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Color name
HEX #E1BD5A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E1BD5A it is the complementary color #1E42A5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E1BD5A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E1BD5A shade: #E6BD55, #F7CF68, #FFE17B, #FFF38E and #FFFFA1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E1BD5A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E1BD5A shade: #E1BD5A, #D0AB47, #BF9934, #AE8721 and #9D750E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E1BD5A shade: #E0BD5B, #E0995B, #E0755B and #E05B5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E1BD5A shade: #E0BD5B, #E0E05B, #BCE05B, #98E05B and #74E05B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E1BD5A shade matches the following richer shades: #E0BD5B and #F0C44B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E1BD5A shade: #E0BD5B, #D1B56A, #C1AE7A, #B1A78A and #A2A099

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E1BD5A shade: #E0755B, #E0995B, #E0BD5B, #E0E05B and #BDE05B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E1BD5A shade: #C59A24, #DAAF38, #E0BD5B, #E7CB7E and #EDD9A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E1BD5A shade: #E1BD5A, #64E05B and #875BE0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E1BD5A shade: #E1BD5A, #5BE0BD and #BD5BE0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E1BD5A shade: #E1BD5A, #64E05B, #5B7EE0 and #D85BE0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E1BD5A shade: #E1BD5A, #5BE07A, #5B7EE0 and #E05BC1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 60 / 12

HEX #E1BD5A

RGB 225 189 90

HSL 44, 0.69%, 0.62%

LAB 77.96, 1.56, 53.8

 

Complementary color

CMYK 82 / 60 / 0 / 35

HEX #1E42A5

RGB 30 66 165

HSL 224, 0.69%, 0.38%

LAB 31.55, 25.23, -56.87

 

CMYK 0 / 18 / 63 / 10

HEX #E6BD55

RGB 230 189 85

HSL 43.03, 0.74%, 0.62%

LAB 78.39, 3.32, 56.7

 

CMYK 0 / 16 / 58 / 3

HEX #F7CF68

RGB 247 207 104

HSL 43.22, 0.9%, 0.69%

LAB 84.69, 2.34, 55.55

 

CMYK 0 / 12 / 52 / 0

HEX #FFE17B

RGB 255 225 123

HSL 46.36, 1%, 0.74%

LAB 90.11, -2.12, 53.2

 

CMYK 0 / 5 / 44 / 0

HEX #FFF38E

RGB 255 243 142

HSL 53.63, 1%, 0.78%

LAB 94.87, -9.43, 49.95

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA1

RGB 255 255 161

HSL 60, 1%, 0.82%

LAB 98.17, -13.39, 44.93

 

CMYK 0 / 16 / 60 / 12

HEX #E1BD5A

RGB 225 189 90

HSL 44, 0.69%, 0.62%

LAB 77.96, 1.56, 53.8

 

CMYK 0 / 18 / 66 / 18

HEX #D0AB47

RGB 208 171 71

HSL 43.8, 0.59%, 0.55%

LAB 71.55, 2.6, 54.89

 

CMYK 0 / 20 / 73 / 25

HEX #BF9934

RGB 191 153 52

HSL 43.6, 0.57%, 0.48%

LAB 65.05, 3.84, 55.74

 

CMYK 0 / 22 / 81 / 32

HEX #AE8721

RGB 174 135 33

HSL 43.4, 0.68%, 0.41%

LAB 58.45, 5.31, 56.03

 

CMYK 0 / 25 / 91 / 38

HEX #9D750E

RGB 157 117 14

HSL 43.22, 0.84%, 0.34%

LAB 51.75, 7.07, 55.16

 

CMYK 0 / 16 / 59 / 12

HEX #E0BD5B

RGB 224 189 91

HSL 44.21, 0.68%, 0.62%

LAB 77.87, 1.21, 53.22

 

CMYK 0 / 32 / 59 / 12

HEX #E0995B

RGB 224 153 91

HSL 27.97, 0.68%, 0.62%

LAB 69.03, 20.34, 42.9

 

