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Color name
HEX #E2C5D8

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E2C5D8 it is the complementary color #1D3A27. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E2C5D8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E2C5D8 shade: #E7C5D3, #F8D7E6, #FFE9F9 and #FFFBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E2C5D8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E2C5D8 shade: #E2C5D8, #D1B3C5, #C0A1B2, #AF8F9F and #9E7D8C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E2C5D8 shade: #E1C5D8, #E1C5D0, #E1C5C8 and #E1C5C5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E2C5D8 shade: #E1C5D8, #E1C5DF, #DCC5E1, #D4C5E1 and #CCC5E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E2C5D8 shade matches the following richer shades: #E1C5D8, #E8BEDA, #EFB7DC, #F6B0DE and #FEA9E0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E2C5D8 shade: #E1C5D8, #DACCD5, #D3D3D3, #CCDAD1 and #C5E1CF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E2C5D8 shade: #DCC5E1, #E1C5E0, #E1C5D8, #E1C5D0 and #E1C5C9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E2C5D8 shade: #C68EB3, #D4A9C5, #E1C5D8, #EFE0EA and #FDFCFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E2C5D8 shade: #E2C5D8, #E1D4C5 and #C5E1E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E2C5D8 shade: #E2C5D8, #D8E1C5 and #C5D8E1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E2C5D8 shade: #E2C5D8, #E1D4C5, #C5E1CE and #C5D2E1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E2C5D8 shade: #E2C5D8, #E1DDC5, #C5E1CE and #C5CAE1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 4 / 11

HEX #E2C5D8

RGB 226 197 216

HSL 320.69, 0.33%, 0.83%

LAB 82.41, 13.43, -5.69

 

Complementary color

CMYK 50 / 0 / 33 / 77

HEX #1D3A27

RGB 29 58 39

HSL 140.69, 0.33%, 0.17%

LAB 21.7, -16.11, 8.49

 

CMYK 0 / 15 / 9 / 9

HEX #E7C5D3

RGB 231 197 211

HSL 335.29, 0.41%, 0.84%

LAB 82.71, 14.3, -2.51

 

CMYK 0 / 13 / 7 / 3

HEX #F8D7E6

RGB 248 215 230

HSL 332.73, 0.7%, 0.91%

LAB 89.05, 13.9, -3.12

 

CMYK 0 / 9 / 2 / 0

HEX #FFE9F9

RGB 255 233 249

HSL 316.36, 1%, 0.96%

LAB 94.47, 10.18, -5.02

 

CMYK 0 / 2 / 0 / 0

HEX #FFFBFF

RGB 255 251 255

HSL 300, 1%, 0.99%

LAB 99.02, 2.03, -1.45

 

CMYK 0 / 13 / 4 / 11

HEX #E2C5D8

RGB 226 197 216

HSL 320.69, 0.33%, 0.83%

LAB 82.41, 13.43, -5.69

 

CMYK 0 / 14 / 6 / 18

HEX #D1B3C5

RGB 209 179 197

HSL 324, 0.25%, 0.76%

LAB 75.96, 13.83, -5.11

 

CMYK 0 / 16 / 7 / 25

HEX #C0A1B2

RGB 192 161 178

HSL 327.1, 0.2%, 0.69%

LAB 69.41, 14.27, -4.52

 

CMYK 0 / 18 / 9 / 31

HEX #AF8F9F

RGB 175 143 159

HSL 330, 0.17%, 0.62%

LAB 62.73, 14.75, -3.9

 

CMYK 0 / 21 / 11 / 38

HEX #9E7D8C

RGB 158 125 140

HSL 332.73, 0.15%, 0.55%

LAB 55.92, 15.28, -3.24

 

CMYK 0 / 12 / 4 / 12

HEX #E1C5D8

RGB 225 197 216

HSL 319.29, 0.32%, 0.83%

LAB 82.32, 13.09, -5.82

 

CMYK 0 / 12 / 8 / 12

HEX #E1C5D0

RGB 225 197 208

HSL 336.43, 0.32%, 0.83%

LAB 82.11, 11.7, -1.86

 

