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Color name
HEX #E2DA5E

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E2DA5E it is the complementary color #1D25A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E2DA5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E2DA5E shade: #E7DA59, #F8EC6C, #FFFE7F, #FFFF92 and #FFFFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E2DA5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E2DA5E shade: #E2DA5E, #D1C84B, #C0B638, #AFA425 and #9E9212

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E2DA5E shade: #E1D95F, #E1B65F, #E1935F, #E1705F and #E15F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E2DA5E shade: #E1D95F, #C6E15F, #A3E15F, #80E15F and #5FE161

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E2DA5E shade matches the following richer shades: #E1D95F and #F1E750

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E2DA5E shade: #E1D95F, #D2CC6E, #C3BF7E, #B3B18D and #A4A49C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E2DA5E shade: #E1935F, #E1B65F, #E1D95F, #C7E15F and #A4E15F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E2DA5E shade: #C9BF25, #DBD13C, #E1D95F, #E8E182 and #EEEAA5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E2DA5E shade: #E2DA5E, #5FE170 and #A45FE1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E2DA5E shade: #E2DA5E, #5FE1D9 and #D95FE1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E2DA5E shade: #E2DA5E, #5FE170, #5F68E1 and #E15FD0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E2DA5E shade: #E2DA5E, #5FE197, #5F68E1 and #E15FA9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 58 / 11

HEX #E2DA5E

RGB 226 218 94

HSL 56.36, 0.69%, 0.63%

LAB 85.56, -12.57, 60.55

 

Complementary color

CMYK 82 / 77 / 0 / 37

HEX #1D25A1

RGB 29 37 161

HSL 236.36, 0.69%, 0.37%

LAB 24.19, 42.21, -66.56

 

CMYK 0 / 6 / 61 / 9

HEX #E7DA59

RGB 231 218 89

HSL 54.51, 0.75%, 0.63%

LAB 85.93, -10.85, 63.22

 

CMYK 0 / 5 / 56 / 3

HEX #F8EC6C

RGB 248 236 108

HSL 54.86, 0.91%, 0.7%

LAB 92.15, -11.59, 62.28

 

CMYK 0 / 0 / 50 / 0

HEX #FFFE7F

RGB 255 254 127

HSL 59.53, 1%, 0.75%

LAB 97.5, -16.14, 60.12

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF92

RGB 255 255 146

HSL 60, 1%, 0.79%

LAB 97.98, -14.92, 51.89

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA5

RGB 255 255 165

HSL 60, 1%, 0.82%

LAB 98.23, -12.95, 43.05

 

CMYK 0 / 4 / 58 / 11

HEX #E2DA5E

RGB 226 218 94

HSL 56.36, 0.69%, 0.63%

LAB 85.56, -12.57, 60.55

 

CMYK 0 / 4 / 64 / 18

HEX #D1C84B

RGB 209 200 75

HSL 55.97, 0.59%, 0.56%

LAB 79.25, -11.81, 61.39

 

CMYK 0 / 5 / 71 / 25

HEX #C0B638

RGB 192 182 56

HSL 55.59, 0.55%, 0.49%

LAB 72.86, -10.89, 61.92

 

CMYK 0 / 6 / 79 / 31

HEX #AFA425

RGB 175 164 37

HSL 55.22, 0.65%, 0.42%

LAB 66.37, -9.79, 61.85

 

CMYK 0 / 8 / 89 / 38

HEX #9E9212

RGB 158 146 18

HSL 54.86, 0.8%, 0.35%

LAB 59.77, -8.44, 60.68

 

CMYK 0 / 4 / 58 / 12

HEX #E1D95F

RGB 225 217 95

HSL 56.31, 0.68%, 0.63%

LAB 85.23, -12.41, 59.72

 

CMYK 0 / 19 / 58 / 12

HEX #E1B65F

RGB 225 182 95

HSL 40.15, 0.68%, 0.63%

LAB 76.25, 5.59, 49.47

 