CMYK 0 / 48 / 59 / 12

HEX #E0755B

RGB 224 117 91

HSL 11.73, 0.68%, 0.62%

LAB 61.07, 39.33, 33.14

 

CMYK 0 / 59 / 59 / 12

HEX #E05B5B

RGB 224 91 91

HSL 0, 0.68%, 0.62%

LAB 56.17, 51.91, 26.9

 

CMYK 0 / 16 / 59 / 12

HEX #E0BD5B

RGB 224 189 91

HSL 44.21, 0.68%, 0.62%

LAB 77.87, 1.21, 53.22

 

CMYK 0 / 0 / 59 / 12

HEX #E0E05B

RGB 224 224 91

HSL 60, 0.68%, 0.62%

LAB 86.95, -16.56, 63.31

 

CMYK 16 / 0 / 59 / 12

HEX #BCE05B

RGB 188 224 91

HSL 76.24, 0.68%, 0.62%

LAB 84.36, -30.89, 59.72

 

CMYK 32 / 0 / 59 / 12

HEX #98E05B

RGB 152 224 91

HSL 92.48, 0.68%, 0.62%

LAB 82.24, -44.15, 56.77

 

CMYK 48 / 0 / 59 / 12

HEX #74E05B

RGB 116 224 91

HSL 108.72, 0.68%, 0.62%

LAB 80.62, -55.54, 54.49

 

CMYK 0 / 16 / 59 / 12

HEX #E0BD5B

RGB 224 189 91

HSL 44.21, 0.68%, 0.62%

LAB 77.87, 1.21, 53.22

 

CMYK 0 / 18 / 69 / 6

HEX #F0C44B

RGB 240 196 75

HSL 44, 0.85%, 0.62%

LAB 81.02, 3.31, 64.1

 

CMYK 0 / 16 / 59 / 12

HEX #E0BD5B

RGB 224 189 91

HSL 44.21, 0.68%, 0.62%

LAB 77.87, 1.21, 53.22

 

CMYK 0 / 13 / 49 / 18

HEX #D1B56A

RGB 209 181 106

HSL 43.69, 0.53%, 0.62%

LAB 74.6, 0.39, 41.69

 

CMYK 0 / 10 / 37 / 24

HEX #C1AE7A

RGB 193 174 122

HSL 43.94, 0.36%, 0.62%

LAB 71.56, -0.75, 29.21

 

CMYK 0 / 6 / 22 / 31

HEX #B1A78A

RGB 177 167 138

HSL 44.62, 0.2%, 0.62%

LAB 68.62, -1.19, 16.32

 

CMYK 0 / 1 / 6 / 36

HEX #A2A099

RGB 162 160 153

HSL 46.67, 0.05%, 0.62%

LAB 65.84, -0.57, 3.89

 

CMYK 0 / 48 / 59 / 12

HEX #E0755B

RGB 224 117 91

HSL 11.73, 0.68%, 0.62%

LAB 61.07, 39.33, 33.14

 

CMYK 0 / 32 / 59 / 12

HEX #E0995B

RGB 224 153 91

HSL 27.97, 0.68%, 0.62%

LAB 69.03, 20.34, 42.9

 

CMYK 0 / 16 / 59 / 12

HEX #E0BD5B

RGB 224 189 91

HSL 44.21, 0.68%, 0.62%

LAB 77.87, 1.21, 53.22

 

CMYK 0 / 0 / 59 / 12

HEX #E0E05B

RGB 224 224 91

HSL 60, 0.68%, 0.62%

LAB 86.95, -16.56, 63.31

 

CMYK 16 / 0 / 59 / 12

HEX #BDE05B

RGB 189 224 91

HSL 75.79, 0.68%, 0.62%

LAB 84.42, -30.51, 59.82

 

