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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E31BD9 it is the complementary color #1CE426. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E31BD9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E31BD9 shade: #E81BD4, #F92DE7, #FF3FFA, #FF51FF and #FF63FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E31BD9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E31BD9 shade: #E31BD9, #D209C6, #C100B3, #B000A0 and #9F008D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E31BD9 shade: #E41ADA, #E41AA3, #E41A6D, #E41A37 and #E41A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E31BD9 shade: #E41ADA, #B71AE4, #811AE4, #4B1AE4 and #1A1AE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E31BD9 shade matches the following richer shades: #E41ADA and #F806EC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E31BD9 shade: #E41ADA, #CF2FC7, #BA44B5, #A658A2 and #916D8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E31BD9 shade: #821AE4, #B81AE4, #E41ADA, #E41AA4 and #E41A6E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E31BD9 shade: #9A1293, #BF16B6, #E41ADA, #E83FE0 and #EC64E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E31BD9 shade: #E31BD9, #E44D1A and #1AE49D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E31BD9 shade: #E31BD9, #DAE41A and #1ADAE4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E31BD9 shade: #E31BD9, #E44D1A, #1AE424 and #1AB1E4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E31BD9 shade: #E31BD9, #E4891A, #1AE424 and #1A75E4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 4 / 11

HEX #E31BD9

RGB 227 27 217

HSL 303, 0.79%, 0.5%

LAB 54.16, 86.12, -49.63

 

Complementary color

CMYK 88 / 0 / 83 / 11

HEX #1CE426

RGB 28 228 38

HSL 123, 0.79%, 0.5%

LAB 79.54, -76.87, 71.26

 

CMYK 0 / 88 / 9 / 9

HEX #E81BD4

RGB 232 27 212

HSL 305.85, 0.82%, 0.51%

LAB 54.75, 86.31, -45.78

 

CMYK 0 / 82 / 7 / 2

HEX #F92DE7

RGB 249 45 231

HSL 305.29, 0.94%, 0.58%

LAB 59.69, 88.94, -48.52

 

CMYK 0 / 75 / 2 / 0

HEX #FF3FFA

RGB 255 63 250

HSL 301.56, 1%, 0.62%

LAB 63.11, 88.58, -53.63

 

CMYK 0 / 68 / 0 / 0

HEX #FF51FF

RGB 255 81 255

HSL 300, 1%, 0.66%

LAB 65.25, 83.95, -52.99

 

CMYK 0 / 61 / 0 / 0

HEX #FF63FF

RGB 255 99 255

HSL 300, 1%, 0.69%

LAB 67.58, 77.42, -49.31

 

CMYK 0 / 88 / 4 / 11

HEX #E31BD9

RGB 227 27 217

HSL 303, 0.79%, 0.5%

LAB 54.16, 86.12, -49.63

 

CMYK 0 / 96 / 6 / 18

HEX #D209C6

RGB 210 9 198

HSL 303.58, 0.92%, 0.43%

LAB 49.46, 82.48, -46.36

 

CMYK 0 / 100 / 7 / 24

HEX #C100B3

RGB 193 0 179

HSL 304.35, 1%, 0.38%

LAB 45.07, 77.69, -42.43

 

CMYK 0 / 100 / 9 / 31

HEX #B000A0

RGB 176 0 160

HSL 305.45, 1%, 0.35%

LAB 40.85, 72.1, -38.01

 

CMYK 0 / 100 / 11 / 38

HEX #9F008D

RGB 159 0 141

HSL 306.79, 1%, 0.31%

LAB 36.54, 66.41, -33.46

 

CMYK 0 / 89 / 4 / 11

HEX #E41ADA

RGB 228 26 218

HSL 302.97, 0.8%, 0.5%

LAB 54.34, 86.57, -49.9

 

CMYK 0 / 89 / 29 / 11

HEX #E41AA3

RGB 228 26 163

HSL 319.31, 0.8%, 0.5%

LAB 51.7, 79.66, -22.13

 

