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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E1E954 it is the complementary color #1E16AB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E1E954. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E1E954 shade: #E6E94F, #F7FB62, #FFFF75, #FFFF88 and #FFFF9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E1E954. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E1E954 shade: #E1E954, #D0D741, #BFC52E, #AEB31B and #9DA108

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E1E954 shade: #E0E853, #E8C853, #E8A053, #E87753 and #E85353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E1E954 shade: #E0E853, #B8E853, #90E853, #67E853 and #53E867

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E1E954 shade matches the following richer shades: #E0E853 and #EEF843

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E1E954 shade: #E0E853, #D2D963, #C4C972, #B6B982 and #A8A992

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E1E954 shade: #E8A053, #E8C853, #E1E853, #B9E853 and #91E853

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E1E954 shade: #C5CE1A, #DAE32E, #E0E853, #E7ED78 and #EDF29C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E1E954 shade: #E1E954, #53E878 and #B453E8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E1E954 shade: #E1E954, #53E1E8 and #E853E1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E1E954 shade: #E1E954, #53E878, #5A53E8 and #E853C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E1E954 shade: #E1E954, #53E8A5, #5A53E8 and #E85396

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 64 / 9

HEX #E1E954

RGB 225 233 84

HSL 63.22, 0.77%, 0.62%

LAB 89.36, -20.99, 68.74

 

Complementary color

CMYK 82 / 87 / 0 / 33

HEX #1E16AB

RGB 30 22 171

HSL 243.22, 0.77%, 0.38%

LAB 22.97, 52.74, -74.65

 

CMYK 1 / 0 / 66 / 9

HEX #E6E94F

RGB 230 233 79

HSL 61.17, 0.78%, 0.61%

LAB 89.7, -19.25, 71.13

 

CMYK 2 / 0 / 61 / 2

HEX #F7FB62

RGB 247 251 98

HSL 61.57, 0.95%, 0.68%

LAB 95.85, -19.96, 70.54

 

CMYK 0 / 0 / 54 / 0

HEX #FFFF75

RGB 255 255 117

HSL 60, 1%, 0.73%

LAB 97.66, -17.4, 64.73

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF88

RGB 255 255 136

HSL 60, 1%, 0.77%

LAB 97.86, -15.85, 56.42

 

CMYK 0 / 0 / 39 / 0

HEX #FFFF9B

RGB 255 255 155

HSL 60, 1%, 0.8%

LAB 98.09, -14.02, 47.73

 

CMYK 3 / 0 / 64 / 9

HEX #E1E954

RGB 225 233 84

HSL 63.22, 0.77%, 0.62%

LAB 89.36, -20.99, 68.74

 

CMYK 3 / 0 / 70 / 16

HEX #D0D741

RGB 208 215 65

HSL 62.8, 0.65%, 0.55%

LAB 83.12, -20.24, 69.14

 

CMYK 3 / 0 / 77 / 23

HEX #BFC52E

RGB 191 197 46

HSL 62.38, 0.62%, 0.48%

LAB 76.8, -19.34, 69

 

CMYK 3 / 0 / 85 / 30

HEX #AEB31B

RGB 174 179 27

HSL 61.97, 0.74%, 0.4%

LAB 70.4, -18.26, 67.97

 

CMYK 2 / 0 / 95 / 37

HEX #9DA108

RGB 157 161 8

HSL 61.57, 0.91%, 0.33%

LAB 63.9, -16.95, 65.52

 

CMYK 3 / 0 / 64 / 9

HEX #E0E853

RGB 224 232 83

HSL 63.22, 0.76%, 0.62%

LAB 89.01, -20.97, 68.74

 

CMYK 0 / 14 / 64 / 9

HEX #E8C853

RGB 232 200 83

HSL 47.11, 0.76%, 0.62%

LAB 81.34, -1.67, 60.85

 

