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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E334C4 it is the complementary color #1CCB3B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E334C4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E334C4 shade: #E834BF, #F946D2, #FF58E5, #FF6AF8 and #FF7CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E334C4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E334C4 shade: #E334C4, #D222B1, #C1109E, #B0008B and #9F0078

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E334C4 shade: #E335C4, #E33595, #E33566, #E33537 and #E33535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E334C4 shade: #E335C4, #D335E3, #A435E3, #7535E3 and #4635E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E334C4 shade matches the following richer shades: #E335C4 and #F622D0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E334C4 shade: #E335C4, #D047B8, #BE5AAC, #AB6CA0 and #997F94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E334C4 shade: #A335E3, #D235E3, #E335C6, #E33597 and #E33569

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E334C4 shade: #AE1793, #D21CB2, #E335C4, #E859CF and #ED7DD9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E334C4 shade: #E334C4, #E37435 and #35E3BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E334C4 shade: #E334C4, #C6E335 and #35C6E3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E334C4 shade: #E334C4, #E37435, #35E352 and #35A3E3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E334C4 shade: #E334C4, #E3A935, #35E352 and #356FE3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 14 / 11

HEX #E334C4

RGB 227 52 196

HSL 310.63, 0.76%, 0.55%

LAB 54.84, 78.12, -36.53

 

Complementary color

CMYK 86 / 0 / 71 / 20

HEX #1CCB3B

RGB 28 203 59

HSL 130.63, 0.76%, 0.45%

LAB 71.74, -68.32, 57.3

 

CMYK 0 / 78 / 18 / 9

HEX #E834BF

RGB 232 52 191

HSL 313.67, 0.8%, 0.56%

LAB 55.45, 78.53, -32.62

 

CMYK 0 / 72 / 16 / 2

HEX #F946D2

RGB 249 70 210

HSL 313.07, 0.94%, 0.63%

LAB 60.93, 79.65, -34.73

 

CMYK 0 / 65 / 10 / 0

HEX #FF58E5

RGB 255 88 229

HSL 309.34, 1%, 0.67%

LAB 64.88, 77.59, -39.17

 

CMYK 0 / 58 / 3 / 0

HEX #FF6AF8

RGB 255 106 248

HSL 302.82, 1%, 0.71%

LAB 68.27, 73.48, -44.37

 

CMYK 0 / 51 / 0 / 0

HEX #FF7CFF

RGB 255 124 255

HSL 300, 1%, 0.74%

LAB 71.48, 66.79, -43.17

 

CMYK 0 / 77 / 14 / 11

HEX #E334C4

RGB 227 52 196

HSL 310.63, 0.76%, 0.55%

LAB 54.84, 78.12, -36.53

 

CMYK 0 / 84 / 16 / 18

HEX #D222B1

RGB 210 34 177

HSL 311.25, 0.72%, 0.48%

LAB 49.52, 76.26, -34.02

 

CMYK 0 / 92 / 18 / 24

HEX #C1109E

RGB 193 16 158

HSL 311.86, 0.85%, 0.41%

LAB 44.49, 73.36, -30.85

 

CMYK 0 / 100 / 21 / 31

HEX #B0008B

RGB 176 0 139

HSL 312.61, 1%, 0.35%

LAB 39.74, 69.35, -26.98

 

CMYK 0 / 100 / 25 / 38

HEX #9F0078

RGB 159 0 120

HSL 314.72, 1%, 0.31%

LAB 35.45, 63.68, -22.1

 

CMYK 0 / 77 / 14 / 11

HEX #E335C4

RGB 227 53 196

HSL 310.69, 0.76%, 0.55%

LAB 54.93, 77.85, -36.38

 

CMYK 0 / 77 / 34 / 11

HEX #E33595

RGB 227 53 149

HSL 326.9, 0.76%, 0.55%

LAB 53, 72.14, -11.86

 

