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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E24E11 it is the complementary color #1DB1EE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E24E11. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E24E11 shade: #E74E0C, #F8601F, #FF7232, #FF8445 and #FF9658

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E24E11. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E24E11 shade: #E24E11, #D13C00, #C02A00, #AF1800 and #9E0600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E24E11 shade: #E34E11, #E31511 and #E31111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E24E11 shade: #E34E11, #E38711, #E3C011, #CEE311 and #95E311

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E24E11 shade matches the following richer shades: #E34E11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E24E11 shade: #E34E11, #CF5624, #BC5F38, #A8674C and #946F60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E24E11 shade: #E31145, #E31411, #E34C11, #E38411 and #E3BD11

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E24E11 shade: #96340B, #BD410E, #E34E11, #EF662E and #F28255

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E24E11 shade: #E24E11, #7DE311 and #1129E3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E24E11 shade: #E24E11, #11E34C and #4C11E3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E24E11 shade: #E24E11, #7DE311, #11A8E3 and #7611E3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E24E11 shade: #E24E11, #3EE311, #11A8E3 and #B611E3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 92 / 11

HEX #E24E11

RGB 226 78 17

HSL 17.51, 0.86%, 0.48%

LAB 53.66, 55.33, 60.32

 

Complementary color

CMYK 88 / 26 / 0 / 7

HEX #1DB1EE

RGB 29 177 238

HSL 197.51, 0.86%, 0.52%

LAB 67.93, -15.17, -40.55

 

CMYK 0 / 66 / 95 / 9

HEX #E74E0C

RGB 231 78 12

HSL 18.08, 0.9%, 0.48%

LAB 54.52, 56.96, 62.55

 

CMYK 0 / 61 / 88 / 3

HEX #F8601F

RGB 248 96 31

HSL 17.97, 0.94%, 0.55%

LAB 60.27, 55.52, 62.3

 

CMYK 0 / 55 / 80 / 0

HEX #FF7232

RGB 255 114 50

HSL 18.73, 1%, 0.6%

LAB 64.58, 50.37, 58.94

 

CMYK 0 / 48 / 73 / 0

HEX #FF8445

RGB 255 132 69

HSL 20.32, 1%, 0.64%

LAB 68.16, 42.38, 53.87

 

CMYK 0 / 41 / 65 / 0

HEX #FF9658

RGB 255 150 88

HSL 22.28, 1%, 0.67%

LAB 72.08, 34.23, 48.93

 

CMYK 0 / 65 / 92 / 11

HEX #E24E11

RGB 226 78 17

HSL 17.51, 0.86%, 0.48%

LAB 53.66, 55.33, 60.32

 

CMYK 0 / 71 / 100 / 18

HEX #D13C00

RGB 209 60 0

HSL 17.22, 1%, 0.41%

LAB 47.99, 56.52, 59.67

 

CMYK 0 / 78 / 100 / 25

HEX #C02A00

RGB 192 42 0

HSL 13.13, 1%, 0.38%

LAB 42.56, 57.21, 55.32

 

CMYK 0 / 86 / 100 / 31

HEX #AF1800

RGB 175 24 0

HSL 8.23, 1%, 0.34%

LAB 37.42, 56.9, 51.13

 

CMYK 0 / 96 / 100 / 38

HEX #9E0600

RGB 158 6 0

HSL 2.28, 1%, 0.31%

LAB 32.7, 55.19, 46.63

 

CMYK 0 / 66 / 93 / 11

HEX #E34E11

RGB 227 78 17

HSL 17.43, 0.86%, 0.48%

LAB 53.84, 55.67, 60.52

 

CMYK 0 / 91 / 93 / 11

HEX #E31511

RGB 227 21 17

HSL 1.14, 0.86%, 0.48%

LAB 48.14, 71.53, 56.92

 

CMYK 0 / 93 / 93 / 11

HEX #E31111

RGB 227 17 17

HSL 0, 0.86%, 0.48%

LAB 47.97, 72.02, 56.81

 

CMYK 0 / 66 / 93 / 11

HEX #E34E11

RGB 227 78 17

HSL 17.43, 0.86%, 0.48%

LAB 53.84, 55.67, 60.52

 

CMYK 0 / 41 / 93 / 11

HEX #E38711

RGB 227 135 17

HSL 33.71, 0.86%, 0.48%

LAB 64.72, 28.13, 68.02

 

CMYK 0 / 15 / 93 / 11

HEX #E3C011

RGB 227 192 17

HSL 50, 0.86%, 0.48%

LAB 78.5, -2.03, 78.14

 

CMYK 9 / 0 / 93 / 11

HEX #CEE311

RGB 206 227 17

HSL 66, 0.86%, 0.48%

LAB 86.06, -28.29, 83.15

 

CMYK 34 / 0 / 93 / 11

HEX #95E311

RGB 149 227 17

HSL 82.29, 0.86%, 0.48%

LAB 82.58, -50.31, 78.92

 

CMYK 0 / 66 / 93 / 11

HEX #E34E11

RGB 227 78 17

HSL 17.43, 0.86%, 0.48%

LAB 53.84, 55.67, 60.52

 

CMYK 0 / 66 / 93 / 11

HEX #E34E11

RGB 227 78 17

HSL 17.43, 0.86%, 0.48%

LAB 53.84, 55.67, 60.52

 

CMYK 0 / 58 / 83 / 19

HEX #CF5624

RGB 207 86 36

HSL 17.54, 0.7%, 0.48%

LAB 51.89, 45.43, 50.62

 