CMYK 0 / 22 / 82 / 23

HEX #C59A24

RGB 197 154 36

HSL 43.98, 0.69%, 0.46%

LAB 65.83, 5.31, 62.5

 

CMYK 0 / 20 / 74 / 15

HEX #DAAF38

RGB 218 175 56

HSL 44.07, 0.69%, 0.54%

LAB 73.45, 4.02, 63.32

 

CMYK 0 / 16 / 59 / 12

HEX #E0BD5B

RGB 224 189 91

HSL 44.21, 0.68%, 0.62%

LAB 77.87, 1.21, 53.22

 

CMYK 0 / 12 / 45 / 9

HEX #E7CB7E

RGB 231 203 126

HSL 44, 0.69%, 0.7%

LAB 82.49, -0.24, 41.89

 

CMYK 0 / 8 / 32 / 7

HEX #EDD9A0

RGB 237 217 160

HSL 44.42, 0.68%, 0.78%

LAB 87.08, -1.36, 30.63

 

CMYK 0 / 16 / 60 / 12

HEX #E1BD5A

RGB 225 189 90

HSL 44, 0.69%, 0.62%

LAB 77.96, 1.56, 53.8

 

CMYK 55 / 0 / 59 / 12

HEX #64E05B

RGB 100 224 91

HSL 115.94, 0.68%, 0.62%

LAB 80.05, -59.79, 53.7

 

CMYK 40 / 59 / 0 / 12

HEX #875BE0

RGB 135 91 224

HSL 259.85, 0.68%, 0.62%

LAB 49.51, 47.05, -61.74

 

CMYK 0 / 16 / 60 / 12

HEX #E1BD5A

RGB 225 189 90

HSL 44, 0.69%, 0.62%

LAB 77.96, 1.56, 53.8

 

CMYK 59 / 0 / 16 / 12

HEX #5BE0BD

RGB 91 224 189

HSL 164.21, 0.68%, 0.62%

LAB 81.41, -44.68, 6.32

 

CMYK 16 / 59 / 0 / 12

HEX #BD5BE0

RGB 189 91 224

HSL 284.21, 0.68%, 0.62%

LAB 55.77, 59.58, -51.37

 

CMYK 0 / 16 / 60 / 12

HEX #E1BD5A

RGB 225 189 90

HSL 44, 0.69%, 0.62%

LAB 77.96, 1.56, 53.8

 

CMYK 55 / 0 / 59 / 12

HEX #64E05B

RGB 100 224 91

HSL 115.94, 0.68%, 0.62%

LAB 80.05, -59.79, 53.7

 

CMYK 59 / 44 / 0 / 12

HEX #5B7EE0

RGB 91 126 224

HSL 224.21, 0.68%, 0.62%

LAB 54.58, 17.1, -53.78

 

CMYK 4 / 59 / 0 / 12

HEX #D85BE0

RGB 216 91 224

HSL 296.39, 0.68%, 0.62%

LAB 59.4, 66.18, -45.38

 

CMYK 0 / 16 / 60 / 12

HEX #E1BD5A

RGB 225 189 90

HSL 44, 0.69%, 0.62%

LAB 77.96, 1.56, 53.8

 

CMYK 59 / 0 / 46 / 12

HEX #5BE07A

RGB 91 224 122

HSL 133.98, 0.68%, 0.62%

LAB 80.15, -57.81, 39.22

 

CMYK 59 / 44 / 0 / 12

HEX #5B7EE0

RGB 91 126 224

HSL 224.21, 0.68%, 0.62%

LAB 54.58, 17.1, -53.78

 

CMYK 0 / 59 / 14 / 12

HEX #E05BC1

RGB 224 91 193

HSL 313.98, 0.68%, 0.62%

LAB 59.14, 63.22, -28.14

 

Description

Color code: HEX #E1BD5A | qconv.com Color code: HEX #E1BD5A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 189 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 189 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 60 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 60% 12% C M Y K

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Provide designers and agencies with accurate color values.

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