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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E2E9A0 it is the complementary color #1D165F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E2E9A0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E2E9A0 shade: #E7E99B, #F8FBAE, #FFFFC1, #FFFFD4 and #FFFFE7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E2E9A0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E2E9A0 shade: #E2E9A0, #D1D78D, #C0C57A, #AFB367 and #9EA154

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E2E9A0 shade: #E1E89F, #E8DC9F, #E8C89F, #E8B49F and #E8A19F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E2E9A0 shade: #E1E89F, #CEE89F, #BAE89F, #A6E89F and #9FE8AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E2E9A0 shade matches the following richer shades: #E1E89F, #E9F296 and #F1FB8D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E2E9A0 shade: #E1E89F, #DADFA9, #D2D5B2, #CACCBC and #C3C2C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E2E9A0 shade: #E8C79F, #E8DB9F, #E2E89F, #CFE89F and #BBE89F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E2E9A0 shade: #CDD95D, #D7E07E, #E1E89F, #ECF0C1 and #F6F8E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E2E9A0 shade: #E2E9A0, #9FE8B4 and #D19FE8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E2E9A0 shade: #E2E9A0, #9FE2E8 and #E89FE2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E2E9A0 shade: #E2E9A0, #9FE8B4, #A69FE8 and #E89FD4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E2E9A0 shade: #E2E9A0, #9FE8CA, #A69FE8 and #E89FBE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 31 / 9

HEX #E2E9A0

RGB 226 233 160

HSL 65.75, 0.62%, 0.77%

LAB 90.31, -13.6, 34.78

 

Complementary color

CMYK 69 / 77 / 0 / 63

HEX #1D165F

RGB 29 22 95

HSL 245.75, 0.62%, 0.23%

LAB 13.6, 27.92, -42.11

 

CMYK 1 / 0 / 33 / 9

HEX #E7E99B

RGB 231 233 155

HSL 61.54, 0.64%, 0.76%

LAB 90.61, -12.32, 37.75

 

CMYK 1 / 0 / 31 / 2

HEX #F8FBAE

RGB 248 251 174

HSL 62.34, 0.91%, 0.83%

LAB 96.82, -12.56, 36.66

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC1

RGB 255 255 193

HSL 60, 1%, 0.88%

LAB 98.68, -9.55, 29.73

 

CMYK 0 / 0 / 17 / 0

HEX #FFFFD4

RGB 255 255 212

HSL 60, 1%, 0.92%

LAB 99.04, -6.9, 20.6

 

CMYK 0 / 0 / 9 / 0

HEX #FFFFE7

RGB 255 255 231

HSL 60, 1%, 0.95%

LAB 99.44, -4.01, 11.47

 

CMYK 3 / 0 / 31 / 9

HEX #E2E9A0

RGB 226 233 160

HSL 65.75, 0.62%, 0.77%

LAB 90.31, -13.6, 34.78

 

CMYK 3 / 0 / 34 / 16

HEX #D1D78D

RGB 209 215 141

HSL 64.86, 0.48%, 0.7%

LAB 84.01, -13.39, 35.88

 

CMYK 3 / 0 / 38 / 23

HEX #C0C57A

RGB 192 197 122

HSL 64, 0.39%, 0.63%

LAB 77.61, -13.15, 37.04

 

CMYK 2 / 0 / 42 / 30

HEX #AFB367

RGB 175 179 103

HSL 63.16, 0.33%, 0.55%

LAB 71.1, -12.84, 38.23

 

CMYK 2 / 0 / 48 / 37

HEX #9EA154

RGB 158 161 84

HSL 62.34, 0.31%, 0.48%

LAB 64.48, -12.46, 39.44

 

CMYK 3 / 0 / 31 / 9

HEX #E1E89F

RGB 225 232 159

HSL 65.75, 0.61%, 0.77%

LAB 89.96, -13.6, 34.8

 

CMYK 0 / 5 / 31 / 9

HEX #E8DC9F

RGB 232 220 159

HSL 50.14, 0.61%, 0.77%

LAB 87.41, -4.92, 31.51

 

