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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E334E1 it is the complementary color #1CCB1E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E334E1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E334E1 shade: #E834DC, #F946EF, #FF58FF, #FF6AFF and #FF7CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E334E1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E334E1 shade: #E334E1, #D222CE, #C110BB, #B000A8 and #9F0095

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E334E1 shade: #E335E1, #E335B2, #E33583, #E33554 and #E33535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E334E1 shade: #E335E1, #B635E3, #8735E3, #5835E3 and #3535E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E334E1 shade matches the following richer shades: #E335E1 and #F622F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E334E1 shade: #E335E1, #D047CF, #BE5ABD, #AB6CAB and #997F98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E334E1 shade: #8635E3, #B435E3, #E335E3, #E335B4 and #E33586

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E334E1 shade: #AE17AC, #D21CD0, #E335E1, #E859E6 and #ED7DEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E334E1 shade: #E334E1, #E35735 and #35E39D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E334E1 shade: #E334E1, #E3E335 and #35E3E3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E334E1 shade: #E334E1, #E35735, #35E335 and #35C0E3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E334E1 shade: #E334E1, #E38C35, #35E335 and #358CE3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 1 / 11

HEX #E334E1

RGB 227 52 225

HSL 300.69, 0.76%, 0.55%

LAB 56.31, 82.29, -50.74

 

Complementary color

CMYK 86 / 0 / 85 / 20

HEX #1CCB1E

RGB 28 203 30

HSL 120.69, 0.76%, 0.45%

LAB 71.59, -70.23, 65.96

 

CMYK 0 / 78 / 5 / 9

HEX #E834DC

RGB 232 52 220

HSL 304, 0.8%, 0.56%

LAB 56.86, 82.53, -46.99

 

CMYK 0 / 72 / 4 / 2

HEX #F946EF

RGB 249 70 239

HSL 303.35, 0.94%, 0.63%

LAB 62.3, 83.75, -48.87

 

CMYK 0 / 65 / 0 / 0

HEX #FF58FF

RGB 255 88 255

HSL 300, 1%, 0.67%

LAB 66.1, 81.54, -51.64

 

CMYK 0 / 58 / 0 / 0

HEX #FF6AFF

RGB 255 106 255

HSL 300, 1%, 0.71%

LAB 68.6, 74.61, -47.7

 

CMYK 0 / 51 / 0 / 0

HEX #FF7CFF

RGB 255 124 255

HSL 300, 1%, 0.74%

LAB 71.48, 66.79, -43.17

 

CMYK 0 / 77 / 1 / 11

HEX #E334E1

RGB 227 52 225

HSL 300.69, 0.76%, 0.55%

LAB 56.31, 82.29, -50.74

 

CMYK 0 / 84 / 2 / 18

HEX #D222CE

RGB 210 34 206

HSL 301.36, 0.72%, 0.48%

LAB 51.04, 80.32, -48.48

 

CMYK 0 / 92 / 3 / 24

HEX #C110BB

RGB 193 16 187

HSL 302.03, 0.85%, 0.41%

LAB 46.04, 77.32, -45.6

 

CMYK 0 / 100 / 5 / 31

HEX #B000A8

RGB 176 0 168

HSL 302.73, 1%, 0.35%

LAB 41.31, 73.23, -42.08

 

CMYK 0 / 100 / 6 / 38

HEX #9F0095

RGB 159 0 149

HSL 303.77, 1%, 0.31%

LAB 37.01, 67.54, -37.64

 

CMYK 0 / 77 / 1 / 11

HEX #E335E1

RGB 227 53 225

HSL 300.69, 0.76%, 0.55%

LAB 56.4, 82.03, -50.6

 

CMYK 0 / 77 / 22 / 11

HEX #E335B2

RGB 227 53 178

HSL 316.9, 0.76%, 0.55%

LAB 54.12, 75.49, -27.21

 

CMYK 0 / 77 / 42 / 11

HEX #E33583

RGB 227 53 131

HSL 333.1, 0.76%, 0.55%

LAB 52.42, 70.35, -1.98

 

CMYK 0 / 77 / 63 / 11

HEX #E33554

RGB 227 53 84

HSL 349.31, 0.76%, 0.55%

LAB 51.29, 66.82, 24.78

 

CMYK 0 / 77 / 77 / 11

HEX #E33535

RGB 227 53 53

HSL 0, 0.76%, 0.55%

LAB 50.84, 65.4, 42.27

 

CMYK 0 / 77 / 1 / 11

HEX #E335E1

RGB 227 53 225

HSL 300.69, 0.76%, 0.55%

LAB 56.4, 82.03, -50.6

 

CMYK 20 / 77 / 0 / 11

HEX #B635E3

RGB 182 53 227

HSL 284.48, 0.76%, 0.55%

LAB 49.54, 73.92, -63.11

 

CMYK 41 / 77 / 0 / 11

HEX #8735E3

RGB 135 53 227

HSL 268.28, 0.76%, 0.55%

LAB 43.13, 66.05, -73.82

 

CMYK 61 / 77 / 0 / 11

HEX #5835E3

RGB 88 53 227

HSL 252.07, 0.76%, 0.55%

LAB 38.14, 59.82, -82.2

 

CMYK 77 / 77 / 0 / 11

HEX #3535E3

RGB 53 53 227

HSL 240, 0.76%, 0.55%

LAB 35.69, 56.71, -86.32

 

CMYK 0 / 77 / 1 / 11

HEX #E335E1

RGB 227 53 225

HSL 300.69, 0.76%, 0.55%

LAB 56.4, 82.03, -50.6

 

CMYK 0 / 86 / 1 / 4

HEX #F622F3

RGB 246 34 243

HSL 300.85, 0.92%, 0.55%

LAB 59.17, 92.05, -56.1

 

