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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E203A5 it is the complementary color #1DFC5A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E203A5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E203A5 shade: #E703A0, #F815B3, #FF27C6, #FF39D9 and #FF4BEC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E203A5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E203A5 shade: #E203A5, #D10092, #C0007F, #AF006C and #9E0059

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E203A5 shade: #E203A5, #E20369, #E2032D and #E20303

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E203A5 shade: #E203A5, #E203E1, #A603E2, #6A03E2 and #2E03E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E203A5 shade matches the following richer shades: #E203A5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E203A5 shade: #E203A5, #CF169C, #BC2894, #AA3B8B and #974D83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E203A5 shade: #A603E2, #E203E2, #E203A6, #E2036B and #E2032F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E203A5 shade: #900269, #B90287, #E203A5, #FB13BB and #FC3BC7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E203A5 shade: #E203A5, #E26B03 and #03E2C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E203A5 shade: #E203A5, #A6E203 and #03A6E2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E203A5 shade: #E203A5, #E26B03, #03E23E and #037AE2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E203A5 shade: #E203A5, #E2AE03, #03E23E and #0337E2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 99 / 27 / 11

HEX #E203A5

RGB 226 3 165

HSL 316.41, 0.97%, 0.45%

LAB 50.63, 81.75, -24.99

 

Complementary color

CMYK 88 / 0 / 64 / 1

HEX #1DFC5A

RGB 29 252 90

HSL 136.41, 0.97%, 0.55%

LAB 87.3, -79.64, 61.92

 

CMYK 0 / 99 / 31 / 9

HEX #E703A0

RGB 231 3 160

HSL 318.68, 0.97%, 0.46%

LAB 51.37, 82.2, -20.8

 

CMYK 0 / 92 / 28 / 3

HEX #F815B3

RGB 248 21 179

HSL 318.24, 0.94%, 0.53%

LAB 55.83, 86.08, -24.85

 

CMYK 0 / 85 / 22 / 0

HEX #FF27C6

RGB 255 39 198

HSL 315.83, 1%, 0.58%

LAB 58.78, 87.04, -31.17

 

CMYK 0 / 78 / 15 / 0

HEX #FF39D9

RGB 255 57 217

HSL 311.52, 1%, 0.61%

LAB 60.95, 85.53, -38.58

 

CMYK 0 / 71 / 7 / 0

HEX #FF4BEC

RGB 255 75 236

HSL 306.33, 1%, 0.65%

LAB 63.63, 83.04, -45.04

 

CMYK 0 / 99 / 27 / 11

HEX #E203A5

RGB 226 3 165

HSL 316.41, 0.97%, 0.45%

LAB 50.63, 81.75, -24.99

 

CMYK 0 / 100 / 30 / 18

HEX #D10092

RGB 209 0 146

HSL 318.09, 1%, 0.41%

LAB 46.49, 76.61, -20.28

 

CMYK 0 / 100 / 34 / 25

HEX #C0007F

RGB 192 0 127

HSL 320.31, 1%, 0.38%

LAB 42.37, 71.19, -15.27

 

CMYK 0 / 100 / 38 / 31

HEX #AF006C

RGB 175 0 108

HSL 322.97, 1%, 0.34%

LAB 38.19, 65.71, -10.04

 

CMYK 0 / 100 / 44 / 38

HEX #9E0059

RGB 158 0 89

HSL 326.2, 1%, 0.31%

LAB 33.96, 60.17, -4.56

 

CMYK 0 / 99 / 27 / 11

HEX #E203A5

RGB 226 3 165

HSL 316.41, 0.97%, 0.45%

LAB 50.63, 81.75, -24.99

 

CMYK 0 / 99 / 54 / 11

HEX #E20369

RGB 226 3 105

HSL 332.56, 0.97%, 0.45%

LAB 48.58, 76.39, 8.26

 

CMYK 0 / 99 / 80 / 11

HEX #E2032D

RGB 226 3 45

HSL 348.7, 0.97%, 0.45%

LAB 47.53, 73.55, 43.19

 

CMYK 0 / 99 / 99 / 11

HEX #E20303

RGB 226 3 3

HSL 0, 0.97%, 0.45%

LAB 47.29, 72.9, 60.49

 

CMYK 0 / 99 / 27 / 11

HEX #E203A5

RGB 226 3 165

HSL 316.41, 0.97%, 0.45%

LAB 50.63, 81.75, -24.99

 

CMYK 0 / 99 / 0 / 11

HEX #E203E1

RGB 226 3 225

HSL 300.27, 0.97%, 0.45%

LAB 53.68, 89.34, -54.95

 

CMYK 27 / 99 / 0 / 11

HEX #A603E2

RGB 166 3 226

HSL 283.86, 0.97%, 0.45%

LAB 43.75, 80.95, -72.06

 

CMYK 53 / 99 / 0 / 11

HEX #6A03E2

RGB 106 3 226

HSL 267.71, 0.97%, 0.45%

LAB 35.24, 75.05, -86.36

 

CMYK 80 / 99 / 0 / 11

HEX #2E03E2

RGB 46 3 226

HSL 251.57, 0.97%, 0.45%

LAB 29.76, 72.3, -95.64

 

CMYK 0 / 99 / 27 / 11

HEX #E203A5

RGB 226 3 165

HSL 316.41, 0.97%, 0.45%

LAB 50.63, 81.75, -24.99

 

CMYK 0 / 99 / 27 / 11

HEX #E203A5

RGB 226 3 165

HSL 316.41, 0.97%, 0.45%

LAB 50.63, 81.75, -24.99

 