CMYK 0 / 14 / 31 / 9

HEX #E8C89F

RGB 232 200 159

HSL 33.7, 0.61%, 0.77%

LAB 82.36, 5.4, 24.7

 

CMYK 0 / 22 / 31 / 9

HEX #E8B49F

RGB 232 180 159

HSL 17.26, 0.61%, 0.77%

LAB 77.46, 15.96, 17.96

 

CMYK 0 / 31 / 31 / 9

HEX #E8A19F

RGB 232 161 159

HSL 1.64, 0.61%, 0.77%

LAB 72.99, 26.1, 11.69

 

CMYK 3 / 0 / 31 / 9

HEX #E1E89F

RGB 225 232 159

HSL 65.75, 0.61%, 0.77%

LAB 89.96, -13.6, 34.8

 

CMYK 11 / 0 / 31 / 9

HEX #CEE89F

RGB 206 232 159

HSL 81.37, 0.61%, 0.77%

LAB 88.61, -20.63, 32.76

 

CMYK 20 / 0 / 31 / 9

HEX #BAE89F

RGB 186 232 159

HSL 97.81, 0.61%, 0.77%

LAB 87.32, -27.76, 30.81

 

CMYK 28 / 0 / 31 / 9

HEX #A6E89F

RGB 166 232 159

HSL 114.25, 0.61%, 0.77%

LAB 86.17, -34.5, 29.07

 

CMYK 31 / 0 / 26 / 9

HEX #9FE8AC

RGB 159 232 172

HSL 130.68, 0.61%, 0.77%

LAB 86.04, -34.58, 22.14

 

CMYK 3 / 0 / 31 / 9

HEX #E1E89F

RGB 225 232 159

HSL 65.75, 0.61%, 0.77%

LAB 89.96, -13.6, 34.8

 

CMYK 4 / 0 / 38 / 5

HEX #E9F296

RGB 233 242 150

HSL 65.87, 0.78%, 0.77%

LAB 93.03, -16.57, 43.38

 

CMYK 4 / 0 / 44 / 2

HEX #F1FB8D

RGB 241 251 141

HSL 65.45, 0.93%, 0.77%

LAB 95.84, -18.83, 51.38

 

CMYK 3 / 0 / 31 / 9

HEX #E1E89F

RGB 225 232 159

HSL 65.75, 0.61%, 0.77%

LAB 89.96, -13.6, 34.8

 

CMYK 2 / 0 / 24 / 13

HEX #DADFA9

RGB 218 223 169

HSL 65.56, 0.46%, 0.77%

LAB 87.26, -10.39, 25.97

 

CMYK 1 / 0 / 16 / 16

HEX #D2D5B2

RGB 210 213 178

HSL 65.14, 0.29%, 0.77%

LAB 84.23, -6.92, 16.99

 

CMYK 1 / 0 / 8 / 20

HEX #CACCBC

RGB 202 204 188

HSL 67.5, 0.14%, 0.77%

LAB 81.5, -3.52, 7.73

HEX #CACCBC

CMYK 1 / 2 / 0 / 23

HEX #C3C2C5

RGB 195 194 197

HSL 260, 0.03%, 0.77%

LAB 78.59, 0.91, -1.39

HEX #C3C2C5

CMYK 0 / 14 / 31 / 9

HEX #E8C79F

RGB 232 199 159

HSL 32.88, 0.61%, 0.77%

LAB 82.11, 5.92, 24.36

 

CMYK 0 / 6 / 31 / 9

HEX #E8DB9F

RGB 232 219 159

HSL 49.32, 0.61%, 0.77%

LAB 87.15, -4.41, 31.17

 

CMYK 3 / 0 / 31 / 9

HEX #E2E89F

RGB 226 232 159

HSL 64.93, 0.61%, 0.77%

LAB 90.04, -13.23, 34.91

 

CMYK 11 / 0 / 31 / 9

HEX #CFE89F

RGB 207 232 159

HSL 80.55, 0.61%, 0.77%

LAB 88.68, -20.27, 32.86

 