CMYK 0 / 77 / 1 / 11

HEX #E335E1

RGB 227 53 225

HSL 300.69, 0.76%, 0.55%

LAB 56.4, 82.03, -50.6

 

CMYK 0 / 66 / 0 / 18

HEX #D047CF

RGB 208 71 207

HSL 300.44, 0.59%, 0.55%

LAB 54.47, 69.46, -43.62

 

CMYK 0 / 53 / 1 / 25

HEX #BE5ABD

RGB 190 90 189

HSL 300.6, 0.43%, 0.55%

LAB 53.96, 53.67, -34.28

 

CMYK 0 / 37 / 0 / 33

HEX #AB6CAB

RGB 171 108 171

HSL 300, 0.27%, 0.55%

LAB 54.37, 35.25, -23.43

 

CMYK 0 / 17 / 1 / 40

HEX #997F98

RGB 153 127 152

HSL 302.31, 0.11%, 0.55%

LAB 56.31, 14.54, -9.66

 

CMYK 41 / 77 / 0 / 11

HEX #8635E3

RGB 134 53 227

HSL 267.93, 0.76%, 0.55%

LAB 43, 65.9, -74.03

 

CMYK 21 / 77 / 0 / 11

HEX #B435E3

RGB 180 53 227

HSL 283.79, 0.76%, 0.55%

LAB 49.25, 73.56, -63.6

 

CMYK 0 / 77 / 0 / 11

HEX #E335E3

RGB 227 53 227

HSL 300, 0.76%, 0.55%

LAB 56.51, 82.33, -51.55

 

CMYK 0 / 77 / 21 / 11

HEX #E335B4

RGB 227 53 180

HSL 316.21, 0.76%, 0.55%

LAB 54.21, 75.75, -28.24

 

CMYK 0 / 77 / 41 / 11

HEX #E33586

RGB 227 53 134

HSL 332.07, 0.76%, 0.55%

LAB 52.51, 70.63, -3.64

 

CMYK 0 / 87 / 1 / 32

HEX #AE17AC

RGB 174 23 172

HSL 300.79, 0.77%, 0.39%

LAB 42.14, 70.65, -43.16

 

CMYK 0 / 87 / 1 / 18

HEX #D21CD0

RGB 210 28 208

HSL 300.66, 0.76%, 0.47%

LAB 50.79, 81.68, -50.02

 

CMYK 0 / 77 / 1 / 11

HEX #E335E1

RGB 227 53 225

HSL 300.69, 0.76%, 0.55%

LAB 56.4, 82.03, -50.6

 

CMYK 0 / 62 / 1 / 9

HEX #E859E6

RGB 232 89 230

HSL 300.84, 0.76%, 0.63%

LAB 61.67, 71.89, -45.02

 

CMYK 0 / 47 / 0 / 7

HEX #ED7DEC

RGB 237 125 236

HSL 300.54, 0.76%, 0.71%

LAB 68.55, 58.17, -37.51

 

CMYK 0 / 77 / 1 / 11

HEX #E334E1

RGB 227 52 225

HSL 300.69, 0.76%, 0.55%

LAB 56.31, 82.29, -50.74

 

CMYK 0 / 62 / 77 / 11

HEX #E35735

RGB 227 87 53

HSL 11.72, 0.76%, 0.55%

LAB 55.49, 52.72, 47.13

 

CMYK 77 / 0 / 31 / 11

HEX #35E39D

RGB 53 227 157

HSL 155.86, 0.76%, 0.55%

LAB 80.81, -58.83, 22.17

 

CMYK 0 / 77 / 1 / 11

HEX #E334E1

RGB 227 52 225

HSL 300.69, 0.76%, 0.55%

LAB 56.31, 82.29, -50.74

 

CMYK 0 / 0 / 77 / 11

HEX #E3E335

RGB 227 227 53

HSL 60, 0.76%, 0.55%

LAB 87.74, -18.74, 77.86

 

CMYK 77 / 0 / 0 / 11

HEX #35E3E3

RGB 53 227 227

HSL 180, 0.76%, 0.55%

LAB 82.51, -41.36, -12.3

 

CMYK 0 / 77 / 1 / 11

HEX #E334E1

RGB 227 52 225

HSL 300.69, 0.76%, 0.55%

LAB 56.31, 82.29, -50.74

 

CMYK 0 / 62 / 77 / 11

HEX #E35735

RGB 227 87 53

HSL 11.72, 0.76%, 0.55%

LAB 55.49, 52.72, 47.13

 

CMYK 77 / 0 / 77 / 11

HEX #35E335

RGB 53 227 53

HSL 120, 0.76%, 0.55%

LAB 79.59, -73.18, 67.32

 

CMYK 77 / 15 / 0 / 11

HEX #35C0E3

RGB 53 192 227

HSL 192.07, 0.76%, 0.55%

LAB 72.23, -24.73, -27.87

 

CMYK 0 / 77 / 1 / 11

HEX #E334E1

RGB 227 52 225

HSL 300.69, 0.76%, 0.55%

LAB 56.31, 82.29, -50.74

 

CMYK 0 / 38 / 77 / 11

HEX #E38C35

RGB 227 140 53

HSL 30, 0.76%, 0.55%

LAB 66.02, 26.41, 57.67

 

CMYK 77 / 0 / 77 / 11

HEX #35E335

RGB 53 227 53

HSL 120, 0.76%, 0.55%

LAB 79.59, -73.18, 67.32

 

CMYK 77 / 38 / 0 / 11

HEX #358CE3

RGB 53 140 227

HSL 210, 0.76%, 0.55%

LAB 57.13, 3.89, -51.48

 

Description

Color code: HEX #E334E1 | qconv.com Color code: HEX #E334E1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 52 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 52 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 1 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 1% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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