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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E27769 it is the complementary color #1D8896. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E27769. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E27769 shade: #E77764, #F88977, #FF9B8A, #FFAD9D and #FFBFB0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E27769. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E27769 shade: #E27769, #D16556, #C05343, #AF4130 and #9E2F1D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E27769 shade: #E27769 and #E26969

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E27769 shade: #E27769, #E29769, #E2B869, #E2D969 and #CAE269

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E27769 shade matches the following richer shades: #E27769 and #F06B5A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E27769 shade: #E27769, #D38277, #C58D85, #B79894 and #A8A3A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E27769 shade: #E2699D, #E2697D, #E27569, #E29569 and #E2B569

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E27769 shade: #D13B27, #DB5746, #E27769, #E9968B and #EFB5AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E27769 shade: #E27769, #BEE269 and #698DE2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E27769 shade: #E27769, #69E275 and #7569E2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E27769 shade: #E27769, #BEE269, #69D6E2 and #8D69E2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E27769 shade: #E27769, #99E269, #69D6E2 and #B169E2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 54 / 11

HEX #E27769

RGB 226 119 105

HSL 6.94, 0.68%, 0.65%

LAB 61.98, 40.15, 26.56

 

Complementary color

CMYK 81 / 9 / 0 / 41

HEX #1D8896

RGB 29 136 150

HSL 186.94, 0.68%, 0.35%

LAB 51.92, -23.66, -15.8

 

CMYK 0 / 48 / 57 / 9

HEX #E77764

RGB 231 119 100

HSL 8.7, 0.73%, 0.65%

LAB 62.59, 41.62, 30.29

 

CMYK 0 / 45 / 52 / 3

HEX #F88977

RGB 248 137 119

HSL 8.37, 0.9%, 0.72%

LAB 68.88, 40.4, 28.41

 

CMYK 0 / 39 / 46 / 0

HEX #FF9B8A

RGB 255 155 138

HSL 8.72, 1%, 0.77%

LAB 73.89, 35.53, 24.85

 

CMYK 0 / 32 / 38 / 0

HEX #FFAD9D

RGB 255 173 157

HSL 9.8, 1%, 0.81%

LAB 78.22, 28.15, 20.46

 

CMYK 0 / 25 / 31 / 0

HEX #FFBFB0

RGB 255 191 176

HSL 11.39, 1%, 0.85%

LAB 82.73, 20.99, 16.54

 

CMYK 0 / 47 / 54 / 11

HEX #E27769

RGB 226 119 105

HSL 6.94, 0.68%, 0.65%

LAB 61.98, 40.15, 26.56

 

CMYK 0 / 52 / 59 / 18

HEX #D16556

RGB 209 101 86

HSL 7.32, 0.57%, 0.58%

LAB 55.62, 41.39, 28.6

 

CMYK 0 / 57 / 65 / 25

HEX #C05343

RGB 192 83 67

HSL 7.68, 0.5%, 0.51%

LAB 49.25, 42.68, 30.94

 

CMYK 0 / 63 / 73 / 31

HEX #AF4130

RGB 175 65 48

HSL 8.03, 0.57%, 0.44%

LAB 42.93, 43.92, 33.66

 

CMYK 0 / 70 / 82 / 38

HEX #9E2F1D

RGB 158 47 29

HSL 8.37, 0.69%, 0.37%

LAB 36.73, 44.95, 36.71

 

CMYK 0 / 47 / 54 / 11

HEX #E27769

RGB 226 119 105

HSL 6.94, 0.68%, 0.65%

LAB 61.98, 40.15, 26.56

 

CMYK 0 / 54 / 54 / 11

HEX #E26969

RGB 226 105 105

HSL 0, 0.68%, 0.65%

LAB 59.24, 47.11, 22.93

 

CMYK 0 / 47 / 54 / 11

HEX #E27769

RGB 226 119 105

HSL 6.94, 0.68%, 0.65%

LAB 61.98, 40.15, 26.56

 

CMYK 0 / 33 / 54 / 11

HEX #E29769

RGB 226 151 105

HSL 22.81, 0.68%, 0.65%

LAB 68.98, 23.33, 35.58

 

CMYK 0 / 19 / 54 / 11

HEX #E2B869

RGB 226 184 105

HSL 39.17, 0.68%, 0.65%

LAB 76.96, 5.74, 45.45

 

CMYK 0 / 4 / 54 / 11

HEX #E2D969

RGB 226 217 105

HSL 55.54, 0.68%, 0.65%

LAB 85.41, -11.25, 55.45

 

CMYK 11 / 0 / 54 / 11

HEX #CAE269

RGB 202 226 105

HSL 71.9, 0.68%, 0.65%

LAB 85.99, -25.24, 55.65

 

CMYK 0 / 47 / 54 / 11

HEX #E27769

RGB 226 119 105

HSL 6.94, 0.68%, 0.65%

LAB 61.98, 40.15, 26.56

 

CMYK 0 / 55 / 63 / 6

HEX #F06B5A

RGB 240 107 90

HSL 6.8, 0.83%, 0.65%

LAB 61.46, 50.06, 34.69

 

CMYK 0 / 47 / 54 / 11

HEX #E27769

RGB 226 119 105

HSL 6.94, 0.68%, 0.65%

LAB 61.98, 40.15, 26.56

 

CMYK 0 / 38 / 44 / 17

HEX #D38277

RGB 211 130 119

HSL 7.17, 0.51%, 0.65%

LAB 62.63, 29.99, 19.19

 

