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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E2EC8C it is the complementary color #1D1373. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E2EC8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E2EC8C shade: #E7EC87, #F8FE9A, #FFFFAD, #FFFFC0 and #FFFFD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E2EC8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E2EC8C shade: #E2EC8C, #D1DA79, #C0C866, #AFB653 and #9EA440

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E2EC8C shade: #E2EC8C, #ECDC8C, #ECC28C, #ECA98C and #EC8F8C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E2EC8C shade: #E2EC8C, #C8EC8C, #AEEC8C, #95EC8C and #8CEC9E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E2EC8C shade matches the following richer shades: #E2EC8C and #EAF782

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E2EC8C shade: #E2EC8C, #D9E197, #D1D6A2, #C9CCAD and #C0C1B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E2EC8C shade: #ECC38C, #ECDC8C, #E2EC8C, #C9EC8C and #AFEC8C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E2EC8C shade: #D0E045, #D9E669, #E2EC8C, #EBF2B0 and #F4F7D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E2EC8C shade: #E2EC8C, #8CECA9 and #CF8CEC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E2EC8C shade: #E2EC8C, #8CE2EC and #EC8CE2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E2EC8C shade: #E2EC8C, #8CECA9, #968CEC and #EC8CCF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E2EC8C shade: #E2EC8C, #8CECC6, #968CEC and #EC8CB3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 41 / 7

HEX #E2EC8C

RGB 226 236 140

HSL 66.25, 0.72%, 0.74%

LAB 90.8, -17.39, 45.35

 

Complementary color

CMYK 75 / 83 / 0 / 55

HEX #1D1373

RGB 29 19 115

HSL 246.25, 0.72%, 0.26%

LAB 15.3, 36.56, -52.44

 

CMYK 2 / 0 / 43 / 7

HEX #E7EC87

RGB 231 236 135

HSL 62.97, 0.73%, 0.73%

LAB 91.11, -15.98, 48.24

 

CMYK 2 / 0 / 39 / 0

HEX #F8FE9A

RGB 248 254 154

HSL 63.6, 0.98%, 0.8%

LAB 97.3, -16.3, 47.1

 

CMYK 0 / 0 / 32 / 0

HEX #FFFFAD

RGB 255 255 173

HSL 60, 1%, 0.84%

LAB 98.35, -12.04, 39.27

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFC0

RGB 255 255 192

HSL 60, 1%, 0.88%

LAB 98.66, -9.68, 30.2

 

CMYK 0 / 0 / 17 / 0

HEX #FFFFD3

RGB 255 255 211

HSL 60, 1%, 0.91%

LAB 99.02, -7.05, 21.08

 

CMYK 4 / 0 / 41 / 7

HEX #E2EC8C

RGB 226 236 140

HSL 66.25, 0.72%, 0.74%

LAB 90.8, -17.39, 45.35

 

CMYK 4 / 0 / 44 / 15

HEX #D1DA79

RGB 209 218 121

HSL 65.57, 0.57%, 0.66%

LAB 84.52, -17.1, 46.5

 

CMYK 4 / 0 / 49 / 22

HEX #C0C866

RGB 192 200 102

HSL 64.9, 0.47%, 0.59%

LAB 78.15, -16.74, 47.65

 

CMYK 4 / 0 / 54 / 29

HEX #AFB653

RGB 175 182 83

HSL 64.24, 0.4%, 0.52%

LAB 71.69, -16.3, 48.76

 

CMYK 4 / 0 / 61 / 36

HEX #9EA440

RGB 158 164 64

HSL 63.6, 0.44%, 0.45%

LAB 65.11, -15.74, 49.74

 

CMYK 4 / 0 / 41 / 7

HEX #E2EC8C

RGB 226 236 140

HSL 66.25, 0.72%, 0.74%

LAB 90.8, -17.39, 45.35

 

CMYK 0 / 7 / 41 / 7

HEX #ECDC8C

RGB 236 220 140

HSL 50, 0.72%, 0.74%

LAB 87.44, -5.54, 41.25

 