CMYK 0 / 35 / 58 / 12

HEX #E1935F

RGB 225 147 95

HSL 24, 0.68%, 0.63%

LAB 67.8, 24.26, 39.37

 

CMYK 0 / 50 / 58 / 12

HEX #E1705F

RGB 225 112 95

HSL 7.85, 0.68%, 0.63%

LAB 60.27, 42.52, 29.93

 

CMYK 0 / 58 / 58 / 12

HEX #E15F5F

RGB 225 95 95

HSL 0, 0.68%, 0.63%

LAB 57.09, 50.71, 25.82

 

CMYK 0 / 4 / 58 / 12

HEX #E1D95F

RGB 225 217 95

HSL 56.31, 0.68%, 0.63%

LAB 85.23, -12.41, 59.72

 

CMYK 12 / 0 / 58 / 12

HEX #C6E15F

RGB 198 225 95

HSL 72.46, 0.68%, 0.63%

LAB 85.34, -27.15, 59.28

 

CMYK 28 / 0 / 58 / 12

HEX #A3E15F

RGB 163 225 95

HSL 88.62, 0.68%, 0.63%

LAB 83.16, -40.34, 56.23

 

CMYK 43 / 0 / 58 / 12

HEX #80E15F

RGB 128 225 95

HSL 104.77, 0.68%, 0.63%

LAB 81.44, -51.99, 53.8

 

CMYK 58 / 0 / 57 / 12

HEX #5FE161

RGB 95 225 97

HSL 120.92, 0.68%, 0.63%

LAB 80.26, -60.68, 51.23

 

CMYK 0 / 4 / 58 / 12

HEX #E1D95F

RGB 225 217 95

HSL 56.31, 0.68%, 0.63%

LAB 85.23, -12.41, 59.72

 

CMYK 0 / 4 / 67 / 5

HEX #F1E750

RGB 241 231 80

HSL 56.27, 0.85%, 0.63%

LAB 90.06, -13.72, 71.4

 

CMYK 0 / 4 / 58 / 12

HEX #E1D95F

RGB 225 217 95

HSL 56.31, 0.68%, 0.63%

LAB 85.23, -12.41, 59.72

 

CMYK 0 / 3 / 48 / 18

HEX #D2CC6E

RGB 210 204 110

HSL 56.4, 0.53%, 0.63%

LAB 80.75, -10.75, 47.24

 

CMYK 0 / 2 / 35 / 24

HEX #C3BF7E

RGB 195 191 126

HSL 56.52, 0.37%, 0.63%

LAB 76.3, -8.41, 33.33

 

CMYK 0 / 1 / 21 / 30

HEX #B3B18D

RGB 179 177 141

HSL 56.84, 0.2%, 0.63%

LAB 71.52, -5.32, 18.72

 

CMYK 0 / 0 / 5 / 36

HEX #A4A49C

RGB 164 164 156

HSL 60, 0.04%, 0.63%

LAB 67.16, -1.48, 4.14

 

CMYK 0 / 35 / 58 / 12

HEX #E1935F

RGB 225 147 95

HSL 24, 0.68%, 0.63%

LAB 67.8, 24.26, 39.37

 

CMYK 0 / 19 / 58 / 12

HEX #E1B65F

RGB 225 182 95

HSL 40.15, 0.68%, 0.63%

LAB 76.25, 5.59, 49.47

 

CMYK 0 / 4 / 58 / 12

HEX #E1D95F

RGB 225 217 95

HSL 56.31, 0.68%, 0.63%

LAB 85.23, -12.41, 59.72

 

CMYK 12 / 0 / 58 / 12

HEX #C7E15F

RGB 199 225 95

HSL 72, 0.68%, 0.63%

LAB 85.41, -26.76, 59.38

 

CMYK 27 / 0 / 58 / 12

HEX #A4E15F

RGB 164 225 95

HSL 88.15, 0.68%, 0.63%

LAB 83.22, -39.98, 56.3

 

