227 68 174

HSL 320, 0.74%, 0.58%

LAB 55.61, 70.33, -22.6

 

CMYK 0 / 70 / 42 / 11

HEX #E34484

RGB 227 68 132

HSL 335.85, 0.74%, 0.58%

LAB 54.17, 65.61, -0.01

 

CMYK 0 / 85 / 6 / 27

HEX #B91BAE

RGB 185 27 174

HSL 304.18, 0.75%, 0.42%

LAB 44.45, 72.27, -40.54

 

CMYK 0 / 85 / 6 / 13

HEX #DD21D0

RGB 221 33 208

HSL 304.15, 0.74%, 0.5%

LAB 52.96, 82.81, -46.45

 

CMYK 0 / 70 / 5 / 11

HEX #E344D8

RGB 227 68 216

HSL 304.15, 0.74%, 0.58%

LAB 57.49, 76.22, -43.79

 

CMYK 0 / 55 / 4 / 9

HEX #E868DF

RGB 232 104 223

HSL 304.22, 0.74%, 0.66%

LAB 63.66, 64.39, -37.98

 

CMYK 0 / 41 / 3 / 7

HEX #ED8CE7

RGB 237 140 231

HSL 303.71, 0.73%, 0.74%

LAB 71.23, 49.85, -30.6

 

CMYK 0 / 70 / 5 / 11

HEX #E344D8

RGB 227 68 216

HSL 304.15, 0.74%, 0.58%

LAB 57.49, 76.22, -43.79

 

CMYK 0 / 52 / 70 / 11

HEX #E36E44

RGB 227 110 68

HSL 15.85, 0.74%, 0.58%

LAB 59.8, 42.59, 44.1

 

CMYK 70 / 0 / 23 / 11

HEX #44E3AE

RGB 68 227 174

HSL 160, 0.74%, 0.58%

LAB 81.41, -53.19, 14.17

 

CMYK 0 / 70 / 5 / 11

HEX #E344D8

RGB 227 68 216

HSL 304.15, 0.74%, 0.58%

LAB 57.49, 76.22, -43.79

 

CMYK 5 / 0 / 70 / 11

HEX #D8E344

RGB 216 227 68

HSL 64.15, 0.74%, 0.58%

LAB 86.97, -22.63, 72.06

 

CMYK 70 / 5 / 0 / 11

HEX #44D8E3

RGB 68 216 227

HSL 184.15, 0.74%, 0.58%

LAB 79.55, -34.66, -16.71

 

CMYK 0 / 70 / 5 / 11

HEX #E344D8

RGB 227 68 216

HSL 304.15, 0.74%, 0.58%

LAB 57.49, 76.22, -43.79

 

CMYK 0 / 52 / 70 / 11

HEX #E36E44

RGB 227 110 68

HSL 15.85, 0.74%, 0.58%

LAB 59.8, 42.59, 44.1

 

CMYK 70 / 0 / 65 / 11

HEX #44E34F

RGB 68 227 79

HSL 124.15, 0.74%, 0.58%

LAB 80.03, -68.77, 58.51

 

CMYK 70 / 19 / 0 / 11

HEX #44B8E3

RGB 68 184 227

HSL 196.23, 0.74%, 0.58%

LAB 70.22, -18.82, -30.95

 

CMYK 0 / 70 / 5 / 11

HEX #E344D8

RGB 227 68 216

HSL 304.15, 0.74%, 0.58%

LAB 57.49, 76.22, -43.79

 

CMYK 0 / 30 / 70 / 11

HEX #E39E44

RGB 227 158 68

HSL 33.96, 0.74%, 0.58%

LAB 70.32, 17.49, 55.53

 

CMYK 70 / 0 / 65 / 11

HEX #44E34F

RGB 68 227 79

HSL 124.15, 0.74%, 0.58%

LAB 80.03, -68.77, 58.51

 

CMYK 70 / 40 / 0 / 11

HEX #4489E3

RGB 68 137 227

HSL 213.96, 0.74%, 0.58%

LAB 56.75, 7.62, -52.06

 

Description

Color code: HEX #E344D8 | qconv.com Color code: HEX #E344D8 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 68 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 68 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 5 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 5% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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