CMYK 0 / 49 / 70 / 26

HEX #BC5F38

RGB 188 95 56

HSL 17.73, 0.54%, 0.48%

LAB 50.88, 34.41, 38.8

 

CMYK 0 / 39 / 55 / 34

HEX #A8674C

RGB 168 103 76

HSL 17.61, 0.38%, 0.48%

LAB 50.15, 23.26, 26.16

 

CMYK 0 / 25 / 35 / 42

HEX #946F60

RGB 148 111 96

HSL 17.31, 0.21%, 0.48%

LAB 50.11, 12.49, 14.04

 

CMYK 0 / 93 / 70 / 11

HEX #E31145

RGB 227 17 69

HSL 345.14, 0.86%, 0.48%

LAB 48.46, 73.4, 30.24

 

CMYK 0 / 91 / 93 / 11

HEX #E31411

RGB 227 20 17

HSL 0.86, 0.86%, 0.48%

LAB 48.1, 71.66, 56.89

 

CMYK 0 / 67 / 93 / 11

HEX #E34C11

RGB 227 76 17

HSL 16.86, 0.86%, 0.48%

LAB 53.54, 56.48, 60.32

 

CMYK 0 / 42 / 93 / 11

HEX #E38411

RGB 227 132 17

HSL 32.86, 0.86%, 0.48%

LAB 64.06, 29.71, 67.55

 

CMYK 0 / 17 / 93 / 11

HEX #E3BD11

RGB 227 189 17

HSL 49.14, 0.86%, 0.48%

LAB 77.74, -0.47, 77.57

 

CMYK 0 / 65 / 93 / 41

HEX #96340B

RGB 150 52 11

HSL 17.7, 0.86%, 0.32%

LAB 35.92, 39.44, 43.61

 

CMYK 0 / 66 / 93 / 26

HEX #BD410E

RGB 189 65 14

HSL 17.49, 0.86%, 0.4%

LAB 45.12, 47.91, 52.36

 

CMYK 0 / 66 / 93 / 11

HEX #E34E11

RGB 227 78 17

HSL 17.43, 0.86%, 0.48%

LAB 53.84, 55.67, 60.52

 

CMYK 0 / 57 / 81 / 6

HEX #EF662E

RGB 239 102 46

HSL 17.41, 0.86%, 0.56%

LAB 59.93, 50, 55.47

 

CMYK 0 / 46 / 65 / 5

HEX #F28255

RGB 242 130 85

HSL 17.2, 0.86%, 0.64%

LAB 66.13, 39.22, 43.11

 

CMYK 0 / 65 / 92 / 11

HEX #E24E11

RGB 226 78 17

HSL 17.51, 0.86%, 0.48%

LAB 53.66, 55.33, 60.32

 

CMYK 45 / 0 / 93 / 11

HEX #7DE311

RGB 125 227 17

HSL 89.14, 0.86%, 0.48%

LAB 81.48, -58.3, 77.57

 

CMYK 93 / 82 / 0 / 11

HEX #1129E3

RGB 17 41 227

HSL 233.14, 0.86%, 0.48%

LAB 32.37, 61.04, -91.88

 

CMYK 0 / 65 / 92 / 11

HEX #E24E11

RGB 226 78 17

HSL 17.51, 0.86%, 0.48%

LAB 53.66, 55.33, 60.32

 

CMYK 93 / 0 / 67 / 11

HEX #11E34C

RGB 17 227 76

HSL 136.86, 0.86%, 0.48%

LAB 79.37, -74.47, 58.82

 

CMYK 67 / 93 / 0 / 11

HEX #4C11E3

RGB 76 17 227

HSL 256.86, 0.86%, 0.48%

LAB 32.88, 71.26, -90.94

 

CMYK 0 / 65 / 92 / 11

HEX #E24E11

RGB 226 78 17

HSL 17.51, 0.86%, 0.48%

LAB 53.66, 55.33, 60.32

 

CMYK 45 / 0 / 93 / 11

HEX #7DE311

RGB 125 227 17

HSL 89.14, 0.86%, 0.48%

LAB 81.48, -58.3, 77.57

 

CMYK 93 / 26 / 0 / 11

HEX #11A8E3

RGB 17 168 227

HSL 196.86, 0.86%, 0.48%

LAB 64.7, -14.76, -39.58

 

CMYK 48 / 93 / 0 / 11

HEX #7611E3

RGB 118 17 227

HSL 268.86, 0.86%, 0.48%

LAB 37.48, 74.32, -83.18

 

CMYK 0 / 65 / 92 / 11

HEX #E24E11

RGB 226 78 17

HSL 17.51, 0.86%, 0.48%

LAB 53.66, 55.33, 60.32

 

CMYK 73 / 0 / 93 / 11

HEX #3EE311

RGB 62 227 17

HSL 107.14, 0.86%, 0.48%

LAB 79.62, -73.39, 75.28

 

CMYK 93 / 26 / 0 / 11

HEX #11A8E3

RGB 17 168 227

HSL 196.86, 0.86%, 0.48%

LAB 64.7, -14.76, -39.58

 

CMYK 20 / 93 / 0 / 11

HEX #B611E3

RGB 182 17 227

HSL 287.14, 0.86%, 0.48%

LAB 46.83, 81.85, -67.5

 

Description

Color code: HEX #E24E11 | qconv.com Color code: HEX #E24E11 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 78 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 78 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 92 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 92% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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