CMYK 0 / 89 / 25 / 19

HEX #CF169C

RGB 207 22 156

HSL 316.54, 0.81%, 0.45%

LAB 47.29, 75.12, -25.09

 

CMYK 0 / 79 / 21 / 26

HEX #BC2894

RGB 188 40 148

HSL 316.22, 0.65%, 0.45%

LAB 44.73, 66.29, -24.53

 

CMYK 0 / 65 / 18 / 33

HEX #AA3B8B

RGB 170 59 139

HSL 316.76, 0.48%, 0.45%

LAB 43.56, 53.94, -21.13

 

CMYK 0 / 49 / 13 / 41

HEX #974D83

RGB 151 77 131

HSL 316.22, 0.32%, 0.45%

LAB 43.54, 38.3, -16.54

 

CMYK 27 / 99 / 0 / 11

HEX #A603E2

RGB 166 3 226

HSL 283.86, 0.97%, 0.45%

LAB 43.75, 80.95, -72.06

 

CMYK 0 / 99 / 0 / 11

HEX #E203E2

RGB 226 3 226

HSL 300, 0.97%, 0.45%

LAB 53.73, 89.48, -55.43

 

CMYK 0 / 99 / 27 / 11

HEX #E203A6

RGB 226 3 166

HSL 316.14, 0.97%, 0.45%

LAB 50.67, 81.86, -25.52

 

CMYK 0 / 99 / 53 / 11

HEX #E2036B

RGB 226 3 107

HSL 332.02, 0.97%, 0.45%

LAB 48.63, 76.53, 7.11

 

CMYK 0 / 99 / 79 / 11

HEX #E2032F

RGB 226 3 47

HSL 348.16, 0.97%, 0.45%

LAB 47.55, 73.61, 42.09

 

CMYK 0 / 99 / 27 / 44

HEX #900269

RGB 144 2 105

HSL 316.48, 0.97%, 0.29%

LAB 31.79, 58.53, -18.48

 

CMYK 0 / 99 / 27 / 27

HEX #B90287

RGB 185 2 135

HSL 316.39, 0.98%, 0.37%

LAB 41.39, 70.43, -21.83

 

CMYK 0 / 99 / 27 / 11

HEX #E203A5

RGB 226 3 165

HSL 316.41, 0.97%, 0.45%

LAB 50.63, 81.75, -24.99

 

CMYK 0 / 92 / 25 / 2

HEX #FB13BB

RGB 251 19 187

HSL 316.55, 0.97%, 0.53%

LAB 56.65, 87.75, -28.19

 

CMYK 0 / 77 / 21 / 1

HEX #FC3BC7

RGB 252 59 199

HSL 316.48, 0.97%, 0.61%

LAB 59.84, 82.09, -30.13

 

CMYK 0 / 99 / 27 / 11

HEX #E203A5

RGB 226 3 165

HSL 316.41, 0.97%, 0.45%

LAB 50.63, 81.75, -24.99

 

CMYK 0 / 53 / 99 / 11

HEX #E26B03

RGB 226 107 3

HSL 27.98, 0.97%, 0.45%

LAB 58.69, 41.96, 66.37

 

CMYK 99 / 0 / 13 / 11

HEX #03E2C4

RGB 3 226 196

HSL 171.93, 0.97%, 0.45%

LAB 80.96, -52.2, 1.82

 

CMYK 0 / 99 / 27 / 11

HEX #E203A5

RGB 226 3 165

HSL 316.41, 0.97%, 0.45%

LAB 50.63, 81.75, -24.99

 

CMYK 27 / 0 / 99 / 11

HEX #A6E203

RGB 166 226 3

HSL 76.14, 0.97%, 0.45%

LAB 83.18, -43.85, 81.11

 

CMYK 99 / 27 / 0 / 11

HEX #03A6E2

RGB 3 166 226

HSL 196.14, 0.97%, 0.45%

LAB 63.98, -14.46, -40.15

 

CMYK 0 / 99 / 27 / 11

HEX #E203A5

RGB 226 3 165

HSL 316.41, 0.97%, 0.45%

LAB 50.63, 81.75, -24.99

 

CMYK 0 / 53 / 99 / 11

HEX #E26B03

RGB 226 107 3

HSL 27.98, 0.97%, 0.45%

LAB 58.69, 41.96, 66.37

 

CMYK 99 / 0 / 73 / 11

HEX #03E23E

RGB 3 226 62

HSL 135.87, 0.97%, 0.45%

LAB 78.9, -75.96, 63.54

 

CMYK 99 / 46 / 0 / 11

HEX #037AE2

RGB 3 122 226

HSL 207.98, 0.97%, 0.45%

LAB 51.19, 11.35, -60.48

 

CMYK 0 / 99 / 27 / 11

HEX #E203A5

RGB 226 3 165

HSL 316.41, 0.97%, 0.45%

LAB 50.63, 81.75, -24.99

 

CMYK 0 / 23 / 99 / 11

HEX #E2AE03

RGB 226 174 3

HSL 46.01, 0.97%, 0.45%

LAB 73.83, 6.81, 76.32

 

CMYK 99 / 0 / 73 / 11

HEX #03E23E

RGB 3 226 62

HSL 135.87, 0.97%, 0.45%

LAB 78.9, -75.96, 63.54

 

CMYK 99 / 76 / 0 / 11

HEX #0337E2

RGB 3 55 226

HSL 226.01, 0.97%, 0.45%

LAB 34.48, 53.39, -87.8

 

Description

Color code: HEX #E203A5 | qconv.com Color code: HEX #E203A5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 3 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 3 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 99 magenta, 27 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 99% 27% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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