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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E316A8 it is the complementary color #1CE957. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E316A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E316A8 shade: #E816A3, #F928B6, #FF3AC9, #FF4CDC and #FF5EEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E316A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E316A8 shade: #E316A8, #D20495, #C10082, #B0006F and #9F005C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E316A8 shade: #E316A8, #E31671, #E31639 and #E31616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E316A8 shade: #E316A8, #E316DF, #AF16E3, #7816E3 and #4116E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E316A8 shade matches the following richer shades: #E316A8 and #F702B1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E316A8 shade: #E316A8, #CF2A9F, #BA3E97, #A6538E and #926786

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E316A8 shade: #B016E3, #E316DF, #E316A9, #E31672 and #E3163C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E316A8 shade: #980F70, #BD128C, #E316A8, #EB37B7 and #EF5DC5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E316A8 shade: #E316A8, #E37916 and #16E3CB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E316A8 shade: #E316A8, #A9E316 and #16A9E3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E316A8 shade: #E316A8, #E37916, #16E350 and #1680E3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E316A8 shade: #E316A8, #E3B716, #16E350 and #1642E3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 26 / 11

HEX #E316A8

RGB 227 22 168

HSL 317.27, 0.82%, 0.49%

LAB 51.53, 80.56, -25.35

 

Complementary color

CMYK 88 / 0 / 63 / 9

HEX #1CE957

RGB 28 233 87

HSL 137.27, 0.82%, 0.51%

LAB 81.41, -74.44, 56.59

 

CMYK 0 / 91 / 30 / 9

HEX #E816A3

RGB 232 22 163

HSL 319.71, 0.83%, 0.5%

LAB 52.26, 81.03, -21.2

 

CMYK 0 / 84 / 27 / 2

HEX #F928B6

RGB 249 40 182

HSL 319.23, 0.95%, 0.57%

LAB 57.11, 83.79, -24.61

 

CMYK 0 / 77 / 21 / 0

HEX #FF3AC9

RGB 255 58 201

HSL 316.45, 1%, 0.61%

LAB 60.34, 83.25, -30.46

 

CMYK 0 / 70 / 14 / 0

HEX #FF4CDC

RGB 255 76 220

HSL 311.73, 1%, 0.65%

LAB 63.01, 80.46, -37.06

 

CMYK 0 / 63 / 6 / 0

HEX #FF5EEF

RGB 255 94 239

HSL 305.96, 1%, 0.68%

LAB 66.13, 76.84, -42.77

 

CMYK 0 / 90 / 26 / 11

HEX #E316A8

RGB 227 22 168

HSL 317.27, 0.82%, 0.49%

LAB 51.53, 80.56, -25.35

 

CMYK 0 / 98 / 29 / 18

HEX #D20495

RGB 210 4 149

HSL 317.77, 0.96%, 0.42%

LAB 46.92, 76.8, -21.41

 

CMYK 0 / 100 / 33 / 24

HEX #C10082

RGB 193 0 130

HSL 319.59, 1%, 0.38%

LAB 42.69, 71.71, -16.61

 

CMYK 0 / 100 / 37 / 31

HEX #B0006F

RGB 176 0 111

HSL 322.16, 1%, 0.35%

LAB 38.51, 66.22, -11.44

 

CMYK 0 / 100 / 42 / 38

HEX #9F005C

RGB 159 0 92

HSL 325.28, 1%, 0.31%

LAB 34.28, 60.67, -6.01

 

CMYK 0 / 90 / 26 / 11

HEX #E316A8

RGB 227 22 168

HSL 317.27, 0.82%, 0.49%

LAB 51.53, 80.56, -25.35

 

CMYK 0 / 90 / 50 / 11

HEX #E31671

RGB 227 22 113

HSL 333.37, 0.82%, 0.49%

LAB 49.61, 75.38, 4.86

 

CMYK 0 / 90 / 75 / 11

HEX #E31639

RGB 227 22 57

HSL 349.76, 0.82%, 0.49%

LAB 48.51, 72.3, 37.44

 

CMYK 0 / 90 / 90 / 11

HEX #E31616

RGB 227 22 22

HSL 0, 0.82%, 0.49%

LAB 48.21, 71.45, 55.1

 

CMYK 0 / 90 / 26 / 11

HEX #E316A8

RGB 227 22 168

HSL 317.27, 0.82%, 0.49%

LAB 51.53, 80.56, -25.35

 

CMYK 0 / 90 / 2 / 11

HEX #E316DF

RGB 227 22 223

HSL 301.17, 0.82%, 0.49%

LAB 54.27, 87.62, -52.85

 

CMYK 23 / 90 / 0 / 11

HEX #AF16E3

RGB 175 22 227

HSL 284.78, 0.82%, 0.49%

LAB 45.95, 80.18, -68.98

 

CMYK 47 / 90 / 0 / 11

HEX #7816E3

RGB 120 22 227

HSL 268.68, 0.82%, 0.49%

LAB 38.04, 73.57, -82.24

 

CMYK 71 / 90 / 0 / 11

HEX #4116E3

RGB 65 22 227

HSL 252.59, 0.82%, 0.49%

LAB 32.36, 69.55, -91.84

 

CMYK 0 / 90 / 26 / 11

HEX #E316A8

RGB 227 22 168

HSL 317.27, 0.82%, 0.49%

LAB 51.53, 80.56, -25.35

 

CMYK 0 / 99 / 28 / 3

HEX #F702B1

RGB 247 2 177

HSL 317.14, 0.98%, 0.49%

LAB 55.06, 87.15, -24.88

 

CMYK 0 / 90 / 26 / 11

HEX #E316A8

RGB 227 22 168

HSL 317.27, 0.82%, 0.49%

LAB 51.53, 80.56, -25.35

 

