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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E1D23A it is the complementary color #1E2DC5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E1D23A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E1D23A shade: #E6D235, #F7E448, #FFF65B, #FFFF6E and #FFFF81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E1D23A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E1D23A shade: #E1D23A, #D0C027, #BFAE14, #AE9C01 and #9D8A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E1D23A shade: #E1D137, #E1A437, #E17637, #E14837 and #E13737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E1D23A shade: #E1D137, #C2E137, #94E137, #67E137 and #39E137

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E1D23A shade matches the following richer shades: #E1D137 and #F3E124

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E1D23A shade: #E1D137, #CEC249, #BCB35C, #A9A46F and #969481

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E1D23A shade: #E17537, #E1A237, #E1D037, #C4E137 and #97E137

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E1D23A shade: #AC9F19, #D0C01F, #E1D137, #E6DA5B and #EBE27F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E1D23A shade: #E1D23A, #37E148 and #8C37E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E1D23A shade: #E1D23A, #37E1D0 and #D037E1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E1D23A shade: #E1D23A, #37E148, #3748E1 and #E137D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E1D23A shade: #E1D23A, #37E17B, #3748E1 and #E1379D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 74 / 12

HEX #E1D23A

RGB 225 210 58

HSL 54.61, 0.74%, 0.55%

LAB 83.13, -10.97, 72.03

 

Complementary color

CMYK 85 / 77 / 0 / 23

HEX #1E2DC5

RGB 30 45 197

HSL 234.61, 0.74%, 0.45%

LAB 29.87, 49.95, -78.64

 

CMYK 0 / 9 / 77 / 10

HEX #E6D235

RGB 230 210 53

HSL 53.22, 0.78%, 0.55%

LAB 83.53, -9.05, 74.17

 

CMYK 0 / 8 / 71 / 3

HEX #F7E448

RGB 247 228 72

HSL 53.49, 0.92%, 0.63%

LAB 89.73, -10.16, 74.18

 

CMYK 0 / 4 / 64 / 0

HEX #FFF65B

RGB 255 246 91

HSL 56.71, 1%, 0.68%

LAB 95.13, -14.76, 72.74

 

CMYK 0 / 0 / 57 / 0

HEX #FFFF6E

RGB 255 255 110

HSL 60, 1%, 0.72%

LAB 97.59, -17.91, 67.66

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF81

RGB 255 255 129

HSL 60, 1%, 0.75%

LAB 97.78, -16.46, 59.54

 

CMYK 0 / 7 / 74 / 12

HEX #E1D23A

RGB 225 210 58

HSL 54.61, 0.74%, 0.55%

LAB 83.13, -10.97, 72.03

 

CMYK 0 / 8 / 81 / 18

HEX #D0C027

RGB 208 192 39

HSL 54.32, 0.68%, 0.48%

LAB 76.83, -9.79, 71.57

 

CMYK 0 / 9 / 90 / 25

HEX #BFAE14

RGB 191 174 20

HSL 54.04, 0.81%, 0.41%

LAB 70.45, -8.4, 70.04

 

CMYK 0 / 10 / 99 / 32

HEX #AE9C01

RGB 174 156 1

HSL 53.76, 0.99%, 0.34%

LAB 63.98, -6.79, 67.2

 

CMYK 0 / 12 / 100 / 38

HEX #9D8A00

RGB 157 138 0

HSL 52.74, 1%, 0.31%

LAB 57.41, -4.88, 61.9

 

CMYK 0 / 7 / 76 / 12

HEX #E1D137

RGB 225 209 55

HSL 54.35, 0.74%, 0.55%

LAB 82.85, -10.59, 72.75

 

CMYK 0 / 27 / 76 / 12

HEX #E1A437

RGB 225 164 55

HSL 38.47, 0.74%, 0.55%

LAB 71.44, 12.84, 62.03

 

CMYK 0 / 48 / 76 / 12

HEX #E17637

RGB 225 118 55

HSL 22.24, 0.74%, 0.55%

LAB 60.99, 37.18, 51.71

 

CMYK 0 / 68 / 76 / 12

HEX #E14837

RGB 225 72 55

HSL 6, 0.74%, 0.55%

LAB 52.86, 58.33, 43.23

 

CMYK 0 / 76 / 76 / 12

HEX #E13737

RGB 225 55 55

HSL 0, 0.74%, 0.55%

LAB 50.71, 64.28, 40.9

 

CMYK 0 / 7 / 76 / 12

HEX #E1D137

RGB 225 209 55

HSL 54.35, 0.74%, 0.55%

LAB 82.85, -10.59, 72.75

 

CMYK 14 / 0 / 76 / 12

HEX #C2E137

RGB 194 225 55

HSL 70.94, 0.74%, 0.55%

LAB 84.79, -31.18, 73.68

 

CMYK 34 / 0 / 76 / 12

HEX #94E137

RGB 148 225 55

HSL 87.18, 0.74%, 0.55%

LAB 82.07, -48.55, 70.15

 

CMYK 54 / 0 / 76 / 12

HEX #67E137

RGB 103 225 55

HSL 103.06, 0.74%, 0.55%

LAB 80.19, -62.43, 67.69

 

CMYK 75 / 0 / 76 / 12

HEX #39E137

RGB 57 225 55

HSL 119.29, 0.74%, 0.55%

LAB 79.04, -71.88, 66.18

 

CMYK 0 / 7 / 76 / 12

HEX #E1D137

RGB 225 209 55

HSL 54.35, 0.74%, 0.55%

LAB 82.85, -10.59, 72.75

 

CMYK 0 / 7 / 85 / 5

HEX #F3E124

RGB 243 225 36

HSL 54.78, 0.9%, 0.55%

LAB 88.46, -11.56, 83.21

 

