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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E32627 it is the complementary color #1CD9D8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E32627. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E32627 shade: #E82622, #F93835, #FF4A48, #FF5C5B and #FF6E6E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E32627. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E32627 shade: #E32627, #D21414, #C10201, #B00000 and #9F0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E32627 shade: #E22627 and #E22626

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E32627 shade: #E22627, #E2265A, #E2268D, #E226BF and #D326E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E32627 shade matches the following richer shades: #E22627 and #F61213

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E32627 shade: #E22627, #CF3A3A, #BB4D4E, #A76162 and #937575

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E32627 shade: #E2268E, #E2265B, #E22629, #E25526 and #E28726

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E32627 shade: #A11515, #C6191A, #E22627, #E74A4B and #EC6F70

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E32627 shade: #E32627, #C0E226 and #2674E2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E32627 shade: #E32627, #29E226 and #2629E2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E32627 shade: #E32627, #C0E226, #26E2DF and #4826E2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E32627 shade: #E32627, #87E226, #26E2DF and #8126E2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 83 / 11

HEX #E32627

RGB 227 38 39

HSL 359.68, 0.77%, 0.52%

LAB 49.33, 68.89, 48.2

 

Complementary color

CMYK 87 / 0 / 0 / 15

HEX #1CD9D8

RGB 28 217 216

HSL 179.68, 0.77%, 0.48%

LAB 78.94, -41.91, -11.8

 

CMYK 0 / 84 / 85 / 9

HEX #E82622

RGB 232 38 34

HSL 1.21, 0.81%, 0.52%

LAB 50.28, 70.13, 51.87

 

CMYK 0 / 78 / 79 / 2

HEX #F93835

RGB 249 56 53

HSL 0.92, 0.94%, 0.59%

LAB 55.3, 70.83, 48.19

 

CMYK 0 / 71 / 72 / 0

HEX #FF4A48

RGB 255 74 72

HSL 0.66, 1%, 0.64%

LAB 58.63, 67.63, 41.85

 

CMYK 0 / 64 / 64 / 0

HEX #FF5C5B

RGB 255 92 91

HSL 0.37, 1%, 0.68%

LAB 61.37, 61.78, 34.53

 

CMYK 0 / 57 / 57 / 0

HEX #FF6E6E

RGB 255 110 110

HSL 0, 1%, 0.72%

LAB 64.59, 55.24, 27.96

 

CMYK 0 / 83 / 83 / 11

HEX #E32627

RGB 227 38 39

HSL 359.68, 0.77%, 0.52%

LAB 49.33, 68.89, 48.2

 

CMYK 0 / 90 / 90 / 18

HEX #D21414

RGB 210 20 20

HSL 0, 0.83%, 0.45%

LAB 44.59, 67.32, 51.77

 

CMYK 0 / 99 / 99 / 24

HEX #C10201

RGB 193 2 1

HSL 0.31, 0.99%, 0.38%

LAB 40.22, 64.77, 54.15

 

CMYK 0 / 100 / 100 / 31

HEX #B00000

RGB 176 0 0

HSL 0, 1%, 0.35%

LAB 36.42, 60.66, 50.81

 

CMYK 0 / 100 / 100 / 38

HEX #9F0000

RGB 159 0 0

HSL 0, 1%, 0.31%

LAB 32.64, 56.28, 46.7

 

CMYK 0 / 83 / 83 / 11

HEX #E22627

RGB 226 38 39

HSL 359.68, 0.76%, 0.52%

LAB 49.13, 68.62, 47.94

 

CMYK 0 / 83 / 83 / 11

HEX #E22626

RGB 226 38 38

HSL 0, 0.76%, 0.52%

LAB 49.12, 68.6, 48.44

 

CMYK 0 / 83 / 83 / 11

HEX #E22627

RGB 226 38 39

HSL 359.68, 0.76%, 0.52%

LAB 49.13, 68.62, 47.94

 

CMYK 0 / 83 / 60 / 11

HEX #E2265A

RGB 226 38 90

HSL 343.4, 0.76%, 0.52%

LAB 49.85, 70.76, 19.22

 

CMYK 0 / 83 / 38 / 11

HEX #E2268D

RGB 226 38 141

HSL 327.13, 0.76%, 0.52%

LAB 51.24, 74.8, -9.74

 

CMYK 0 / 83 / 15 / 11

HEX #E226BF

RGB 226 38 191

HSL 311.17, 0.76%, 0.52%

LAB 53.29, 80.52, -36.07

 

CMYK 7 / 83 / 0 / 11

HEX #D326E2

RGB 211 38 226

HSL 295.21, 0.76%, 0.52%

LAB 52.65, 82.76, -57.3

 

CMYK 0 / 83 / 83 / 11

HEX #E22627

RGB 226 38 39

HSL 359.68, 0.76%, 0.52%

LAB 49.13, 68.62, 47.94

 

CMYK 0 / 93 / 92 / 4

HEX #F61213

RGB 246 18 19

HSL 359.74, 0.93%, 0.52%

LAB 51.92, 76.68, 60.49

 

CMYK 0 / 83 / 83 / 11

HEX #E22627

RGB 226 38 39

HSL 359.68, 0.76%, 0.52%

LAB 49.13, 68.62, 47.94

 

CMYK 0 / 72 / 72 / 19

HEX #CF3A3A

RGB 207 58 58

HSL 0, 0.61%, 0.52%

LAB 47.75, 57.95, 34.96

 

