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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E27CF0 it is the complementary color #1D830F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E27CF0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E27CF0 shade: #E77CEB, #F88EFE, #FFA0FF, #FFB2FF and #FFC4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E27CF0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E27CF0 shade: #E27CF0, #D16ADD, #C058CA, #AF46B7 and #9E34A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E27CF0 shade: #E17AEF, #EF7ADE, #EF7ABE, #EF7A9F and #EF7A7F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E27CF0 shade: #E17AEF, #C17AEF, #A27AEF, #827AEF and #7A7AEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E27CF0 shade matches the following richer shades: #E17AEF and #EA6EFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E27CF0 shade: #E17AEF, #D886E3, #CF92D7, #C69ECB and #BDAABF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E27CF0 shade: #A17AEF, #C07AEF, #DF7AEF, #EF7ADF and #EF7AC0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E27CF0 shade: #D030E6, #D955EB, #E17AEF, #E99FF3 and #F1C4F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E27CF0 shade: #E27CF0, #EF827A and #7AEFB1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E27CF0 shade: #E27CF0, #EFDF7A and #7AEFDF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E27CF0 shade: #E27CF0, #EF827A, #8AEF7A and #7AE7EF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E27CF0 shade: #E27CF0, #EFA57A, #8AEF7A and #7AC4EF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 48 / 0 / 6

HEX #E27CF0

RGB 226 124 240

HSL 292.76, 0.79%, 0.71%

LAB 67.18, 56.33, -41.95

 

Complementary color

CMYK 78 / 0 / 89 / 49

HEX #1D830F

RGB 29 131 15

HSL 112.76, 0.79%, 0.29%

LAB 47.66, -48.98, 48.15

 

CMYK 2 / 47 / 0 / 8

HEX #E77CEB

RGB 231 124 235

HSL 297.84, 0.74%, 0.7%

LAB 67.58, 56.81, -38.53

 

CMYK 2 / 44 / 0 / 0

HEX #F88EFE

RGB 248 142 254

HSL 296.79, 0.98%, 0.78%

LAB 73.84, 56.13, -39.01

 

CMYK 0 / 37 / 0 / 0

HEX #FFA0FF

RGB 255 160 255

HSL 300, 1%, 0.81%

LAB 78.24, 49.29, -32.68

 

CMYK 0 / 30 / 0 / 0

HEX #FFB2FF

RGB 255 178 255

HSL 300, 1%, 0.85%

LAB 82.01, 40, -26.89

 

CMYK 0 / 23 / 0 / 0

HEX #FFC4FF

RGB 255 196 255

HSL 300, 1%, 0.88%

LAB 85.99, 30.57, -20.85

 

CMYK 6 / 48 / 0 / 6

HEX #E27CF0

RGB 226 124 240

HSL 292.76, 0.79%, 0.71%

LAB 67.18, 56.33, -41.95

 

CMYK 5 / 52 / 0 / 13

HEX #D16ADD

RGB 209 106 221

HSL 293.74, 0.63%, 0.64%

LAB 60.86, 56.97, -41.47

 

CMYK 5 / 56 / 0 / 21

HEX #C058CA

RGB 192 88 202

HSL 294.74, 0.52%, 0.57%

LAB 54.5, 57.5, -40.87

 

CMYK 4 / 62 / 0 / 28

HEX #AF46B7

RGB 175 70 183

HSL 295.75, 0.45%, 0.5%

LAB 48.15, 57.82, -40.08

 

CMYK 4 / 68 / 0 / 36

HEX #9E34A4

RGB 158 52 164

HSL 296.79, 0.52%, 0.42%

LAB 41.85, 57.76, -39

 

CMYK 6 / 49 / 0 / 6

HEX #E17AEF

RGB 225 122 239

HSL 292.82, 0.79%, 0.71%

LAB 66.64, 56.86, -42.26

 

CMYK 0 / 49 / 7 / 6

HEX #EF7ADE

RGB 239 122 222

HSL 308.72, 0.79%, 0.71%

LAB 67.68, 57.82, -31.1

 

