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Color name
HEX #E1DE2D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E1DE2D it is the complementary color #1E21D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E1DE2D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E1DE2D shade: #E6DE28, #F7F03B, #FFFF4E, #FFFF61 and #FFFF74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E1DE2D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E1DE2D shade: #E1DE2D, #D0CC1A, #BFBA07, #AEA800 and #9D9600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E1DE2D shade: #E1DE2D, #E1AD2D, #E17D2D, #E14C2D and #E12D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E1DE2D shade: #E1DE2D, #B3E12D, #83E12D, #52E12D and #2DE138

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E1DE2D shade matches the following richer shades: #E1DE2D and #F4F019

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E1DE2D shade: #E1DE2D, #CDCB40, #BAB854, #A6A567 and #93937A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E1DE2D shade: #E17E2D, #E1AE2D, #E1DE2D, #B4E12D and #84E12D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E1DE2D shade: #A4A117, #C8C51C, #E1DE2D, #E6E351 and #EBE975

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E1DE2D shade: #E1DE2D, #2DE14E and #962DE1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E1DE2D shade: #E1DE2D, #2DE1DE and #DE2DE1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E1DE2D shade: #E1DE2D, #2DE14E, #2D30E1 and #E12DC0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E1DE2D shade: #E1DE2D, #2DE184, #2D30E1 and #E12D8A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 80 / 12

HEX #E1DE2D

RGB 225 222 45

HSL 59, 0.75%, 0.53%

LAB 86.23, -17.39, 78.65

 

Complementary color

CMYK 86 / 84 / 0 / 18

HEX #1E21D2

RGB 30 33 210

HSL 239, 0.75%, 0.47%

LAB 29.46, 59.77, -86.92

 

CMYK 0 / 3 / 83 / 10

HEX #E6DE28

RGB 230 222 40

HSL 57.47, 0.79%, 0.53%

LAB 86.61, -15.44, 80.36

 

CMYK 0 / 3 / 76 / 3

HEX #F7F03B

RGB 247 240 59

HSL 57.77, 0.92%, 0.6%

LAB 92.76, -16.58, 81.23

 

CMYK 0 / 0 / 69 / 0

HEX #FFFF4E

RGB 255 255 78

HSL 60, 1%, 0.65%

LAB 97.36, -19.76, 79.73

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF61

RGB 255 255 97

HSL 60, 1%, 0.69%

LAB 97.49, -18.75, 72.86

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF74

RGB 255 255 116

HSL 60, 1%, 0.73%

LAB 97.65, -17.48, 65.16

 

CMYK 0 / 1 / 80 / 12

HEX #E1DE2D

RGB 225 222 45

HSL 59, 0.75%, 0.53%

LAB 86.23, -17.39, 78.65

 

CMYK 0 / 2 / 88 / 18

HEX #D0CC1A

RGB 208 204 26

HSL 58.68, 0.78%, 0.46%

LAB 79.99, -16.17, 77.12

 

CMYK 0 / 3 / 96 / 25

HEX #BFBA07

RGB 191 186 7

HSL 58.37, 0.93%, 0.39%

LAB 73.68, -14.75, 74.27

 

CMYK 0 / 3 / 100 / 32

HEX #AEA800

RGB 174 168 0

HSL 57.93, 1%, 0.34%

LAB 67.28, -13.1, 69.72

 

CMYK 0 / 4 / 100 / 38

HEX #9D9600

RGB 157 150 0

HSL 57.32, 1%, 0.31%

LAB 60.76, -11.33, 64.32

 

CMYK 0 / 1 / 80 / 12

HEX #E1DE2D

RGB 225 222 45

HSL 59, 0.75%, 0.53%

LAB 86.23, -17.39, 78.65

 

CMYK 0 / 23 / 80 / 12

HEX #E1AD2D

RGB 225 173 45

HSL 42.67, 0.75%, 0.53%

LAB 73.6, 7.68, 67.59

 

