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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E250D3 it is the complementary color #1DAF2C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E250D3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E250D3 shade: #E750CE, #F862E1, #FF74F4, #FF86FF and #FF98FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E250D3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E250D3 shade: #E250D3, #D13EC0, #C02CAD, #AF1A9A and #9E0887

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E250D3 shade: #E24FD3, #E24FAB, #E24F84, #E24F5C and #E24F4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E250D3 shade: #E24FD3, #C94FE2, #A24FE2, #7A4FE2 and #534FE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E250D3 shade matches the following richer shades: #E24FD3 and #F23FE0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E250D3 shade: #E24FD3, #D160C6, #C170B9, #B081AC and #A0919E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E250D3 shade: #A24FE2, #C94FE2, #E24FD3, #E24FAC and #E24F85

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E250D3 shade: #C01FAF, #DC2CCA, #E24FD3, #E873DC and #ED96E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E250D3 shade: #E250D3, #E27B4F and #4FE2B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E250D3 shade: #E250D3, #D3E24F and #4FD3E2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E250D3 shade: #E250D3, #E27B4F, #4FE25E and #4FB6E2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E250D3 shade: #E250D3, #E2A74F, #4FE25E and #4F8AE2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 7 / 11

HEX #E250D3

RGB 226 80 211

HSL 306.16, 0.72%, 0.6%

LAB 58.61, 70.94, -39.19

 

Complementary color

CMYK 83 / 0 / 75 / 31

HEX #1DAF2C

RGB 29 175 44

HSL 126.16, 0.72%, 0.4%

LAB 62.59, -61.03, 53.42

 

CMYK 0 / 65 / 11 / 9

HEX #E750CE

RGB 231 80 206

HSL 309.93, 0.76%, 0.61%

LAB 59.14, 71.4, -35.47

 

CMYK 0 / 60 / 9 / 3

HEX #F862E1

RGB 248 98 225

HSL 309.2, 0.91%, 0.68%

LAB 65.06, 71.42, -36.73

 

CMYK 0 / 55 / 4 / 0

HEX #FF74F4

RGB 255 116 244

HSL 304.75, 1%, 0.73%

LAB 69.67, 68.55, -39.99

 

CMYK 0 / 47 / 0 / 0

HEX #FF86FF

RGB 255 134 255

HSL 300, 1%, 0.76%

LAB 73.24, 62.13, -40.43

 

CMYK 0 / 40 / 0 / 0

HEX #FF98FF

RGB 255 152 255

HSL 300, 1%, 0.8%

LAB 76.64, 53.33, -35.15

 

CMYK 0 / 65 / 7 / 11

HEX #E250D3

RGB 226 80 211

HSL 306.16, 0.72%, 0.6%

LAB 58.61, 70.94, -39.19

 

CMYK 0 / 70 / 8 / 18

HEX #D13EC0

RGB 209 62 192

HSL 306.94, 0.62%, 0.53%

LAB 52.74, 70.54, -37.73

 

CMYK 0 / 77 / 10 / 25

HEX #C02CAD

RGB 192 44 173

HSL 307.7, 0.63%, 0.46%

LAB 47.01, 69.54, -35.83

 

CMYK 0 / 85 / 12 / 31

HEX #AF1A9A

RGB 175 26 154

HSL 308.46, 0.74%, 0.39%

LAB 41.51, 67.62, -33.35

 

CMYK 0 / 95 / 15 / 38

HEX #9E0887

RGB 158 8 135

HSL 309.2, 0.9%, 0.33%

LAB 36.35, 64.43, -30.08

 

CMYK 0 / 65 / 7 / 11

HEX #E24FD3

RGB 226 79 211

HSL 306.12, 0.72%, 0.6%

LAB 58.47, 71.32, -39.4

 

CMYK 0 / 65 / 24 / 11

HEX #E24FAB

RGB 226 79 171

HSL 322.45, 0.72%, 0.6%

LAB 56.78, 65.63, -19.06

 

