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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E26C49 it is the complementary color #1D93B6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E26C49. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E26C49 shade: #E76C44, #F87E57, #FF906A, #FFA27D and #FFB490

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E26C49. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E26C49 shade: #E26C49, #D15A36, #C04823, #AF3610 and #9E2400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E26C49 shade: #E26D4A and #E24A4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E26C49 shade: #E26D4A, #E2964A, #E2BF4A, #DCE24A and #B3E24A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E26C49 shade matches the following richer shades: #E26D4A and #F36339

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E26C49 shade: #E26D4A, #D1765B, #C07F6B, #B0887C and #9F918D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E26C49 shade: #E24A7A, #E24A51, #E26B4A, #E2934A and #E2BC4A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E26C49 shade: #BC411D, #DD5026, #E26D4A, #E8896D and #EDA691

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E26C49 shade: #E26C49, #A3E24A and #4A66E2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E26C49 shade: #E26C49, #4AE26B and #6B4AE2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E26C49 shade: #E26C49, #A3E24A, #4AC1E2 and #894AE2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E26C49 shade: #E26C49, #75E24A, #4AC1E2 and #B74AE2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 68 / 11

HEX #E26C49

RGB 226 108 73

HSL 13.73, 0.73%, 0.59%

LAB 59.32, 43.46, 40.88

 

Complementary color

CMYK 84 / 19 / 0 / 29

HEX #1D93B6

RGB 29 147 182

HSL 193.73, 0.73%, 0.41%

LAB 56.59, -18.58, -27.02

 

CMYK 0 / 53 / 71 / 9

HEX #E76C44

RGB 231 108 68

HSL 14.72, 0.77%, 0.59%

LAB 60.01, 45.07, 44.5

 

CMYK 0 / 49 / 65 / 3

HEX #F87E57

RGB 248 126 87

HSL 14.53, 0.92%, 0.66%

LAB 66.19, 43.62, 42.33

 

CMYK 0 / 44 / 58 / 0

HEX #FF906A

RGB 255 144 106

HSL 15.3, 1%, 0.71%

LAB 71.04, 38.47, 38.4

 

CMYK 0 / 36 / 51 / 0

HEX #FFA27D

RGB 255 162 125

HSL 17.08, 1%, 0.75%

LAB 75.19, 30.7, 33.58

 

CMYK 0 / 29 / 44 / 0

HEX #FFB490

RGB 255 180 144

HSL 19.46, 1%, 0.78%

LAB 79.57, 23.09, 29.24

 

CMYK 0 / 52 / 68 / 11

HEX #E26C49

RGB 226 108 73

HSL 13.73, 0.73%, 0.59%

LAB 59.32, 43.46, 40.88

 

CMYK 0 / 57 / 74 / 18

HEX #D15A36

RGB 209 90 54

HSL 13.94, 0.63%, 0.52%

LAB 53.1, 44.92, 43.21

 

CMYK 0 / 63 / 82 / 25

HEX #C04823

RGB 192 72 35

HSL 14.14, 0.69%, 0.45%

LAB 46.93, 46.37, 45.59

 

CMYK 0 / 69 / 91 / 31

HEX #AF3610

RGB 175 54 16

HSL 14.34, 0.83%, 0.37%

LAB 40.88, 47.65, 47.5

 

CMYK 0 / 77 / 100 / 38

HEX #9E2400

RGB 158 36 0

HSL 13.67, 1%, 0.31%

LAB 35.06, 48.47, 48.01

 

CMYK 0 / 52 / 67 / 11

HEX #E26D4A

RGB 226 109 74

HSL 13.82, 0.72%, 0.59%

LAB 59.53, 43.02, 40.59

 

CMYK 0 / 67 / 67 / 11

HEX #E24A4A

RGB 226 74 74

HSL 0, 0.72%, 0.59%

LAB 53.56, 58.73, 33.48

 

CMYK 0 / 52 / 67 / 11

HEX #E26D4A

RGB 226 109 74

HSL 13.82, 0.72%, 0.59%

LAB 59.53, 43.02, 40.59

 

CMYK 0 / 34 / 67 / 11

HEX #E2964A

RGB 226 150 74

HSL 30, 0.72%, 0.59%

LAB 68.37, 21.67, 50.62

 

CMYK 0 / 15 / 67 / 11

HEX #E2BF4A

RGB 226 191 74

HSL 46.18, 0.72%, 0.59%

LAB 78.42, -0.06, 61.4

 

CMYK 3 / 0 / 67 / 11

HEX #DCE24A

RGB 220 226 74

HSL 62.37, 0.72%, 0.59%

LAB 87.05, -20.2, 70.07

 

CMYK 21 / 0 / 67 / 11

HEX #B3E24A

RGB 179 226 74

HSL 78.55, 0.72%, 0.59%

LAB 84.21, -36.49, 66.27

 

CMYK 0 / 52 / 67 / 11

HEX #E26D4A

RGB 226 109 74

HSL 13.82, 0.72%, 0.59%

LAB 59.53, 43.02, 40.59

 

CMYK 0 / 59 / 77 / 5

HEX #F36339

RGB 243 99 57

HSL 13.55, 0.89%, 0.59%

LAB 60.14, 53.16, 50.74

 

CMYK 0 / 52 / 67 / 11

HEX #E26D4A

RGB 226 109 74

HSL 13.82, 0.72%, 0.59%

LAB 59.53, 43.02, 40.59

 

CMYK 0 / 44 / 56 / 18

HEX #D1765B

RGB 209 118 91

HSL 13.73, 0.56%, 0.59%

LAB 59.22, 32.99, 30.37

 