CMYK 0 / 44 / 80 / 12

HEX #E17D2D

RGB 225 125 45

HSL 26.67, 0.75%, 0.53%

LAB 62.39, 33.2, 57.43

 

CMYK 0 / 66 / 80 / 12

HEX #E14C2D

RGB 225 76 45

HSL 10.33, 0.75%, 0.53%

LAB 53.35, 56.4, 48.87

 

CMYK 0 / 80 / 80 / 12

HEX #E12D2D

RGB 225 45 45

HSL 0, 0.75%, 0.53%

LAB 49.59, 66.81, 45.18

 

CMYK 0 / 1 / 80 / 12

HEX #E1DE2D

RGB 225 222 45

HSL 59, 0.75%, 0.53%

LAB 86.23, -17.39, 78.65

 

CMYK 20 / 0 / 80 / 12

HEX #B3E12D

RGB 179 225 45

HSL 75.33, 0.75%, 0.53%

LAB 83.77, -37.51, 75.23

 

CMYK 42 / 0 / 80 / 12

HEX #83E12D

RGB 131 225 45

HSL 91.33, 0.75%, 0.53%

LAB 81.22, -54.75, 71.97

 

CMYK 64 / 0 / 80 / 12

HEX #52E12D

RGB 82 225 45

HSL 107.67, 0.75%, 0.53%

LAB 79.52, -68, 69.79

 

CMYK 80 / 0 / 75 / 12

HEX #2DE138

RGB 45 225 56

HSL 123.67, 0.75%, 0.53%

LAB 78.86, -73.37, 65.62

 

CMYK 0 / 1 / 80 / 12

HEX #E1DE2D

RGB 225 222 45

HSL 59, 0.75%, 0.53%

LAB 86.23, -17.39, 78.65

 

CMYK 0 / 2 / 90 / 4

HEX #F4F019

RGB 244 240 25

HSL 58.9, 0.91%, 0.53%

LAB 92.41, -18.68, 88.29

 

CMYK 0 / 1 / 80 / 12

HEX #E1DE2D

RGB 225 222 45

HSL 59, 0.75%, 0.53%

LAB 86.23, -17.39, 78.65

 

CMYK 0 / 1 / 69 / 20

HEX #CDCB40

RGB 205 203 64

HSL 59.15, 0.59%, 0.53%

LAB 79.65, -15.61, 66

 

CMYK 0 / 1 / 55 / 27

HEX #BAB854

RGB 186 184 84

HSL 58.82, 0.43%, 0.53%

LAB 73.13, -12.66, 50.17

 

CMYK 0 / 1 / 38 / 35

HEX #A6A567

RGB 166 165 103

HSL 59.05, 0.26%, 0.53%

LAB 66.52, -9.19, 32.28

 

CMYK 0 / 0 / 17 / 42

HEX #93937A

RGB 147 147 122

HSL 60, 0.1%, 0.53%

LAB 60.32, -4.46, 13.27

 

CMYK 0 / 44 / 80 / 12

HEX #E17E2D

RGB 225 126 45

HSL 27, 0.75%, 0.53%

LAB 62.61, 32.67, 57.63

 

CMYK 0 / 23 / 80 / 12

HEX #E1AE2D

RGB 225 174 45

HSL 43, 0.75%, 0.53%

LAB 73.85, 7.16, 67.81

 

CMYK 0 / 1 / 80 / 12

HEX #E1DE2D

RGB 225 222 45

HSL 59, 0.75%, 0.53%

LAB 86.23, -17.39, 78.65

 

CMYK 20 / 0 / 80 / 12

HEX #B4E12D

RGB 180 225 45

HSL 75, 0.75%, 0.53%

LAB 83.83, -37.12, 75.31

 

CMYK 41 / 0 / 80 / 12

HEX #84E12D

RGB 132 225 45

HSL 91, 0.75%, 0.53%

LAB 81.26, -54.43, 72.03

 

