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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E2CE8C it is the complementary color #1D3173. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E2CE8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E2CE8C shade: #E7CE87, #F8E09A, #FFF2AD, #FFFFC0 and #FFFFD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E2CE8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E2CE8C shade: #E2CE8C, #D1BC79, #C0AA66, #AF9853 and #9E8640

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E2CE8C shade: #E2CE8C, #E2B78C, #E2A08C and #E28C8C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E2CE8C shade: #E2CE8C, #DFE28C, #C8E28C, #B1E28C and #99E28C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E2CE8C shade matches the following richer shades: #E2CE8C, #EDD481 and #F9DA75

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E2CE8C shade: #E2CE8C, #D6C898, #CBC2A3, #BFBBAF and #B4B5BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E2CE8C shade: #E2A08C, #E2B78C, #E2CE8C, #DFE28C and #C8E28C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E2CE8C shade: #D1B24A, #DAC06B, #E2CE8C, #EADCAD and #F2EACE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E2CE8C shade: #E2CE8C, #8FE28C and #AC8CE2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E2CE8C shade: #E2CE8C, #8CE2CE and #CE8CE2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E2CE8C shade: #E2CE8C, #8FE28C, #8CA0E2 and #DF8CE2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E2CE8C shade: #E2CE8C, #8CE2A3, #8CA0E2 and #E28CCB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 38 / 11

HEX #E2CE8C

RGB 226 206 140

HSL 46.05, 0.6%, 0.72%

LAB 83.02, -2.31, 35.37

 

Complementary color

CMYK 75 / 57 / 0 / 55

HEX #1D3173

RGB 29 49 115

HSL 226.05, 0.6%, 0.28%

LAB 22.64, 16.97, -40.41

 

CMYK 0 / 11 / 42 / 9

HEX #E7CE87

RGB 231 206 135

HSL 44.38, 0.67%, 0.72%

LAB 83.38, -0.88, 38.47

 

CMYK 0 / 10 / 38 / 3

HEX #F8E09A

RGB 248 224 154

HSL 44.68, 0.87%, 0.79%

LAB 89.67, -1.39, 37.29

 

CMYK 0 / 5 / 32 / 0

HEX #FFF2AD

RGB 255 242 173

HSL 50.49, 1%, 0.84%

LAB 95.07, -5.61, 34.93

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFC0

RGB 255 255 192

HSL 60, 1%, 0.88%

LAB 98.66, -9.68, 30.2

 

CMYK 0 / 0 / 17 / 0

HEX #FFFFD3

RGB 255 255 211

HSL 60, 1%, 0.91%

LAB 99.02, -7.05, 21.08

 

CMYK 0 / 9 / 38 / 11

HEX #E2CE8C

RGB 226 206 140

HSL 46.05, 0.6%, 0.72%

LAB 83.02, -2.31, 35.37

 

CMYK 0 / 10 / 42 / 18

HEX #D1BC79

RGB 209 188 121

HSL 45.68, 0.49%, 0.65%

LAB 76.62, -1.8, 36.57

 

CMYK 0 / 11 / 47 / 25

HEX #C0AA66

RGB 192 170 102

HSL 45.33, 0.42%, 0.58%

LAB 70.12, -1.2, 37.83

 

CMYK 0 / 13 / 53 / 31

HEX #AF9853

RGB 175 152 83

HSL 45, 0.37%, 0.51%

LAB 63.5, -0.49, 39.12

 

CMYK 0 / 15 / 59 / 38

HEX #9E8640

RGB 158 134 64

HSL 44.68, 0.42%, 0.44%

LAB 56.77, 0.38, 40.41

 

CMYK 0 / 9 / 38 / 11

HEX #E2CE8C

RGB 226 206 140

HSL 46.05, 0.6%, 0.72%

LAB 83.02, -2.31, 35.37

 

CMYK 0 / 19 / 38 / 11

HEX #E2B78C

RGB 226 183 140

HSL 30, 0.6%, 0.72%

LAB 77.24, 9.73, 27.73

 