CMYK 0 / 89 / 52 / 11

HEX #E41A6D

RGB 228 26 109

HSL 335.35, 0.8%, 0.5%

LAB 49.9, 74.75, 7.74

 

CMYK 0 / 89 / 76 / 11

HEX #E41A37

RGB 228 26 55

HSL 351.39, 0.8%, 0.5%

LAB 48.89, 71.89, 39.08

 

CMYK 0 / 89 / 89 / 11

HEX #E41A1A

RGB 228 26 26

HSL 0, 0.8%, 0.5%

LAB 48.64, 71.18, 53.85

 

CMYK 0 / 89 / 4 / 11

HEX #E41ADA

RGB 228 26 218

HSL 302.97, 0.8%, 0.5%

LAB 54.34, 86.57, -49.9

 

CMYK 20 / 89 / 0 / 11

HEX #B71AE4

RGB 183 26 228

HSL 286.63, 0.8%, 0.5%

LAB 47.5, 80.87, -66.97

 

CMYK 43 / 89 / 0 / 11

HEX #811AE4

RGB 129 26 228

HSL 270.59, 0.8%, 0.5%

LAB 39.59, 73.87, -80.22

 

CMYK 67 / 89 / 0 / 11

HEX #4B1AE4

RGB 75 26 228

HSL 254.55, 0.8%, 0.5%

LAB 33.64, 69.26, -90.26

 

CMYK 89 / 89 / 0 / 11

HEX #1A1AE4

RGB 26 26 228

HSL 240, 0.8%, 0.5%

LAB 30.78, 67.34, -95.09

 

CMYK 0 / 89 / 4 / 11

HEX #E41ADA

RGB 228 26 218

HSL 302.97, 0.8%, 0.5%

LAB 54.34, 86.57, -49.9

 

CMYK 0 / 98 / 5 / 3

HEX #F806EC

RGB 248 6 236

HSL 302.98, 0.95%, 0.5%

LAB 58.17, 94.19, -53.75

 

CMYK 0 / 89 / 4 / 11

HEX #E41ADA

RGB 228 26 218

HSL 302.97, 0.8%, 0.5%

LAB 54.34, 86.57, -49.9

 

CMYK 0 / 77 / 4 / 19

HEX #CF2FC7

RGB 207 47 199

HSL 303, 0.63%, 0.5%

LAB 51.18, 75.71, -44.25

 

CMYK 0 / 63 / 3 / 27

HEX #BA44B5

RGB 186 68 181

HSL 302.54, 0.46%, 0.5%

LAB 49.39, 61.06, -36.85

 

CMYK 0 / 47 / 2 / 35

HEX #A658A2

RGB 166 88 162

HSL 303.08, 0.31%, 0.5%

LAB 49.12, 42.77, -26.32

 

CMYK 0 / 25 / 1 / 43

HEX #916D8F

RGB 145 109 143

HSL 303.33, 0.14%, 0.5%

LAB 50.62, 20.33, -13.04

 

CMYK 43 / 89 / 0 / 11

HEX #821AE4

RGB 130 26 228

HSL 270.89, 0.8%, 0.5%

LAB 39.73, 73.98, -80

 

CMYK 19 / 89 / 0 / 11

HEX #B81AE4

RGB 184 26 228

HSL 286.93, 0.8%, 0.5%

LAB 47.66, 81.01, -66.7

 

CMYK 0 / 89 / 4 / 11

HEX #E41ADA

RGB 228 26 218

HSL 302.97, 0.8%, 0.5%

LAB 54.34, 86.57, -49.9

 

CMYK 0 / 89 / 28 / 11

HEX #E41AA4

RGB 228 26 164

HSL 319.01, 0.8%, 0.5%

LAB 51.74, 79.77, -22.66

 

CMYK 0 / 89 / 52 / 11

HEX #E41A6E

RGB 228 26 110

HSL 335.05, 0.8%, 0.5%

LAB 49.93, 74.82, 7.17

 

