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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E217C5 it is the complementary color #1DE83A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E217C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E217C5 shade: #E717C0, #F829D3, #FF3BE6, #FF4DF9 and #FF5FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E217C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E217C5 shade: #E217C5, #D105B2, #C0009F, #AF008C and #9E0079

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E217C5 shade: #E316C6, #E3168E, #E31657, #E31620 and #E31616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E217C5 shade: #E316C6, #C916E3, #9216E3, #5A16E3 and #2316E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E217C5 shade matches the following richer shades: #E316C6 and #F702D4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E217C5 shade: #E316C6, #CF2AB7, #BA3EA9, #A6539A and #92678C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E217C5 shade: #9116E3, #C816E3, #E316C8, #E31691 and #E3165A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E217C5 shade: #980F84, #BD12A5, #E316C6, #EB37D1 and #EF5DDA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E217C5 shade: #E217C5, #E35A16 and #16E3AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E217C5 shade: #E217C5, #C8E316 and #16C8E3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E217C5 shade: #E217C5, #E35A16, #16E331 and #169FE3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E217C5 shade: #E217C5, #E39816, #16E331 and #1661E3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 13 / 11

HEX #E217C5

RGB 226 23 197

HSL 308.57, 0.82%, 0.49%

LAB 52.74, 83.77, -40.41

 

Complementary color

CMYK 88 / 0 / 75 / 9

HEX #1DE83A

RGB 29 232 58

HSL 128.57, 0.82%, 0.51%

LAB 80.89, -76.74, 66.93

 

CMYK 0 / 90 / 17 / 9

HEX #E717C0

RGB 231 23 192

HSL 311.25, 0.82%, 0.5%

LAB 53.39, 84.06, -36.43

 

CMYK 0 / 83 / 15 / 3

HEX #F829D3

RGB 248 41 211

HSL 310.72, 0.94%, 0.57%

LAB 58.27, 86.87, -39.48

 

CMYK 0 / 77 / 10 / 0

HEX #FF3BE6

RGB 255 59 230

HSL 307.65, 1%, 0.62%

LAB 61.74, 86.77, -44.66

 

CMYK 0 / 70 / 2 / 0

HEX #FF4DF9

RGB 255 77 249

HSL 302.02, 1%, 0.65%

LAB 64.49, 84.33, -50.89

 

CMYK 0 / 63 / 0 / 0

HEX #FF5FFF

RGB 255 95 255

HSL 300, 1%, 0.69%

LAB 67.02, 78.97, -50.18

 

CMYK 0 / 90 / 13 / 11

HEX #E217C5

RGB 226 23 197

HSL 308.57, 0.82%, 0.49%

LAB 52.74, 83.77, -40.41

 

CMYK 0 / 98 / 15 / 18

HEX #D105B2

RGB 209 5 178

HSL 309.12, 0.95%, 0.42%

LAB 48.11, 79.95, -36.85

 

CMYK 0 / 100 / 17 / 25

HEX #C0009F

RGB 192 0 159

HSL 310.31, 1%, 0.38%

LAB 43.81, 74.86, -32.52

 

CMYK 0 / 100 / 20 / 31

HEX #AF008C

RGB 175 0 140

HSL 312, 1%, 0.34%

LAB 39.59, 69.28, -27.84

 

CMYK 0 / 100 / 23 / 38

HEX #9E0079

RGB 158 0 121

HSL 314.05, 1%, 0.31%

LAB 35.3, 63.6, -22.99

 

CMYK 0 / 90 / 13 / 11

HEX #E316C6

RGB 227 22 198

HSL 308.49, 0.82%, 0.49%

LAB 52.93, 84.21, -40.68

 

CMYK 0 / 90 / 37 / 11

HEX #E3168E

RGB 227 22 142

HSL 324.88, 0.82%, 0.49%

LAB 50.52, 77.86, -11.41

 