CMYK 0 / 29 / 38 / 11

HEX #E2A08C

RGB 226 160 140

HSL 13.95, 0.6%, 0.72%

LAB 71.69, 22.02, 20.21

 

CMYK 0 / 38 / 38 / 11

HEX #E28C8C

RGB 226 140 140

HSL 0, 0.6%, 0.72%

LAB 67.14, 32.7, 13.9

 

CMYK 0 / 9 / 38 / 11

HEX #E2CE8C

RGB 226 206 140

HSL 46.05, 0.6%, 0.72%

LAB 83.02, -2.31, 35.37

 

CMYK 1 / 0 / 38 / 11

HEX #DFE28C

RGB 223 226 140

HSL 62.09, 0.6%, 0.72%

LAB 87.96, -13.61, 41.69

 

CMYK 12 / 0 / 38 / 11

HEX #C8E28C

RGB 200 226 140

HSL 78.14, 0.6%, 0.72%

LAB 86.29, -22.36, 39.22

 

CMYK 22 / 0 / 38 / 11

HEX #B1E28C

RGB 177 226 140

HSL 94.19, 0.6%, 0.72%

LAB 84.81, -30.73, 37.01

 

CMYK 32 / 0 / 38 / 11

HEX #99E28C

RGB 153 226 140

HSL 110.93, 0.6%, 0.72%

LAB 83.47, -38.87, 35.02

 

CMYK 0 / 9 / 38 / 11

HEX #E2CE8C

RGB 226 206 140

HSL 46.05, 0.6%, 0.72%

LAB 83.02, -2.31, 35.37

 

CMYK 0 / 11 / 46 / 7

HEX #EDD481

RGB 237 212 129

HSL 46.11, 0.75%, 0.72%

LAB 85.34, -2.18, 44.08

 

CMYK 0 / 12 / 53 / 2

HEX #F9DA75

RGB 249 218 117

HSL 45.91, 0.92%, 0.72%

LAB 87.76, -1.48, 53.1

 

CMYK 0 / 9 / 38 / 11

HEX #E2CE8C

RGB 226 206 140

HSL 46.05, 0.6%, 0.72%

LAB 83.02, -2.31, 35.37

 

CMYK 0 / 7 / 29 / 16

HEX #D6C898

RGB 214 200 152

HSL 46.45, 0.43%, 0.72%

LAB 80.67, -2.42, 25.82

 

CMYK 0 / 4 / 20 / 20

HEX #CBC2A3

RGB 203 194 163

HSL 46.5, 0.28%, 0.72%

LAB 78.42, -1.92, 16.75

 

CMYK 0 / 2 / 8 / 25

HEX #BFBBAF

RGB 191 187 175

HSL 45, 0.11%, 0.72%

LAB 75.89, -0.72, 6.56

 

CMYK 3 / 3 / 0 / 27

HEX #B4B5BA

RGB 180 181 186

HSL 230, 0.04%, 0.72%

LAB 73.74, 0.6, -2.67

 

CMYK 0 / 29 / 38 / 11

HEX #E2A08C

RGB 226 160 140

HSL 13.95, 0.6%, 0.72%

LAB 71.69, 22.02, 20.21

 

CMYK 0 / 19 / 38 / 11

HEX #E2B78C

RGB 226 183 140

HSL 30, 0.6%, 0.72%

LAB 77.24, 9.73, 27.73

 

CMYK 0 / 9 / 38 / 11

HEX #E2CE8C

RGB 226 206 140

HSL 46.05, 0.6%, 0.72%

LAB 83.02, -2.31, 35.37

 

CMYK 1 / 0 / 38 / 11

HEX #DFE28C

RGB 223 226 140

HSL 62.09, 0.6%, 0.72%

LAB 87.96, -13.61, 41.69

 

CMYK 12 / 0 / 38 / 11

HEX #C8E28C

RGB 200 226 140

HSL 78.14, 0.6%, 0.72%

LAB 86.29, -22.36, 39.22

 