CMYK 0 / 7 / 76 / 12

HEX #E1D137

RGB 225 209 55

HSL 54.35, 0.74%, 0.55%

LAB 82.85, -10.59, 72.75

 

CMYK 0 / 6 / 65 / 19

HEX #CEC249

RGB 206 194 73

HSL 54.59, 0.58%, 0.55%

LAB 77.39, -10.14, 60.18

 

CMYK 0 / 5 / 51 / 26

HEX #BCB35C

RGB 188 179 92

HSL 54.38, 0.42%, 0.55%

LAB 72.03, -8.56, 45.11

 

CMYK 0 / 3 / 34 / 34

HEX #A9A46F

RGB 169 164 111

HSL 54.83, 0.25%, 0.55%

LAB 66.62, -6.47, 28.2

 

CMYK 0 / 1 / 14 / 41

HEX #969481

RGB 150 148 129

HSL 54.29, 0.09%, 0.55%

LAB 61, -2.69, 10.32

 

CMYK 0 / 48 / 76 / 12

HEX #E17537

RGB 225 117 55

HSL 21.88, 0.74%, 0.55%

LAB 60.79, 37.69, 51.5

 

CMYK 0 / 28 / 76 / 12

HEX #E1A237

RGB 225 162 55

HSL 37.76, 0.74%, 0.55%

LAB 70.96, 13.91, 61.56

 

CMYK 0 / 8 / 76 / 12

HEX #E1D037

RGB 225 208 55

HSL 54, 0.74%, 0.55%

LAB 82.59, -10.09, 72.51

 

CMYK 13 / 0 / 76 / 12

HEX #C4E137

RGB 196 225 55

HSL 70.24, 0.74%, 0.55%

LAB 84.93, -30.38, 73.86

 

CMYK 33 / 0 / 76 / 12

HEX #97E137

RGB 151 225 55

HSL 86.12, 0.74%, 0.55%

LAB 82.22, -47.49, 70.35

 

CMYK 0 / 8 / 85 / 33

HEX #AC9F19

RGB 172 159 25

HSL 54.69, 0.75%, 0.39%

LAB 64.67, -8.87, 63.61

 

CMYK 0 / 8 / 85 / 18

HEX #D0C01F

RGB 208 192 31

HSL 54.58, 0.74%, 0.47%

LAB 76.8, -10.01, 73.53

 

CMYK 0 / 7 / 76 / 12

HEX #E1D137

RGB 225 209 55

HSL 54.35, 0.74%, 0.55%

LAB 82.85, -10.59, 72.75

 

CMYK 0 / 5 / 60 / 10

HEX #E6DA5B

RGB 230 218 91

HSL 54.82, 0.74%, 0.63%

LAB 85.87, -11.14, 62.27

 

CMYK 0 / 4 / 46 / 8

HEX #EBE27F

RGB 235 226 127

HSL 55, 0.73%, 0.71%

LAB 88.73, -10.24, 49.22

 

CMYK 0 / 7 / 74 / 12

HEX #E1D23A

RGB 225 210 58

HSL 54.61, 0.74%, 0.55%

LAB 83.13, -10.97, 72.03

 

CMYK 76 / 0 / 68 / 12

HEX #37E148

RGB 55 225 72

HSL 126, 0.74%, 0.55%

LAB 79.12, -70.8, 60.22

 

CMYK 38 / 76 / 0 / 12

HEX #8C37E1

RGB 140 55 225

HSL 270, 0.74%, 0.55%

LAB 43.86, 65.59, -71.45

 

CMYK 0 / 7 / 74 / 12

HEX #E1D23A

RGB 225 210 58

HSL 54.61, 0.74%, 0.55%

LAB 83.13, -10.97, 72.03

 

CMYK 76 / 0 / 8 / 12

HEX #37E1D0

RGB 55 225 208

HSL 174, 0.74%, 0.55%

LAB 81.41, -45.54, -3.84

 

CMYK 8 / 76 / 0 / 12

HEX #D037E1

RGB 208 55 225

HSL 294, 0.74%, 0.55%

LAB 53.58, 77.8, -55.28

 

CMYK 0 / 7 / 74 / 12

HEX #E1D23A

RGB 225 210 58

HSL 54.61, 0.74%, 0.55%

LAB 83.13, -10.97, 72.03

 

CMYK 76 / 0 / 68 / 12

HEX #37E148

RGB 55 225 72

HSL 126, 0.74%, 0.55%

LAB 79.12, -70.8, 60.22

 

CMYK 76 / 68 / 0 / 12

HEX #3748E1

RGB 55 72 225

HSL 234, 0.74%, 0.55%

LAB 39.38, 45.64, -79.09

 

CMYK 0 / 76 / 8 / 12

HEX #E137D0

RGB 225 55 208

HSL 306, 0.74%, 0.55%

LAB 55.37, 78.56, -42.59

 

CMYK 0 / 7 / 74 / 12

HEX #E1D23A

RGB 225 210 58

HSL 54.61, 0.74%, 0.55%

LAB 83.13, -10.97, 72.03

 

CMYK 76 / 0 / 45 / 12

HEX #37E17B

RGB 55 225 123

HSL 144, 0.74%, 0.55%

LAB 79.67, -64.25, 37.95

 

CMYK 76 / 68 / 0 / 12

HEX #3748E1

RGB 55 72 225

HSL 234, 0.74%, 0.55%

LAB 39.38, 45.64, -79.09

 

CMYK 0 / 76 / 30 / 12

HEX #E1379D

RGB 225 55 157

HSL 324, 0.74%, 0.55%

LAB 53.14, 71.95, -16.42

 

Description

Color code: HEX #E1D23A | qconv.com Color code: HEX #E1D23A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 210 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 210 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 74 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 74% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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