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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E3398E it is the complementary color #1CC671. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E3398E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E3398E shade: #E83989, #F94B9C, #FF5DAF, #FF6FC2 and #FF81D5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E3398E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E3398E shade: #E3398E, #D2277B, #C11568, #B00355 and #9F0042

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E3398E shade: #E23A8E, #E23A61 and #E23A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E3398E shade: #E23A8E, #E23ABC, #DC3AE2, #AE3AE2 and #813AE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E3398E shade matches the following richer shades: #E23A8E and #F5288E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E3398E shade: #E23A8E, #D04C8E, #BE5E8E, #AC718E and #9A838E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E3398E shade: #DD3AE2, #E23ABB, #E23A8E, #E23A61 and #E2403A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E3398E shade: #B11965, #D51E7A, #E23A8E, #E85EA3 and #ED82B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E3398E shade: #E3398E, #E2B03A and #3AD2E2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E3398E shade: #E3398E, #8EE23A and #3A8EE2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E3398E shade: #E3398E, #E2B03A, #3AE28E and #3A6DE2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E3398E shade: #E3398E, #E2E23A, #3AE28E and #3A3AE2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 37 / 11

HEX #E3398E

RGB 227 57 142

HSL 330, 0.75%, 0.56%

LAB 53.18, 70.24, -7.42

 

Complementary color

CMYK 86 / 0 / 43 / 22

HEX #1CC671

RGB 28 198 113

HSL 150, 0.75%, 0.44%

LAB 70.75, -59.43, 31.42

 

CMYK 0 / 75 / 41 / 9

HEX #E83989

RGB 232 57 137

HSL 332.57, 0.79%, 0.57%

LAB 53.91, 71.03, -3.27

 

CMYK 0 / 70 / 37 / 2

HEX #F94B9C

RGB 249 75 156

HSL 332.07, 0.94%, 0.64%

LAB 59.5, 71.59, -5.87

 

CMYK 0 / 64 / 31 / 0

HEX #FF5DAF

RGB 255 93 175

HSL 329.63, 1%, 0.68%

LAB 63.49, 68.62, -10.78

 

CMYK 0 / 56 / 24 / 0

HEX #FF6FC2

RGB 255 111 194

HSL 325.42, 1%, 0.72%

LAB 66.92, 63.41, -16.42

 

CMYK 0 / 49 / 16 / 0

HEX #FF81D5

RGB 255 129 213

HSL 320, 1%, 0.75%

LAB 70.71, 57.78, -21.28

 

CMYK 0 / 75 / 37 / 11

HEX #E3398E

RGB 227 57 142

HSL 330, 0.75%, 0.56%

LAB 53.18, 70.24, -7.42

 

CMYK 0 / 81 / 41 / 18

HEX #D2277B

RGB 210 39 123

HSL 330.53, 0.69%, 0.49%

LAB 47.73, 69.03, -4.4

 

CMYK 0 / 89 / 46 / 24

HEX #C11568

RGB 193 21 104

HSL 331.05, 0.8%, 0.42%

LAB 42.57, 66.86, -0.62

 

CMYK 0 / 98 / 52 / 31

HEX #B00355

RGB 176 3 85

HSL 331.56, 0.97%, 0.35%

LAB 37.75, 63.58, 4.03

 

CMYK 0 / 100 / 58 / 38

HEX #9F0042

RGB 159 0 66

HSL 335.09, 1%, 0.31%

LAB 33.49, 58.57, 9.87

 

CMYK 0 / 74 / 37 / 11

HEX #E23A8E

RGB 226 58 142

HSL 330, 0.74%, 0.56%

LAB 53.11, 69.67, -7.54

 

CMYK 0 / 74 / 57 / 11

HEX #E23A61

RGB 226 58 97

HSL 346.07, 0.74%, 0.56%

LAB 51.9, 65.82, 17.75

 

CMYK 0 / 74 / 74 / 11

HEX #E23A3A

RGB 226 58 58

HSL 0, 0.74%, 0.56%

LAB 51.27, 63.74, 39.9

 

CMYK 0 / 74 / 37 / 11

HEX #E23A8E

RGB 226 58 142

HSL 330, 0.74%, 0.56%

LAB 53.11, 69.67, -7.54

 

CMYK 0 / 74 / 17 / 11

HEX #E23ABC

RGB 226 58 188

HSL 313.57, 0.74%, 0.56%

LAB 54.89, 75.13, -31.84

 

CMYK 3 / 74 / 0 / 11

HEX #DC3AE2

RGB 220 58 226

HSL 297.86, 0.74%, 0.56%

LAB 55.82, 79.43, -52.15

 

CMYK 23 / 74 / 0 / 11

HEX #AE3AE2

RGB 174 58 226

HSL 281.43, 0.74%, 0.56%

LAB 48.9, 70.58, -63.63

 

CMYK 43 / 74 / 0 / 11

HEX #813AE2

RGB 129 58 226

HSL 265.36, 0.74%, 0.56%

LAB 43.04, 62.83, -73.43

 

CMYK 0 / 74 / 37 / 11

HEX #E23A8E

RGB 226 58 142

HSL 330, 0.74%, 0.56%

LAB 53.11, 69.67, -7.54

 

CMYK 0 / 84 / 42 / 4

HEX #F5288E

RGB 245 40 142

HSL 330.15, 0.91%, 0.56%

LAB 54.95, 78.89, -4.44

 

CMYK 0 / 74 / 37 / 11

HEX #E23A8E

RGB 226 58 142

HSL 330, 0.74%, 0.56%

LAB 53.11, 69.67, -7.54

 