CMYK 0 / 15 / 65 / 18

HEX #D1B24A

RGB 209 178 74

HSL 46.22, 0.59%, 0.55%

LAB 73.47, -0.49, 55.67

 

CMYK 0 / 12 / 51 / 15

HEX #DAC06B

RGB 218 192 107

HSL 45.95, 0.6%, 0.64%

LAB 78.27, -1.58, 45.86

 

CMYK 0 / 9 / 38 / 11

HEX #E2CE8C

RGB 226 206 140

HSL 46.05, 0.6%, 0.72%

LAB 83.02, -2.31, 35.37

 

CMYK 0 / 6 / 26 / 8

HEX #EADCAD

RGB 234 220 173

HSL 46.23, 0.59%, 0.8%

LAB 87.82, -2.37, 24.87

 

CMYK 0 / 3 / 15 / 5

HEX #F2EACE

RGB 242 234 206

HSL 46.67, 0.58%, 0.88%

LAB 92.65, -1.86, 14.57

 

CMYK 0 / 9 / 38 / 11

HEX #E2CE8C

RGB 226 206 140

HSL 46.05, 0.6%, 0.72%

LAB 83.02, -2.31, 35.37

 

CMYK 37 / 0 / 38 / 11

HEX #8FE28C

RGB 143 226 140

HSL 117.91, 0.6%, 0.72%

LAB 82.98, -42.04, 34.28

 

CMYK 24 / 38 / 0 / 11

HEX #AC8CE2

RGB 172 140 226

HSL 262.33, 0.6%, 0.72%

LAB 64.18, 29.48, -39.34

 

CMYK 0 / 9 / 38 / 11

HEX #E2CE8C

RGB 226 206 140

HSL 46.05, 0.6%, 0.72%

LAB 83.02, -2.31, 35.37

 

CMYK 38 / 0 / 9 / 11

HEX #8CE2CE

RGB 140 226 206

HSL 166.05, 0.6%, 0.72%

LAB 84.19, -30.5, 1.58

 

CMYK 9 / 38 / 0 / 11

HEX #CE8CE2

RGB 206 140 226

HSL 286.05, 0.6%, 0.72%

LAB 67.55, 39.57, -33.82

 

CMYK 0 / 9 / 38 / 11

HEX #E2CE8C

RGB 226 206 140

HSL 46.05, 0.6%, 0.72%

LAB 83.02, -2.31, 35.37

 

CMYK 37 / 0 / 38 / 11

HEX #8FE28C

RGB 143 226 140

HSL 117.91, 0.6%, 0.72%

LAB 82.98, -42.04, 34.28

 

CMYK 38 / 29 / 0 / 11

HEX #8CA0E2

RGB 140 160 226

HSL 226.05, 0.6%, 0.72%

LAB 66.68, 9.08, -35.62

 

CMYK 1 / 38 / 0 / 11

HEX #DF8CE2

RGB 223 140 226

HSL 297.91, 0.6%, 0.72%

LAB 69.42, 44.72, -30.78

 

CMYK 0 / 9 / 38 / 11

HEX #E2CE8C

RGB 226 206 140

HSL 46.05, 0.6%, 0.72%

LAB 83.02, -2.31, 35.37

 

CMYK 38 / 0 / 28 / 11

HEX #8CE2A3

RGB 140 226 163

HSL 136.05, 0.6%, 0.72%

LAB 83.24, -39.15, 22.81

 

CMYK 38 / 29 / 0 / 11

HEX #8CA0E2

RGB 140 160 226

HSL 226.05, 0.6%, 0.72%

LAB 66.68, 9.08, -35.62

 

CMYK 0 / 38 / 10 / 11

HEX #E28CCB

RGB 226 140 203

HSL 316.05, 0.6%, 0.72%

LAB 68.92, 41.64, -18.78

 

Description

Color code: HEX #E2CE8C | qconv.com Color code: HEX #E2CE8C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 206 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 206 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 38 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 38% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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