CMYK 0 / 90 / 62 / 11

HEX #E31657

RGB 227 22 87

HSL 340.98, 0.82%, 0.49%

LAB 49, 73.67, 19.95

 

CMYK 0 / 90 / 86 / 11

HEX #E31620

RGB 227 22 32

HSL 357.07, 0.82%, 0.49%

LAB 48.27, 71.62, 50.74

 

CMYK 0 / 90 / 90 / 11

HEX #E31616

RGB 227 22 22

HSL 0, 0.82%, 0.49%

LAB 48.21, 71.45, 55.1

 

CMYK 0 / 90 / 13 / 11

HEX #E316C6

RGB 227 22 198

HSL 308.49, 0.82%, 0.49%

LAB 52.93, 84.21, -40.68

 

CMYK 11 / 90 / 0 / 11

HEX #C916E3

RGB 201 22 227

HSL 292.39, 0.82%, 0.49%

LAB 50.14, 84.02, -61.99

 

CMYK 36 / 90 / 0 / 11

HEX #9216E3

RGB 146 22 227

HSL 276.29, 0.82%, 0.49%

LAB 41.58, 76.41, -76.3

 

CMYK 60 / 90 / 0 / 11

HEX #5A16E3

RGB 90 22 227

HSL 259.9, 0.82%, 0.49%

LAB 34.59, 71.03, -88.07

 

CMYK 85 / 90 / 0 / 11

HEX #2316E3

RGB 35 22 227

HSL 243.8, 0.82%, 0.49%

LAB 30.59, 68.47, -94.84

 

CMYK 0 / 90 / 13 / 11

HEX #E316C6

RGB 227 22 198

HSL 308.49, 0.82%, 0.49%

LAB 52.93, 84.21, -40.68

 

CMYK 0 / 99 / 14 / 3

HEX #F702D4

RGB 247 2 212

HSL 308.57, 0.98%, 0.49%

LAB 56.66, 91.17, -42.6

 

CMYK 0 / 90 / 13 / 11

HEX #E316C6

RGB 227 22 198

HSL 308.49, 0.82%, 0.49%

LAB 52.93, 84.21, -40.68

 

CMYK 0 / 80 / 12 / 19

HEX #CF2AB7

RGB 207 42 183

HSL 308.73, 0.66%, 0.49%

LAB 49.91, 74.67, -36.97

 

CMYK 0 / 67 / 9 / 27

HEX #BA3EA9

RGB 186 62 169

HSL 308.23, 0.5%, 0.49%

LAB 47.94, 61.51, -32.07

 

CMYK 0 / 50 / 7 / 35

HEX #A6539A

RGB 166 83 154

HSL 308.67, 0.33%, 0.49%

LAB 47.79, 43.93, -23.66

 

CMYK 0 / 29 / 4 / 43

HEX #92678C

RGB 146 103 140

HSL 308.37, 0.17%, 0.49%

LAB 49.14, 23.6, -13.5

 

CMYK 36 / 90 / 0 / 11

HEX #9116E3

RGB 145 22 227

HSL 276, 0.82%, 0.49%

LAB 41.44, 76.29, -76.54

 

CMYK 12 / 90 / 0 / 11

HEX #C816E3

RGB 200 22 227

HSL 292.1, 0.82%, 0.49%

LAB 49.98, 83.87, -62.26

 

CMYK 0 / 90 / 12 / 11

HEX #E316C8

RGB 227 22 200

HSL 307.9, 0.82%, 0.49%

LAB 53.03, 84.47, -41.67

 

CMYK 0 / 90 / 36 / 11

HEX #E31691

RGB 227 22 145

HSL 324, 0.82%, 0.49%

LAB 50.63, 78.15, -13.05

 

CMYK 0 / 90 / 60 / 11

HEX #E3165A

RGB 227 22 90

HSL 340.1, 0.82%, 0.49%

LAB 49.06, 73.85, 18.2

 