CMYK 0 / 88 / 5 / 40

HEX #9A1293

RGB 154 18 147

HSL 303.09, 0.79%, 0.34%

LAB 36.76, 63.96, -36.86

 

CMYK 0 / 88 / 5 / 25

HEX #BF16B6

RGB 191 22 182

HSL 303.2, 0.79%, 0.42%

LAB 45.67, 75.42, -43.26

 

CMYK 0 / 89 / 4 / 11

HEX #E41ADA

RGB 228 26 218

HSL 302.97, 0.8%, 0.5%

LAB 54.34, 86.57, -49.9

 

CMYK 0 / 73 / 3 / 9

HEX #E83FE0

RGB 232 63 224

HSL 302.84, 0.79%, 0.58%

LAB 58.12, 80.08, -47.24

 

CMYK 0 / 58 / 3 / 7

HEX #EC64E6

RGB 236 100 230

HSL 302.65, 0.78%, 0.66%

LAB 63.88, 68.33, -41.49

 

CMYK 0 / 88 / 4 / 11

HEX #E31BD9

RGB 227 27 217

HSL 303, 0.79%, 0.5%

LAB 54.16, 86.12, -49.63

 

CMYK 0 / 66 / 89 / 11

HEX #E44D1A

RGB 228 77 26

HSL 15.15, 0.8%, 0.5%

LAB 53.9, 56.55, 57.75

 

CMYK 89 / 0 / 31 / 11

HEX #1AE49D

RGB 26 228 157

HSL 158.91, 0.8%, 0.5%

LAB 80.82, -61.49, 22.13

 

CMYK 0 / 88 / 4 / 11

HEX #E31BD9

RGB 227 27 217

HSL 303, 0.79%, 0.5%

LAB 54.16, 86.12, -49.63

 

CMYK 4 / 0 / 89 / 11

HEX #DAE41A

RGB 218 228 26

HSL 62.97, 0.8%, 0.5%

LAB 87.23, -23.68, 83.21

 

CMYK 89 / 4 / 0 / 11

HEX #1ADAE4

RGB 26 218 228

HSL 182.97, 0.8%, 0.5%

LAB 79.59, -38.91, -17.23

 

CMYK 0 / 88 / 4 / 11

HEX #E31BD9

RGB 227 27 217

HSL 303, 0.79%, 0.5%

LAB 54.16, 86.12, -49.63

 

CMYK 0 / 66 / 89 / 11

HEX #E44D1A

RGB 228 77 26

HSL 15.15, 0.8%, 0.5%

LAB 53.9, 56.55, 57.75

 

CMYK 89 / 0 / 84 / 11

HEX #1AE424

RGB 26 228 36

HSL 122.97, 0.8%, 0.5%

LAB 79.52, -77.11, 71.7

 

CMYK 89 / 22 / 0 / 11

HEX #1AB1E4

RGB 26 177 228

HSL 195.15, 0.8%, 0.5%

LAB 67.48, -18.8, -35.79

 

CMYK 0 / 88 / 4 / 11

HEX #E31BD9

RGB 227 27 217

HSL 303, 0.79%, 0.5%

LAB 54.16, 86.12, -49.63

 

CMYK 0 / 40 / 89 / 11

HEX #E4891A

RGB 228 137 26

HSL 32.97, 0.8%, 0.5%

LAB 65.33, 27.64, 66.46

 

CMYK 89 / 0 / 84 / 11

HEX #1AE424

RGB 26 228 36

HSL 122.97, 0.8%, 0.5%

LAB 79.52, -77.11, 71.7

 

CMYK 89 / 49 / 0 / 11

HEX #1A75E4

RGB 26 117 228

HSL 212.97, 0.8%, 0.5%

LAB 50.15, 16.14, -63.27

 

Description

Color code: HEX #E31BD9 | qconv.com Color code: HEX #E31BD9 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 27 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 27 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 4 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 4% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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