CMYK 0 / 49 / 21 / 6

HEX #EF7ABE

RGB 239 122 190

HSL 325.13, 0.79%, 0.71%

LAB 66.51, 52.9, -15

 

CMYK 0 / 49 / 33 / 6

HEX #EF7A9F

RGB 239 122 159

HSL 341.03, 0.79%, 0.71%

LAB 65.57, 48.81, 1.15

 

CMYK 0 / 49 / 47 / 6

HEX #EF7A7F

RGB 239 122 127

HSL 357.44, 0.79%, 0.71%

LAB 64.81, 45.36, 18.24

 

CMYK 6 / 49 / 0 / 6

HEX #E17AEF

RGB 225 122 239

HSL 292.82, 0.79%, 0.71%

LAB 66.64, 56.86, -42.26

 

CMYK 19 / 49 / 0 / 6

HEX #C17AEF

RGB 193 122 239

HSL 276.41, 0.79%, 0.71%

LAB 62.92, 48.18, -48.37

 

CMYK 32 / 49 / 0 / 6

HEX #A27AEF

RGB 162 122 239

HSL 260.51, 0.79%, 0.71%

LAB 59.74, 40.07, -53.62

 

CMYK 46 / 49 / 0 / 6

HEX #827AEF

RGB 130 122 239

HSL 244.1, 0.79%, 0.71%

LAB 56.97, 32.36, -58.19

 

CMYK 49 / 49 / 0 / 6

HEX #7A7AEF

RGB 122 122 239

HSL 240, 0.79%, 0.71%

LAB 56.38, 30.59, -59.18

 

CMYK 6 / 49 / 0 / 6

HEX #E17AEF

RGB 225 122 239

HSL 292.82, 0.79%, 0.71%

LAB 66.64, 56.86, -42.26

 

CMYK 7 / 56 / 0 / 2

HEX #EA6EFB

RGB 234 110 251

HSL 292.77, 0.95%, 0.71%

LAB 66.22, 67.05, -49.45

 

CMYK 6 / 49 / 0 / 6

HEX #E17AEF

RGB 225 122 239

HSL 292.82, 0.79%, 0.71%

LAB 66.64, 56.86, -42.26

 

CMYK 5 / 41 / 0 / 11

HEX #D886E3

RGB 216 134 227

HSL 292.9, 0.62%, 0.71%

LAB 67.42, 45.94, -34.49

 

CMYK 4 / 32 / 0 / 16

HEX #CF92D7

RGB 207 146 215

HSL 293.04, 0.46%, 0.71%

LAB 68.55, 34.48, -26.19

 

CMYK 2 / 22 / 0 / 20

HEX #C69ECB

RGB 198 158 203

HSL 293.33, 0.3%, 0.71%

LAB 70.02, 22.64, -17.41

 

CMYK 1 / 11 / 0 / 25

HEX #BDAABF

RGB 189 170 191

HSL 294.29, 0.14%, 0.71%

LAB 71.78, 10.66, -8.22

 

CMYK 33 / 49 / 0 / 6

HEX #A17AEF

RGB 161 122 239

HSL 260, 0.79%, 0.71%

LAB 59.64, 39.82, -53.77

 

CMYK 20 / 49 / 0 / 6

HEX #C07AEF

RGB 192 122 239

HSL 275.9, 0.79%, 0.71%

LAB 62.81, 47.91, -48.55

 

CMYK 7 / 49 / 0 / 6

HEX #DF7AEF

RGB 223 122 239

HSL 291.79, 0.79%, 0.71%

LAB 66.4, 56.31, -42.66

 

CMYK 0 / 49 / 7 / 6

HEX #EF7ADF

RGB 239 122 223

HSL 308.21, 0.79%, 0.71%

LAB 67.72, 57.98, -31.59

 

CMYK 0 / 49 / 20 / 6

HEX #EF7AC0

RGB 239 122 192

HSL 324.1, 0.79%, 0.71%

LAB 66.58, 53.19, -16.02

 

