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Color name
HEX #E1DA56

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E1DA56 it is the complementary color #1E25A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E1DA56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E1DA56 shade: #E6DA51, #F7EC64, #FFFE77, #FFFF8A and #FFFF9D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E1DA56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E1DA56 shade: #E1DA56, #D0C843, #BFB630, #AEA41D and #9D920A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E1DA56 shade: #E1DA55, #E1B455, #E18F55, #E16955 and #E15555

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E1DA56 shade: #E1DA55, #C2E155, #9DE155, #77E155 and #55E159

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E1DA56 shade matches the following richer shades: #E1DA55 and #F1E845

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E1DA56 shade: #E1DA55, #D1CB66, #C0BD76, #B0AE86 and #A0A096

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E1DA56 shade: #E18D55, #E1B255, #E1D755, #C5E155 and #A0E155

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E1DA56 shade: #C2BA22, #DAD232, #E1DA55, #E7E179 and #EDE99C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E1DA56 shade: #E1DA56, #55E168 and #A055E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E1DA56 shade: #E1DA56, #55E1D7 and #D755E1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E1DA56 shade: #E1DA56, #55E168, #555FE1 and #E155CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E1DA56 shade: #E1DA56, #55E192, #555FE1 and #E155A4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 62 / 12

HEX #E1DA56

RGB 225 218 86

HSL 56.98, 0.7%, 0.61%

LAB 85.41, -13.51, 63.77

 

Complementary color

CMYK 82 / 78 / 0 / 34

HEX #1E25A9

RGB 30 37 169

HSL 236.98, 0.7%, 0.39%

LAB 25.15, 44.98, -69.81

 

CMYK 0 / 5 / 65 / 10

HEX #E6DA51

RGB 230 218 81

HSL 55.17, 0.75%, 0.61%

LAB 85.79, -11.75, 66.33

 

CMYK 0 / 4 / 60 / 3

HEX #F7EC64

RGB 247 236 100

HSL 55.51, 0.9%, 0.68%

LAB 91.99, -12.55, 65.54

 

CMYK 0 / 0 / 53 / 0

HEX #FFFE77

RGB 255 254 119

HSL 59.56, 1%, 0.73%

LAB 97.42, -16.77, 63.59

 

CMYK 0 / 0 / 46 / 0

HEX #FFFF8A

RGB 255 255 138

HSL 60, 1%, 0.77%

LAB 97.88, -15.67, 55.52

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9D

RGB 255 255 157

HSL 60, 1%, 0.81%

LAB 98.12, -13.81, 46.8

 

CMYK 0 / 3 / 62 / 12

HEX #E1DA56

RGB 225 218 86

HSL 56.98, 0.7%, 0.61%

LAB 85.41, -13.51, 63.77

 

CMYK 0 / 4 / 68 / 18

HEX #D0C843

RGB 208 200 67

HSL 56.6, 0.6%, 0.54%

LAB 79.11, -12.68, 64.41

 

CMYK 0 / 5 / 75 / 25

HEX #BFB630

RGB 191 182 48

HSL 56.22, 0.6%, 0.47%

LAB 72.72, -11.69, 64.61

 

CMYK 0 / 6 / 83 / 32

HEX #AEA41D

RGB 174 164 29

HSL 55.86, 0.71%, 0.4%

LAB 66.24, -10.5, 64

 

CMYK 0 / 7 / 94 / 38

HEX #9D920A

RGB 157 146 10

HSL 55.51, 0.88%, 0.33%

LAB 59.66, -9.05, 62

 

CMYK 0 / 3 / 62 / 12

HEX #E1DA55

RGB 225 218 85

HSL 57, 0.7%, 0.61%

LAB 85.41, -13.58, 64.18

 

CMYK 0 / 20 / 62 / 12

HEX #E1B455

RGB 225 180 85

HSL 40.71, 0.7%, 0.61%

LAB 75.64, 5.95, 53.51

 