CMYK 0 / 65 / 42 / 11

HEX #E24F84

RGB 226 79 132

HSL 338.37, 0.72%, 0.6%

LAB 55.51, 61.16, 1.92

 

CMYK 0 / 65 / 59 / 11

HEX #E24F5C

RGB 226 79 92

HSL 354.69, 0.72%, 0.6%

LAB 54.59, 57.81, 24.31

 

CMYK 0 / 65 / 65 / 11

HEX #E24F4F

RGB 226 79 79

HSL 0, 0.72%, 0.6%

LAB 54.37, 57, 31.6

 

CMYK 0 / 65 / 7 / 11

HEX #E24FD3

RGB 226 79 211

HSL 306.12, 0.72%, 0.6%

LAB 58.47, 71.32, -39.4

 

CMYK 11 / 65 / 0 / 11

HEX #C94FE2

RGB 201 79 226

HSL 289.8, 0.72%, 0.6%

LAB 55.58, 68.04, -52.69

 

CMYK 28 / 65 / 0 / 11

HEX #A24FE2

RGB 162 79 226

HSL 273.88, 0.72%, 0.6%

LAB 50.41, 59.48, -61.27

 

CMYK 46 / 65 / 0 / 11

HEX #7A4FE2

RGB 122 79 226

HSL 257.55, 0.72%, 0.6%

LAB 45.93, 51.46, -68.74

 

CMYK 63 / 65 / 0 / 11

HEX #534FE2

RGB 83 79 226

HSL 241.63, 0.72%, 0.6%

LAB 42.65, 45.06, -74.24

 

CMYK 0 / 65 / 7 / 11

HEX #E24FD3

RGB 226 79 211

HSL 306.12, 0.72%, 0.6%

LAB 58.47, 71.32, -39.4

 

CMYK 0 / 74 / 7 / 5

HEX #F23FE0

RGB 242 63 224

HSL 306.03, 0.87%, 0.6%

LAB 59.72, 82.16, -44.62

 

CMYK 0 / 65 / 7 / 11

HEX #E24FD3

RGB 226 79 211

HSL 306.12, 0.72%, 0.6%

LAB 58.47, 71.32, -39.4

 

CMYK 0 / 54 / 5 / 18

HEX #D160C6

RGB 209 96 198

HSL 305.84, 0.55%, 0.6%

LAB 58.04, 57.66, -32.88

 

CMYK 0 / 42 / 4 / 24

HEX #C170B9

RGB 193 112 185

HSL 305.93, 0.4%, 0.6%

LAB 58.44, 42.71, -24.99

 

CMYK 0 / 27 / 2 / 31

HEX #B081AC

RGB 176 129 172

HSL 305.11, 0.23%, 0.6%

LAB 59.81, 25.38, -15.65

 

CMYK 0 / 9 / 1 / 37

HEX #A0919E

RGB 160 145 158

HSL 308, 0.07%, 0.6%

LAB 61.82, 7.98, -4.83

 

CMYK 28 / 65 / 0 / 11

HEX #A24FE2

RGB 162 79 226

HSL 273.88, 0.72%, 0.6%

LAB 50.41, 59.48, -61.27

 

CMYK 11 / 65 / 0 / 11

HEX #C94FE2

RGB 201 79 226

HSL 289.8, 0.72%, 0.6%

LAB 55.58, 68.04, -52.69

 

CMYK 0 / 65 / 7 / 11

HEX #E24FD3

RGB 226 79 211

HSL 306.12, 0.72%, 0.6%

LAB 58.47, 71.32, -39.4

 

CMYK 0 / 65 / 24 / 11

HEX #E24FAC

RGB 226 79 172

HSL 322.04, 0.72%, 0.6%

LAB 56.82, 65.76, -19.59

 

CMYK 0 / 65 / 41 / 11

HEX #E24F85

RGB 226 79 133

HSL 337.96, 0.72%, 0.6%

LAB 55.54, 61.26, 1.37

 