CMYK 0 / 90 / 13 / 40

HEX #980F84

RGB 152 15 132

HSL 308.76, 0.82%, 0.33%

LAB 35.37, 61.87, -29.84

 

CMYK 0 / 90 / 13 / 26

HEX #BD12A5

RGB 189 18 165

HSL 308.42, 0.83%, 0.41%

LAB 44.19, 73.24, -35.57

 

CMYK 0 / 90 / 13 / 11

HEX #E316C6

RGB 227 22 198

HSL 308.49, 0.82%, 0.49%

LAB 52.93, 84.21, -40.68

 

CMYK 0 / 77 / 11 / 8

HEX #EB37D1

RGB 235 55 209

HSL 308.67, 0.82%, 0.57%

LAB 57.07, 80.8, -40.37

 

CMYK 0 / 61 / 9 / 6

HEX #EF5DDA

RGB 239 93 218

HSL 308.63, 0.82%, 0.65%

LAB 62.71, 70.1, -36.58

 

CMYK 0 / 90 / 13 / 11

HEX #E217C5

RGB 226 23 197

HSL 308.57, 0.82%, 0.49%

LAB 52.74, 83.77, -40.41

 

CMYK 0 / 60 / 90 / 11

HEX #E35A16

RGB 227 90 22

HSL 19.9, 0.82%, 0.49%

LAB 55.79, 50.58, 60.4

 

CMYK 90 / 0 / 24 / 11

HEX #16E3AC

RGB 22 227 172

HSL 163.9, 0.82%, 0.49%

LAB 80.79, -57.97, 14.25

 

CMYK 0 / 90 / 13 / 11

HEX #E217C5

RGB 226 23 197

HSL 308.57, 0.82%, 0.49%

LAB 52.74, 83.77, -40.41

 

CMYK 12 / 0 / 90 / 11

HEX #C8E316

RGB 200 227 22

HSL 67.9, 0.82%, 0.49%

LAB 85.64, -30.67, 82

 

CMYK 90 / 12 / 0 / 11

HEX #16C8E3

RGB 22 200 227

HSL 187.9, 0.82%, 0.49%

LAB 74.21, -30.95, -24.88

 

CMYK 0 / 90 / 13 / 11

HEX #E217C5

RGB 226 23 197

HSL 308.57, 0.82%, 0.49%

LAB 52.74, 83.77, -40.41

 

CMYK 0 / 60 / 90 / 11

HEX #E35A16

RGB 227 90 22

HSL 19.9, 0.82%, 0.49%

LAB 55.79, 50.58, 60.4

 

CMYK 90 / 0 / 78 / 11

HEX #16E331

RGB 22 227 49

HSL 127.9, 0.82%, 0.49%

LAB 79.23, -76.39, 68.06

 

CMYK 90 / 30 / 0 / 11

HEX #169FE3

RGB 22 159 227

HSL 199.9, 0.82%, 0.49%

LAB 62.09, -9.58, -43.66

 

CMYK 0 / 90 / 13 / 11

HEX #E217C5

RGB 226 23 197

HSL 308.57, 0.82%, 0.49%

LAB 52.74, 83.77, -40.41

 

CMYK 0 / 33 / 90 / 11

HEX #E39816

RGB 227 152 22

HSL 38.05, 0.82%, 0.49%

LAB 68.64, 19.17, 69.87

 

CMYK 90 / 0 / 78 / 11

HEX #16E331

RGB 22 227 49

HSL 127.9, 0.82%, 0.49%

LAB 79.23, -76.39, 68.06

 

CMYK 90 / 57 / 0 / 11

HEX #1661E3

RGB 22 97 227

HSL 218.05, 0.82%, 0.49%

LAB 44.61, 28.35, -71.7

 

Description

Color code: HEX #E217C5 | qconv.com Color code: HEX #E217C5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 23 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 23 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 13 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 13% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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