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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E1C993 it is the complementary color #1E366C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E1C993. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E1C993 shade: #E6C98E, #F7DBA1, #FFEDB4, #FFFFC7 and #FFFFDA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E1C993. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E1C993 shade: #E1C993, #D0B780, #BFA56D, #AE935A and #9D8147

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E1C993 shade: #E1C992, #E1B492, #E19E92 and #E19292

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E1C993 shade: #E1C992, #E1DE92, #CFE192, #BAE192 and #A4E192

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E1C993 shade matches the following richer shades: #E1C992, #ECCD87 and #F7D17C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E1C993 shade: #E1C992, #D6C49E, #CBC0A9, #BFBCB4 and #B4B8BF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E1C993 shade: #E19E92, #E1B392, #E1C892, #E1DD92 and #D0E192

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E1C993 shade: #CFA952, #D8B972, #E1C992, #EAD9B3 and #F3E9D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E1C993 shade: #E1C993, #9CE192 and #A992E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E1C993 shade: #E1C993, #92E1C8 and #C892E1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E1C993 shade: #E1C993, #9CE192, #92ABE1 and #D892E1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E1C993 shade: #E1C993, #92E1A1, #92ABE1 and #E192D3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 35 / 12

HEX #E1C993

RGB 225 201 147

HSL 41.54, 0.57%, 0.73%

LAB 81.78, 0.7, 30.1

 

Complementary color

CMYK 72 / 50 / 0 / 58

HEX #1E366C

RGB 30 54 108

HSL 221.54, 0.57%, 0.27%

LAB 23.66, 10.74, -34.26

 

CMYK 0 / 13 / 38 / 10

HEX #E6C98E

RGB 230 201 142

HSL 40.23, 0.64%, 0.73%

LAB 82.14, 2.08, 33.25

 

CMYK 0 / 11 / 35 / 3

HEX #F7DBA1

RGB 247 219 161

HSL 40.47, 0.84%, 0.8%

LAB 88.45, 1.57, 32.1

 

CMYK 0 / 7 / 29 / 0

HEX #FFEDB4

RGB 255 237 180

HSL 45.6, 1%, 0.85%

LAB 93.94, -2.25, 29.87

HEX #FFEDB4

CMYK 0 / 0 / 22 / 0

HEX #FFFFC7

RGB 255 255 199

HSL 60, 1%, 0.89%

LAB 98.79, -8.74, 26.85

HEX #FFFFC7

CMYK 0 / 0 / 15 / 0

HEX #FFFFDA

RGB 255 255 218

HSL 60, 1%, 0.93%

LAB 99.16, -6.02, 17.71

HEX #FFFFDA

CMYK 0 / 11 / 35 / 12

HEX #E1C993

RGB 225 201 147

HSL 41.54, 0.57%, 0.73%

LAB 81.78, 0.7, 30.1

 

CMYK 0 / 12 / 38 / 18

HEX #D0B780

RGB 208 183 128

HSL 41.25, 0.46%, 0.66%

LAB 75.35, 1.2, 31.26

 

CMYK 0 / 14 / 43 / 25

HEX #BFA56D

RGB 191 165 109

HSL 40.98, 0.39%, 0.59%

LAB 68.82, 1.78, 32.5

 

CMYK 0 / 16 / 48 / 32

HEX #AE935A

RGB 174 147 90

HSL 40.71, 0.34%, 0.52%

LAB 62.17, 2.48, 33.8

 

CMYK 0 / 18 / 55 / 38

HEX #9D8147

RGB 157 129 71

HSL 40.47, 0.38%, 0.45%

LAB 55.4, 3.31, 35.17

 

CMYK 0 / 11 / 35 / 12

HEX #E1C992

RGB 225 201 146

HSL 41.77, 0.57%, 0.73%

LAB 81.76, 0.58, 30.59

 

CMYK 0 / 20 / 35 / 12

HEX #E1B492

RGB 225 180 146

HSL 25.82, 0.57%, 0.73%

LAB 76.51, 11.64, 23.53

 

