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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E278C3 it is the complementary color #1D873C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E278C3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E278C3 shade: #E778BE, #F88AD1, #FF9CE4, #FFAEF7 and #FFC0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E278C3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E278C3 shade: #E278C3, #D166B0, #C0549D, #AF428A and #9E3077

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E278C3 shade: #E278C3, #E278A6, #E2788A and #E27878

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E278C3 shade: #E278C3, #E278E0, #C878E2, #AB78E2 and #8F78E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E278C3 shade matches the following richer shades: #E278C3, #EF6BC8 and #FC5DCE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E278C3 shade: #E278C3, #D585BD, #C892B8, #BA9FB2 and #ADADAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E278C3 shade: #C778E2, #E278E0, #E278C4, #E278A8 and #E2788B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E278C3 shade: #D334A5, #DB56B4, #E278C3, #E99AD2 and #F0BCE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E278C3 shade: #E278C3, #E2AB78 and #78E2D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E278C3 shade: #E278C3, #C4E278 and #78C4E2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E278C3 shade: #E278C3, #E2AB78, #78E296 and #78AFE2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E278C3 shade: #E278C3, #E2CB78, #78E296 and #788FE2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 14 / 11

HEX #E278C3

RGB 226 120 195

HSL 317.55, 0.65%, 0.68%

LAB 64.6, 50.58, -20.88

 

Complementary color

CMYK 79 / 0 / 56 / 47

HEX #1D873C

RGB 29 135 60

HSL 137.55, 0.65%, 0.32%

LAB 49.39, -45.93, 31.85

 

CMYK 0 / 48 / 18 / 9

HEX #E778BE

RGB 231 120 190

HSL 322.16, 0.7%, 0.69%

LAB 65.07, 51.37, -17.27

 

CMYK 0 / 44 / 16 / 3

HEX #F88AD1

RGB 248 138 209

HSL 321.27, 0.89%, 0.76%

LAB 71.38, 50.64, -18.14

 

CMYK 0 / 39 / 11 / 0

HEX #FF9CE4

RGB 255 156 228

HSL 316.36, 1%, 0.81%

LAB 76.46, 46.75, -20.78

 

CMYK 0 / 32 / 3 / 0

HEX #FFAEF7

RGB 255 174 247

HSL 305.93, 1%, 0.84%

LAB 80.88, 40.67, -24.34

 

CMYK 0 / 25 / 0 / 0

HEX #FFC0FF

RGB 255 192 255

HSL 300, 1%, 0.88%

LAB 85.09, 32.67, -22.21

 

CMYK 0 / 47 / 14 / 11

HEX #E278C3

RGB 226 120 195

HSL 317.55, 0.65%, 0.68%

LAB 64.6, 50.58, -20.88

 

CMYK 0 / 51 / 16 / 18

HEX #D166B0

RGB 209 102 176

HSL 318.5, 0.54%, 0.61%

LAB 58.22, 51.26, -19.99

 

CMYK 0 / 56 / 18 / 25

HEX #C0549D

RGB 192 84 157

HSL 319.44, 0.46%, 0.54%

LAB 51.82, 51.84, -18.92

 

CMYK 0 / 62 / 21 / 31

HEX #AF428A

RGB 175 66 138

HSL 320.37, 0.45%, 0.47%

LAB 45.42, 52.22, -17.6

 

CMYK 0 / 70 / 25 / 38

HEX #9E3077

RGB 158 48 119

HSL 321.27, 0.53%, 0.4%

LAB 39.1, 52.22, -15.87

 

CMYK 0 / 47 / 14 / 11

HEX #E278C3

RGB 226 120 195

HSL 317.55, 0.65%, 0.68%

LAB 64.6, 50.58, -20.88

 

CMYK 0 / 47 / 27 / 11

HEX #E278A6

RGB 226 120 166

HSL 333.96, 0.65%, 0.68%

LAB 63.64, 46.34, -5.88

 

