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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E1B004 it is the complementary color #1E4FFB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E1B004. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E1B004 shade: #E6B000, #F7C212, #FFD425, #FFE638 and #FFF84B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E1B004. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E1B004 shade: #E1B004, #D09E00, #BF8C00, #AE7A00 and #9D6800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E1B004 shade: #E2B003, #E27403, #E23803 and #E20303

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E1B004 shade: #E2B003, #D7E203, #9BE203, #5FE203 and #23E203

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E1B004 shade matches the following richer shades: #E2B003

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E1B004 shade: #E2B003, #CFA616, #BC9C28, #AA913B and #97874D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E1B004 shade: #E23703, #E27203, #E2AE03, #DAE203 and #9FE203

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E1B004 shade: #907102, #B99002, #E2B003, #FBC713 and #FCD13B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E1B004 shade: #E1B004, #0AE203 and #5503E2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E1B004 shade: #E1B004, #03E2AE and #AE03E2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E1B004 shade: #E1B004, #0AE203, #0337E2 and #DA03E2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E1B004 shade: #E1B004, #03E23E, #0337E2 and #E203A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 98 / 12

HEX #E1B004

RGB 225 176 4

HSL 46.7, 0.97%, 0.45%

LAB 74.23, 5.33, 76.44

 

Complementary color

CMYK 88 / 69 / 0 / 2

HEX #1E4FFB

RGB 30 79 251

HSL 226.7, 0.97%, 0.55%

LAB 42.51, 48.84, -88.64

 

CMYK 0 / 23 / 100 / 10

HEX #E6B000

RGB 230 176 0

HSL 45.91, 1%, 0.45%

LAB 74.75, 7.47, 77.49

 

CMYK 0 / 21 / 93 / 3

HEX #F7C212

RGB 247 194 18

HSL 46.11, 0.93%, 0.52%

LAB 80.96, 5.57, 80.7

 

CMYK 0 / 17 / 85 / 0

HEX #FFD425

RGB 255 212 37

HSL 48.17, 1%, 0.57%

LAB 86.25, 0.06, 81.65

 

CMYK 0 / 10 / 78 / 0

HEX #FFE638

RGB 255 230 56

HSL 52.46, 1%, 0.61%

LAB 90.84, -8.46, 80.64

 

CMYK 0 / 3 / 71 / 0

HEX #FFF84B

RGB 255 248 75

HSL 57.67, 1%, 0.65%

LAB 95.54, -16.54, 78.99

 

CMYK 0 / 22 / 98 / 12

HEX #E1B004

RGB 225 176 4

HSL 46.7, 0.97%, 0.45%

LAB 74.23, 5.33, 76.44

 

CMYK 0 / 24 / 100 / 18

HEX #D09E00

RGB 208 158 0

HSL 45.58, 1%, 0.41%

LAB 67.92, 7.39, 71.7

 

CMYK 0 / 27 / 100 / 25

HEX #BF8C00

RGB 191 140 0

HSL 43.98, 1%, 0.37%

LAB 61.51, 9.58, 66.43

 

CMYK 0 / 30 / 100 / 32

HEX #AE7A00

RGB 174 122 0

HSL 42.07, 1%, 0.34%

LAB 54.99, 11.86, 61.08

 

CMYK 0 / 34 / 100 / 38

HEX #9D6800

RGB 157 104 0

HSL 39.75, 1%, 0.31%

LAB 48.35, 14.25, 55.65

 

CMYK 0 / 22 / 99 / 11

HEX #E2B003

RGB 226 176 3

HSL 46.55, 0.97%, 0.45%

LAB 74.33, 5.75, 76.67

 

CMYK 0 / 49 / 99 / 11

HEX #E27403

RGB 226 116 3

HSL 30.4, 0.97%, 0.45%

LAB 60.49, 37.45, 67.47

 

CMYK 0 / 75 / 99 / 11

HEX #E23803

RGB 226 56 3

HSL 14.26, 0.97%, 0.45%

LAB 50.69, 63.23, 61.99

 

CMYK 0 / 99 / 99 / 11

HEX #E20303

RGB 226 3 3

HSL 0, 0.97%, 0.45%

LAB 47.29, 72.9, 60.49

 

CMYK 0 / 22 / 99 / 11

HEX #E2B003

RGB 226 176 3

HSL 46.55, 0.97%, 0.45%

LAB 74.33, 5.75, 76.67

 

CMYK 5 / 0 / 99 / 11

HEX #D7E203

RGB 215 226 3

HSL 62.96, 0.97%, 0.45%

LAB 86.43, -24.25, 84.99

 

CMYK 31 / 0 / 99 / 11

HEX #9BE203

RGB 155 226 3

HSL 79.1, 0.97%, 0.45%

LAB 82.58, -47.94, 80.38

 

CMYK 58 / 0 / 99 / 11

HEX #5FE203

RGB 95 226 3

HSL 95.25, 0.97%, 0.45%

LAB 80.09, -66.57, 77.36

 

CMYK 85 / 0 / 99 / 11

HEX #23E203

RGB 35 226 3

HSL 111.39, 0.97%, 0.45%

LAB 78.9, -76.74, 75.91

 

CMYK 0 / 22 / 99 / 11

HEX #E2B003

RGB 226 176 3

HSL 46.55, 0.97%, 0.45%

LAB 74.33, 5.75, 76.67

 

CMYK 0 / 22 / 99 / 11

HEX #E2B003

RGB 226 176 3

HSL 46.55, 0.97%, 0.45%

LAB 74.33, 5.75, 76.67

 

