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Color name
HEX #E1D523

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E1D523 it is the complementary color #1E2ADC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E1D523. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E1D523 shade: #E6D51E, #F7E731, #FFF944, #FFFF57 and #FFFF6A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E1D523. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E1D523 shade: #E1D523, #D0C310, #BFB100, #AE9F00 and #9D8D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E1D523 shade: #E1D523, #E1A123, #E16E23, #E13B23 and #E12323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E1D523 shade: #E1D523, #B9E123, #86E123, #53E123 and #23E126

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E1D523 shade matches the following richer shades: #E1D523 and #F5E60E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E1D523 shade: #E1D523, #CCC337, #B8B14B, #A4A05F and #908E73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E1D523 shade: #E16F23, #E1A123, #E1D423, #BBE123 and #88E123

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E1D523 shade: #9C9315, #C0B61A, #E1D523, #E5DB47 and #EAE26B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E1D523 shade: #E1D523, #23E13C and #8823E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E1D523 shade: #E1D523, #23E1D4 and #D423E1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E1D523 shade: #E1D523, #23E13C, #232FE1 and #E123C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E1D523 shade: #E1D523, #23E175, #232FE1 and #E1238E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 84 / 12

HEX #E1D523

RGB 225 213 35

HSL 56.21, 0.76%, 0.51%

LAB 83.82, -13.22, 79

 

Complementary color

CMYK 86 / 81 / 0 / 14

HEX #1E2ADC

RGB 30 42 220

HSL 236.21, 0.76%, 0.49%

LAB 32.03, 58.78, -88.41

 

CMYK 0 / 7 / 87 / 10

HEX #E6D51E

RGB 230 213 30

HSL 54.9, 0.8%, 0.51%

LAB 84.23, -11.21, 80.53

 

CMYK 0 / 6 / 80 / 3

HEX #F7E731

RGB 247 231 49

HSL 55.15, 0.93%, 0.58%

LAB 90.39, -12.51, 81.91

 

CMYK 0 / 2 / 73 / 0

HEX #FFF944

RGB 255 249 68

HSL 58.07, 1%, 0.63%

LAB 95.76, -17.32, 81.49

 

CMYK 0 / 0 / 66 / 0

HEX #FFFF57

RGB 255 255 87

HSL 60, 1%, 0.67%

LAB 97.42, -19.31, 76.59

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6A

RGB 255 255 106

HSL 60, 1%, 0.71%

LAB 97.56, -18.18, 69.3

 

CMYK 0 / 5 / 84 / 12

HEX #E1D523

RGB 225 213 35

HSL 56.21, 0.76%, 0.51%

LAB 83.82, -13.22, 79

 

CMYK 0 / 6 / 92 / 18

HEX #D0C310

RGB 208 195 16

HSL 55.94, 0.86%, 0.44%

LAB 77.57, -11.82, 76.81

 

CMYK 0 / 7 / 100 / 25

HEX #BFB100

RGB 191 177 0

HSL 55.6, 1%, 0.37%

LAB 71.23, -10.22, 73.26

 

CMYK 0 / 9 / 100 / 32

HEX #AE9F00

RGB 174 159 0

HSL 54.83, 1%, 0.34%

LAB 64.8, -8.4, 67.93

 

CMYK 0 / 10 / 100 / 38

HEX #9D8D00

RGB 157 141 0

HSL 53.89, 1%, 0.31%

LAB 58.24, -6.51, 62.5

 

CMYK 0 / 5 / 84 / 12

HEX #E1D523

RGB 225 213 35

HSL 56.21, 0.76%, 0.51%

LAB 83.82, -13.22, 79

 

CMYK 0 / 28 / 84 / 12

HEX #E1A123

RGB 225 161 35

HSL 39.79, 0.76%, 0.51%

LAB 70.61, 13.77, 68.08

 