CMYK 0 / 12 / 11 / 12

HEX #E1C5C8

RGB 225 197 200

HSL 353.57, 0.32%, 0.83%

LAB 81.9, 10.35, 2.13

 

CMYK 0 / 12 / 12 / 12

HEX #E1C5C5

RGB 225 197 197

HSL 0, 0.32%, 0.83%

LAB 81.82, 9.86, 3.62

 

CMYK 0 / 12 / 4 / 12

HEX #E1C5D8

RGB 225 197 216

HSL 319.29, 0.32%, 0.83%

LAB 82.32, 13.09, -5.82

 

CMYK 0 / 12 / 1 / 12

HEX #E1C5DF

RGB 225 197 223

HSL 304.29, 0.32%, 0.83%

LAB 82.52, 14.35, -9.28

 

CMYK 2 / 12 / 0 / 12

HEX #DCC5E1

RGB 220 197 225

HSL 289.29, 0.32%, 0.83%

LAB 82.15, 13.04, -10.94

 

CMYK 6 / 12 / 0 / 12

HEX #D4C5E1

RGB 212 197 225

HSL 272.14, 0.32%, 0.83%

LAB 81.49, 10.37, -12

 

CMYK 9 / 12 / 0 / 12

HEX #CCC5E1

RGB 204 197 225

HSL 255, 0.32%, 0.83%

LAB 80.85, 7.74, -13.02

 

CMYK 0 / 12 / 4 / 12

HEX #E1C5D8

RGB 225 197 216

HSL 319.29, 0.32%, 0.83%

LAB 82.32, 13.09, -5.82

 

CMYK 0 / 18 / 6 / 9

HEX #E8BEDA

RGB 232 190 218

HSL 320, 0.48%, 0.83%

LAB 81.32, 19.57, -8.32

 

CMYK 0 / 23 / 8 / 6

HEX #EFB7DC

RGB 239 183 220

HSL 320.36, 0.64%, 0.83%

LAB 80.4, 26.03, -10.69

 

CMYK 0 / 28 / 10 / 4

HEX #F6B0DE

RGB 246 176 222

HSL 320.57, 0.8%, 0.83%

LAB 79.57, 32.43, -12.94

 

CMYK 0 / 33 / 12 / 0

HEX #FEA9E0

RGB 254 169 224

HSL 321.18, 0.98%, 0.83%

LAB 78.94, 39.08, -14.87

 

CMYK 0 / 12 / 4 / 12

HEX #E1C5D8

RGB 225 197 216

HSL 319.29, 0.32%, 0.83%

LAB 82.32, 13.09, -5.82

 

CMYK 0 / 6 / 2 / 15

HEX #DACCD5

RGB 218 204 213

HSL 321.43, 0.16%, 0.83%

LAB 83.39, 6.44, -2.72

 

CMYK 0 / 0 / 0 / 17

HEX #D3D3D3

RGB 211 211 211

HSL 0, 0%, 0.83%

LAB 84.56, 0, -0.01

 

CMYK 6 / 0 / 4 / 15

HEX #CCDAD1

RGB 204 218 209

HSL 141.43, 0.16%, 0.83%

LAB 85.8, -6.36, 2.8

 

CMYK 12 / 0 / 8 / 12

HEX #C5E1CF

RGB 197 225 207

HSL 141.43, 0.32%, 0.83%

LAB 87.11, -12.64, 5.69

 

CMYK 2 / 12 / 0 / 12

HEX #DCC5E1

RGB 220 197 225

HSL 289.29, 0.32%, 0.83%

LAB 82.15, 13.04, -10.94

 

CMYK 0 / 12 / 0 / 12

HEX #E1C5E0

RGB 225 197 224

HSL 302.14, 0.32%, 0.83%

LAB 82.55, 14.53, -9.77

 

CMYK 0 / 12 / 4 / 12

HEX #E1C5D8

RGB 225 197 216

HSL 319.29, 0.32%, 0.83%

LAB 82.32, 13.09, -5.82

 

CMYK 0 / 12 / 8 / 12

HEX #E1C5D0

RGB 225 197 208

HSL 336.43, 0.32%, 0.83%

LAB 82.11, 11.7, -1.86

 