CMYK 0 / 77 / 55 / 11

HEX #E33566

RGB 227 53 102

HSL 343.1, 0.76%, 0.55%

LAB 51.65, 67.97, 14.42

 

CMYK 0 / 77 / 76 / 11

HEX #E33537

RGB 227 53 55

HSL 359.31, 0.76%, 0.55%

LAB 50.87, 65.47, 41.18

 

CMYK 0 / 77 / 77 / 11

HEX #E33535

RGB 227 53 53

HSL 0, 0.76%, 0.55%

LAB 50.84, 65.4, 42.27

 

CMYK 0 / 77 / 14 / 11

HEX #E335C4

RGB 227 53 196

HSL 310.69, 0.76%, 0.55%

LAB 54.93, 77.85, -36.38

 

CMYK 7 / 77 / 0 / 11

HEX #D335E3

RGB 211 53 227

HSL 294.48, 0.76%, 0.55%

LAB 53.96, 79.27, -55.76

 

CMYK 28 / 77 / 0 / 11

HEX #A435E3

RGB 164 53 227

HSL 278.28, 0.76%, 0.55%

LAB 46.95, 70.76, -67.42

 

CMYK 48 / 77 / 0 / 11

HEX #7535E3

RGB 117 53 227

HSL 262.07, 0.76%, 0.55%

LAB 41.02, 63.43, -77.36

 

CMYK 69 / 77 / 0 / 11

HEX #4635E3

RGB 70 53 227

HSL 245.86, 0.76%, 0.55%

LAB 36.73, 58.04, -84.57

 

CMYK 0 / 77 / 14 / 11

HEX #E335C4

RGB 227 53 196

HSL 310.69, 0.76%, 0.55%

LAB 54.93, 77.85, -36.38

 

CMYK 0 / 86 / 15 / 4

HEX #F622D0

RGB 246 34 208

HSL 310.75, 0.92%, 0.55%

LAB 57.36, 87.33, -39.22

 

CMYK 0 / 77 / 14 / 11

HEX #E335C4

RGB 227 53 196

HSL 310.69, 0.76%, 0.55%

LAB 54.93, 77.85, -36.38

 

CMYK 0 / 66 / 12 / 18

HEX #D047B8

RGB 208 71 184

HSL 310.51, 0.59%, 0.55%

LAB 53.36, 65.85, -32.13

 

CMYK 0 / 53 / 9 / 25

HEX #BE5AAC

RGB 190 90 172

HSL 310.8, 0.43%, 0.55%

LAB 53.21, 50.74, -25.59

 

CMYK 0 / 37 / 6 / 33

HEX #AB6CA0

RGB 171 108 160

HSL 310.48, 0.27%, 0.55%

LAB 53.94, 33.19, -17.69

 

CMYK 0 / 17 / 3 / 40

HEX #997F94

RGB 153 127 148

HSL 311.54, 0.11%, 0.55%

LAB 56.18, 13.76, -7.54

 

CMYK 28 / 77 / 0 / 11

HEX #A335E3

RGB 163 53 227

HSL 277.93, 0.76%, 0.55%

LAB 46.82, 70.59, -67.65

 

CMYK 7 / 77 / 0 / 11

HEX #D235E3

RGB 210 53 227

HSL 294.14, 0.76%, 0.55%

LAB 53.81, 79.08, -56.02

 

CMYK 0 / 77 / 13 / 11

HEX #E335C6

RGB 227 53 198

HSL 310, 0.76%, 0.55%

LAB 55.03, 78.12, -37.38

 

CMYK 0 / 77 / 33 / 11

HEX #E33597

RGB 227 53 151

HSL 326.21, 0.76%, 0.55%

LAB 53.07, 72.35, -12.94

 

CMYK 0 / 77 / 54 / 11

HEX #E33569

RGB 227 53 105

HSL 342.07, 0.76%, 0.55%

LAB 51.72, 68.19, 12.7

 

