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Color name
HEX #E1D285

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E1D285 it is the complementary color #1E2D7A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E1D285. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E1D285 shade: #E6D280, #F7E493, #FFF6A6, #FFFFB9 and #FFFFCC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E1D285. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E1D285 shade: #E1D285, #D0C072, #BFAE5F, #AE9C4C and #9D8A39

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E1D285 shade: #E1D183, #E1B883, #E19F83, #E18683 and #E18383

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E1D285 shade: #E1D183, #D7E183, #BEE183, #A4E183 and #8BE183

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E1D285 shade matches the following richer shades: #E1D183, #EDDA77 and #F9E26B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E1D285 shade: #E1D183, #D4C990, #C8C19C, #BCB8A8 and #AFB0B5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E1D285 shade: #E19F83, #E1B883, #E1D183, #D7E183 and #BEE183

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E1D285 shade: #D1B941, #D9C562, #E1D183, #E9DEA5 and #F1EAC6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E1D285 shade: #E1D285, #83E186 and #AC83E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E1D285 shade: #E1D285, #83E1D1 and #D183E1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E1D285 shade: #E1D285, #83E186, #8393E1 and #E183DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E1D285 shade: #E1D285, #83E1A2, #8393E1 and #E183C2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 41 / 12

HEX #E1D285

RGB 225 210 133

HSL 50.22, 0.61%, 0.7%

LAB 83.86, -5.52, 39.99

 

Complementary color

CMYK 75 / 63 / 0 / 52

HEX #1E2D7A

RGB 30 45 122

HSL 230.22, 0.61%, 0.3%

LAB 22.15, 22.73, -45.66

 

CMYK 0 / 9 / 44 / 10

HEX #E6D280

RGB 230 210 128

HSL 48.24, 0.67%, 0.7%

LAB 84.21, -4.04, 43.03

 

CMYK 0 / 8 / 40 / 3

HEX #F7E493

RGB 247 228 147

HSL 48.6, 0.86%, 0.77%

LAB 90.49, -4.56, 41.84

 

CMYK 0 / 4 / 35 / 0

HEX #FFF6A6

RGB 255 246 166

HSL 53.93, 1%, 0.83%

LAB 95.97, -8.41, 39.61

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFB9

RGB 255 255 185

HSL 60, 1%, 0.86%

LAB 98.54, -10.58, 33.56

 

CMYK 0 / 0 / 20 / 0

HEX #FFFFCC

RGB 255 255 204

HSL 60, 1%, 0.9%

LAB 98.88, -8.05, 24.44

 

CMYK 0 / 7 / 41 / 12

HEX #E1D285

RGB 225 210 133

HSL 50.22, 0.61%, 0.7%

LAB 83.86, -5.52, 39.99

 

CMYK 0 / 8 / 45 / 18

HEX #D0C072

RGB 208 192 114

HSL 49.79, 0.5%, 0.63%

LAB 77.47, -5.01, 41.2

 

CMYK 0 / 9 / 50 / 25

HEX #BFAE5F

RGB 191 174 95

HSL 49.38, 0.43%, 0.56%

LAB 70.99, -4.41, 42.44

 

CMYK 0 / 10 / 56 / 32

HEX #AE9C4C

RGB 174 156 76

HSL 48.98, 0.39%, 0.49%

LAB 64.4, -3.69, 43.68

 

CMYK 0 / 12 / 64 / 38

HEX #9D8A39

RGB 157 138 57

HSL 48.6, 0.47%, 0.42%

LAB 57.69, -2.8, 44.82

 

CMYK 0 / 7 / 42 / 12

HEX #E1D183

RGB 225 209 131

HSL 49.79, 0.61%, 0.7%

LAB 83.57, -5.22, 40.63

 

CMYK 0 / 18 / 42 / 12

HEX #E1B883

RGB 225 184 131

HSL 33.83, 0.61%, 0.7%

LAB 77.24, 7.81, 32.46

 