CMYK 0 / 5 / 82 / 21

HEX #C9BF25

RGB 201 191 37

HSL 56.34, 0.69%, 0.47%

LAB 75.95, -12.36, 71.11

 

CMYK 0 / 5 / 73 / 14

HEX #DBD13C

RGB 219 209 60

HSL 56.23, 0.69%, 0.55%

LAB 82.37, -12.91, 70.47

 

CMYK 0 / 4 / 58 / 12

HEX #E1D95F

RGB 225 217 95

HSL 56.31, 0.68%, 0.63%

LAB 85.23, -12.41, 59.72

 

CMYK 0 / 3 / 44 / 9

HEX #E8E182

RGB 232 225 130

HSL 55.88, 0.69%, 0.71%

LAB 88.27, -10.64, 47.14

 

CMYK 0 / 2 / 31 / 7

HEX #EEEAA5

RGB 238 234 165

HSL 56.71, 0.68%, 0.79%

LAB 91.57, -8.97, 34.07

 

CMYK 0 / 4 / 58 / 11

HEX #E2DA5E

RGB 226 218 94

HSL 56.36, 0.69%, 0.63%

LAB 85.56, -12.57, 60.55

 

CMYK 58 / 0 / 50 / 12

HEX #5FE170

RGB 95 225 112

HSL 127.85, 0.68%, 0.63%

LAB 80.43, -58.76, 44.46

 

CMYK 27 / 58 / 0 / 12

HEX #A45FE1

RGB 164 95 225

HSL 271.85, 0.68%, 0.63%

LAB 53.51, 51.8, -55.72

 

CMYK 0 / 4 / 58 / 11

HEX #E2DA5E

RGB 226 218 94

HSL 56.36, 0.69%, 0.63%

LAB 85.56, -12.57, 60.55

 

CMYK 58 / 0 / 4 / 12

HEX #5FE1D9

RGB 95 225 217

HSL 176.31, 0.68%, 0.63%

LAB 82.54, -37.44, -6.86

 

CMYK 4 / 58 / 0 / 12

HEX #D95FE1

RGB 217 95 225

HSL 296.31, 0.68%, 0.63%

LAB 60.22, 64.86, -44.63

 

CMYK 0 / 4 / 58 / 11

HEX #E2DA5E

RGB 226 218 94

HSL 56.36, 0.69%, 0.63%

LAB 85.56, -12.57, 60.55

 

CMYK 58 / 0 / 50 / 12

HEX #5FE170

RGB 95 225 112

HSL 127.85, 0.68%, 0.63%

LAB 80.43, -58.76, 44.46

 

CMYK 58 / 54 / 0 / 12

HEX #5F68E1

RGB 95 104 225

HSL 235.85, 0.68%, 0.63%

LAB 49.22, 31.65, -62.95

 

CMYK 0 / 58 / 8 / 12

HEX #E15FD0

RGB 225 95 208

HSL 307.85, 0.68%, 0.63%

LAB 60.56, 64.08, -34.46

 

CMYK 0 / 4 / 58 / 11

HEX #E2DA5E

RGB 226 218 94

HSL 56.36, 0.69%, 0.63%

LAB 85.56, -12.57, 60.55

 

CMYK 58 / 0 / 33 / 12

HEX #5FE197

RGB 95 225 151

HSL 145.85, 0.68%, 0.63%

LAB 81.03, -52.38, 25.72

 

CMYK 58 / 54 / 0 / 12

HEX #5F68E1

RGB 95 104 225

HSL 235.85, 0.68%, 0.63%

LAB 49.22, 31.65, -62.95

 

CMYK 0 / 58 / 25 / 12

HEX #E15FA9

RGB 225 95 169

HSL 325.85, 0.68%, 0.63%

LAB 59.03, 58.37, -14.51

 

Description

Color code: HEX #E2DA5E | qconv.com Color code: HEX #E2DA5E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 218 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 218 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 58 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 58% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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