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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E2F56B it is the complementary color #1D0A94. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E2F56B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E2F56B shade: #E7F566, #F8FF79, #FFFF8C, #FFFF9F and #FFFFB2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E2F56B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E2F56B shade: #E2F56B, #D1E358, #C0D145, #AFBF32 and #9EAD1F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E2F56B shade: #E1F46B, #F4E26B, #F4BD6B, #F4986B and #F4736B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E2F56B shade: #E1F46B, #BCF46B, #97F46B, #72F46B and #6BF488

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E2F56B shade matches the following richer shades: #E1F46B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E2F56B shade: #E1F46B, #D8E777, #CFDB84, #C5CE91 and #BCC19E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E2F56B shade: #F4BD6B, #F4E26B, #E2F46B, #BDF46B and #99F46B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E2F56B shade: #D2EF1E, #DAF244, #E1F46B, #E9F791 and #F1FAB8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E2F56B shade: #E2F56B, #6BF499 and #D06BF4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E2F56B shade: #E2F56B, #6BE2F4 and #F46BE2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E2F56B shade: #E2F56B, #6BF499, #7D6BF4 and #F46BC6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E2F56B shade: #E2F56B, #6BF4C2, #7D6BF4 and #F46B9D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 56 / 4

HEX #E2F56B

RGB 226 245 107

HSL 68.26, 0.87%, 0.69%

LAB 92.81, -24.75, 63.01

 

Complementary color

CMYK 80 / 93 / 0 / 42

HEX #1D0A94

RGB 29 10 148

HSL 248.26, 0.87%, 0.31%

LAB 18.44, 50.21, -68.12

 

CMYK 6 / 0 / 58 / 4

HEX #E7F566

RGB 231 245 102

HSL 65.87, 0.88%, 0.68%

LAB 93.13, -23.16, 65.59

 

CMYK 3 / 0 / 53 / 0

HEX #F8FF79

RGB 248 255 121

HSL 63.13, 1%, 0.74%

LAB 97.17, -19.84, 62.28

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8C

RGB 255 255 140

HSL 60, 1%, 0.77%

LAB 97.9, -15.49, 54.62

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9F

RGB 255 255 159

HSL 60, 1%, 0.81%

LAB 98.15, -13.6, 45.86

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB2

RGB 255 255 178

HSL 60, 1%, 0.85%

LAB 98.43, -11.44, 36.89

 

CMYK 8 / 0 / 56 / 4

HEX #E2F56B

RGB 226 245 107

HSL 68.26, 0.87%, 0.69%

LAB 92.81, -24.75, 63.01

 

CMYK 8 / 0 / 61 / 11

HEX #D1E358

RGB 209 227 88

HSL 67.77, 0.71%, 0.62%

LAB 86.6, -24.27, 63.85

 

CMYK 8 / 0 / 67 / 18

HEX #C0D145

RGB 192 209 69

HSL 67.29, 0.6%, 0.55%

LAB 80.31, -23.68, 64.46

 

CMYK 8 / 0 / 74 / 25

HEX #AFBF32

RGB 175 191 50

HSL 66.81, 0.59%, 0.47%

LAB 73.94, -22.95, 64.62

 

CMYK 9 / 0 / 82 / 32

HEX #9EAD1F

RGB 158 173 31

HSL 66.34, 0.7%, 0.4%

LAB 67.47, -22.05, 64.01

 

CMYK 8 / 0 / 56 / 4

HEX #E1F46B

RGB 225 244 107

HSL 68.32, 0.86%, 0.69%

LAB 92.47, -24.67, 62.61

 

CMYK 0 / 7 / 56 / 4

HEX #F4E26B

RGB 244 226 107

HSL 52.12, 0.86%, 0.69%

LAB 89.25, -8.31, 59.34

 

CMYK 0 / 23 / 56 / 4

HEX #F4BD6B

RGB 244 189 107

HSL 35.91, 0.86%, 0.69%

LAB 80, 10.67, 48.55

 

CMYK 0 / 38 / 56 / 4

HEX #F4986B

RGB 244 152 107

HSL 19.71, 0.86%, 0.69%

LAB 71.39, 30.14, 38

 

CMYK 0 / 53 / 56 / 4

HEX #F4736B

RGB 244 115 107

HSL 3.5, 0.86%, 0.69%

LAB 63.8, 48.86, 28.3

 

CMYK 8 / 0 / 56 / 4

HEX #E1F46B

RGB 225 244 107

HSL 68.32, 0.86%, 0.69%

LAB 92.47, -24.67, 62.61

 

CMYK 23 / 0 / 56 / 4

HEX #BCF46B

RGB 188 244 107

HSL 84.53, 0.86%, 0.69%

LAB 90.07, -38.67, 59.23

 

CMYK 38 / 0 / 56 / 4

HEX #97F46B

RGB 151 244 107

HSL 100.73, 0.86%, 0.69%

LAB 88.13, -51.32, 56.49

 

CMYK 53 / 0 / 56 / 4

HEX #72F46B

RGB 114 244 107

HSL 116.93, 0.86%, 0.69%

LAB 86.67, -61.88, 54.42

 

CMYK 56 / 0 / 44 / 4

HEX #6BF488

RGB 107 244 136

HSL 132.7, 0.86%, 0.69%

LAB 86.8, -59.7, 40.94

 

CMYK 8 / 0 / 56 / 4

HEX #E1F46B

RGB 225 244 107

HSL 68.32, 0.86%, 0.69%

LAB 92.47, -24.67, 62.61

 

CMYK 8 / 0 / 56 / 4

HEX #E1F46B

RGB 225 244 107

HSL 68.32, 0.86%, 0.69%

LAB 92.47, -24.67, 62.61

 

