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Color name
HEX #E30D59

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E30D59 it is the complementary color #1CF2A6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E30D59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E30D59 shade: #E80D54, #F91F67, #FF317A, #FF438D and #FF55A0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E30D59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E30D59 shade: #E30D59, #D20046, #C10033, #B00020 and #9F000D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E30D59 shade: #E20D58, #E20D1F and #E20D0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E30D59 shade: #E20D58, #E20D92, #E20DCC, #BF0DE2 and #850DE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E30D59 shade matches the following richer shades: #E20D58

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E30D59 shade: #E20D58, #CF205E, #BB3364, #A84769 and #945A6F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E30D59 shade: #E20DCD, #E20D94, #E20D5B, #E20D22 and #E2300D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E30D59 shade: #94083A, #BB0A49, #E20D58, #F2266E and #F44D88

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E30D59 shade: #E30D59, #E2BE0D and #0DB0E2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E30D59 shade: #E30D59, #5BE20D and #0D5BE2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E30D59 shade: #E30D59, #E2BE0D, #0DE294 and #0D30E2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E30D59 shade: #E30D59, #C6E20D, #0DE294 and #290DE2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 94 / 61 / 11

HEX #E30D59

RGB 227 13 89

HSL 338.69, 0.89%, 0.47%

LAB 48.69, 74.81, 18.31

 

Complementary color

CMYK 88 / 0 / 31 / 5

HEX #1CF2A6

RGB 28 242 166

HSL 158.69, 0.89%, 0.53%

LAB 85.25, -64.53, 23.58

 

CMYK 0 / 94 / 64 / 9

HEX #E80D54

RGB 232 13 84

HSL 340.55, 0.89%, 0.48%

LAB 49.6, 75.71, 22.77

 

CMYK 0 / 88 / 59 / 2

HEX #F91F67

RGB 249 31 103

HSL 340.18, 0.95%, 0.55%

LAB 54.13, 78.56, 17.89

 

CMYK 0 / 81 / 52 / 0

HEX #FF317A

RGB 255 49 122

HSL 338.74, 1%, 0.6%

LAB 56.94, 77.74, 10.58

 

CMYK 0 / 74 / 45 / 0

HEX #FF438D

RGB 255 67 141

HSL 336.38, 1%, 0.63%

LAB 59.16, 74.37, 2.52

 

CMYK 0 / 67 / 37 / 0

HEX #FF55A0

RGB 255 85 160

HSL 333.53, 1%, 0.67%

LAB 61.91, 70.05, -4.52

 

CMYK 0 / 94 / 61 / 11

HEX #E30D59

RGB 227 13 89

HSL 338.69, 0.89%, 0.47%

LAB 48.69, 74.81, 18.31

 

CMYK 0 / 100 / 67 / 18

HEX #D20046

RGB 210 0 70

HSL 340, 1%, 0.41%

LAB 44.44, 70.92, 23.84

 

CMYK 0 / 100 / 74 / 24

HEX #C10033

RGB 193 0 51

HSL 344.15, 1%, 0.38%

LAB 40.53, 66.03, 30.03

 

CMYK 0 / 100 / 82 / 31

HEX #B00020

RGB 176 0 32

HSL 349.09, 1%, 0.35%

LAB 36.62, 61.2, 36.16

 

CMYK 0 / 100 / 92 / 38

HEX #9F000D

RGB 159 0 13

HSL 355.09, 1%, 0.31%

LAB 32.7, 56.45, 41.37

 

CMYK 0 / 94 / 61 / 11

HEX #E20D58

RGB 226 13 88

HSL 338.87, 0.89%, 0.47%

LAB 48.46, 74.52, 18.59

 

CMYK 0 / 94 / 86 / 11

HEX #E20D1F

RGB 226 13 31

HSL 354.93, 0.89%, 0.47%

LAB 47.7, 72.4, 50.66

 

CMYK 0 / 94 / 94 / 11

HEX #E20D0D

RGB 226 13 13

HSL 0, 0.89%, 0.47%

LAB 47.61, 72.15, 57.8

 

CMYK 0 / 94 / 61 / 11

HEX #E20D58

RGB 226 13 88

HSL 338.87, 0.89%, 0.47%

LAB 48.46, 74.52, 18.59

 

CMYK 0 / 94 / 35 / 11

HEX #E20D92

RGB 226 13 146

HSL 322.54, 0.89%, 0.47%

LAB 50.14, 79.02, -14.41

 

CMYK 0 / 94 / 10 / 11

HEX #E20DCC

RGB 226 13 204

HSL 306.2, 0.89%, 0.47%

LAB 52.75, 85.74, -44.44

 

CMYK 15 / 94 / 0 / 11

HEX #BF0DE2

RGB 191 13 226

HSL 290.14, 0.89%, 0.47%

LAB 48.08, 83.4, -64.84

 

CMYK 41 / 94 / 0 / 11

HEX #850DE2

RGB 133 13 226

HSL 273.8, 0.89%, 0.47%

LAB 39.18, 76.16, -79.73

 

CMYK 0 / 94 / 61 / 11

HEX #E20D58

RGB 226 13 88

HSL 338.87, 0.89%, 0.47%

LAB 48.46, 74.52, 18.59

 

CMYK 0 / 94 / 61 / 11

HEX #E20D58

RGB 226 13 88

HSL 338.87, 0.89%, 0.47%

LAB 48.46, 74.52, 18.59

 

CMYK 0 / 85 / 55 / 19

HEX #CF205E

RGB 207 32 94

HSL 338.74, 0.73%, 0.47%

LAB 45.78, 67.46, 10.59

 