CMYK 0 / 84 / 9 / 25

HEX #C01FAF

RGB 192 31 175

HSL 306.34, 0.72%, 0.44%

LAB 46.02, 72.99, -38.58

 

CMYK 0 / 80 / 8 / 14

HEX #DC2CCA

RGB 220 44 202

HSL 306.14, 0.72%, 0.52%

LAB 53.26, 79.51, -42.55

 

CMYK 0 / 65 / 7 / 11

HEX #E24FD3

RGB 226 79 211

HSL 306.12, 0.72%, 0.6%

LAB 58.47, 71.32, -39.4

 

CMYK 0 / 50 / 5 / 9

HEX #E873DC

RGB 232 115 220

HSL 306.15, 0.72%, 0.68%

LAB 65.42, 58.83, -33.56

 

CMYK 0 / 37 / 3 / 7

HEX #ED96E5

RGB 237 150 229

HSL 305.52, 0.71%, 0.76%

LAB 73.2, 44.36, -26.48

 

CMYK 0 / 65 / 7 / 11

HEX #E250D3

RGB 226 80 211

HSL 306.16, 0.72%, 0.6%

LAB 58.61, 70.94, -39.19

 

CMYK 0 / 46 / 65 / 11

HEX #E27B4F

RGB 226 123 79

HSL 17.96, 0.72%, 0.6%

LAB 62.42, 36.22, 41.33

 

CMYK 65 / 0 / 19 / 11

HEX #4FE2B6

RGB 79 226 182

HSL 162.04, 0.72%, 0.6%

LAB 81.53, -49.27, 10.16

 

CMYK 0 / 65 / 7 / 11

HEX #E250D3

RGB 226 80 211

HSL 306.16, 0.72%, 0.6%

LAB 58.61, 70.94, -39.19

 

CMYK 7 / 0 / 65 / 11

HEX #D3E24F

RGB 211 226 79

HSL 66.12, 0.72%, 0.6%

LAB 86.41, -23.57, 67.3

 

CMYK 65 / 7 / 0 / 11

HEX #4FD3E2

RGB 79 211 226

HSL 186.12, 0.72%, 0.6%

LAB 78.31, -31.05, -18.02

 

CMYK 0 / 65 / 7 / 11

HEX #E250D3

RGB 226 80 211

HSL 306.16, 0.72%, 0.6%

LAB 58.61, 70.94, -39.19

 

CMYK 0 / 46 / 65 / 11

HEX #E27B4F

RGB 226 123 79

HSL 17.96, 0.72%, 0.6%

LAB 62.42, 36.22, 41.33

 

CMYK 65 / 0 / 58 / 11

HEX #4FE25E

RGB 79 226 94

HSL 126.12, 0.72%, 0.6%

LAB 80.1, -64.81, 52.28

 

CMYK 65 / 19 / 0 / 11

HEX #4FB6E2

RGB 79 182 226

HSL 197.96, 0.72%, 0.6%

LAB 69.9, -16.45, -30.86

 

CMYK 0 / 65 / 7 / 11

HEX #E250D3

RGB 226 80 211

HSL 306.16, 0.72%, 0.6%

LAB 58.61, 70.94, -39.19

 

CMYK 0 / 26 / 65 / 11

HEX #E2A74F

RGB 226 167 79

HSL 35.92, 0.72%, 0.6%

LAB 72.48, 12.89, 52.8

 

CMYK 65 / 0 / 58 / 11

HEX #4FE25E

RGB 79 226 94

HSL 126.12, 0.72%, 0.6%

LAB 80.1, -64.81, 52.28

 

CMYK 65 / 39 / 0 / 11

HEX #4F8AE2

RGB 79 138 226

HSL 215.92, 0.72%, 0.6%

LAB 57.4, 8.38, -50.45

 

Description

Color code: HEX #E250D3 | qconv.com Color code: HEX #E250D3 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 80 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 80 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 7 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 7% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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