CMYK 0 / 36 / 62 / 12

HEX #E18F55

RGB 225 143 85

HSL 24.86, 0.7%, 0.61%

LAB 66.75, 25.68, 43.29

 

CMYK 0 / 53 / 62 / 12

HEX #E16955

RGB 225 105 85

HSL 8.57, 0.7%, 0.61%

LAB 58.76, 45.28, 33.62

 

CMYK 0 / 62 / 62 / 12

HEX #E15555

RGB 225 85 85

HSL 0, 0.7%, 0.61%

LAB 55.24, 54.5, 29.2

 

CMYK 0 / 3 / 62 / 12

HEX #E1DA55

RGB 225 218 85

HSL 57, 0.7%, 0.61%

LAB 85.41, -13.58, 64.18

 

CMYK 14 / 0 / 62 / 12

HEX #C2E155

RGB 194 225 85

HSL 73.29, 0.7%, 0.61%

LAB 84.98, -29.47, 63.04

 

CMYK 30 / 0 / 62 / 12

HEX #9DE155

RGB 157 225 85

HSL 89.14, 0.7%, 0.61%

LAB 82.74, -43.35, 59.95

 

CMYK 47 / 0 / 62 / 12

HEX #77E155

RGB 119 225 85

HSL 105.43, 0.7%, 0.61%

LAB 80.98, -55.66, 57.5

 

CMYK 62 / 0 / 60 / 12

HEX #55E159

RGB 85 225 89

HSL 121.71, 0.7%, 0.61%

LAB 79.9, -63.81, 54.28

 

CMYK 0 / 3 / 62 / 12

HEX #E1DA55

RGB 225 218 85

HSL 57, 0.7%, 0.61%

LAB 85.41, -13.58, 64.18

 

CMYK 0 / 4 / 71 / 5

HEX #F1E845

RGB 241 232 69

HSL 56.86, 0.86%, 0.61%

LAB 90.25, -14.75, 75.55

 

CMYK 0 / 3 / 62 / 12

HEX #E1DA55

RGB 225 218 85

HSL 57, 0.7%, 0.61%

LAB 85.41, -13.58, 64.18

 

CMYK 0 / 3 / 51 / 18

HEX #D1CB66

RGB 209 203 102

HSL 56.64, 0.54%, 0.61%

LAB 80.31, -11.36, 50.53

 

CMYK 0 / 2 / 39 / 25

HEX #C0BD76

RGB 192 189 118

HSL 57.57, 0.37%, 0.61%

LAB 75.4, -9.5, 36.26

 

CMYK 0 / 1 / 24 / 31

HEX #B0AE86

RGB 176 174 134

HSL 57.14, 0.21%, 0.61%

LAB 70.33, -5.91, 20.85

 

CMYK 0 / 0 / 6 / 37

HEX #A0A096

RGB 160 160 150

HSL 60, 0.05%, 0.61%

LAB 65.61, -1.85, 5.2

 

CMYK 0 / 37 / 62 / 12

HEX #E18D55

RGB 225 141 85

HSL 24, 0.7%, 0.61%

LAB 66.3, 26.75, 42.76

 

CMYK 0 / 21 / 62 / 12

HEX #E1B255

RGB 225 178 85

HSL 39.86, 0.7%, 0.61%

LAB 75.14, 7, 52.95

 

CMYK 0 / 4 / 62 / 12

HEX #E1D755

RGB 225 215 85

HSL 55.71, 0.7%, 0.61%

LAB 84.62, -12.08, 63.34

 

CMYK 12 / 0 / 62 / 12

HEX #C5E155

RGB 197 225 85

HSL 72, 0.7%, 0.61%

LAB 85.19, -28.29, 63.32

 

CMYK 29 / 0 / 62 / 12

HEX #A0E155

RGB 160 225 85

HSL 87.86, 0.7%, 0.61%

LAB 82.9, -42.28, 60.17

 

