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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E21692 it is the complementary color #1DE96D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E21692. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E21692 shade: #E7168D, #F828A0, #FF3AB3, #FF4CC6 and #FF5ED9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E21692. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E21692 shade: #E21692, #D1047F, #C0006C, #AF0059 and #9E0046

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E21692 shade: #E31693, #E3165B, #E31624 and #E31616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E21692 shade: #E31693, #E316CA, #C516E3, #8D16E3 and #5616E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E21692 shade matches the following richer shades: #E31693 and #F70297

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E21692 shade: #E31693, #CF2A8E, #BA3E8A, #A65385 and #926781

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E21692 shade: #C416E3, #E316CB, #E31694, #E3165E and #E31627

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E21692 shade: #980F62, #BD127A, #E31693, #EB37A4 and #EF5DB5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E21692 shade: #E21692, #E38E16 and #16E3DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E21692 shade: #E21692, #94E316 and #1694E3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E21692 shade: #E21692, #E38E16, #16E365 and #166BE3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E21692 shade: #E21692, #E3CB16, #16E365 and #162EE3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 35 / 11

HEX #E21692

RGB 226 22 146

HSL 323.53, 0.82%, 0.49%

LAB 50.47, 78.03, -13.9

 

Complementary color

CMYK 88 / 0 / 53 / 9

HEX #1DE96D

RGB 29 233 109

HSL 143.53, 0.82%, 0.51%

LAB 81.64, -71.58, 47.08

 

CMYK 0 / 90 / 39 / 9

HEX #E7168D

RGB 231 22 141

HSL 325.84, 0.83%, 0.5%

LAB 51.25, 78.63, -9.63

 

CMYK 0 / 84 / 35 / 3

HEX #F828A0

RGB 248 40 160

HSL 325.38, 0.94%, 0.56%

LAB 56.1, 81.26, -13.31

 

CMYK 0 / 77 / 30 / 0

HEX #FF3AB3

RGB 255 58 179

HSL 323.15, 1%, 0.61%

LAB 59.47, 80.7, -19.16

 

CMYK 0 / 70 / 22 / 0

HEX #FF4CC6

RGB 255 76 198

HSL 319.11, 1%, 0.65%

LAB 62.09, 77.57, -26.05

 

CMYK 0 / 63 / 15 / 0

HEX #FF5ED9

RGB 255 94 217

HSL 314.16, 1%, 0.68%

LAB 65.18, 73.61, -32

 

CMYK 0 / 90 / 35 / 11

HEX #E21692

RGB 226 22 146

HSL 323.53, 0.82%, 0.49%

LAB 50.47, 78.03, -13.9

 

CMYK 0 / 98 / 39 / 18

HEX #D1047F

RGB 209 4 127

HSL 324, 0.96%, 0.42%

LAB 45.87, 74.38, -9.64

 

CMYK 0 / 100 / 44 / 25

HEX #C0006C

RGB 192 0 108

HSL 326.25, 1%, 0.38%

LAB 41.67, 69.38, -4.48

 

CMYK 0 / 100 / 49 / 31

HEX #AF0059

RGB 175 0 89

HSL 329.49, 1%, 0.34%

LAB 37.55, 64.01, 1.12

 

CMYK 0 / 100 / 56 / 38

HEX #9E0046

RGB 158 0 70

HSL 333.42, 1%, 0.31%

LAB 33.37, 58.61, 7.04

 

CMYK 0 / 90 / 35 / 11

HEX #E31693

RGB 227 22 147

HSL 323.41, 0.82%, 0.49%

LAB 50.7, 78.34, -14.14

 

CMYK 0 / 90 / 60 / 11

HEX #E3165B

RGB 227 22 91

HSL 339.8, 0.82%, 0.49%

LAB 49.08, 73.9, 17.61

 

CMYK 0 / 90 / 84 / 11

HEX #E31624

RGB 227 22 36

HSL 355.9, 0.82%, 0.49%

LAB 48.3, 71.7, 48.79

 

CMYK 0 / 90 / 90 / 11

HEX #E31616

RGB 227 22 22

HSL 0, 0.82%, 0.49%

LAB 48.21, 71.45, 55.1

 

CMYK 0 / 90 / 35 / 11

HEX #E31693

RGB 227 22 147

HSL 323.41, 0.82%, 0.49%

LAB 50.7, 78.34, -14.14

 

CMYK 0 / 90 / 11 / 11

HEX #E316CA

RGB 227 22 202

HSL 307.32, 0.82%, 0.49%

LAB 53.13, 84.73, -42.66

 

CMYK 13 / 90 / 0 / 11

HEX #C516E3

RGB 197 22 227

HSL 291.22, 0.82%, 0.49%

LAB 49.48, 83.41, -63.08

 

CMYK 38 / 90 / 0 / 11

HEX #8D16E3

RGB 141 22 227

HSL 274.83, 0.82%, 0.49%

LAB 40.87, 75.82, -77.49

 

CMYK 62 / 90 / 0 / 11

HEX #5616E3

RGB 86 22 227

HSL 258.73, 0.82%, 0.49%

LAB 34.19, 70.76, -88.75

 

CMYK 0 / 90 / 35 / 11

HEX #E31693

RGB 227 22 147

HSL 323.41, 0.82%, 0.49%

LAB 50.7, 78.34, -14.14

 

CMYK 0 / 99 / 39 / 3

HEX #F70297

RGB 247 2 151

HSL 323.51, 0.98%, 0.49%

LAB 54.08, 84.61, -11.05

 

CMYK 0 / 90 / 35 / 11

HEX #E31693

RGB 227 22 147

HSL 323.41, 0.82%, 0.49%

LAB 50.7, 78.34, -14.14

 