CMYK 0 / 31 / 64 / 9

HEX #E8A053

RGB 232 160 83

HSL 31.01, 0.76%, 0.62%

LAB 71.5, 19.37, 49.99

 

CMYK 0 / 49 / 64 / 9

HEX #E87753

RGB 232 119 83

HSL 14.5, 0.76%, 0.62%

LAB 62.49, 40.83, 39.49

 

CMYK 0 / 64 / 64 / 9

HEX #E85353

RGB 232 83 83

HSL 0, 0.76%, 0.62%

LAB 56.05, 57.55, 31.62

 

CMYK 3 / 0 / 64 / 9

HEX #E0E853

RGB 224 232 83

HSL 63.22, 0.76%, 0.62%

LAB 89.01, -20.97, 68.74

 

CMYK 21 / 0 / 64 / 9

HEX #B8E853

RGB 184 232 83

HSL 79.33, 0.76%, 0.62%

LAB 86.27, -36.69, 65.03

 

CMYK 38 / 0 / 64 / 9

HEX #90E853

RGB 144 232 83

HSL 95.44, 0.76%, 0.62%

LAB 84.1, -50.89, 62.06

 

CMYK 56 / 0 / 64 / 9

HEX #67E853

RGB 103 232 83

HSL 111.95, 0.76%, 0.62%

LAB 82.5, -62.76, 59.85

 

CMYK 64 / 0 / 56 / 9

HEX #53E867

RGB 83 232 103

HSL 128.05, 0.76%, 0.62%

LAB 82.13, -65.01, 50.63

 

CMYK 3 / 0 / 64 / 9

HEX #E0E853

RGB 224 232 83

HSL 63.22, 0.76%, 0.62%

LAB 89.01, -20.97, 68.74

 

CMYK 4 / 0 / 73 / 3

HEX #EEF843

RGB 238 248 67

HSL 63.31, 0.93%, 0.62%

LAB 94.19, -23.77, 79.87

 

CMYK 3 / 0 / 64 / 9

HEX #E0E853

RGB 224 232 83

HSL 63.22, 0.76%, 0.62%

LAB 89.01, -20.97, 68.74

 

CMYK 3 / 0 / 54 / 15

HEX #D2D963

RGB 210 217 99

HSL 63.56, 0.61%, 0.62%

LAB 84.08, -18.2, 56.32

 

CMYK 2 / 0 / 43 / 21

HEX #C4C972

RGB 196 201 114

HSL 63.45, 0.45%, 0.62%

LAB 78.88, -14.46, 42.74

 

CMYK 2 / 0 / 30 / 27

HEX #B6B982

RGB 182 185 130

HSL 63.27, 0.28%, 0.62%

LAB 73.71, -9.91, 27.64

 

CMYK 1 / 0 / 14 / 34

HEX #A8A992

RGB 168 169 146

HSL 62.61, 0.12%, 0.62%

LAB 68.59, -4.44, 11.76

 

CMYK 0 / 31 / 64 / 9

HEX #E8A053

RGB 232 160 83

HSL 31.01, 0.76%, 0.62%

LAB 71.5, 19.37, 49.99

 

CMYK 0 / 14 / 64 / 9

HEX #E8C853

RGB 232 200 83

HSL 47.11, 0.76%, 0.62%

LAB 81.34, -1.67, 60.85

 

CMYK 3 / 0 / 64 / 9

HEX #E1E853

RGB 225 232 83

HSL 62.82, 0.76%, 0.62%

LAB 89.09, -20.56, 68.85

 

CMYK 20 / 0 / 64 / 9

HEX #B9E853

RGB 185 232 83

HSL 78.93, 0.76%, 0.62%

LAB 86.33, -36.31, 65.11

 

CMYK 38 / 0 / 64 / 9

HEX #91E853

RGB 145 232 83

HSL 95.03, 0.76%, 0.62%

LAB 84.15, -50.56, 62.13

 