CMYK 0 / 51 / 84 / 12

HEX #E16E23

RGB 225 110 35

HSL 23.68, 0.76%, 0.51%

LAB 59.23, 40.57, 58.53

 

CMYK 0 / 74 / 84 / 12

HEX #E13B23

RGB 225 59 35

HSL 7.58, 0.76%, 0.51%

LAB 50.99, 62.4, 51.47

 

CMYK 0 / 84 / 84 / 12

HEX #E12323

RGB 225 35 35

HSL 0, 0.76%, 0.51%

LAB 48.67, 68.91, 49.46

 

CMYK 0 / 5 / 84 / 12

HEX #E1D523

RGB 225 213 35

HSL 56.21, 0.76%, 0.51%

LAB 83.82, -13.22, 79

 

CMYK 18 / 0 / 84 / 12

HEX #B9E123

RGB 185 225 35

HSL 72.63, 0.76%, 0.51%

LAB 84.11, -35.48, 78.05

 

CMYK 40 / 0 / 84 / 12

HEX #86E123

RGB 134 225 35

HSL 88.74, 0.76%, 0.51%

LAB 81.31, -54.18, 74.54

 

CMYK 63 / 0 / 84 / 12

HEX #53E123

RGB 83 225 35

HSL 104.84, 0.76%, 0.51%

LAB 79.51, -68.25, 72.26

 

CMYK 84 / 0 / 83 / 12

HEX #23E126

RGB 35 225 38

HSL 120.95, 0.76%, 0.51%

LAB 78.66, -75.47, 70.49

 

CMYK 0 / 5 / 84 / 12

HEX #E1D523

RGB 225 213 35

HSL 56.21, 0.76%, 0.51%

LAB 83.82, -13.22, 79

 

CMYK 0 / 6 / 94 / 4

HEX #F5E60E

RGB 245 230 14

HSL 56.1, 0.92%, 0.51%

LAB 89.88, -13.53, 87.7

 

CMYK 0 / 5 / 84 / 12

HEX #E1D523

RGB 225 213 35

HSL 56.21, 0.76%, 0.51%

LAB 83.82, -13.22, 79

 

CMYK 0 / 4 / 73 / 20

HEX #CCC337

RGB 204 195 55

HSL 56.38, 0.59%, 0.51%

LAB 77.37, -12.44, 66.98

 

CMYK 0 / 4 / 59 / 28

HEX #B8B14B

RGB 184 177 75

HSL 56.15, 0.43%, 0.51%

LAB 70.97, -10.58, 51.84

 

CMYK 0 / 2 / 42 / 36

HEX #A4A05F

RGB 164 160 95

HSL 56.52, 0.27%, 0.51%

LAB 64.85, -8.27, 34.34

 

CMYK 0 / 1 / 20 / 44

HEX #908E73

RGB 144 142 115

HSL 55.86, 0.12%, 0.51%

LAB 58.52, -4, 14.68

 

CMYK 0 / 51 / 84 / 12

HEX #E16F23

RGB 225 111 35

HSL 24, 0.76%, 0.51%

LAB 59.43, 40.07, 58.7

 

CMYK 0 / 28 / 84 / 12

HEX #E1A123

RGB 225 161 35

HSL 39.79, 0.76%, 0.51%

LAB 70.61, 13.77, 68.08

 

CMYK 0 / 6 / 84 / 12

HEX #E1D423

RGB 225 212 35

HSL 55.89, 0.76%, 0.51%

LAB 83.56, -12.72, 78.79

 

CMYK 17 / 0 / 84 / 12

HEX #BBE123

RGB 187 225 35

HSL 72, 0.76%, 0.51%

LAB 84.24, -34.69, 78.21

 

CMYK 40 / 0 / 84 / 12

HEX #88E123

RGB 136 225 35

HSL 88.11, 0.76%, 0.51%

LAB 81.4, -53.51, 74.66

 