CMYK 0 / 47 / 39 / 11

HEX #E2788A

RGB 226 120 138

HSL 349.81, 0.65%, 0.68%

LAB 62.87, 42.87, 9.01

 

CMYK 0 / 47 / 47 / 11

HEX #E27878

RGB 226 120 120

HSL 0, 0.65%, 0.68%

LAB 62.47, 40.99, 18.73

 

CMYK 0 / 47 / 14 / 11

HEX #E278C3

RGB 226 120 195

HSL 317.55, 0.65%, 0.68%

LAB 64.6, 50.58, -20.88

 

CMYK 0 / 47 / 1 / 11

HEX #E278E0

RGB 226 120 224

HSL 301.13, 0.65%, 0.68%

LAB 65.74, 55.41, -35.36

 

CMYK 12 / 47 / 0 / 11

HEX #C878E2

RGB 200 120 226

HSL 285.28, 0.65%, 0.68%

LAB 62.68, 48.43, -41.48

 

CMYK 24 / 47 / 0 / 11

HEX #AB78E2

RGB 171 120 226

HSL 268.87, 0.65%, 0.68%

LAB 59.51, 40.4, -46.69

 

CMYK 37 / 47 / 0 / 11

HEX #8F78E2

RGB 143 120 226

HSL 253.02, 0.65%, 0.68%

LAB 56.84, 33.02, -51.08

 

CMYK 0 / 47 / 14 / 11

HEX #E278C3

RGB 226 120 195

HSL 317.55, 0.65%, 0.68%

LAB 64.6, 50.58, -20.88

 

CMYK 0 / 55 / 16 / 6

HEX #EF6BC8

RGB 239 107 200

HSL 317.73, 0.8%, 0.68%

LAB 64.19, 61.39, -24.16

 

CMYK 0 / 63 / 18 / 1

HEX #FC5DCE

RGB 252 93 206

HSL 317.36, 0.96%, 0.68%

LAB 64.15, 71.71, -27.45

 

CMYK 0 / 47 / 14 / 11

HEX #E278C3

RGB 226 120 195

HSL 317.55, 0.65%, 0.68%

LAB 64.6, 50.58, -20.88

 

CMYK 0 / 38 / 11 / 16

HEX #D585BD

RGB 213 133 189

HSL 318, 0.49%, 0.68%

LAB 65.43, 38.73, -16.38

 

CMYK 0 / 27 / 8 / 22

HEX #C892B8

RGB 200 146 184

HSL 317.78, 0.33%, 0.68%

LAB 66.75, 26.42, -11.74

 

CMYK 0 / 15 / 4 / 27

HEX #BA9FB2

RGB 186 159 178

HSL 317.78, 0.16%, 0.68%

LAB 68.35, 13.24, -6.14

 

CMYK 0 / 0 / 0 / 32

HEX #ADADAD

RGB 173 173 173

HSL 0, 0%, 0.68%

LAB 70.72, 0, -0.01

 

CMYK 12 / 47 / 0 / 11

HEX #C778E2

RGB 199 120 226

HSL 284.72, 0.65%, 0.68%

LAB 62.56, 48.15, -41.67

 

CMYK 0 / 47 / 1 / 11

HEX #E278E0

RGB 226 120 224

HSL 301.13, 0.65%, 0.68%

LAB 65.74, 55.41, -35.36

 

CMYK 0 / 47 / 13 / 11

HEX #E278C4

RGB 226 120 196

HSL 316.98, 0.65%, 0.68%

LAB 64.63, 50.74, -21.38

 

CMYK 0 / 47 / 26 / 11

HEX #E278A8

RGB 226 120 168

HSL 332.83, 0.65%, 0.68%

LAB 63.7, 46.61, -6.93

 

CMYK 0 / 47 / 38 / 11

HEX #E2788B

RGB 226 120 139

HSL 349.25, 0.65%, 0.68%

LAB 62.9, 42.98, 8.48

 