CMYK 0 / 2 / 86 / 36

HEX #A4A117

RGB 164 161 23

HSL 58.72, 0.75%, 0.37%

LAB 64.52, -13.54, 63.66

 

CMYK 0 / 1 / 86 / 22

HEX #C8C51C

RGB 200 197 28

HSL 58.95, 0.75%, 0.45%

LAB 77.46, -16.06, 74.42

 

CMYK 0 / 1 / 80 / 12

HEX #E1DE2D

RGB 225 222 45

HSL 59, 0.75%, 0.53%

LAB 86.23, -17.39, 78.65

 

CMYK 0 / 1 / 65 / 10

HEX #E6E351

RGB 230 227 81

HSL 58.79, 0.75%, 0.61%

LAB 88.14, -16.21, 68.77

 

CMYK 0 / 1 / 50 / 8

HEX #EBE975

RGB 235 233 117

HSL 58.98, 0.75%, 0.69%

LAB 90.42, -14.6, 55.97

 

CMYK 0 / 1 / 80 / 12

HEX #E1DE2D

RGB 225 222 45

HSL 59, 0.75%, 0.53%

LAB 86.23, -17.39, 78.65

 

CMYK 80 / 0 / 65 / 12

HEX #2DE14E

RGB 45 225 78

HSL 131, 0.75%, 0.53%

LAB 79.02, -71.48, 57.7

 

CMYK 33 / 80 / 0 / 12

HEX #962DE1

RGB 150 45 225

HSL 275, 0.75%, 0.53%

LAB 43.94, 70.75, -71.27

 

CMYK 0 / 1 / 80 / 12

HEX #E1DE2D

RGB 225 222 45

HSL 59, 0.75%, 0.53%

LAB 86.23, -17.39, 78.65

 

CMYK 80 / 0 / 1 / 12

HEX #2DE1DE

RGB 45 225 222

HSL 179, 0.75%, 0.53%

LAB 81.67, -42.59, -10.91

 

CMYK 1 / 80 / 0 / 12

HEX #DE2DE1

RGB 222 45 225

HSL 299, 0.75%, 0.53%

LAB 54.91, 83.05, -53.02

 

CMYK 0 / 1 / 80 / 12

HEX #E1DE2D

RGB 225 222 45

HSL 59, 0.75%, 0.53%

LAB 86.23, -17.39, 78.65

 

CMYK 80 / 0 / 65 / 12

HEX #2DE14E

RGB 45 225 78

HSL 131, 0.75%, 0.53%

LAB 79.02, -71.48, 57.7

 

CMYK 80 / 79 / 0 / 12

HEX #2D30E1

RGB 45 48 225

HSL 239, 0.75%, 0.53%

LAB 34.21, 58.11, -87.65

 

CMYK 0 / 80 / 15 / 12

HEX #E12DC0

RGB 225 45 192

HSL 311, 0.75%, 0.53%

LAB 53.7, 78.92, -36.03

 

CMYK 0 / 1 / 80 / 12

HEX #E1DE2D

RGB 225 222 45

HSL 59, 0.75%, 0.53%

LAB 86.23, -17.39, 78.65

 

CMYK 80 / 0 / 41 / 12

HEX #2DE184

RGB 45 225 132

HSL 149, 0.75%, 0.53%

LAB 79.66, -63.85, 33.41

 

CMYK 80 / 79 / 0 / 12

HEX #2D30E1

RGB 45 48 225

HSL 239, 0.75%, 0.53%

LAB 34.21, 58.11, -87.65

 

CMYK 0 / 80 / 39 / 12

HEX #E12D8A

RGB 225 45 138

HSL 329, 0.75%, 0.53%

LAB 51.52, 72.66, -7.55

 

Description

Color code: HEX #E1DE2D | qconv.com Color code: HEX #E1DE2D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 222 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 222 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 80 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 80% 12% C M Y K

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Provide designers and agencies with accurate color values.

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