CMYK 6 / 0 / 48 / 9

HEX #D8E777

RGB 216 231 119

HSL 68.04, 0.7%, 0.69%

LAB 88.49, -20.92, 52.39

 

CMYK 5 / 0 / 40 / 14

HEX #CFDB84

RGB 207 219 132

HSL 68.28, 0.55%, 0.69%

LAB 84.79, -17.2, 41.39

 

CMYK 4 / 0 / 30 / 19

HEX #C5CE91

RGB 197 206 145

HSL 68.85, 0.38%, 0.69%

LAB 80.77, -12.93, 29.39

 

CMYK 3 / 0 / 18 / 24

HEX #BCC19E

RGB 188 193 158

HSL 68.57, 0.22%, 0.69%

LAB 76.86, -7.75, 17.07

 

CMYK 0 / 23 / 56 / 4

HEX #F4BD6B

RGB 244 189 107

HSL 35.91, 0.86%, 0.69%

LAB 80, 10.67, 48.55

 

CMYK 0 / 7 / 56 / 4

HEX #F4E26B

RGB 244 226 107

HSL 52.12, 0.86%, 0.69%

LAB 89.25, -8.31, 59.34

 

CMYK 7 / 0 / 56 / 4

HEX #E2F46B

RGB 226 244 107

HSL 67.88, 0.86%, 0.69%

LAB 92.54, -24.28, 62.71

 

CMYK 23 / 0 / 56 / 4

HEX #BDF46B

RGB 189 244 107

HSL 84.09, 0.86%, 0.69%

LAB 90.13, -38.31, 59.31

 

CMYK 37 / 0 / 56 / 4

HEX #99F46B

RGB 153 244 107

HSL 99.85, 0.86%, 0.69%

LAB 88.23, -50.69, 56.62

 

CMYK 12 / 0 / 87 / 6

HEX #D2EF1E

RGB 210 239 30

HSL 68.33, 0.87%, 0.53%

LAB 89.64, -32.03, 84.25

 

CMYK 10 / 0 / 72 / 5

HEX #DAF244

RGB 218 242 68

HSL 68.28, 0.87%, 0.61%

LAB 91.16, -28.93, 76.15

 

CMYK 8 / 0 / 56 / 4

HEX #E1F46B

RGB 225 244 107

HSL 68.32, 0.86%, 0.69%

LAB 92.47, -24.67, 62.61

 

CMYK 6 / 0 / 41 / 3

HEX #E9F791

RGB 233 247 145

HSL 68.24, 0.86%, 0.77%

LAB 94.27, -19.54, 47.38

 

CMYK 4 / 0 / 26 / 2

HEX #F1FAB8

RGB 241 250 184

HSL 68.18, 0.87%, 0.85%

LAB 96.22, -13.36, 30.75

 

CMYK 8 / 0 / 56 / 4

HEX #E2F56B

RGB 226 245 107

HSL 68.26, 0.87%, 0.69%

LAB 92.81, -24.75, 63.01

 

CMYK 56 / 0 / 37 / 4

HEX #6BF499

RGB 107 244 153

HSL 140.15, 0.86%, 0.69%

LAB 87.06, -56.95, 32.86

 

CMYK 15 / 56 / 0 / 4

HEX #D06BF4

RGB 208 107 244

HSL 284.23, 0.86%, 0.69%

LAB 62.05, 60.65, -52.41

 

CMYK 8 / 0 / 56 / 4

HEX #E2F56B

RGB 226 245 107

HSL 68.26, 0.87%, 0.69%

LAB 92.81, -24.75, 63.01

 

CMYK 56 / 7 / 0 / 4

HEX #6BE2F4

RGB 107 226 244

HSL 187.88, 0.86%, 0.69%

LAB 83.99, -28.48, -18.94

 

CMYK 0 / 56 / 7 / 4

HEX #F46BE2

RGB 244 107 226

HSL 307.88, 0.86%, 0.69%

LAB 65.93, 66.73, -35.98

 

CMYK 8 / 0 / 56 / 4

HEX #E2F56B

RGB 226 245 107

HSL 68.26, 0.87%, 0.69%

LAB 92.81, -24.75, 63.01

 

CMYK 56 / 0 / 37 / 4

HEX #6BF499

RGB 107 244 153

HSL 140.15, 0.86%, 0.69%

LAB 87.06, -56.95, 32.86

 

CMYK 49 / 56 / 0 / 4

HEX #7D6BF4

RGB 125 107 244

HSL 247.88, 0.86%, 0.69%

LAB 53.39, 41.5, -66.75

 

CMYK 0 / 56 / 19 / 4

HEX #F46BC6

RGB 244 107 198

HSL 320.15, 0.86%, 0.69%

LAB 64.82, 62.54, -22

 

CMYK 8 / 0 / 56 / 4

HEX #E2F56B

RGB 226 245 107

HSL 68.26, 0.87%, 0.69%

LAB 92.81, -24.75, 63.01

 

CMYK 56 / 0 / 20 / 4

HEX #6BF4C2

RGB 107 244 194

HSL 158.1, 0.86%, 0.69%

LAB 87.83, -48.97, 12.95

 

CMYK 49 / 56 / 0 / 4

HEX #7D6BF4

RGB 125 107 244

HSL 247.88, 0.86%, 0.69%

LAB 53.39, 41.5, -66.75

 

CMYK 0 / 56 / 36 / 4

HEX #F46B9D

RGB 244 107 157

HSL 338.1, 0.86%, 0.69%

LAB 63.49, 57.32, -0.65

 

Description

Color code: HEX #E2F56B | qconv.com Color code: HEX #E2F56B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 245 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 245 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 56 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 56% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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