CMYK 0 / 28 / 32 / 23

HEX #C58D85

RGB 197 141 133

HSL 7.5, 0.36%, 0.65%

LAB 63.85, 20.21, 12.72

 

CMYK 0 / 17 / 19 / 28

HEX #B79894

RGB 183 152 148

HSL 6.86, 0.2%, 0.65%

LAB 65.48, 10.88, 6.41

 

CMYK 0 / 3 / 4 / 34

HEX #A8A3A2

RGB 168 163 162

HSL 10, 0.03%, 0.65%

LAB 67.37, 1.62, 1.15

 

CMYK 0 / 54 / 31 / 11

HEX #E2699D

RGB 226 105 157

HSL 334.21, 0.68%, 0.65%

LAB 60.52, 52.51, -5.33

 

CMYK 0 / 54 / 45 / 11

HEX #E2697D

RGB 226 105 125

HSL 350.08, 0.68%, 0.65%

LAB 59.66, 48.92, 11.96

 

CMYK 0 / 48 / 54 / 11

HEX #E27569

RGB 226 117 105

HSL 5.95, 0.68%, 0.65%

LAB 61.58, 41.17, 26.03

 

CMYK 0 / 34 / 54 / 11

HEX #E29569

RGB 226 149 105

HSL 21.82, 0.68%, 0.65%

LAB 68.52, 24.4, 35

 

CMYK 0 / 20 / 54 / 11

HEX #E2B569

RGB 226 181 105

HSL 37.69, 0.68%, 0.65%

LAB 76.21, 7.33, 44.54

 

CMYK 0 / 72 / 81 / 18

HEX #D13B27

RGB 209 59 39

HSL 7.06, 0.69%, 0.49%

LAB 48.04, 57.53, 45.76

 

CMYK 0 / 60 / 68 / 14

HEX #DB5746

RGB 219 87 70

HSL 6.85, 0.67%, 0.57%

LAB 54.36, 50.69, 36.43

 

CMYK 0 / 47 / 54 / 11

HEX #E27769

RGB 226 119 105

HSL 6.94, 0.68%, 0.65%

LAB 61.98, 40.15, 26.56

 

CMYK 0 / 36 / 40 / 9

HEX #E9968B

RGB 233 150 139

HSL 7.02, 0.68%, 0.73%

LAB 70.18, 29.93, 18.8

 

CMYK 0 / 24 / 27 / 6

HEX #EFB5AE

RGB 239 181 174

HSL 6.46, 0.67%, 0.81%

LAB 78.73, 20.04, 11.74

 

CMYK 0 / 47 / 54 / 11

HEX #E27769

RGB 226 119 105

HSL 6.94, 0.68%, 0.65%

LAB 61.98, 40.15, 26.56

 

CMYK 16 / 0 / 54 / 11

HEX #BEE269

RGB 190 226 105

HSL 77.85, 0.68%, 0.65%

LAB 85.18, -29.87, 54.5

 

CMYK 54 / 38 / 0 / 11

HEX #698DE2

RGB 105 141 226

HSL 222.15, 0.68%, 0.65%

LAB 59.47, 11.59, -47.08

 

CMYK 0 / 47 / 54 / 11

HEX #E27769

RGB 226 119 105

HSL 6.94, 0.68%, 0.65%

LAB 61.98, 40.15, 26.56

 

CMYK 54 / 0 / 48 / 11

HEX #69E275

RGB 105 226 117

HSL 125.95, 0.68%, 0.65%

LAB 81.12, -56.06, 42.97

 

CMYK 48 / 54 / 0 / 11

HEX #7569E2

RGB 117 105 226

HSL 245.95, 0.68%, 0.65%

LAB 51.12, 35.72, -60.36

 

CMYK 0 / 47 / 54 / 11

HEX #E27769

RGB 226 119 105

HSL 6.94, 0.68%, 0.65%

LAB 61.98, 40.15, 26.56

 

CMYK 16 / 0 / 54 / 11

HEX #BEE269

RGB 190 226 105

HSL 77.85, 0.68%, 0.65%

LAB 85.18, -29.87, 54.5

 

CMYK 54 / 5 / 0 / 11

HEX #69D6E2

RGB 105 214 226

HSL 185.95, 0.68%, 0.65%

LAB 79.95, -27.95, -15.48

 

CMYK 38 / 54 / 0 / 11

HEX #8D69E2

RGB 141 105 226

HSL 257.85, 0.68%, 0.65%

LAB 53.23, 41.13, -56.86

 

CMYK 0 / 47 / 54 / 11

HEX #E27769

RGB 226 119 105

HSL 6.94, 0.68%, 0.65%

LAB 61.98, 40.15, 26.56

 

CMYK 32 / 0 / 54 / 11

HEX #99E269

RGB 153 226 105

HSL 96.2, 0.68%, 0.65%

LAB 83.01, -43.29, 51.41

 

CMYK 54 / 5 / 0 / 11

HEX #69D6E2

RGB 105 214 226

HSL 185.95, 0.68%, 0.65%

LAB 79.95, -27.95, -15.48

 

CMYK 22 / 54 / 0 / 11

HEX #B169E2

RGB 177 105 226

HSL 275.7, 0.68%, 0.65%

LAB 57.02, 50.05, -50.6

 

Description

Color code: HEX #E27769 | qconv.com Color code: HEX #E27769 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 119 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 119 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 54 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 54% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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