CMYK 0 / 34 / 44 / 25

HEX #C07F6B

RGB 192 127 107

HSL 14.12, 0.4%, 0.59%

LAB 59.39, 22.83, 21.19

 

CMYK 0 / 23 / 30 / 31

HEX #B0887C

RGB 176 136 124

HSL 13.85, 0.25%, 0.59%

LAB 60.15, 13.49, 12.31

 

CMYK 0 / 9 / 11 / 38

HEX #9F918D

RGB 159 145 141

HSL 13.33, 0.09%, 0.59%

LAB 61.26, 4.48, 3.99

 

CMYK 0 / 67 / 46 / 11

HEX #E24A7A

RGB 226 74 122

HSL 341.05, 0.72%, 0.59%

LAB 54.52, 62.17, 6.44

 

CMYK 0 / 67 / 64 / 11

HEX #E24A51

RGB 226 74 81

HSL 357.24, 0.72%, 0.59%

LAB 53.66, 59.12, 29.56

 

CMYK 0 / 53 / 67 / 11

HEX #E26B4A

RGB 226 107 74

HSL 13.03, 0.72%, 0.59%

LAB 59.14, 44.01, 40.14

 

CMYK 0 / 35 / 67 / 11

HEX #E2934A

RGB 226 147 74

HSL 28.82, 0.72%, 0.59%

LAB 67.67, 23.28, 49.85

 

CMYK 0 / 17 / 67 / 11

HEX #E2BC4A

RGB 226 188 74

HSL 45, 0.72%, 0.59%

LAB 77.66, 1.5, 60.6

 

CMYK 0 / 65 / 85 / 26

HEX #BC411D

RGB 188 65 29

HSL 13.58, 0.73%, 0.43%

LAB 45.03, 47.86, 46.41

 

CMYK 0 / 64 / 83 / 13

HEX #DD5026

RGB 221 80 38

HSL 13.77, 0.73%, 0.51%

LAB 53.22, 53.19, 51.8

 

CMYK 0 / 52 / 67 / 11

HEX #E26D4A

RGB 226 109 74

HSL 13.82, 0.72%, 0.59%

LAB 59.53, 43.02, 40.59

 

CMYK 0 / 41 / 53 / 9

HEX #E8896D

RGB 232 137 109

HSL 13.66, 0.73%, 0.67%

LAB 66.64, 33.47, 30.57

 

CMYK 0 / 30 / 39 / 7

HEX #EDA691

RGB 237 166 145

HSL 13.7, 0.72%, 0.75%

LAB 74.39, 23.64, 21.38

 

CMYK 0 / 52 / 68 / 11

HEX #E26C49

RGB 226 108 73

HSL 13.73, 0.73%, 0.59%

LAB 59.32, 43.46, 40.88

 

CMYK 28 / 0 / 67 / 11

HEX #A3E24A

RGB 163 226 74

HSL 84.87, 0.72%, 0.59%

LAB 83.27, -42.46, 65

 

CMYK 67 / 55 / 0 / 11

HEX #4A66E2

RGB 74 102 226

HSL 228.95, 0.72%, 0.59%

LAB 47.56, 29.76, -66.26

 

CMYK 0 / 52 / 68 / 11

HEX #E26C49

RGB 226 108 73

HSL 13.73, 0.73%, 0.59%

LAB 59.32, 43.46, 40.88

 

CMYK 67 / 0 / 53 / 11

HEX #4AE26B

RGB 74 226 107

HSL 133.03, 0.72%, 0.59%

LAB 80.13, -64.09, 46.33

 

CMYK 53 / 67 / 0 / 11

HEX #6B4AE2

RGB 107 74 226

HSL 253.03, 0.72%, 0.59%

LAB 43.53, 51.52, -72.72

 

CMYK 0 / 52 / 68 / 11

HEX #E26C49

RGB 226 108 73

HSL 13.73, 0.73%, 0.59%

LAB 59.32, 43.46, 40.88

 

CMYK 28 / 0 / 67 / 11

HEX #A3E24A

RGB 163 226 74

HSL 84.87, 0.72%, 0.59%

LAB 83.27, -42.46, 65

 

CMYK 67 / 15 / 0 / 11

HEX #4AC1E2

RGB 74 193 226

HSL 193.03, 0.72%, 0.59%

LAB 72.95, -22.91, -26.19

 

CMYK 39 / 67 / 0 / 11

HEX #894AE2

RGB 137 74 226

HSL 264.87, 0.72%, 0.59%

LAB 46.59, 56.84, -67.6

 

CMYK 0 / 52 / 68 / 11

HEX #E26C49

RGB 226 108 73

HSL 13.73, 0.73%, 0.59%

LAB 59.32, 43.46, 40.88

 

CMYK 48 / 0 / 67 / 11

HEX #75E24A

RGB 117 226 74

HSL 103.03, 0.72%, 0.59%

LAB 81.11, -57.59, 62.07

 

CMYK 67 / 15 / 0 / 11

HEX #4AC1E2

RGB 74 193 226

HSL 193.03, 0.72%, 0.59%

LAB 72.95, -22.91, -26.19

 

CMYK 19 / 67 / 0 / 11

HEX #B74AE2

RGB 183 74 226

HSL 283.03, 0.72%, 0.59%

LAB 52.35, 66.17, -58.01

 

Description

Color code: HEX #E26C49 | qconv.com Color code: HEX #E26C49 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 108 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 108 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 68 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 68% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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