CMYK 0 / 75 / 22 / 17

HEX #D334A5

RGB 211 52 165

HSL 317.36, 0.64%, 0.52%

LAB 50.71, 70.43, -25.08

 

CMYK 0 / 61 / 18 / 14

HEX #DB56B4

RGB 219 86 180

HSL 317.59, 0.65%, 0.6%

LAB 57.09, 62.09, -23.91

 

CMYK 0 / 47 / 14 / 11

HEX #E278C3

RGB 226 120 195

HSL 317.55, 0.65%, 0.68%

LAB 64.6, 50.58, -20.88

 

CMYK 0 / 34 / 10 / 9

HEX #E99AD2

RGB 233 154 210

HSL 317.47, 0.64%, 0.76%

LAB 72.95, 37.73, -16.48

 

CMYK 0 / 22 / 6 / 6

HEX #F0BCE1

RGB 240 188 225

HSL 317.31, 0.63%, 0.84%

LAB 81.8, 24.57, -11.28

 

CMYK 0 / 47 / 14 / 11

HEX #E278C3

RGB 226 120 195

HSL 317.55, 0.65%, 0.68%

LAB 64.6, 50.58, -20.88

 

CMYK 0 / 24 / 47 / 11

HEX #E2AB78

RGB 226 171 120

HSL 28.87, 0.65%, 0.68%

LAB 73.97, 14, 34.01

 

CMYK 47 / 0 / 5 / 11

HEX #78E2D6

RGB 120 226 214

HSL 173.21, 0.65%, 0.68%

LAB 83.57, -33.57, -3.65

 

CMYK 0 / 47 / 14 / 11

HEX #E278C3

RGB 226 120 195

HSL 317.55, 0.65%, 0.68%

LAB 64.6, 50.58, -20.88

 

CMYK 13 / 0 / 47 / 11

HEX #C4E278

RGB 196 226 120

HSL 76.98, 0.65%, 0.68%

LAB 85.75, -26.12, 48.27

 

CMYK 47 / 13 / 0 / 11

HEX #78C4E2

RGB 120 196 226

HSL 196.98, 0.65%, 0.68%

LAB 75.43, -15.65, -22.25

 

CMYK 0 / 47 / 14 / 11

HEX #E278C3

RGB 226 120 195

HSL 317.55, 0.65%, 0.68%

LAB 64.6, 50.58, -20.88

 

CMYK 0 / 24 / 47 / 11

HEX #E2AB78

RGB 226 171 120

HSL 28.87, 0.65%, 0.68%

LAB 73.97, 14, 34.01

 

CMYK 47 / 0 / 34 / 11

HEX #78E296

RGB 120 226 150

HSL 136.98, 0.65%, 0.68%

LAB 82.16, -47, 27.91

 

CMYK 47 / 23 / 0 / 11

HEX #78AFE2

RGB 120 175 226

HSL 208.87, 0.65%, 0.68%

LAB 69.57, -4.41, -31.23

 

CMYK 0 / 47 / 14 / 11

HEX #E278C3

RGB 226 120 195

HSL 317.55, 0.65%, 0.68%

LAB 64.6, 50.58, -20.88

 

CMYK 0 / 10 / 47 / 11

HEX #E2CB78

RGB 226 203 120

HSL 46.98, 0.65%, 0.68%

LAB 81.97, -2.83, 44.13

 

CMYK 47 / 0 / 34 / 11

HEX #78E296

RGB 120 226 150

HSL 136.98, 0.65%, 0.68%

LAB 82.16, -47, 27.91

 

CMYK 47 / 37 / 0 / 11

HEX #788FE2

RGB 120 143 226

HSL 226.98, 0.65%, 0.68%

LAB 60.9, 13.82, -44.77

 

Description

Color code: HEX #E278C3 | qconv.com Color code: HEX #E278C3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 120 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 120 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 14 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 14% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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