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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E291E7 it is the complementary color #1D6E18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E291E7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E291E7 shade: #E791E2, #F8A3F5, #FFB5FF, #FFC7FF and #FFD9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E291E7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E291E7 shade: #E291E7, #D17FD4, #C06DC1, #AF5BAE and #9E499B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E291E7 shade: #E292E7, #E792D5, #E792BE, #E792A7 and #E79292

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E291E7 shade: #E292E7, #CB92E7, #B492E7, #9D92E7 and #9292E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E291E7 shade matches the following richer shades: #E292E7, #EB87F1 and #F57CFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E291E7 shade: #E292E7, #D89CDC, #CFA7D1, #C5B2C6 and #BCBDBC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E291E7 shade: #B492E7, #CA92E7, #E192E7, #E792D6 and #E792BF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E291E7 shade: #D04ED8, #D970DF, #E292E7, #EBB4EE and #F4D5F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E291E7 shade: #E291E7, #E79D92 and #92E7BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E291E7 shade: #E291E7, #E7E192 and #92E7E1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E291E7 shade: #E291E7, #E79D92, #97E792 and #92DBE7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E291E7 shade: #E291E7, #E7B792, #97E792 and #92C2E7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 37 / 0 / 9

HEX #E291E7

RGB 226 145 231

HSL 296.51, 0.64%, 0.74%

LAB 71, 43.95, -31.07

 

Complementary color

CMYK 74 / 0 / 78 / 57

HEX #1D6E18

RGB 29 110 24

HSL 116.51, 0.64%, 0.26%

LAB 40.38, -41.21, 38.52

 

CMYK 0 / 37 / 2 / 9

HEX #E791E2

RGB 231 145 226

HSL 303.49, 0.64%, 0.74%

LAB 71.37, 44.57, -27.7

 

CMYK 0 / 34 / 1 / 3

HEX #F8A3F5

RGB 248 163 245

HSL 302.12, 0.86%, 0.81%

LAB 77.72, 43.85, -28.15

 

CMYK 0 / 29 / 0 / 0

HEX #FFB5FF

RGB 255 181 255

HSL 300, 1%, 0.85%

LAB 82.66, 38.44, -25.9

 

CMYK 0 / 22 / 0 / 0

HEX #FFC7FF

RGB 255 199 255

HSL 300, 1%, 0.89%

LAB 86.67, 29, -19.82

 

CMYK 0 / 15 / 0 / 0

HEX #FFD9FF

RGB 255 217 255

HSL 300, 1%, 0.93%

LAB 90.83, 19.56, -13.56

 

CMYK 2 / 37 / 0 / 9

HEX #E291E7

RGB 226 145 231

HSL 296.51, 0.64%, 0.74%

LAB 71, 43.95, -31.07

 

CMYK 1 / 40 / 0 / 17

HEX #D17FD4

RGB 209 127 212

HSL 297.88, 0.5%, 0.66%

LAB 64.55, 44.69, -30.66

 

CMYK 1 / 44 / 0 / 24

HEX #C06DC1

RGB 192 109 193

HSL 299.29, 0.4%, 0.59%

LAB 58.03, 45.43, -30.21

 

CMYK 0 / 48 / 1 / 31

HEX #AF5BAE

RGB 175 91 174

HSL 300.71, 0.34%, 0.52%

LAB 51.44, 46.14, -29.66

 

CMYK 0 / 54 / 2 / 38

HEX #9E499B

RGB 158 73 155

HSL 302.12, 0.37%, 0.45%

LAB 44.8, 46.76, -28.98

 

CMYK 2 / 37 / 0 / 9

HEX #E292E7

RGB 226 146 231

HSL 296.47, 0.64%, 0.74%

LAB 71.21, 43.42, -30.74

 

CMYK 0 / 37 / 8 / 9

HEX #E792D5

RGB 231 146 213

HSL 312.71, 0.64%, 0.74%

LAB 71.11, 41.79, -20.94

 