CMYK 0 / 20 / 89 / 19

HEX #CFA616

RGB 207 166 22

HSL 46.7, 0.81%, 0.45%

LAB 69.89, 2.94, 69.87

 

CMYK 0 / 17 / 79 / 26

HEX #BC9C28

RGB 188 156 40

HSL 47.03, 0.65%, 0.45%

LAB 65.45, 0.37, 60.51

 

CMYK 0 / 15 / 65 / 33

HEX #AA913B

RGB 170 145 59

HSL 46.49, 0.48%, 0.45%

LAB 60.88, -0.71, 47.72

 

CMYK 0 / 11 / 49 / 41

HEX #97874D

RGB 151 135 77

HSL 47.03, 0.32%, 0.45%

LAB 56.53, -2.11, 33.22

 

CMYK 0 / 76 / 99 / 11

HEX #E23703

RGB 226 55 3

HSL 13.99, 0.97%, 0.45%

LAB 50.58, 63.54, 61.94

 

CMYK 0 / 50 / 99 / 11

HEX #E27203

RGB 226 114 3

HSL 29.87, 0.97%, 0.45%

LAB 60.08, 38.46, 67.22

 

CMYK 0 / 23 / 99 / 11

HEX #E2AE03

RGB 226 174 3

HSL 46.01, 0.97%, 0.45%

LAB 73.83, 6.81, 76.32

 

CMYK 4 / 0 / 99 / 11

HEX #DAE203

RGB 218 226 3

HSL 62.15, 0.97%, 0.45%

LAB 86.65, -23, 85.26

 

CMYK 30 / 0 / 99 / 11

HEX #9FE203

RGB 159 226 3

HSL 78.03, 0.97%, 0.45%

LAB 82.79, -46.47, 80.64

 

CMYK 0 / 22 / 99 / 44

HEX #907102

RGB 144 113 2

HSL 46.9, 0.97%, 0.29%

LAB 49.18, 3.04, 55.06

 

CMYK 0 / 22 / 99 / 27

HEX #B99002

RGB 185 144 2

HSL 46.56, 0.98%, 0.37%

LAB 61.88, 4.7, 66.07

 

CMYK 0 / 22 / 99 / 11

HEX #E2B003

RGB 226 176 3

HSL 46.55, 0.97%, 0.45%

LAB 74.33, 5.75, 76.67

 

CMYK 0 / 21 / 92 / 2

HEX #FBC713

RGB 251 199 19

HSL 46.55, 0.97%, 0.53%

LAB 82.59, 4.71, 81.95

 

CMYK 0 / 17 / 77 / 1

HEX #FCD13B

RGB 252 209 59

HSL 46.63, 0.97%, 0.61%

LAB 85.31, 0.97, 74.61

 

CMYK 0 / 22 / 98 / 12

HEX #E1B004

RGB 225 176 4

HSL 46.7, 0.97%, 0.45%

LAB 74.23, 5.33, 76.44

 

CMYK 96 / 0 / 99 / 11

HEX #0AE203

RGB 10 226 3

HSL 118.12, 0.97%, 0.45%

LAB 78.73, -78.28, 75.7

 

CMYK 62 / 99 / 0 / 11

HEX #5503E2

RGB 85 3 226

HSL 262.06, 0.97%, 0.45%

LAB 32.89, 73.74, -90.33

 

CMYK 0 / 22 / 98 / 12

HEX #E1B004

RGB 225 176 4

HSL 46.7, 0.97%, 0.45%

LAB 74.23, 5.33, 76.44

 

CMYK 99 / 0 / 23 / 11

HEX #03E2AE

RGB 3 226 174

HSL 166.01, 0.97%, 0.45%

LAB 80.44, -57.75, 12.7

 

CMYK 23 / 99 / 0 / 11

HEX #AE03E2

RGB 174 3 226

HSL 286.01, 0.97%, 0.45%

LAB 45.02, 81.96, -69.93

 

CMYK 0 / 22 / 98 / 12

HEX #E1B004

RGB 225 176 4

HSL 46.7, 0.97%, 0.45%

LAB 74.23, 5.33, 76.44

 

CMYK 96 / 0 / 99 / 11

HEX #0AE203

RGB 10 226 3

HSL 118.12, 0.97%, 0.45%

LAB 78.73, -78.28, 75.7

 

CMYK 99 / 76 / 0 / 11

HEX #0337E2

RGB 3 55 226

HSL 226.01, 0.97%, 0.45%

LAB 34.48, 53.39, -87.8

 

CMYK 4 / 99 / 0 / 11

HEX #DA03E2

RGB 218 3 226

HSL 297.85, 0.97%, 0.45%

LAB 52.36, 88.23, -57.71

 

CMYK 0 / 22 / 98 / 12

HEX #E1B004

RGB 225 176 4

HSL 46.7, 0.97%, 0.45%

LAB 74.23, 5.33, 76.44

 

CMYK 99 / 0 / 73 / 11

HEX #03E23E

RGB 3 226 62

HSL 135.87, 0.97%, 0.45%

LAB 78.9, -75.96, 63.54

 

CMYK 99 / 76 / 0 / 11

HEX #0337E2

RGB 3 55 226

HSL 226.01, 0.97%, 0.45%

LAB 34.48, 53.39, -87.8

 

CMYK 0 / 99 / 27 / 11

HEX #E203A6

RGB 226 3 166

HSL 316.14, 0.97%, 0.45%

LAB 50.67, 81.86, -25.52

 

Description

Color code: HEX #E1B004 | qconv.com Color code: HEX #E1B004 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 176 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 176 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 98 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 98% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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