CMYK 0 / 18 / 41 / 7

HEX #ECC28C

RGB 236 194 140

HSL 33.75, 0.72%, 0.74%

LAB 80.91, 7.88, 32.78

 

CMYK 0 / 28 / 41 / 7

HEX #ECA98C

RGB 236 169 140

HSL 18.13, 0.72%, 0.74%

LAB 74.89, 21.1, 24.75

 

CMYK 0 / 39 / 41 / 7

HEX #EC8F8C

RGB 236 143 140

HSL 1.87, 0.72%, 0.74%

LAB 69.02, 34.86, 16.7

 

CMYK 4 / 0 / 41 / 7

HEX #E2EC8C

RGB 226 236 140

HSL 66.25, 0.72%, 0.74%

LAB 90.8, -17.39, 45.35

 

CMYK 15 / 0 / 41 / 7

HEX #C8EC8C

RGB 200 236 140

HSL 82.5, 0.72%, 0.74%

LAB 89, -27.15, 42.69

 

CMYK 26 / 0 / 41 / 7

HEX #AEEC8C

RGB 174 236 140

HSL 98.75, 0.72%, 0.74%

LAB 87.43, -36.39, 40.36

 

CMYK 37 / 0 / 41 / 7

HEX #95EC8C

RGB 149 236 140

HSL 114.38, 0.72%, 0.74%

LAB 86.14, -44.54, 38.45

 

CMYK 41 / 0 / 33 / 7

HEX #8CEC9E

RGB 140 236 158

HSL 131.25, 0.72%, 0.74%

LAB 86.02, -44.42, 29.16

 

CMYK 4 / 0 / 41 / 7

HEX #E2EC8C

RGB 226 236 140

HSL 66.25, 0.72%, 0.74%

LAB 90.8, -17.39, 45.35

 

CMYK 5 / 0 / 47 / 3

HEX #EAF782

RGB 234 247 130

HSL 66.67, 0.88%, 0.74%

LAB 94.15, -20.65, 54.37

 

CMYK 4 / 0 / 41 / 7

HEX #E2EC8C

RGB 226 236 140

HSL 66.25, 0.72%, 0.74%

LAB 90.8, -17.39, 45.35

 

CMYK 4 / 0 / 33 / 12

HEX #D9E197

RGB 217 225 151

HSL 66.49, 0.55%, 0.74%

LAB 87.41, -14.13, 35.37

 

CMYK 2 / 0 / 24 / 16

HEX #D1D6A2

RGB 209 214 162

HSL 65.77, 0.39%, 0.74%

LAB 84.1, -10.16, 25.18

 

CMYK 1 / 0 / 15 / 20

HEX #C9CCAD

RGB 201 204 173

HSL 65.81, 0.23%, 0.74%

LAB 81.08, -6.34, 15.12

 

CMYK 1 / 0 / 5 / 24

HEX #C0C1B7

RGB 192 193 183

HSL 66, 0.07%, 0.74%

LAB 77.74, -2.15, 4.9

 

CMYK 0 / 17 / 41 / 7

HEX #ECC38C

RGB 236 195 140

HSL 34.38, 0.72%, 0.74%

LAB 81.16, 7.36, 33.1

 

CMYK 0 / 7 / 41 / 7

HEX #ECDC8C

RGB 236 220 140

HSL 50, 0.72%, 0.74%

LAB 87.44, -5.54, 41.25

 

CMYK 4 / 0 / 41 / 7

HEX #E2EC8C

RGB 226 236 140

HSL 66.25, 0.72%, 0.74%

LAB 90.8, -17.39, 45.35

 

CMYK 15 / 0 / 41 / 7

HEX #C9EC8C

RGB 201 236 140

HSL 81.88, 0.72%, 0.74%

LAB 89.06, -26.79, 42.78

 

CMYK 26 / 0 / 41 / 7

HEX #AFEC8C

RGB 175 236 140

HSL 98.13, 0.72%, 0.74%

LAB 87.48, -36.05, 40.44

 