CMYK 0 / 37 / 18 / 9

HEX #E792BE

RGB 231 146 190

HSL 328.94, 0.64%, 0.74%

LAB 70.36, 38.07, -9.33

 

CMYK 0 / 37 / 28 / 9

HEX #E792A7

RGB 231 146 167

HSL 345.18, 0.64%, 0.74%

LAB 69.71, 34.75, 2.53

 

CMYK 0 / 37 / 37 / 9

HEX #E79292

RGB 231 146 146

HSL 0, 0.64%, 0.74%

LAB 69.2, 32.1, 13.52

 

CMYK 2 / 37 / 0 / 9

HEX #E292E7

RGB 226 146 231

HSL 296.47, 0.64%, 0.74%

LAB 71.21, 43.42, -30.74

 

CMYK 12 / 37 / 0 / 9

HEX #CB92E7

RGB 203 146 231

HSL 280.24, 0.64%, 0.74%

LAB 68.77, 36.44, -34.72

 

CMYK 22 / 37 / 0 / 9

HEX #B492E7

RGB 180 146 231

HSL 264, 0.64%, 0.74%

LAB 66.54, 29.6, -38.35

 

CMYK 32 / 37 / 0 / 9

HEX #9D92E7

RGB 157 146 231

HSL 247.76, 0.64%, 0.74%

LAB 64.56, 23.05, -41.6

 

CMYK 37 / 37 / 0 / 9

HEX #9292E7

RGB 146 146 231

HSL 240, 0.64%, 0.74%

LAB 63.7, 20.07, -43

 

CMYK 2 / 37 / 0 / 9

HEX #E292E7

RGB 226 146 231

HSL 296.47, 0.64%, 0.74%

LAB 71.21, 43.42, -30.74

 

CMYK 2 / 44 / 0 / 5

HEX #EB87F1

RGB 235 135 241

HSL 296.6, 0.79%, 0.74%

LAB 70.41, 53.57, -37.38

 

CMYK 3 / 51 / 0 / 1

HEX #F57CFC

RGB 245 124 252

HSL 296.72, 0.96%, 0.74%

LAB 70.07, 63.63, -43.83

 

CMYK 2 / 37 / 0 / 9

HEX #E292E7

RGB 226 146 231

HSL 296.47, 0.64%, 0.74%

LAB 71.21, 43.42, -30.74

 

CMYK 2 / 29 / 0 / 14

HEX #D89CDC

RGB 216 156 220

HSL 296.25, 0.48%, 0.74%

LAB 71.92, 32.89, -23.71

 

CMYK 1 / 20 / 0 / 18

HEX #CFA7D1

RGB 207 167 209

HSL 297.14, 0.31%, 0.74%

LAB 73.22, 21.87, -15.78

 

CMYK 1 / 10 / 0 / 22

HEX #C5B2C6

RGB 197 178 198

HSL 297, 0.15%, 0.74%

LAB 74.69, 10.39, -7.66

 

CMYK 1 / 0 / 1 / 26

HEX #BCBDBC

RGB 188 189 188

HSL 120, 0.01%, 0.74%

LAB 76.51, -0.53, 0.37

 

CMYK 22 / 37 / 0 / 9

HEX #B492E7

RGB 180 146 231

HSL 264, 0.64%, 0.74%

LAB 66.54, 29.6, -38.35

 

CMYK 13 / 37 / 0 / 9

HEX #CA92E7

RGB 202 146 231

HSL 279.53, 0.64%, 0.74%

LAB 68.67, 36.14, -34.88

 

CMYK 3 / 37 / 0 / 9

HEX #E192E7

RGB 225 146 231

HSL 295.76, 0.64%, 0.74%

LAB 71.1, 43.12, -30.92

 

CMYK 0 / 37 / 7 / 9

HEX #E792D6

RGB 231 146 214

HSL 312, 0.64%, 0.74%

LAB 71.15, 41.96, -21.44

 