CMYK 0 / 4 / 82 / 24

HEX #C2BA22

RGB 194 186 34

HSL 57, 0.7%, 0.45%

LAB 74, -12.93, 69.98

 

CMYK 0 / 4 / 77 / 15

HEX #DAD232

RGB 218 210 50

HSL 57.14, 0.69%, 0.53%

LAB 82.5, -14.24, 73.76

 

CMYK 0 / 3 / 62 / 12

HEX #E1DA55

RGB 225 218 85

HSL 57, 0.7%, 0.61%

LAB 85.41, -13.58, 64.18

 

CMYK 0 / 3 / 48 / 9

HEX #E7E179

RGB 231 225 121

HSL 56.73, 0.7%, 0.69%

LAB 88.07, -11.88, 51.22

 

CMYK 0 / 2 / 34 / 7

HEX #EDE99C

RGB 237 233 156

HSL 57.04, 0.69%, 0.77%

LAB 91.09, -9.92, 37.96

 

CMYK 0 / 3 / 62 / 12

HEX #E1DA56

RGB 225 218 86

HSL 56.98, 0.7%, 0.61%

LAB 85.41, -13.51, 63.77

 

CMYK 62 / 0 / 54 / 12

HEX #55E168

RGB 85 225 104

HSL 128.14, 0.7%, 0.61%

LAB 80.06, -62.01, 47.71

 

CMYK 29 / 62 / 0 / 12

HEX #A055E1

RGB 160 85 225

HSL 272.14, 0.7%, 0.61%

LAB 51.16, 55.93, -59.51

 

CMYK 0 / 3 / 62 / 12

HEX #E1DA56

RGB 225 218 86

HSL 56.98, 0.7%, 0.61%

LAB 85.41, -13.51, 63.77

 

CMYK 62 / 0 / 4 / 12

HEX #55E1D7

RGB 85 225 215

HSL 175.71, 0.7%, 0.61%

LAB 82.21, -39.67, -6.31

 

CMYK 4 / 62 / 0 / 12

HEX #D755E1

RGB 215 85 225

HSL 295.71, 0.7%, 0.61%

LAB 58.4, 68.63, -47.54

 

CMYK 0 / 3 / 62 / 12

HEX #E1DA56

RGB 225 218 86

HSL 56.98, 0.7%, 0.61%

LAB 85.41, -13.51, 63.77

 

CMYK 62 / 0 / 54 / 12

HEX #55E168

RGB 85 225 104

HSL 128.14, 0.7%, 0.61%

LAB 80.06, -62.01, 47.71

 

CMYK 62 / 58 / 0 / 12

HEX #555FE1

RGB 85 95 225

HSL 235.71, 0.7%, 0.61%

LAB 46.38, 35.43, -67.58

 

CMYK 0 / 62 / 8 / 12

HEX #E155CE

RGB 225 85 206

HSL 308.14, 0.7%, 0.61%

LAB 58.94, 67.96, -35.85

 

CMYK 0 / 3 / 62 / 12

HEX #E1DA56

RGB 225 218 86

HSL 56.98, 0.7%, 0.61%

LAB 85.41, -13.51, 63.77

 

CMYK 62 / 0 / 35 / 12

HEX #55E192

RGB 85 225 146

HSL 146.14, 0.7%, 0.61%

LAB 80.66, -55.34, 27.76

 

CMYK 62 / 58 / 0 / 12

HEX #555FE1

RGB 85 95 225

HSL 235.71, 0.7%, 0.61%

LAB 46.38, 35.43, -67.58

 

CMYK 0 / 62 / 27 / 12

HEX #E155A4

RGB 225 85 164

HSL 326.14, 0.7%, 0.61%

LAB 57.26, 62.04, -14.29

 

Description

Color code: HEX #E1DA56 | qconv.com Color code: HEX #E1DA56 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 218 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 218 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 62 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 62% 12% C M Y K

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Provide designers and agencies with accurate color values.

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