CMYK 0 / 80 / 31 / 19

HEX #CF2A8E

RGB 207 42 142

HSL 323.64, 0.66%, 0.49%

LAB 48.1, 69.51, -15.43

 

CMYK 0 / 67 / 26 / 27

HEX #BA3E8A

RGB 186 62 138

HSL 323.23, 0.5%, 0.49%

LAB 46.6, 57.04, -15.63

 

CMYK 0 / 50 / 20 / 35

HEX #A65385

RGB 166 83 133

HSL 323.86, 0.33%, 0.49%

LAB 46.96, 40.45, -12.37

 

CMYK 0 / 29 / 12 / 43

HEX #926781

RGB 146 103 129

HSL 323.72, 0.17%, 0.49%

LAB 48.76, 21.54, -7.53

 

CMYK 14 / 90 / 0 / 11

HEX #C416E3

RGB 196 22 227

HSL 290.93, 0.82%, 0.49%

LAB 49.32, 83.26, -63.36

 

CMYK 0 / 90 / 11 / 11

HEX #E316CB

RGB 227 22 203

HSL 307.02, 0.82%, 0.49%

LAB 53.19, 84.86, -43.16

 

CMYK 0 / 90 / 35 / 11

HEX #E31694

RGB 227 22 148

HSL 323.12, 0.82%, 0.49%

LAB 50.74, 78.44, -14.68

 

CMYK 0 / 90 / 59 / 11

HEX #E3165E

RGB 227 22 94

HSL 338.93, 0.82%, 0.49%

LAB 49.15, 74.09, 15.86

 

CMYK 0 / 90 / 83 / 11

HEX #E31627

RGB 227 22 39

HSL 355.02, 0.82%, 0.49%

LAB 48.32, 71.77, 47.27

 

CMYK 0 / 90 / 36 / 40

HEX #980F62

RGB 152 15 98

HSL 323.65, 0.82%, 0.33%

LAB 33.77, 57.6, -10.8

 

CMYK 0 / 90 / 35 / 26

HEX #BD127A

RGB 189 18 122

HSL 323.51, 0.83%, 0.41%

LAB 42.24, 68.1, -12.42

 

CMYK 0 / 90 / 35 / 11

HEX #E31693

RGB 227 22 147

HSL 323.41, 0.82%, 0.49%

LAB 50.7, 78.34, -14.14

 

CMYK 0 / 77 / 30 / 8

HEX #EB37A4

RGB 235 55 164

HSL 323.67, 0.82%, 0.57%

LAB 55.15, 75.15, -17.33

 

CMYK 0 / 61 / 24 / 6

HEX #EF5DB5

RGB 239 93 181

HSL 323.84, 0.82%, 0.65%

LAB 61.23, 64.86, -17.87

 

CMYK 0 / 90 / 35 / 11

HEX #E21692

RGB 226 22 146

HSL 323.53, 0.82%, 0.49%

LAB 50.47, 78.03, -13.9

 

CMYK 0 / 37 / 90 / 11

HEX #E38E16

RGB 227 142 22

HSL 35.12, 0.82%, 0.49%

LAB 66.32, 24.5, 68.13

 

CMYK 90 / 0 / 2 / 11

HEX #16E3DF

RGB 22 227 223

HSL 178.83, 0.82%, 0.49%

LAB 82.07, -44.58, -10.86

 

CMYK 0 / 90 / 35 / 11

HEX #E21692

RGB 226 22 146

HSL 323.53, 0.82%, 0.49%

LAB 50.47, 78.03, -13.9

 

CMYK 35 / 0 / 90 / 11

HEX #94E316

RGB 148 227 22

HSL 83.12, 0.82%, 0.49%

LAB 82.54, -50.57, 78.2

 

CMYK 90 / 35 / 0 / 11

HEX #1694E3

RGB 22 148 227

HSL 203.12, 0.82%, 0.49%

LAB 58.88, -3.31, -48.74

 

CMYK 0 / 90 / 35 / 11

HEX #E21692

RGB 226 22 146

HSL 323.53, 0.82%, 0.49%

LAB 50.47, 78.03, -13.9

 

CMYK 0 / 37 / 90 / 11

HEX #E38E16

RGB 227 142 22

HSL 35.12, 0.82%, 0.49%

LAB 66.32, 24.5, 68.13

 

CMYK 90 / 0 / 56 / 11

HEX #16E365

RGB 22 227 101

HSL 143.12, 0.82%, 0.49%

LAB 79.64, -71.25, 48.36

 

CMYK 90 / 53 / 0 / 11

HEX #166BE3

RGB 22 107 227

HSL 215.12, 0.82%, 0.49%

LAB 47.28, 21.91, -67.36

 

CMYK 0 / 90 / 35 / 11

HEX #E21692

RGB 226 22 146

HSL 323.53, 0.82%, 0.49%

LAB 50.47, 78.03, -13.9

 

CMYK 0 / 11 / 90 / 11

HEX #E3CB16

RGB 227 203 22

HSL 52.98, 0.82%, 0.49%

LAB 81.35, -7.59, 79.56

 

CMYK 90 / 0 / 56 / 11

HEX #16E365

RGB 22 227 101

HSL 143.12, 0.82%, 0.49%

LAB 79.64, -71.25, 48.36

 

CMYK 90 / 80 / 0 / 11

HEX #162EE3

RGB 22 46 227

HSL 232.98, 0.82%, 0.49%

LAB 33.29, 58.79, -90.35

 

Description

Color code: HEX #E21692 | qconv.com Color code: HEX #E21692 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 22 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 22 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 35 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 35% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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