CMYK 0 / 37 / 17 / 9

HEX #E792BF

RGB 231 146 191

HSL 328.24, 0.64%, 0.74%

LAB 70.39, 38.23, -9.84

 

CMYK 4 / 64 / 0 / 15

HEX #D04ED8

RGB 208 78 216

HSL 296.52, 0.64%, 0.58%

LAB 55.9, 68.27, -46.47

 

CMYK 3 / 50 / 0 / 13

HEX #D970DF

RGB 217 112 223

HSL 296.76, 0.63%, 0.66%

LAB 63.07, 56.61, -39.05

 

CMYK 2 / 37 / 0 / 9

HEX #E292E7

RGB 226 146 231

HSL 296.47, 0.64%, 0.74%

LAB 71.21, 43.42, -30.74

 

CMYK 1 / 24 / 0 / 7

HEX #EBB4EE

RGB 235 180 238

HSL 296.9, 0.63%, 0.82%

LAB 79.88, 29.5, -21.2

 

CMYK 0 / 13 / 0 / 4

HEX #F4D5F5

RGB 244 213 245

HSL 298.13, 0.62%, 0.9%

LAB 88.64, 16.23, -11.67

 

CMYK 2 / 37 / 0 / 9

HEX #E291E7

RGB 226 145 231

HSL 296.51, 0.64%, 0.74%

LAB 71, 43.95, -31.07

 

CMYK 0 / 32 / 37 / 9

HEX #E79D92

RGB 231 157 146

HSL 7.76, 0.64%, 0.74%

LAB 71.68, 26.25, 16.98

 

CMYK 37 / 0 / 17 / 9

HEX #92E7BF

RGB 146 231 191

HSL 151.76, 0.64%, 0.74%

LAB 85.52, -34.39, 11.42

 

CMYK 2 / 37 / 0 / 9

HEX #E291E7

RGB 226 145 231

HSL 296.51, 0.64%, 0.74%

LAB 71, 43.95, -31.07

 

CMYK 0 / 3 / 37 / 9

HEX #E7E192

RGB 231 225 146

HSL 55.76, 0.64%, 0.74%

LAB 88.41, -9.36, 39.4

 

CMYK 37 / 0 / 3 / 9

HEX #92E7E1

RGB 146 231 225

HSL 175.76, 0.64%, 0.74%

LAB 86.35, -27.02, -5.23

 

CMYK 2 / 37 / 0 / 9

HEX #E291E7

RGB 226 145 231

HSL 296.51, 0.64%, 0.74%

LAB 71, 43.95, -31.07

 

CMYK 0 / 32 / 37 / 9

HEX #E79D92

RGB 231 157 146

HSL 7.76, 0.64%, 0.74%

LAB 71.68, 26.25, 16.98

 

CMYK 35 / 0 / 37 / 9

HEX #97E792

RGB 151 231 146

HSL 116.47, 0.64%, 0.74%

LAB 84.9, -40.85, 33.84

 

CMYK 37 / 5 / 0 / 9

HEX #92DBE7

RGB 146 219 231

HSL 188.47, 0.64%, 0.74%

LAB 83.2, -19.68, -13.08

 

CMYK 2 / 37 / 0 / 9

HEX #E291E7

RGB 226 145 231

HSL 296.51, 0.64%, 0.74%

LAB 71, 43.95, -31.07

 

CMYK 0 / 21 / 37 / 9

HEX #E7B792

RGB 231 183 146

HSL 26.12, 0.64%, 0.74%

LAB 77.83, 12.39, 25.42

 

CMYK 35 / 0 / 37 / 9

HEX #97E792

RGB 151 231 146

HSL 116.47, 0.64%, 0.74%

LAB 84.9, -40.85, 33.84

 

CMYK 37 / 16 / 0 / 9

HEX #92C2E7

RGB 146 194 231

HSL 206.12, 0.64%, 0.74%

LAB 76.35, -6.74, -23.43

 

Description

Color code: HEX #E291E7 | qconv.com Color code: HEX #E291E7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 145 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 145 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 37 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 37% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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