CMYK 0 / 29 / 42 / 12

HEX #E19F83

RGB 225 159 131

HSL 17.87, 0.61%, 0.7%

LAB 71.17, 21.16, 24.4

 

CMYK 0 / 40 / 42 / 12

HEX #E18683

RGB 225 134 131

HSL 1.91, 0.61%, 0.7%

LAB 65.51, 34.49, 16.67

 

CMYK 0 / 42 / 42 / 12

HEX #E18383

RGB 225 131 131

HSL 0, 0.61%, 0.7%

LAB 64.87, 36.06, 15.77

 

CMYK 0 / 7 / 42 / 12

HEX #E1D183

RGB 225 209 131

HSL 49.79, 0.61%, 0.7%

LAB 83.57, -5.22, 40.63

 

CMYK 4 / 0 / 42 / 12

HEX #D7E183

RGB 215 225 131

HSL 66.38, 0.61%, 0.7%

LAB 86.97, -17.18, 44.75

 

CMYK 16 / 0 / 42 / 12

HEX #BEE183

RGB 190 225 131

HSL 82.34, 0.61%, 0.7%

LAB 85.22, -26.67, 42.18

 

CMYK 27 / 0 / 42 / 12

HEX #A4E183

RGB 164 225 131

HSL 98.94, 0.61%, 0.7%

LAB 83.64, -35.99, 39.85

 

CMYK 38 / 0 / 42 / 12

HEX #8BE183

RGB 139 225 131

HSL 114.89, 0.61%, 0.7%

LAB 82.37, -44.16, 37.96

 

CMYK 0 / 7 / 42 / 12

HEX #E1D183

RGB 225 209 131

HSL 49.79, 0.61%, 0.7%

LAB 83.57, -5.22, 40.63

 

CMYK 0 / 8 / 50 / 7

HEX #EDDA77

RGB 237 218 119

HSL 50.34, 0.77%, 0.7%

LAB 86.74, -6.15, 50.68

 

CMYK 0 / 9 / 57 / 2

HEX #F9E26B

RGB 249 226 107

HSL 50.28, 0.92%, 0.7%

LAB 89.67, -6.28, 59.94

 

CMYK 0 / 7 / 42 / 12

HEX #E1D183

RGB 225 209 131

HSL 49.79, 0.61%, 0.7%

LAB 83.57, -5.22, 40.63

 

CMYK 0 / 5 / 32 / 17

HEX #D4C990

RGB 212 201 144

HSL 50.29, 0.44%, 0.7%

LAB 80.62, -4.73, 29.92

 

CMYK 0 / 4 / 22 / 22

HEX #C8C19C

RGB 200 193 156

HSL 50.45, 0.29%, 0.7%

LAB 77.77, -3.56, 19.55

 

CMYK 0 / 2 / 11 / 26

HEX #BCB8A8

RGB 188 184 168

HSL 48, 0.13%, 0.7%

LAB 74.7, -1.39, 8.62

 

CMYK 3 / 3 / 0 / 29

HEX #AFB0B5

RGB 175 176 181

HSL 230, 0.04%, 0.7%

LAB 71.89, 0.61, -2.68

 

CMYK 0 / 29 / 42 / 12

HEX #E19F83

RGB 225 159 131

HSL 17.87, 0.61%, 0.7%

LAB 71.17, 21.16, 24.4

 

CMYK 0 / 18 / 42 / 12

HEX #E1B883

RGB 225 184 131

HSL 33.83, 0.61%, 0.7%

LAB 77.24, 7.81, 32.46

 

CMYK 0 / 7 / 42 / 12

HEX #E1D183

RGB 225 209 131

HSL 49.79, 0.61%, 0.7%

LAB 83.57, -5.22, 40.63

 

CMYK 4 / 0 / 42 / 12

HEX #D7E183

RGB 215 225 131

HSL 66.38, 0.61%, 0.7%

LAB 86.97, -17.18, 44.75

 