CMYK 0 / 73 / 47 / 27

HEX #BB3364

RGB 187 51 100

HSL 338.38, 0.57%, 0.47%

LAB 44.02, 57.22, 3.84

 

CMYK 0 / 58 / 38 / 34

HEX #A84769

RGB 168 71 105

HSL 338.97, 0.41%, 0.47%

LAB 44.02, 43.34, 0.34

 

CMYK 0 / 39 / 25 / 42

HEX #945A6F

RGB 148 90 111

HSL 338.28, 0.24%, 0.47%

LAB 45.3, 26.79, -1.8

 

CMYK 0 / 94 / 9 / 11

HEX #E20DCD

RGB 226 13 205

HSL 305.92, 0.89%, 0.47%

LAB 52.8, 85.87, -44.93

 

CMYK 0 / 94 / 35 / 11

HEX #E20D94

RGB 226 13 148

HSL 321.97, 0.89%, 0.47%

LAB 50.21, 79.21, -15.5

 

CMYK 0 / 94 / 60 / 11

HEX #E20D5B

RGB 226 13 91

HSL 338.03, 0.89%, 0.47%

LAB 48.53, 74.69, 16.82

 

CMYK 0 / 94 / 85 / 11

HEX #E20D22

RGB 226 13 34

HSL 354.08, 0.89%, 0.47%

LAB 47.72, 72.46, 49.21

 

CMYK 0 / 79 / 94 / 11

HEX #E2300D

RGB 226 48 13

HSL 9.86, 0.89%, 0.47%

LAB 49.87, 65.68, 59.08

 

CMYK 0 / 95 / 61 / 42

HEX #94083A

RGB 148 8 58

HSL 338.57, 0.9%, 0.31%

LAB 31.29, 54.2, 11.76

 

CMYK 0 / 95 / 61 / 27

HEX #BB0A49

RGB 187 10 73

HSL 338.64, 0.9%, 0.39%

LAB 40.02, 64.62, 15.23

 

CMYK 0 / 94 / 61 / 11

HEX #E20D58

RGB 226 13 88

HSL 338.87, 0.89%, 0.47%

LAB 48.46, 74.52, 18.59

 

CMYK 0 / 84 / 55 / 5

HEX #F2266E

RGB 242 38 110

HSL 338.82, 0.89%, 0.55%

LAB 53.37, 76.06, 12.41

 

CMYK 0 / 68 / 44 / 4

HEX #F44D88

RGB 244 77 136

HSL 338.8, 0.88%, 0.63%

LAB 58.34, 67.55, 4.04

 

CMYK 0 / 94 / 61 / 11

HEX #E30D59

RGB 227 13 89

HSL 338.69, 0.89%, 0.47%

LAB 48.69, 74.81, 18.31

 

CMYK 0 / 16 / 94 / 11

HEX #E2BE0D

RGB 226 190 13

HSL 49.86, 0.89%, 0.47%

LAB 77.89, -1.47, 78.15

 

CMYK 94 / 22 / 0 / 11

HEX #0DB0E2

RGB 13 176 226

HSL 194.08, 0.89%, 0.47%

LAB 67, -19.52, -35.45

 

CMYK 0 / 94 / 61 / 11

HEX #E30D59

RGB 227 13 89

HSL 338.69, 0.89%, 0.47%

LAB 48.69, 74.81, 18.31

 

CMYK 60 / 0 / 94 / 11

HEX #5BE20D

RGB 91 226 13

HSL 98.03, 0.89%, 0.47%

LAB 79.98, -67.39, 76.31

 

CMYK 94 / 60 / 0 / 11

HEX #0D5BE2

RGB 13 91 226

HSL 218.03, 0.89%, 0.47%

LAB 42.85, 31.5, -74.01

 

CMYK 0 / 94 / 61 / 11

HEX #E30D59

RGB 227 13 89

HSL 338.69, 0.89%, 0.47%

LAB 48.69, 74.81, 18.31

 

CMYK 0 / 16 / 94 / 11

HEX #E2BE0D

RGB 226 190 13

HSL 49.86, 0.89%, 0.47%

LAB 77.89, -1.47, 78.15

 

CMYK 94 / 0 / 35 / 11

HEX #0DE294

RGB 13 226 148

HSL 158.03, 0.89%, 0.47%

LAB 79.96, -63.25, 25.61

 

CMYK 94 / 79 / 0 / 11

HEX #0D30E2

RGB 13 48 226

HSL 230.14, 0.89%, 0.47%

LAB 33.33, 57.28, -89.71

 

CMYK 0 / 94 / 61 / 11

HEX #E30D59

RGB 227 13 89

HSL 338.69, 0.89%, 0.47%

LAB 48.69, 74.81, 18.31

 

CMYK 12 / 0 / 94 / 11

HEX #C6E20D

RGB 198 226 13

HSL 67.89, 0.89%, 0.47%

LAB 85.21, -31.14, 82.68

 

CMYK 94 / 0 / 35 / 11

HEX #0DE294

RGB 13 226 148

HSL 158.03, 0.89%, 0.47%

LAB 79.96, -63.25, 25.61

 

CMYK 82 / 94 / 0 / 11

HEX #290DE2

RGB 41 13 226

HSL 247.89, 0.89%, 0.47%

LAB 30.04, 70.48, -95.18

 

Description

Color code: HEX #E30D59 | qconv.com Color code: HEX #E30D59 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 13 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 13 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 94 magenta, 61 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 94% 61% 11% C M Y K

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