CMYK 19 / 0 / 31 / 9

HEX #BBE89F

RGB 187 232 159

HSL 96.99, 0.61%, 0.77%

LAB 87.38, -27.41, 30.9

 

CMYK 6 / 0 / 57 / 15

HEX #CDD95D

RGB 205 217 93

HSL 65.81, 0.62%, 0.61%

LAB 83.65, -20.68, 58.4

 

CMYK 4 / 0 / 44 / 12

HEX #D7E07E

RGB 215 224 126

HSL 65.51, 0.61%, 0.69%

LAB 86.63, -17.21, 46.77

 

CMYK 3 / 0 / 31 / 9

HEX #E1E89F

RGB 225 232 159

HSL 65.75, 0.61%, 0.77%

LAB 89.96, -13.6, 34.8

 

CMYK 2 / 0 / 20 / 6

HEX #ECF0C1

RGB 236 240 193

HSL 65.11, 0.61%, 0.85%

LAB 93.45, -8.96, 22.32

 

CMYK 1 / 0 / 9 / 3

HEX #F6F8E2

RGB 246 248 226

HSL 65.45, 0.61%, 0.93%

LAB 96.91, -4.39, 10.33

 

CMYK 3 / 0 / 31 / 9

HEX #E2E9A0

RGB 226 233 160

HSL 65.75, 0.62%, 0.77%

LAB 90.31, -13.6, 34.78

 

CMYK 31 / 0 / 22 / 9

HEX #9FE8B4

RGB 159 232 180

HSL 137.26, 0.61%, 0.77%

LAB 86.2, -33.16, 18.21

 

CMYK 10 / 31 / 0 / 9

HEX #D19FE8

RGB 209 159 232

HSL 281.1, 0.61%, 0.77%

LAB 72.35, 31.4, -29.69

 

CMYK 3 / 0 / 31 / 9

HEX #E2E9A0

RGB 226 233 160

HSL 65.75, 0.62%, 0.77%

LAB 90.31, -13.6, 34.78

 

CMYK 31 / 3 / 0 / 9

HEX #9FE2E8

RGB 159 226 232

HSL 184.93, 0.61%, 0.77%

LAB 85.8, -19.48, -9.67

 

CMYK 0 / 31 / 3 / 9

HEX #E89FE2

RGB 232 159 226

HSL 304.93, 0.61%, 0.77%

LAB 74.47, 37.53, -22.95

 

CMYK 3 / 0 / 31 / 9

HEX #E2E9A0

RGB 226 233 160

HSL 65.75, 0.62%, 0.77%

LAB 90.31, -13.6, 34.78

 

CMYK 31 / 0 / 22 / 9

HEX #9FE8B4

RGB 159 232 180

HSL 137.26, 0.61%, 0.77%

LAB 86.2, -33.16, 18.21

 

CMYK 28 / 31 / 0 / 9

HEX #A69FE8

RGB 166 159 232

HSL 245.75, 0.61%, 0.77%

LAB 68.55, 18.45, -35.86

 

CMYK 0 / 31 / 9 / 9

HEX #E89FD4

RGB 232 159 212

HSL 316.44, 0.61%, 0.77%

LAB 74, 35.09, -16

 

CMYK 3 / 0 / 31 / 9

HEX #E2E9A0

RGB 226 233 160

HSL 65.75, 0.62%, 0.77%

LAB 90.31, -13.6, 34.78

 

CMYK 31 / 0 / 13 / 9

HEX #9FE8CA

RGB 159 232 202

HSL 155.34, 0.61%, 0.77%

LAB 86.68, -28.93, 7.4

 

CMYK 28 / 31 / 0 / 9

HEX #A69FE8

RGB 166 159 232

HSL 245.75, 0.61%, 0.77%

LAB 68.55, 18.45, -35.86

 

CMYK 0 / 31 / 18 / 9

HEX #E89FBE

RGB 232 159 190

HSL 334.52, 0.61%, 0.77%

LAB 73.33, 31.54, -4.91

 

Description

Color code: HEX #E2E9A0 | qconv.com Color code: HEX #E2E9A0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 233 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 233 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 31 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 31% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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