CMYK 10 / 79 / 0 / 10

HEX #D030E6

RGB 208 48 230

HSL 292.75, 0.78%, 0.55%

LAB 53.21, 80.56, -58.69

 

CMYK 8 / 64 / 0 / 8

HEX #D955EB

RGB 217 85 235

HSL 292.8, 0.79%, 0.63%

LAB 59.2, 70.85, -51.85

 

CMYK 6 / 49 / 0 / 6

HEX #E17AEF

RGB 225 122 239

HSL 292.82, 0.79%, 0.71%

LAB 66.64, 56.86, -42.26

 

CMYK 4 / 35 / 0 / 5

HEX #E99FF3

RGB 233 159 243

HSL 292.86, 0.78%, 0.79%

LAB 75.2, 40.96, -31.08

 

CMYK 3 / 21 / 0 / 3

HEX #F1C4F8

RGB 241 196 248

HSL 291.92, 0.79%, 0.87%

LAB 84.46, 24.78, -19.56

 

CMYK 6 / 48 / 0 / 6

HEX #E27CF0

RGB 226 124 240

HSL 292.76, 0.79%, 0.71%

LAB 67.18, 56.33, -41.95

 

CMYK 0 / 46 / 49 / 6

HEX #EF827A

RGB 239 130 122

HSL 4.1, 0.79%, 0.71%

LAB 66.31, 40.88, 23.1

 

CMYK 49 / 0 / 26 / 6

HEX #7AEFB1

RGB 122 239 177

HSL 148.21, 0.79%, 0.71%

LAB 86.53, -47.02, 19.99

 

CMYK 6 / 48 / 0 / 6

HEX #E27CF0

RGB 226 124 240

HSL 292.76, 0.79%, 0.71%

LAB 67.18, 56.33, -41.95

 

CMYK 0 / 7 / 49 / 6

HEX #EFDF7A

RGB 239 223 122

HSL 51.79, 0.79%, 0.71%

LAB 88.22, -7.6, 51.08

 

CMYK 49 / 0 / 7 / 6

HEX #7AEFDF

RGB 122 239 223

HSL 171.79, 0.79%, 0.71%

LAB 87.58, -36.98, -2.48

 

CMYK 6 / 48 / 0 / 6

HEX #E27CF0

RGB 226 124 240

HSL 292.76, 0.79%, 0.71%

LAB 67.18, 56.33, -41.95

 

CMYK 0 / 46 / 49 / 6

HEX #EF827A

RGB 239 130 122

HSL 4.1, 0.79%, 0.71%

LAB 66.31, 40.88, 23.1

 

CMYK 42 / 0 / 49 / 6

HEX #8AEF7A

RGB 138 239 122

HSL 111.79, 0.79%, 0.71%

LAB 86.28, -51.55, 47.25

 

CMYK 49 / 3 / 0 / 6

HEX #7AE7EF

RGB 122 231 239

HSL 184.1, 0.79%, 0.71%

LAB 85.77, -29.23, -13.58

 

CMYK 6 / 48 / 0 / 6

HEX #E27CF0

RGB 226 124 240

HSL 292.76, 0.79%, 0.71%

LAB 67.18, 56.33, -41.95

 

CMYK 0 / 31 / 49 / 6

HEX #EFA57A

RGB 239 165 122

HSL 22.05, 0.79%, 0.71%

LAB 73.98, 22.59, 33.24

 

CMYK 42 / 0 / 49 / 6

HEX #8AEF7A

RGB 138 239 122

HSL 111.79, 0.79%, 0.71%

LAB 86.28, -51.55, 47.25

 

CMYK 49 / 18 / 0 / 6

HEX #7AC4EF

RGB 122 196 239

HSL 202.05, 0.79%, 0.71%

LAB 75.98, -11.59, -28.42

 

Description

Color code: HEX #E27CF0 | qconv.com Color code: HEX #E27CF0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 124 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 124 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 48 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 48% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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