CMYK 0 / 87 / 16 / 32

HEX #AE1793

RGB 174 23 147

HSL 310.73, 0.77%, 0.39%

LAB 40.76, 67.03, -30.29

 

CMYK 0 / 87 / 15 / 18

HEX #D21CB2

RGB 210 28 178

HSL 310.55, 0.76%, 0.47%

LAB 49.19, 77.5, -35.13

 

CMYK 0 / 77 / 14 / 11

HEX #E335C4

RGB 227 53 196

HSL 310.69, 0.76%, 0.55%

LAB 54.93, 77.85, -36.38

 

CMYK 0 / 62 / 11 / 9

HEX #E859CF

RGB 232 89 207

HSL 310.49, 0.76%, 0.63%

LAB 60.61, 68.27, -33.73

 

CMYK 0 / 47 / 8 / 7

HEX #ED7DD9

RGB 237 125 217

HSL 310.71, 0.76%, 0.71%

LAB 67.79, 54.96, -28.18

 

CMYK 0 / 77 / 14 / 11

HEX #E334C4

RGB 227 52 196

HSL 310.63, 0.76%, 0.55%

LAB 54.84, 78.12, -36.53

 

CMYK 0 / 49 / 77 / 11

HEX #E37435

RGB 227 116 53

HSL 21.72, 0.76%, 0.55%

LAB 60.85, 38.91, 52.58

 

CMYK 77 / 0 / 18 / 11

HEX #35E3BA

RGB 53 227 186

HSL 165.86, 0.76%, 0.55%

LAB 81.42, -52.23, 7.83

 

CMYK 0 / 77 / 14 / 11

HEX #E334C4

RGB 227 52 196

HSL 310.63, 0.76%, 0.55%

LAB 54.84, 78.12, -36.53

 

CMYK 13 / 0 / 77 / 11

HEX #C6E335

RGB 198 227 53

HSL 70, 0.76%, 0.55%

LAB 85.61, -30.59, 75.13

 

CMYK 77 / 13 / 0 / 11

HEX #35C6E3

RGB 53 198 227

HSL 190, 0.76%, 0.55%

LAB 73.99, -27.72, -25.17

 

CMYK 0 / 77 / 14 / 11

HEX #E334C4

RGB 227 52 196

HSL 310.63, 0.76%, 0.55%

LAB 54.84, 78.12, -36.53

 

CMYK 0 / 49 / 77 / 11

HEX #E37435

RGB 227 116 53

HSL 21.72, 0.76%, 0.55%

LAB 60.85, 38.91, 52.58

 

CMYK 77 / 0 / 64 / 11

HEX #35E352

RGB 53 227 82

HSL 130, 0.76%, 0.55%

LAB 79.79, -70.71, 56.94

 

CMYK 77 / 28 / 0 / 11

HEX #35A3E3

RGB 53 163 227

HSL 202.07, 0.76%, 0.55%

LAB 63.75, -9.37, -41.03

 

CMYK 0 / 77 / 14 / 11

HEX #E334C4

RGB 227 52 196

HSL 310.63, 0.76%, 0.55%

LAB 54.84, 78.12, -36.53

 

CMYK 0 / 26 / 77 / 11

HEX #E3A935

RGB 227 169 53

HSL 40, 0.76%, 0.55%

LAB 72.87, 10.95, 64.22

 

CMYK 77 / 0 / 64 / 11

HEX #35E352

RGB 53 227 82

HSL 130, 0.76%, 0.55%

LAB 79.79, -70.71, 56.94

 

CMYK 77 / 51 / 0 / 11

HEX #356FE3

RGB 53 111 227

HSL 220, 0.76%, 0.55%

LAB 49.1, 21.77, -64.38

 

Description

Color code: HEX #E334C4 | qconv.com Color code: HEX #E334C4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 52 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 52 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 14 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 14% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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