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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E20DF7 it is the complementary color #1DF208. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E20DF7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E20DF7 shade: #E70DF2, #F81FFF, #FF31FF, #FF43FF and #FF55FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E20DF7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E20DF7 shade: #E20DF7, #D100E4, #C000D1, #AF00BE and #9E00AB

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E20DF7 shade: #E20CF7, #F70CCD, #F70C8D, #F70C4E and #F70C0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E20DF7 shade: #E20CF7, #A30CF7, #630CF7, #240CF7 and #0C0CF7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E20DF7 shade matches the following richer shades: #E20CF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E20DF7 shade: #E20CF7, #D120E3, #C135CF, #B049BA and #A05DA6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E20DF7 shade: #620CF7, #A10CF7, #E00CF7, #F70CD0 and #F70C91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E20DF7 shade: #9D05AC, #C106D4, #E20CF7, #E734F8 and #EB5CF9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E20DF7 shade: #E20DF7, #F7240C and #0CF782

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E20DF7 shade: #E20DF7, #F7E00C and #0CF7E0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E20DF7 shade: #E20DF7, #F7240C, #24F70C and #0CE0F7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E20DF7 shade: #E20DF7, #F76A0C, #24F70C and #0C99F7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 95 / 0 / 3

HEX #E20DF7

RGB 226 13 247

HSL 294.62, 0.94%, 0.51%

LAB 55.25, 91.88, -64.8

 

Complementary color

CMYK 88 / 0 / 97 / 5

HEX #1DF208

RGB 29 242 8

HSL 114.62, 0.94%, 0.49%

LAB 83.85, -81.47, 79.47

 

CMYK 5 / 95 / 0 / 5

HEX #E70DF2

RGB 231 13 242

HSL 297.12, 0.9%, 0.5%

LAB 55.77, 91.89, -61.12

 

CMYK 3 / 88 / 0 / 0

HEX #F81FFF

RGB 248 31 255

HSL 298.13, 1%, 0.56%

LAB 60.03, 94.55, -61.37

 

CMYK 0 / 81 / 0 / 0

HEX #FF31FF

RGB 255 49 255

HSL 300, 1%, 0.6%

LAB 62.23, 92.63, -57.79

 

CMYK 0 / 74 / 0 / 0

HEX #FF43FF

RGB 255 67 255

HSL 300, 1%, 0.63%

LAB 63.75, 88.24, -55.37

 

CMYK 0 / 67 / 0 / 0

HEX #FF55FF

RGB 255 85 255

HSL 300, 1%, 0.67%

LAB 65.73, 82.6, -52.23

 

CMYK 9 / 95 / 0 / 3

HEX #E20DF7

RGB 226 13 247

HSL 294.62, 0.94%, 0.51%

LAB 55.25, 91.88, -64.8

 

CMYK 8 / 100 / 0 / 11

HEX #D100E4

RGB 209 0 228

HSL 295, 1%, 0.45%

LAB 50.87, 87.39, -61.31

 

CMYK 8 / 100 / 0 / 18

HEX #C000D1

RGB 192 0 209

HSL 295.12, 1%, 0.41%

LAB 46.72, 81.93, -57.29

 

CMYK 8 / 100 / 0 / 25

HEX #AF00BE

RGB 175 0 190

HSL 295.26, 1%, 0.37%

LAB 42.51, 76.38, -53.19

 

CMYK 8 / 100 / 0 / 33

HEX #9E00AB

RGB 158 0 171

HSL 295.44, 1%, 0.34%

LAB 38.22, 70.73, -49.01

 

CMYK 9 / 95 / 0 / 3

HEX #E20CF7

RGB 226 12 247

HSL 294.64, 0.94%, 0.51%

LAB 55.22, 91.96, -64.84

 

CMYK 0 / 95 / 17 / 3

HEX #F70CCD

RGB 247 12 205

HSL 310.72, 0.94%, 0.51%

LAB 56.53, 89.67, -38.79

 

CMYK 0 / 95 / 43 / 3

HEX #F70C8D

RGB 247 12 141

HSL 327.06, 0.94%, 0.51%

LAB 53.98, 83.06, -5.23

 

CMYK 0 / 95 / 68 / 3

HEX #F70C4E

RGB 247 12 78

HSL 343.15, 0.94%, 0.51%

LAB 52.49, 79.03, 30.71

 

CMYK 0 / 95 / 94 / 3

HEX #F70C0F

RGB 247 12 15

HSL 359.23, 0.94%, 0.51%

LAB 51.92, 77.44, 61.87

 

CMYK 9 / 95 / 0 / 3

HEX #E20CF7

RGB 226 12 247

HSL 294.64, 0.94%, 0.51%

LAB 55.22, 91.96, -64.84

 

CMYK 34 / 95 / 0 / 3

HEX #A30CF7

RGB 163 12 247

HSL 278.55, 0.94%, 0.51%

LAB 45.31, 83.65, -81.4

 

CMYK 60 / 95 / 0 / 3

HEX #630CF7

RGB 99 12 247

HSL 262.21, 0.94%, 0.51%

LAB 37.17, 78.11, -95.11

 

CMYK 85 / 95 / 0 / 3

HEX #240CF7

RGB 36 12 247

HSL 246.13, 0.94%, 0.51%

LAB 32.6, 75.77, -102.85

 

CMYK 95 / 95 / 0 / 3

HEX #0C0CF7

RGB 12 12 247

HSL 240, 0.94%, 0.51%

LAB 31.94, 75.49, -103.97

 

CMYK 9 / 95 / 0 / 3

HEX #E20CF7

RGB 226 12 247

HSL 294.64, 0.94%, 0.51%

LAB 55.22, 91.96, -64.84

 