CMYK 0 / 6 / 87 / 39

HEX #9C9315

RGB 156 147 21

HSL 56, 0.76%, 0.35%

LAB 59.88, -9.81, 60.02

 

CMYK 0 / 5 / 86 / 25

HEX #C0B61A

RGB 192 182 26

HSL 56.39, 0.76%, 0.43%

LAB 72.72, -11.97, 70.71

 

CMYK 0 / 5 / 84 / 12

HEX #E1D523

RGB 225 213 35

HSL 56.21, 0.76%, 0.51%

LAB 83.82, -13.22, 79

 

CMYK 0 / 4 / 69 / 10

HEX #E5DB47

RGB 229 219 71

HSL 56.2, 0.75%, 0.59%

LAB 85.89, -13.2, 70.26

 

CMYK 0 / 3 / 54 / 8

HEX #EAE26B

RGB 234 226 107

HSL 56.22, 0.75%, 0.67%

LAB 88.42, -12.35, 58.18

 

CMYK 0 / 5 / 84 / 12

HEX #E1D523

RGB 225 213 35

HSL 56.21, 0.76%, 0.51%

LAB 83.82, -13.22, 79

 

CMYK 84 / 0 / 73 / 12

HEX #23E13C

RGB 35 225 60

HSL 127.89, 0.76%, 0.51%

LAB 78.77, -74.1, 64.16

 

CMYK 40 / 84 / 0 / 12

HEX #8823E1

RGB 136 35 225

HSL 271.89, 0.76%, 0.51%

LAB 41.01, 71.79, -76.14

 

CMYK 0 / 5 / 84 / 12

HEX #E1D523

RGB 225 213 35

HSL 56.21, 0.76%, 0.51%

LAB 83.82, -13.22, 79

 

CMYK 84 / 0 / 6 / 12

HEX #23E1D4

RGB 35 225 212

HSL 175.89, 0.76%, 0.51%

LAB 81.27, -46.14, -6.2

 

CMYK 6 / 84 / 0 / 12

HEX #D423E1

RGB 212 35 225

HSL 295.89, 0.76%, 0.51%

LAB 52.55, 83.38, -56.89

 

CMYK 0 / 5 / 84 / 12

HEX #E1D523

RGB 225 213 35

HSL 56.21, 0.76%, 0.51%

LAB 83.82, -13.22, 79

 

CMYK 84 / 0 / 73 / 12

HEX #23E13C

RGB 35 225 60

HSL 127.89, 0.76%, 0.51%

LAB 78.77, -74.1, 64.16

 

CMYK 84 / 79 / 0 / 12

HEX #232FE1

RGB 35 47 225

HSL 236.21, 0.76%, 0.51%

LAB 33.62, 58.12, -88.64

 

CMYK 0 / 84 / 12 / 12

HEX #E123C7

RGB 225 35 199

HSL 308.21, 0.76%, 0.51%

LAB 53.31, 81.96, -40.68

 

CMYK 0 / 5 / 84 / 12

HEX #E1D523

RGB 225 213 35

HSL 56.21, 0.76%, 0.51%

LAB 83.82, -13.22, 79

 

CMYK 84 / 0 / 48 / 12

HEX #23E175

RGB 35 225 117

HSL 145.89, 0.76%, 0.51%

LAB 79.32, -67.34, 40.41

 

CMYK 84 / 79 / 0 / 12

HEX #232FE1

RGB 35 47 225

HSL 236.21, 0.76%, 0.51%

LAB 33.62, 58.12, -88.64

 

CMYK 0 / 84 / 37 / 12

HEX #E1238E

RGB 225 35 142

HSL 326.21, 0.76%, 0.51%

LAB 50.88, 75.28, -10.91

 

Description

Color code: HEX #E1D523 | qconv.com Color code: HEX #E1D523 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 213 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 213 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 84 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 84% 12% C M Y K

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Provide designers and agencies with accurate color values.

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