CMYK 0 / 30 / 35 / 12

HEX #E19E92

RGB 225 158 146

HSL 9.11, 0.57%, 0.73%

LAB 71.24, 23.43, 16.27

 

CMYK 0 / 35 / 35 / 12

HEX #E19292

RGB 225 146 146

HSL 0, 0.57%, 0.73%

LAB 68.49, 29.85, 12.42

 

CMYK 0 / 11 / 35 / 12

HEX #E1C992

RGB 225 201 146

HSL 41.77, 0.57%, 0.73%

LAB 81.76, 0.58, 30.59

 

CMYK 0 / 1 / 35 / 12

HEX #E1DE92

RGB 225 222 146

HSL 57.72, 0.57%, 0.73%

LAB 87.16, -10.17, 37.69

 

CMYK 8 / 0 / 35 / 12

HEX #CFE192

RGB 207 225 146

HSL 73.67, 0.57%, 0.73%

LAB 86.6, -18.51, 36.7

 

CMYK 17 / 0 / 35 / 12

HEX #BAE192

RGB 186 225 146

HSL 89.62, 0.57%, 0.73%

LAB 85.18, -26.24, 34.58

 

CMYK 27 / 0 / 35 / 12

HEX #A4E192

RGB 164 225 146

HSL 106.33, 0.57%, 0.73%

LAB 83.87, -33.91, 32.61

 

CMYK 0 / 11 / 35 / 12

HEX #E1C992

RGB 225 201 146

HSL 41.77, 0.57%, 0.73%

LAB 81.76, 0.58, 30.59

 

CMYK 0 / 13 / 43 / 7

HEX #ECCD87

RGB 236 205 135

HSL 41.58, 0.73%, 0.73%

LAB 83.57, 1.62, 38.81

 

CMYK 0 / 15 / 50 / 3

HEX #F7D17C

RGB 247 209 124

HSL 41.46, 0.88%, 0.73%

LAB 85.42, 2.91, 46.84

 

CMYK 0 / 11 / 35 / 12

HEX #E1C992

RGB 225 201 146

HSL 41.77, 0.57%, 0.73%

LAB 81.76, 0.58, 30.59

 

CMYK 0 / 8 / 26 / 16

HEX #D6C49E

RGB 214 196 158

HSL 40.71, 0.41%, 0.73%

LAB 79.75, 0.47, 21.4

 

CMYK 0 / 5 / 17 / 20

HEX #CBC0A9

RGB 203 192 169

HSL 40.59, 0.25%, 0.73%

LAB 78.03, 0.05, 12.98

 

CMYK 0 / 2 / 6 / 25

HEX #BFBCB4

RGB 191 188 180

HSL 43.64, 0.08%, 0.73%

LAB 76.28, -0.38, 4.41

 

CMYK 6 / 4 / 0 / 25

HEX #B4B8BF

RGB 180 184 191

HSL 218.18, 0.08%, 0.73%

LAB 74.66, -0.04, -4.03

 

CMYK 0 / 30 / 35 / 12

HEX #E19E92

RGB 225 158 146

HSL 9.11, 0.57%, 0.73%

LAB 71.24, 23.43, 16.27

 

CMYK 0 / 20 / 35 / 12

HEX #E1B392

RGB 225 179 146

HSL 25.06, 0.57%, 0.73%

LAB 76.27, 12.18, 23.2

 

CMYK 0 / 11 / 35 / 12

HEX #E1C892

RGB 225 200 146

HSL 41.01, 0.57%, 0.73%

LAB 81.51, 1.1, 30.26

 

CMYK 0 / 2 / 35 / 12

HEX #E1DD92

RGB 225 221 146

HSL 56.96, 0.57%, 0.73%

LAB 86.9, -9.66, 37.35

 

CMYK 8 / 0 / 35 / 12

HEX #D0E192

RGB 208 225 146

HSL 72.91, 0.57%, 0.73%

LAB 86.67, -18.14, 36.81

 