CMYK 9 / 95 / 0 / 3

HEX #E20CF7

RGB 226 12 247

HSL 294.64, 0.94%, 0.51%

LAB 55.22, 91.96, -64.84

 

CMYK 8 / 86 / 0 / 11

HEX #D120E3

RGB 209 32 227

HSL 294.46, 0.78%, 0.51%

LAB 51.99, 83.74, -58.95

 

CMYK 7 / 74 / 0 / 19

HEX #C135CF

RGB 193 53 207

HSL 294.55, 0.62%, 0.51%

LAB 49.96, 72.44, -50.93

 

CMYK 5 / 61 / 0 / 27

HEX #B049BA

RGB 176 73 186

HSL 294.69, 0.45%, 0.51%

LAB 48.93, 57.3, -40.58

 

CMYK 4 / 44 / 0 / 35

HEX #A05DA6

RGB 160 93 166

HSL 295.07, 0.29%, 0.51%

LAB 49.56, 39.01, -28.05

 

CMYK 60 / 95 / 0 / 3

HEX #620CF7

RGB 98 12 247

HSL 261.96, 0.94%, 0.51%

LAB 37.07, 78.05, -95.28

 

CMYK 35 / 95 / 0 / 3

HEX #A10CF7

RGB 161 12 247

HSL 278.04, 0.94%, 0.51%

LAB 45.02, 83.43, -81.89

 

CMYK 9 / 95 / 0 / 3

HEX #E00CF7

RGB 224 12 247

HSL 294.13, 0.94%, 0.51%

LAB 54.89, 91.66, -65.39

 

CMYK 0 / 95 / 16 / 3

HEX #F70CD0

RGB 247 12 208

HSL 309.96, 0.94%, 0.51%

LAB 56.67, 90.04, -40.28

 

CMYK 0 / 95 / 41 / 3

HEX #F70C91

RGB 247 12 145

HSL 326.04, 0.94%, 0.51%

LAB 54.11, 83.4, -7.43

 

CMYK 9 / 97 / 0 / 33

HEX #9D05AC

RGB 157 5 172

HSL 294.61, 0.94%, 0.35%

LAB 38.3, 70.17, -49.48

 

CMYK 9 / 97 / 0 / 17

HEX #C106D4

RGB 193 6 212

HSL 294.47, 0.94%, 0.43%

LAB 47.26, 82.04, -58.14

 

CMYK 9 / 95 / 0 / 3

HEX #E20CF7

RGB 226 12 247

HSL 294.64, 0.94%, 0.51%

LAB 55.22, 91.96, -64.84

 

CMYK 7 / 79 / 0 / 3

HEX #E734F8

RGB 231 52 248

HSL 294.8, 0.93%, 0.59%

LAB 58.25, 86.6, -60.5

 

CMYK 6 / 63 / 0 / 2

HEX #EB5CF9

RGB 235 92 249

HSL 294.65, 0.93%, 0.67%

LAB 63.47, 74.58, -52.69

 

CMYK 9 / 95 / 0 / 3

HEX #E20DF7

RGB 226 13 247

HSL 294.62, 0.94%, 0.51%

LAB 55.25, 91.88, -64.8

 

CMYK 0 / 85 / 95 / 3

HEX #F7240C

RGB 247 36 12

HSL 6.13, 0.94%, 0.51%

LAB 53.02, 74.23, 63.27

 

CMYK 95 / 0 / 47 / 3

HEX #0CF782

RGB 12 247 130

HSL 150.13, 0.94%, 0.51%

LAB 86.11, -73.61, 42.65

 

CMYK 9 / 95 / 0 / 3

HEX #E20DF7

RGB 226 13 247

HSL 294.62, 0.94%, 0.51%

LAB 55.25, 91.88, -64.8

 

CMYK 0 / 9 / 95 / 3

HEX #F7E00C

RGB 247 224 12

HSL 54.13, 0.94%, 0.51%

LAB 88.5, -9.74, 86.94

 

CMYK 95 / 0 / 9 / 3

HEX #0CF7E0

RGB 12 247 224

HSL 174.13, 0.94%, 0.51%

LAB 87.96, -53.09, -2.68

 

CMYK 9 / 95 / 0 / 3

HEX #E20DF7

RGB 226 13 247

HSL 294.62, 0.94%, 0.51%

LAB 55.25, 91.88, -64.8

 

CMYK 0 / 85 / 95 / 3

HEX #F7240C

RGB 247 36 12

HSL 6.13, 0.94%, 0.51%

LAB 53.02, 74.23, 63.27

 

CMYK 85 / 0 / 95 / 3

HEX #24F70C

RGB 36 247 12

HSL 113.87, 0.94%, 0.51%

LAB 85.47, -82.22, 80.48

 

CMYK 95 / 9 / 0 / 3

HEX #0CE0F7

RGB 12 224 247

HSL 185.87, 0.94%, 0.51%

LAB 81.9, -36.36, -23.86

 

CMYK 9 / 95 / 0 / 3

HEX #E20DF7

RGB 226 13 247

HSL 294.62, 0.94%, 0.51%

LAB 55.25, 91.88, -64.8

 

CMYK 0 / 57 / 95 / 3

HEX #F76A0C

RGB 247 106 12

HSL 24, 0.94%, 0.51%

LAB 61.75, 50.43, 68.33

 

CMYK 85 / 0 / 95 / 3

HEX #24F70C

RGB 36 247 12

HSL 113.87, 0.94%, 0.51%

LAB 85.47, -82.22, 80.48

 

CMYK 95 / 38 / 0 / 3

HEX #0C99F7

RGB 12 153 247

HSL 204, 0.94%, 0.51%

LAB 61.29, 0.87, -55.97

 

Description

Color code: HEX #E20DF7 | qconv.com Color code: HEX #E20DF7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 13 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 13 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 95 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 95% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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