CMYK 4 / 0 / 87 / 19

HEX #C5CE1A

RGB 197 206 26

HSL 63, 0.78%, 0.45%

LAB 79.66, -21.83, 76.49

 

CMYK 4 / 0 / 80 / 11

HEX #DAE32E

RGB 218 227 46

HSL 62.98, 0.76%, 0.54%

LAB 87.02, -22.7, 78.87

 

CMYK 3 / 0 / 64 / 9

HEX #E0E853

RGB 224 232 83

HSL 63.22, 0.76%, 0.62%

LAB 89.01, -20.97, 68.74

 

CMYK 3 / 0 / 49 / 7

HEX #E7ED78

RGB 231 237 120

HSL 63.08, 0.76%, 0.7%

LAB 91.2, -17.88, 55.42

 

CMYK 2 / 0 / 36 / 5

HEX #EDF29C

RGB 237 242 156

HSL 63.49, 0.77%, 0.78%

LAB 93.41, -14.38, 40.98

 

CMYK 3 / 0 / 64 / 9

HEX #E1E954

RGB 225 233 84

HSL 63.22, 0.77%, 0.62%

LAB 89.36, -20.99, 68.74

 

CMYK 64 / 0 / 48 / 9

HEX #53E878

RGB 83 232 120

HSL 134.9, 0.76%, 0.62%

LAB 82.33, -62.69, 42.9

 

CMYK 22 / 64 / 0 / 9

HEX #B453E8

RGB 180 83 232

HSL 279.06, 0.76%, 0.62%

LAB 53.72, 62.83, -59.21

 

CMYK 3 / 0 / 64 / 9

HEX #E1E954

RGB 225 233 84

HSL 63.22, 0.77%, 0.62%

LAB 89.36, -20.99, 68.74

 

CMYK 64 / 3 / 0 / 9

HEX #53E1E8

RGB 83 225 232

HSL 182.82, 0.76%, 0.62%

LAB 82.66, -35.37, -14.67

 

CMYK 0 / 64 / 3 / 9

HEX #E853E1

RGB 232 83 225

HSL 302.82, 0.76%, 0.62%

LAB 60.59, 73.42, -43.92

 

CMYK 3 / 0 / 64 / 9

HEX #E1E954

RGB 225 233 84

HSL 63.22, 0.77%, 0.62%

LAB 89.36, -20.99, 68.74

 

CMYK 64 / 0 / 48 / 9

HEX #53E878

RGB 83 232 120

HSL 134.9, 0.76%, 0.62%

LAB 82.33, -62.69, 42.9

 

CMYK 61 / 64 / 0 / 9

HEX #5A53E8

RGB 90 83 232

HSL 242.82, 0.76%, 0.62%

LAB 44.5, 45.64, -74.59

 

CMYK 0 / 64 / 16 / 9

HEX #E853C3

RGB 232 83 195

HSL 314.9, 0.76%, 0.62%

LAB 59.23, 68.91, -29.04

 

CMYK 3 / 0 / 64 / 9

HEX #E1E954

RGB 225 233 84

HSL 63.22, 0.77%, 0.62%

LAB 89.36, -20.99, 68.74

 

CMYK 64 / 0 / 29 / 9

HEX #53E8A5

RGB 83 232 165

HSL 153.02, 0.76%, 0.62%

LAB 83.06, -54.74, 21.21

 

CMYK 61 / 64 / 0 / 9

HEX #5A53E8

RGB 90 83 232

HSL 242.82, 0.76%, 0.62%

LAB 44.5, 45.64, -74.59

 

CMYK 0 / 64 / 35 / 9

HEX #E85396

RGB 232 83 150

HSL 333.02, 0.76%, 0.62%

LAB 57.6, 63.22, -5.48

 

Description

Color code: HEX #E1E954 | qconv.com Color code: HEX #E1E954 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 233 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 233 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 64 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 64% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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