CMYK 16 / 0 / 42 / 12

HEX #BEE183

RGB 190 225 131

HSL 82.34, 0.61%, 0.7%

LAB 85.22, -26.67, 42.18

 

CMYK 0 / 11 / 69 / 18

HEX #D1B941

RGB 209 185 65

HSL 50, 0.61%, 0.54%

LAB 75.22, -4.67, 61.29

 

CMYK 0 / 9 / 55 / 15

HEX #D9C562

RGB 217 197 98

HSL 49.92, 0.61%, 0.62%

LAB 79.37, -5.33, 51.49

 

CMYK 0 / 7 / 42 / 12

HEX #E1D183

RGB 225 209 131

HSL 49.79, 0.61%, 0.7%

LAB 83.57, -5.22, 40.63

 

CMYK 0 / 5 / 29 / 9

HEX #E9DEA5

RGB 233 222 165

HSL 50.29, 0.61%, 0.78%

LAB 88.1, -4.81, 29.37

 

CMYK 0 / 3 / 18 / 5

HEX #F1EAC6

RGB 241 234 198

HSL 50.23, 0.61%, 0.86%

LAB 92.41, -3.42, 18.35

 

CMYK 0 / 7 / 41 / 12

HEX #E1D285

RGB 225 210 133

HSL 50.22, 0.61%, 0.7%

LAB 83.86, -5.52, 39.99

 

CMYK 42 / 0 / 40 / 12

HEX #83E186

RGB 131 225 134

HSL 121.91, 0.61%, 0.7%

LAB 82.05, -46.12, 35.99

 

CMYK 24 / 42 / 0 / 12

HEX #AC83E1

RGB 172 131 225

HSL 266.17, 0.61%, 0.7%

LAB 62.03, 34.31, -42.15

 

CMYK 0 / 7 / 41 / 12

HEX #E1D285

RGB 225 210 133

HSL 50.22, 0.61%, 0.7%

LAB 83.86, -5.52, 39.99

 

CMYK 42 / 0 / 7 / 12

HEX #83E1D1

RGB 131 225 209

HSL 169.79, 0.61%, 0.7%

LAB 83.59, -31.66, -0.92

 

CMYK 7 / 42 / 0 / 12

HEX #D183E1

RGB 209 131 225

HSL 289.79, 0.61%, 0.7%

LAB 65.92, 45.06, -35.78

 

CMYK 0 / 7 / 41 / 12

HEX #E1D285

RGB 225 210 133

HSL 50.22, 0.61%, 0.7%

LAB 83.86, -5.52, 39.99

 

CMYK 42 / 0 / 40 / 12

HEX #83E186

RGB 131 225 134

HSL 121.91, 0.61%, 0.7%

LAB 82.05, -46.12, 35.99

 

CMYK 42 / 35 / 0 / 12

HEX #8393E1

RGB 131 147 225

HSL 229.79, 0.61%, 0.7%

LAB 62.62, 13.92, -41.46

 

CMYK 0 / 42 / 1 / 12

HEX #E183DE

RGB 225 131 222

HSL 301.91, 0.61%, 0.7%

LAB 67.66, 49.25, -31.27

 

CMYK 0 / 7 / 41 / 12

HEX #E1D285

RGB 225 210 133

HSL 50.22, 0.61%, 0.7%

LAB 83.86, -5.52, 39.99

 

CMYK 42 / 0 / 28 / 12

HEX #83E1A2

RGB 131 225 162

HSL 139.79, 0.61%, 0.7%

LAB 82.53, -41.44, 22.29

 

CMYK 42 / 35 / 0 / 12

HEX #8393E1

RGB 131 147 225

HSL 229.79, 0.61%, 0.7%

LAB 62.62, 13.92, -41.46

 

CMYK 0 / 42 / 14 / 12

HEX #E183C2

RGB 225 131 194

HSL 319.79, 0.61%, 0.7%

LAB 66.62, 44.53, -17.25

 

Description

Color code: HEX #E1D285 | qconv.com Color code: HEX #E1D285 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 210 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 210 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 41 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 41% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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