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Color name
HEX #E2A982

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E2A982 it is the complementary color #1D567D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E2A982. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E2A982 shade: #E7A97D, #F8BB90, #FFCDA3, #FFDFB6 and #FFF1C9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E2A982. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E2A982 shade: #E2A982, #D1976F, #C0855C, #AF7349 and #9E6136

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E2A982 shade: #E1A983, #E19083 and #E18383

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E2A982 shade: #E1A983, #E1C383, #E1DC83, #CDE183 and #B3E183

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E2A982 shade matches the following richer shades: #E1A983, #EEA776 and #FAA46A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E2A982 shade: #E1A983, #D5AB8F, #C9AE9B, #BCB0A8 and #B0B2B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E2A982 shade: #E1838F, #E18F83, #E1A983, #E1C283 and #E1DB83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E2A982 shade: #D27B40, #DA9261, #E1A983, #E9C0A4 and #F1D7C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E2A982 shade: #E2A982, #A9E183 and #8383E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E2A982 shade: #E2A982, #83E1A9 and #A983E1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E2A982 shade: #E2A982, #A9E183, #83BBE1 and #BB83E1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E2A982 shade: #E2A982, #8CE183, #83BBE1 and #D883E1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 42 / 11

HEX #E2A982

RGB 226 169 130

HSL 24.38, 0.62%, 0.7%

LAB 73.65, 16.09, 28.27

 

Complementary color

CMYK 77 / 31 / 0 / 51

HEX #1D567D

RGB 29 86 125

HSL 204.38, 0.62%, 0.3%

LAB 34.8, -4.15, -27.28

 

CMYK 0 / 27 / 46 / 9

HEX #E7A97D

RGB 231 169 125

HSL 24.91, 0.69%, 0.7%

LAB 74.09, 17.56, 31.63

 

CMYK 0 / 25 / 42 / 3

HEX #F8BB90

RGB 248 187 144

HSL 24.81, 0.88%, 0.77%

LAB 80.47, 16.7, 30.31

 

CMYK 0 / 20 / 36 / 0

HEX #FFCDA3

RGB 255 205 163

HSL 27.39, 1%, 0.82%

LAB 85.79, 12.1, 27.61

 

CMYK 0 / 13 / 29 / 0

HEX #FFDFB6

RGB 255 223 182

HSL 33.7, 1%, 0.86%

LAB 90.51, 5.13, 24.18

 

CMYK 0 / 5 / 21 / 0

HEX #FFF1C9

RGB 255 241 201

HSL 44.44, 1%, 0.89%

LAB 95.32, -1.47, 21.04

 

CMYK 0 / 25 / 42 / 11

HEX #E2A982

RGB 226 169 130

HSL 24.38, 0.62%, 0.7%

LAB 73.65, 16.09, 28.27

 

CMYK 0 / 28 / 47 / 18

HEX #D1976F

RGB 209 151 111

HSL 24.49, 0.52%, 0.63%

LAB 67.15, 16.99, 29.63

 

CMYK 0 / 31 / 52 / 25

HEX #C0855C

RGB 192 133 92

HSL 24.6, 0.44%, 0.56%

LAB 60.56, 18.03, 31.1

 

CMYK 0 / 34 / 58 / 31

HEX #AF7349

RGB 175 115 73

HSL 24.71, 0.41%, 0.49%

LAB 53.87, 19.23, 32.7

 

CMYK 0 / 39 / 66 / 38

HEX #9E6136

RGB 158 97 54

HSL 24.81, 0.49%, 0.42%

LAB 47.09, 20.64, 34.43

 

CMYK 0 / 25 / 42 / 12

HEX #E1A983

RGB 225 169 131

HSL 24.26, 0.61%, 0.7%

LAB 73.56, 15.8, 27.6

 

CMYK 0 / 36 / 42 / 12

HEX #E19083

RGB 225 144 131

HSL 8.3, 0.61%, 0.7%

LAB 67.72, 29.19, 19.71

 

CMYK 0 / 42 / 42 / 12

HEX #E18383

RGB 225 131 131

HSL 0, 0.61%, 0.7%

LAB 64.87, 36.06, 15.77

 

CMYK 0 / 25 / 42 / 12

HEX #E1A983

RGB 225 169 131

HSL 24.26, 0.61%, 0.7%

LAB 73.56, 15.8, 27.6

 

CMYK 0 / 13 / 42 / 12

HEX #E1C383

RGB 225 195 131

HSL 40.85, 0.61%, 0.7%

LAB 80, 2.02, 36.05

 

CMYK 0 / 2 / 42 / 12

HEX #E1DC83

RGB 225 220 131

HSL 56.81, 0.61%, 0.7%

LAB 86.42, -10.79, 44.23

 

CMYK 9 / 0 / 42 / 12

HEX #CDE183

RGB 205 225 131

HSL 72.77, 0.61%, 0.7%

LAB 86.24, -21.03, 43.68

 

CMYK 20 / 0 / 42 / 12

HEX #B3E183

RGB 179 225 131

HSL 89.36, 0.61%, 0.7%

LAB 84.52, -30.7, 41.15

 

CMYK 0 / 25 / 42 / 12

HEX #E1A983

RGB 225 169 131

HSL 24.26, 0.61%, 0.7%

LAB 73.56, 15.8, 27.6

 

CMYK 0 / 30 / 50 / 7

HEX #EEA776

RGB 238 167 118

HSL 24.5, 0.78%, 0.7%

LAB 74.27, 20.76, 35.71

 

CMYK 0 / 34 / 58 / 2

HEX #FAA46A

RGB 250 164 106

HSL 24.17, 0.94%, 0.7%

LAB 74.77, 26.16, 42.87

 