CMYK 0 / 59 / 58 / 27

HEX #BB4D4E

RGB 187 77 78

HSL 359.45, 0.45%, 0.52%

LAB 47.52, 44.5, 22.13

 

CMYK 0 / 42 / 41 / 35

HEX #A76162

RGB 167 97 98

HSL 359.14, 0.28%, 0.52%

LAB 49.06, 28.46, 11.77

 

CMYK 0 / 20 / 20 / 42

HEX #937575

RGB 147 117 117

HSL 0, 0.12%, 0.52%

LAB 52.07, 11.72, 4.46

 

CMYK 0 / 83 / 37 / 11

HEX #E2268E

RGB 226 38 142

HSL 326.81, 0.76%, 0.52%

LAB 51.28, 74.9, -10.29

 

CMYK 0 / 83 / 60 / 11

HEX #E2265B

RGB 226 38 91

HSL 343.09, 0.76%, 0.52%

LAB 49.87, 70.82, 18.64

 

CMYK 0 / 83 / 82 / 11

HEX #E22629

RGB 226 38 41

HSL 359.04, 0.76%, 0.52%

LAB 49.15, 68.67, 46.93

 

CMYK 0 / 62 / 83 / 11

HEX #E25526

RGB 226 85 38

HSL 15, 0.76%, 0.52%

LAB 54.87, 52.77, 53.6

 

CMYK 0 / 40 / 83 / 11

HEX #E28726

RGB 226 135 38

HSL 30.96, 0.76%, 0.52%

LAB 64.67, 28.14, 62.16

 

CMYK 0 / 87 / 87 / 37

HEX #A11515

RGB 161 21 21

HSL 0, 0.77%, 0.36%

LAB 34.33, 53.87, 38.94

 

CMYK 0 / 87 / 87 / 22

HEX #C6191A

RGB 198 25 26

HSL 359.65, 0.78%, 0.44%

LAB 42.42, 63.43, 46.36

 

CMYK 0 / 83 / 83 / 11

HEX #E22627

RGB 226 38 39

HSL 359.68, 0.76%, 0.52%

LAB 49.13, 68.62, 47.94

 

CMYK 0 / 68 / 68 / 9

HEX #E74A4B

RGB 231 74 75

HSL 359.62, 0.77%, 0.6%

LAB 54.44, 60.37, 34.18

 

CMYK 0 / 53 / 53 / 7

HEX #EC6F70

RGB 236 111 112

HSL 359.52, 0.77%, 0.68%

LAB 61.97, 48.34, 22.84

 

CMYK 0 / 83 / 83 / 11

HEX #E32627

RGB 227 38 39

HSL 359.68, 0.77%, 0.52%

LAB 49.33, 68.89, 48.2

 

CMYK 15 / 0 / 83 / 11

HEX #C0E226

RGB 192 226 38

HSL 70.85, 0.76%, 0.52%

LAB 84.86, -33.06, 78.21

 

CMYK 83 / 49 / 0 / 11

HEX #2674E2

RGB 38 116 226

HSL 215.11, 0.76%, 0.52%

LAB 49.97, 16.82, -62.42

 

CMYK 0 / 83 / 83 / 11

HEX #E32627

RGB 227 38 39

HSL 359.68, 0.77%, 0.52%

LAB 49.33, 68.89, 48.2

 

CMYK 82 / 0 / 83 / 11

HEX #29E226

RGB 41 226 38

HSL 119.04, 0.76%, 0.52%

LAB 79.04, -75.16, 70.86

 

CMYK 83 / 82 / 0 / 11

HEX #2629E2

RGB 38 41 226

HSL 239.04, 0.76%, 0.52%

LAB 32.9, 61.35, -90.42

 

CMYK 0 / 83 / 83 / 11

HEX #E32627

RGB 227 38 39

HSL 359.68, 0.77%, 0.52%

LAB 49.33, 68.89, 48.2

 

CMYK 15 / 0 / 83 / 11

HEX #C0E226

RGB 192 226 38

HSL 70.85, 0.76%, 0.52%

LAB 84.86, -33.06, 78.21

 

CMYK 83 / 0 / 1 / 11

HEX #26E2DF

RGB 38 226 223

HSL 179.04, 0.76%, 0.52%

LAB 81.91, -43.27, -11.09

 

CMYK 68 / 83 / 0 / 11

HEX #4826E2

RGB 72 38 226

HSL 250.85, 0.76%, 0.52%

LAB 34.51, 64.52, -87.68

 

CMYK 0 / 83 / 83 / 11

HEX #E32627

RGB 227 38 39

HSL 359.68, 0.77%, 0.52%

LAB 49.33, 68.89, 48.2

 

CMYK 40 / 0 / 83 / 11

HEX #87E226

RGB 135 226 38

HSL 89.04, 0.76%, 0.52%

LAB 81.67, -54.13, 74.19

 

CMYK 83 / 0 / 1 / 11

HEX #26E2DF

RGB 38 226 223

HSL 179.04, 0.76%, 0.52%

LAB 81.91, -43.27, -11.09

 

CMYK 43 / 83 / 0 / 11

HEX #8126E2

RGB 129 38 226

HSL 269.04, 0.76%, 0.52%

LAB 40.48, 70.24, -77.62

 

Description

Color code: HEX #E32627 | qconv.com Color code: HEX #E32627 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 38 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 38 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 83 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 83% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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