CMYK 0 / 18 / 60 / 19

HEX #CFA952

RGB 207 169 82

HSL 41.76, 0.57%, 0.57%

LAB 71.04, 3.96, 49.24

 

CMYK 0 / 14 / 47 / 15

HEX #D8B972

RGB 216 185 114

HSL 41.76, 0.57%, 0.65%

LAB 76.38, 1.91, 39.99

 

CMYK 0 / 11 / 35 / 12

HEX #E1C992

RGB 225 201 146

HSL 41.77, 0.57%, 0.73%

LAB 81.76, 0.58, 30.59

 

CMYK 0 / 7 / 24 / 8

HEX #EAD9B3

RGB 234 217 179

HSL 41.45, 0.57%, 0.81%

LAB 87.18, -0.01, 20.86

 

CMYK 0 / 4 / 13 / 5

HEX #F3E9D3

RGB 243 233 211

HSL 41.25, 0.57%, 0.89%

LAB 92.59, -0.23, 11.89

 

CMYK 0 / 11 / 35 / 12

HEX #E1C993

RGB 225 201 147

HSL 41.54, 0.57%, 0.73%

LAB 81.78, 0.7, 30.1

 

CMYK 31 / 0 / 35 / 12

HEX #9CE192

RGB 156 225 146

HSL 112.41, 0.57%, 0.73%

LAB 83.44, -36.55, 31.96

 

CMYK 25 / 35 / 0 / 12

HEX #A992E1

RGB 169 146 225

HSL 257.47, 0.57%, 0.73%

LAB 65.3, 24.98, -37.05

 

CMYK 0 / 11 / 35 / 12

HEX #E1C993

RGB 225 201 147

HSL 41.54, 0.57%, 0.73%

LAB 81.78, 0.7, 30.1

 

CMYK 35 / 0 / 11 / 12

HEX #92E1C8

RGB 146 225 200

HSL 161.01, 0.57%, 0.73%

LAB 84.03, -29.71, 4.57

 

CMYK 11 / 35 / 0 / 12

HEX #C892E1

RGB 200 146 225

HSL 281.01, 0.57%, 0.73%

LAB 68.22, 34.29, -32.29

 

CMYK 0 / 11 / 35 / 12

HEX #E1C993

RGB 225 201 147

HSL 41.54, 0.57%, 0.73%

LAB 81.78, 0.7, 30.1

 

CMYK 31 / 0 / 35 / 12

HEX #9CE192

RGB 156 225 146

HSL 112.41, 0.57%, 0.73%

LAB 83.44, -36.55, 31.96

 

CMYK 35 / 24 / 0 / 12

HEX #92ABE1

RGB 146 171 225

HSL 221.01, 0.57%, 0.73%

LAB 69.95, 4.26, -29.98

 

CMYK 4 / 35 / 0 / 12

HEX #D892E1

RGB 216 146 225

HSL 293.16, 0.57%, 0.73%

LAB 69.89, 39.22, -29.57

 

CMYK 0 / 11 / 35 / 12

HEX #E1C993

RGB 225 201 147

HSL 41.54, 0.57%, 0.73%

LAB 81.78, 0.7, 30.1

 

CMYK 35 / 0 / 28 / 12

HEX #92E1A1

RGB 146 225 161

HSL 131.39, 0.57%, 0.73%

LAB 83.2, -37.26, 23.83

 

CMYK 35 / 24 / 0 / 12

HEX #92ABE1

RGB 146 171 225

HSL 221.01, 0.57%, 0.73%

LAB 69.95, 4.26, -29.98

 

CMYK 0 / 35 / 6 / 12

HEX #E192D3

RGB 225 146 211

HSL 310.63, 0.57%, 0.73%

LAB 70.36, 39.51, -21.04

 

Description

Color code: HEX #E1C993 | qconv.com Color code: HEX #E1C993 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 201 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 201 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 35 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 35% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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