CMYK 0 / 80 / 23 / 19

HEX #CF2A9F

RGB 207 42 159

HSL 317.45, 0.66%, 0.49%

LAB 48.79, 71.51, -24.55

 

CMYK 0 / 67 / 19 / 27

HEX #BA3E97

RGB 186 62 151

HSL 316.94, 0.5%, 0.49%

LAB 47.13, 58.82, -22.64

 

CMYK 0 / 50 / 14 / 35

HEX #A6538E

RGB 166 83 142

HSL 317.35, 0.33%, 0.49%

LAB 47.3, 41.89, -17.26

 

CMYK 0 / 29 / 8 / 43

HEX #926786

RGB 146 103 134

HSL 316.74, 0.17%, 0.49%

LAB 48.92, 22.46, -10.25

 

CMYK 22 / 90 / 0 / 11

HEX #B016E3

RGB 176 22 227

HSL 285.07, 0.82%, 0.49%

LAB 46.11, 80.33, -68.71

 

CMYK 0 / 90 / 2 / 11

HEX #E316DF

RGB 227 22 223

HSL 301.17, 0.82%, 0.49%

LAB 54.27, 87.62, -52.85

 

CMYK 0 / 90 / 26 / 11

HEX #E316A9

RGB 227 22 169

HSL 316.98, 0.82%, 0.49%

LAB 51.58, 80.68, -25.88

 

CMYK 0 / 90 / 50 / 11

HEX #E31672

RGB 227 22 114

HSL 333.07, 0.82%, 0.49%

LAB 49.64, 75.46, 4.28

 

CMYK 0 / 90 / 74 / 11

HEX #E3163C

RGB 227 22 60

HSL 348.88, 0.82%, 0.49%

LAB 48.55, 72.41, 35.73

 

CMYK 0 / 90 / 26 / 40

HEX #980F70

RGB 152 15 112

HSL 317.52, 0.82%, 0.33%

LAB 34.37, 59.22, -18.84

 

CMYK 0 / 90 / 26 / 26

HEX #BD128C

RGB 189 18 140

HSL 317.19, 0.83%, 0.41%

LAB 42.98, 70.08, -22.36

 

CMYK 0 / 90 / 26 / 11

HEX #E316A8

RGB 227 22 168

HSL 317.27, 0.82%, 0.49%

LAB 51.53, 80.56, -25.35

 

CMYK 0 / 77 / 22 / 8

HEX #EB37B7

RGB 235 55 183

HSL 317.33, 0.82%, 0.57%

LAB 55.9, 77.38, -27.26

 

CMYK 0 / 61 / 18 / 6

HEX #EF5DC5

RGB 239 93 197

HSL 317.26, 0.82%, 0.65%

LAB 61.84, 67.02, -26.08

 

CMYK 0 / 90 / 26 / 11

HEX #E316A8

RGB 227 22 168

HSL 317.27, 0.82%, 0.49%

LAB 51.53, 80.56, -25.35

 

CMYK 0 / 47 / 90 / 11

HEX #E37916

RGB 227 121 22

HSL 28.98, 0.82%, 0.49%

LAB 61.71, 35.51, 64.71

 

CMYK 90 / 0 / 11 / 11

HEX #16E3CB

RGB 22 227 203

HSL 172.98, 0.82%, 0.49%

LAB 81.52, -50.15, -1.06

 

CMYK 0 / 90 / 26 / 11

HEX #E316A8

RGB 227 22 168

HSL 317.27, 0.82%, 0.49%

LAB 51.53, 80.56, -25.35

 

CMYK 26 / 0 / 90 / 11

HEX #A9E316

RGB 169 227 22

HSL 76.98, 0.82%, 0.49%

LAB 83.67, -42.89, 79.59

 

CMYK 90 / 26 / 0 / 11

HEX #16A9E3

RGB 22 169 227

HSL 196.98, 0.82%, 0.49%

LAB 65.04, -15.09, -39.05

 

CMYK 0 / 90 / 26 / 11

HEX #E316A8

RGB 227 22 168

HSL 317.27, 0.82%, 0.49%

LAB 51.53, 80.56, -25.35

 

CMYK 0 / 47 / 90 / 11

HEX #E37916

RGB 227 121 22

HSL 28.98, 0.82%, 0.49%

LAB 61.71, 35.51, 64.71

 

CMYK 90 / 0 / 65 / 11

HEX #16E350

RGB 22 227 80

HSL 136.98, 0.82%, 0.49%

LAB 79.44, -73.8, 57.28

 

CMYK 90 / 44 / 0 / 11

HEX #1680E3

RGB 22 128 227

HSL 208.98, 0.82%, 0.49%

LAB 53.12, 8.67, -57.93

 

CMYK 0 / 90 / 26 / 11

HEX #E316A8

RGB 227 22 168

HSL 317.27, 0.82%, 0.49%

LAB 51.53, 80.56, -25.35

 

CMYK 0 / 19 / 90 / 11

HEX #E3B716

RGB 227 183 22

HSL 47.12, 0.82%, 0.49%

LAB 76.23, 2.73, 75.63

 

CMYK 90 / 0 / 65 / 11

HEX #16E350

RGB 22 227 80

HSL 136.98, 0.82%, 0.49%

LAB 79.44, -73.8, 57.28

 

CMYK 90 / 71 / 0 / 11

HEX #1642E3

RGB 22 66 227

HSL 227.12, 0.82%, 0.49%

LAB 37.14, 47.86, -83.97

 

Description

Color code: HEX #E316A8 | qconv.com Color code: HEX #E316A8 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 22 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 22 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 26 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 26% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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