CMYK 7 / 0 / 69 / 12

HEX #D0E045

RGB 208 224 69

HSL 66.19, 0.71%, 0.57%

LAB 85.58, -24.39, 70.13

 

CMYK 6 / 0 / 54 / 10

HEX #D9E669

RGB 217 230 105

HSL 66.24, 0.71%, 0.66%

LAB 88.14, -21.27, 58.41

 

CMYK 4 / 0 / 41 / 7

HEX #E2EC8C

RGB 226 236 140

HSL 66.25, 0.72%, 0.74%

LAB 90.8, -17.39, 45.35

 

CMYK 3 / 0 / 27 / 5

HEX #EBF2B0

RGB 235 242 176

HSL 66.36, 0.72%, 0.82%

LAB 93.58, -12.67, 31.16

 

CMYK 1 / 0 / 15 / 3

HEX #F4F7D3

RGB 244 247 211

HSL 65, 0.69%, 0.9%

LAB 96.19, -6.94, 16.99

 

CMYK 4 / 0 / 41 / 7

HEX #E2EC8C

RGB 226 236 140

HSL 66.25, 0.72%, 0.74%

LAB 90.8, -17.39, 45.35

 

CMYK 41 / 0 / 28 / 7

HEX #8CECA9

RGB 140 236 169

HSL 138.13, 0.72%, 0.74%

LAB 86.22, -42.51, 23.8

 

CMYK 12 / 41 / 0 / 7

HEX #CF8CEC

RGB 207 140 236

HSL 281.88, 0.72%, 0.74%

LAB 68.08, 41.9, -38.51

 

CMYK 4 / 0 / 41 / 7

HEX #E2EC8C

RGB 226 236 140

HSL 66.25, 0.72%, 0.74%

LAB 90.8, -17.39, 45.35

 

CMYK 41 / 4 / 0 / 7

HEX #8CE2EC

RGB 140 226 236

HSL 186.25, 0.72%, 0.74%

LAB 85.01, -23.45, -13.06

 

CMYK 0 / 41 / 4 / 7

HEX #EC8CE2

RGB 236 140 226

HSL 306.25, 0.72%, 0.74%

LAB 70.93, 48.68, -28.34

 

CMYK 4 / 0 / 41 / 7

HEX #E2EC8C

RGB 226 236 140

HSL 66.25, 0.72%, 0.74%

LAB 90.8, -17.39, 45.35

 

CMYK 41 / 0 / 28 / 7

HEX #8CECA9

RGB 140 236 169

HSL 138.13, 0.72%, 0.74%

LAB 86.22, -42.51, 23.8

 

CMYK 36 / 41 / 0 / 7

HEX #968CEC

RGB 150 140 236

HSL 246.25, 0.72%, 0.74%

LAB 62.76, 25.93, -47.24

 

CMYK 0 / 41 / 12 / 7

HEX #EC8CCF

RGB 236 140 207

HSL 318.13, 0.72%, 0.74%

LAB 70.24, 45.51, -18.89

 

CMYK 4 / 0 / 41 / 7

HEX #E2EC8C

RGB 226 236 140

HSL 66.25, 0.72%, 0.74%

LAB 90.8, -17.39, 45.35

 

CMYK 41 / 0 / 16 / 7

HEX #8CECC6

RGB 140 236 198

HSL 156.25, 0.72%, 0.74%

LAB 86.82, -36.89, 9.59

 

CMYK 36 / 41 / 0 / 7

HEX #968CEC

RGB 150 140 236

HSL 246.25, 0.72%, 0.74%

LAB 62.76, 25.93, -47.24

 

CMYK 0 / 41 / 24 / 7

HEX #EC8CB3

RGB 236 140 179

HSL 335.63, 0.72%, 0.74%

LAB 69.36, 41.3, -4.61

 

Description

Color code: HEX #E2EC8C | qconv.com Color code: HEX #E2EC8C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 236 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 236 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 41 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 41% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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