CMYK 0 / 25 / 42 / 12

HEX #E1A983

RGB 225 169 131

HSL 24.26, 0.61%, 0.7%

LAB 73.56, 15.8, 27.6

 

CMYK 0 / 20 / 33 / 16

HEX #D5AB8F

RGB 213 171 143

HSL 24, 0.45%, 0.7%

LAB 73.06, 11.4, 20.24

 

CMYK 0 / 13 / 23 / 21

HEX #C9AE9B

RGB 201 174 155

HSL 24.78, 0.3%, 0.7%

LAB 72.93, 6.79, 13.35

 

CMYK 0 / 6 / 11 / 26

HEX #BCB0A8

RGB 188 176 168

HSL 24, 0.13%, 0.7%

LAB 72.61, 2.89, 5.62

 

CMYK 2 / 1 / 0 / 29

HEX #B0B2B4

RGB 176 178 180

HSL 210, 0.03%, 0.7%

LAB 72.47, -0.32, -1.27

 

CMYK 0 / 42 / 36 / 12

HEX #E1838F

RGB 225 131 143

HSL 352.34, 0.61%, 0.7%

LAB 65.14, 37.42, 9.37

 

CMYK 0 / 36 / 42 / 12

HEX #E18F83

RGB 225 143 131

HSL 7.66, 0.61%, 0.7%

LAB 67.49, 29.72, 19.4

 

CMYK 0 / 25 / 42 / 12

HEX #E1A983

RGB 225 169 131

HSL 24.26, 0.61%, 0.7%

LAB 73.56, 15.8, 27.6

 

CMYK 0 / 14 / 42 / 12

HEX #E1C283

RGB 225 194 131

HSL 40.21, 0.61%, 0.7%

LAB 79.74, 2.55, 35.72

 

CMYK 0 / 3 / 42 / 12

HEX #E1DB83

RGB 225 219 131

HSL 56.17, 0.61%, 0.7%

LAB 86.16, -10.29, 43.91

 

CMYK 0 / 41 / 70 / 18

HEX #D27B40

RGB 210 123 64

HSL 24.25, 0.62%, 0.54%

LAB 60.1, 28.94, 45.81

 

CMYK 0 / 33 / 56 / 15

HEX #DA9261

RGB 218 146 97

HSL 24.3, 0.62%, 0.62%

LAB 66.77, 22.1, 36.85

 

CMYK 0 / 25 / 42 / 12

HEX #E1A983

RGB 225 169 131

HSL 24.26, 0.61%, 0.7%

LAB 73.56, 15.8, 27.6

 

CMYK 0 / 18 / 30 / 9

HEX #E9C0A4

RGB 233 192 164

HSL 24.35, 0.61%, 0.78%

LAB 80.57, 10.63, 19.61

 

CMYK 0 / 11 / 18 / 5

HEX #F1D7C5

RGB 241 215 197

HSL 24.55, 0.61%, 0.86%

LAB 87.65, 6.18, 12.16

HEX #F1D7C5

CMYK 0 / 25 / 42 / 11

HEX #E2A982

RGB 226 169 130

HSL 24.38, 0.62%, 0.7%

LAB 73.65, 16.09, 28.27

 

CMYK 25 / 0 / 42 / 12

HEX #A9E183

RGB 169 225 131

HSL 95.74, 0.61%, 0.7%

LAB 83.93, -34.25, 40.27

 

CMYK 42 / 42 / 0 / 12

HEX #8383E1

RGB 131 131 225

HSL 240, 0.61%, 0.7%

LAB 58.5, 23.29, -47.95

 

CMYK 0 / 25 / 42 / 11

HEX #E2A982

RGB 226 169 130

HSL 24.38, 0.62%, 0.7%

LAB 73.65, 16.09, 28.27

 

CMYK 42 / 0 / 25 / 12

HEX #83E1A9

RGB 131 225 169

HSL 144.26, 0.61%, 0.7%

LAB 82.67, -40.13, 18.83

 

CMYK 25 / 42 / 0 / 12

HEX #A983E1

RGB 169 131 225

HSL 264.26, 0.61%, 0.7%

LAB 61.74, 33.46, -42.62

 

CMYK 0 / 25 / 42 / 11

HEX #E2A982

RGB 226 169 130

HSL 24.38, 0.62%, 0.7%

LAB 73.65, 16.09, 28.27

 

CMYK 25 / 0 / 42 / 12

HEX #A9E183

RGB 169 225 131

HSL 95.74, 0.61%, 0.7%

LAB 83.93, -34.25, 40.27

 

CMYK 42 / 17 / 0 / 12

HEX #83BBE1

RGB 131 187 225

HSL 204.26, 0.61%, 0.7%

LAB 73.42, -8.49, -24.73

 

CMYK 17 / 42 / 0 / 12

HEX #BB83E1

RGB 187 131 225

HSL 275.74, 0.61%, 0.7%

LAB 63.54, 38.62, -39.68

 

CMYK 0 / 25 / 42 / 11

HEX #E2A982

RGB 226 169 130

HSL 24.38, 0.62%, 0.7%

LAB 73.65, 16.09, 28.27

 

CMYK 38 / 0 / 42 / 12

HEX #8CE183

RGB 140 225 131

HSL 114.26, 0.61%, 0.7%

LAB 82.41, -43.85, 38.03

 

CMYK 42 / 17 / 0 / 12

HEX #83BBE1

RGB 131 187 225

HSL 204.26, 0.61%, 0.7%

LAB 73.42, -8.49, -24.73

 

CMYK 4 / 42 / 0 / 12

HEX #D883E1

RGB 216 131 225

HSL 294.26, 0.61%, 0.7%

LAB 66.72, 47.13, -34.47

 

Description

Color code: HEX #E2A982 | qconv.com Color code: HEX #E2A982 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 169 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 169 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 42 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 42% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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