CMYK 0 / 63 / 32 / 18

HEX #D04C8E

RGB 208 76 142

HSL 330, 0.58%, 0.56%

LAB 52.43, 58.14, -8.88

 

CMYK 0 / 51 / 25 / 25

HEX #BE5E8E

RGB 190 94 142

HSL 330, 0.42%, 0.56%

LAB 52.85, 44.14, -8.54

 

CMYK 0 / 34 / 17 / 33

HEX #AC718E

RGB 172 113 142

HSL 330.51, 0.26%, 0.56%

LAB 54.59, 27.64, -6.19

 

CMYK 0 / 15 / 8 / 40

HEX #9A838E

RGB 154 131 142

HSL 331.3, 0.1%, 0.56%

LAB 57.13, 10.71, -2.65

 

CMYK 2 / 74 / 0 / 11

HEX #DD3AE2

RGB 221 58 226

HSL 298.21, 0.74%, 0.56%

LAB 55.98, 79.62, -51.89

 

CMYK 0 / 74 / 17 / 11

HEX #E23ABB

RGB 226 58 187

HSL 313.93, 0.74%, 0.56%

LAB 54.85, 75, -31.33

 

CMYK 0 / 74 / 37 / 11

HEX #E23A8E

RGB 226 58 142

HSL 330, 0.74%, 0.56%

LAB 53.11, 69.67, -7.54

 

CMYK 0 / 74 / 57 / 11

HEX #E23A61

RGB 226 58 97

HSL 346.07, 0.74%, 0.56%

LAB 51.9, 65.82, 17.75

 

CMYK 0 / 72 / 74 / 11

HEX #E2403A

RGB 226 64 58

HSL 2.14, 0.74%, 0.56%

LAB 52, 61.71, 40.7

 

CMYK 0 / 86 / 43 / 31

HEX #B11965

RGB 177 25 101

HSL 330, 0.75%, 0.4%

LAB 39.55, 62, -3.54

 

CMYK 0 / 86 / 43 / 16

HEX #D51E7A

RGB 213 30 122

HSL 329.84, 0.75%, 0.48%

LAB 47.6, 71.58, -3.92

 

CMYK 0 / 74 / 37 / 11

HEX #E23A8E

RGB 226 58 142

HSL 330, 0.74%, 0.56%

LAB 53.11, 69.67, -7.54

 

CMYK 0 / 59 / 30 / 9

HEX #E85EA3

RGB 232 94 163

HSL 330, 0.75%, 0.64%

LAB 59.71, 60.13, -9.91

 

CMYK 0 / 45 / 22 / 7

HEX #ED82B8

RGB 237 130 184

HSL 329.72, 0.75%, 0.72%

LAB 67.6, 47.44, -10.01

 

CMYK 0 / 75 / 37 / 11

HEX #E3398E

RGB 227 57 142

HSL 330, 0.75%, 0.56%

LAB 53.18, 70.24, -7.42

 

CMYK 0 / 22 / 74 / 11

HEX #E2B03A

RGB 226 176 58

HSL 42.14, 0.74%, 0.56%

LAB 74.52, 7.02, 63.88

 

CMYK 74 / 7 / 0 / 11

HEX #3AD2E2

RGB 58 210 226

HSL 185.71, 0.74%, 0.56%

LAB 77.57, -33.3, -19.18

 

CMYK 0 / 75 / 37 / 11

HEX #E3398E

RGB 227 57 142

HSL 330, 0.75%, 0.56%

LAB 53.18, 70.24, -7.42

 

CMYK 37 / 0 / 74 / 11

HEX #8EE23A

RGB 142 226 58

HSL 90, 0.74%, 0.56%

LAB 82.08, -50.85, 69.11

 

CMYK 74 / 37 / 0 / 11

HEX #3A8EE2

RGB 58 142 226

HSL 210, 0.74%, 0.56%

LAB 57.79, 2.94, -49.88

 

CMYK 0 / 75 / 37 / 11

HEX #E3398E

RGB 227 57 142

HSL 330, 0.75%, 0.56%

LAB 53.18, 70.24, -7.42

 

CMYK 0 / 22 / 74 / 11

HEX #E2B03A

RGB 226 176 58

HSL 42.14, 0.74%, 0.56%

LAB 74.52, 7.02, 63.88

 

CMYK 74 / 0 / 37 / 11

HEX #3AE28E

RGB 58 226 142

HSL 150, 0.74%, 0.56%

LAB 80.32, -60.84, 29.25

 

CMYK 74 / 52 / 0 / 11

HEX #3A6DE2

RGB 58 109 226

HSL 221.79, 0.74%, 0.56%

LAB 48.67, 23.24, -64.49

 

CMYK 0 / 75 / 37 / 11

HEX #E3398E

RGB 227 57 142

HSL 330, 0.75%, 0.56%

LAB 53.18, 70.24, -7.42

 

CMYK 0 / 0 / 74 / 11

HEX #E2E23A

RGB 226 226 58

HSL 60, 0.74%, 0.56%

LAB 87.42, -18.48, 76.05

 

CMYK 74 / 0 / 37 / 11

HEX #3AE28E

RGB 58 226 142

HSL 150, 0.74%, 0.56%

LAB 80.32, -60.84, 29.25

 

CMYK 74 / 74 / 0 / 11

HEX #3A3AE2

RGB 58 58 226

HSL 240, 0.74%, 0.56%

LAB 36.77, 54.16, -83.95

 

Description

Color code: HEX #E3398E | qconv.com Color code: HEX #E3398E | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 57 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 57 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 37 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 37% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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