CMYK 0 / 12 / 11 / 12

HEX #E1C5C9

RGB 225 197 201

HSL 351.43, 0.32%, 0.83%

LAB 81.92, 10.52, 1.63

 

CMYK 0 / 28 / 10 / 22

HEX #C68EB3

RGB 198 142 179

HSL 320.36, 0.33%, 0.67%

LAB 65.44, 27.05, -10.91

 

CMYK 0 / 20 / 7 / 17

HEX #D4A9C5

RGB 212 169 197

HSL 320.93, 0.33%, 0.75%

LAB 73.81, 20.31, -8.28

 

CMYK 0 / 12 / 4 / 12

HEX #E1C5D8

RGB 225 197 216

HSL 319.29, 0.32%, 0.83%

LAB 82.32, 13.09, -5.82

 

CMYK 0 / 6 / 2 / 6

HEX #EFE0EA

RGB 239 224 234

HSL 320, 0.32%, 0.91%

LAB 90.6, 6.84, -3.04

 

CMYK 0 / 0 / 0 / 1

HEX #FDFCFD

RGB 253 252 253

HSL 300, 0.2%, 0.99%

LAB 99.06, 0.51, -0.37

 

CMYK 0 / 13 / 4 / 11

HEX #E2C5D8

RGB 226 197 216

HSL 320.69, 0.33%, 0.83%

LAB 82.41, 13.43, -5.69

 

CMYK 0 / 6 / 12 / 12

HEX #E1D4C5

RGB 225 212 197

HSL 32.14, 0.32%, 0.83%

LAB 85.57, 1.99, 9.02

 

CMYK 12 / 0 / 0 / 12

HEX #C5E1E0

RGB 197 225 224

HSL 177.86, 0.32%, 0.83%

LAB 87.53, -9.39, -2.64

 

CMYK 0 / 13 / 4 / 11

HEX #E2C5D8

RGB 226 197 216

HSL 320.69, 0.33%, 0.83%

LAB 82.41, 13.43, -5.69

 

CMYK 4 / 0 / 12 / 12

HEX #D8E1C5

RGB 216 225 197

HSL 79.29, 0.32%, 0.83%

LAB 88.2, -7.89, 12.67

 

CMYK 12 / 4 / 0 / 12

HEX #C5D8E1

RGB 197 216 225

HSL 199.29, 0.32%, 0.83%

LAB 85.21, -4.55, -6.59

 

CMYK 0 / 13 / 4 / 11

HEX #E2C5D8

RGB 226 197 216

HSL 320.69, 0.33%, 0.83%

LAB 82.41, 13.43, -5.69

 

CMYK 0 / 6 / 12 / 12

HEX #E1D4C5

RGB 225 212 197

HSL 32.14, 0.32%, 0.83%

LAB 85.57, 1.99, 9.02

 

CMYK 12 / 0 / 8 / 12

HEX #C5E1CE

RGB 197 225 206

HSL 139.29, 0.32%, 0.83%

LAB 87.08, -12.82, 6.18

 

CMYK 12 / 7 / 0 / 12

HEX #C5D2E1

RGB 197 210 225

HSL 212.14, 0.32%, 0.83%

LAB 83.65, -1.42, -8.9

 

CMYK 0 / 13 / 4 / 11

HEX #E2C5D8

RGB 226 197 216

HSL 320.69, 0.33%, 0.83%

LAB 82.41, 13.43, -5.69

 

CMYK 0 / 2 / 12 / 12

HEX #E1DDC5

RGB 225 221 197

HSL 51.43, 0.32%, 0.83%

LAB 87.85, -2.67, 12.27

 

CMYK 12 / 0 / 8 / 12

HEX #C5E1CE

RGB 197 225 206

HSL 139.29, 0.32%, 0.83%

LAB 87.08, -12.82, 6.18

 

CMYK 12 / 10 / 0 / 12

HEX #C5CAE1

RGB 197 202 225

HSL 229.29, 0.32%, 0.83%

LAB 81.59, 2.8, -11.97

 

Description

Color code: HEX #E2C5D8 | qconv.com Color code: HEX #E2C5D8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 197 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 197 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 4 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 4% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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