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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E1B9BB it is the complementary color #1E4644. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E1B9BB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E1B9BB shade: #E6B9B6, #F7CBC9, #FFDDDC and #FFEFEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E1B9BB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E1B9BB shade: #E1B9BB, #D0A7A8, #BF9595, #AE8382 and #9D716F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E1B9BB shade: #E0B7B9 and #E0B7B7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E1B9BB shade: #E0B7B9, #E0B7C4, #E0B7CF, #E0B7DA and #DBB7E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E1B9BB shade matches the following richer shades: #E0B7B9, #E8AFB2, #F0A7AA and #F99EA3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E1B9BB shade: #E0B7B9, #D8BFC1, #CFC8C8, #C7D0CF and #BFD8D7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E1B9BB shade: #E0B7CF, #E0B7C4, #E0B7B9, #E0C0B7 and #E0CBB7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E1B9BB shade: #C77D81, #D49A9D, #E0B7B9, #ECD4D5 and #F9F1F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E1B9BB shade: #E1B9BB, #DAE0B7 and #B7C9E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E1B9BB shade: #E1B9BB, #B9E0B7 and #B7B9E0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E1B9BB shade: #E1B9BB, #DAE0B7, #B7E0DE and #BDB7E0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E1B9BB shade: #E1B9BB, #CEE0B7, #B7E0DE and #C9B7E0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 17 / 12

HEX #E1B9BB

RGB 225 185 187

HSL 357, 0.4%, 0.8%

LAB 78.63, 14.66, 4.39

 

Complementary color

CMYK 57 / 0 / 3 / 73

HEX #1E4644

RGB 30 70 68

HSL 177, 0.4%, 0.2%

LAB 26.94, -14.6, -3.11

 

CMYK 0 / 20 / 21 / 10

HEX #E6B9B6

RGB 230 185 182

HSL 3.75, 0.49%, 0.81%

LAB 78.98, 15.73, 7.66

 

CMYK 0 / 18 / 19 / 3

HEX #F7CBC9

RGB 247 203 201

HSL 2.61, 0.74%, 0.88%

LAB 85.35, 15.21, 6.84

 

CMYK 0 / 13 / 14 / 0

HEX #FFDDDC

RGB 255 221 220

HSL 1.71, 1%, 0.93%

LAB 90.84, 11.58, 4.82

HEX #FFDDDC

CMYK 0 / 6 / 6 / 0

HEX #FFEFEF

RGB 255 239 239

HSL 0, 1%, 0.97%

LAB 95.67, 5.39, 1.93

HEX #FFEFEF

CMYK 0 / 18 / 17 / 12

HEX #E1B9BB

RGB 225 185 187

HSL 357, 0.4%, 0.8%

LAB 78.63, 14.66, 4.39

 

CMYK 0 / 20 / 19 / 18

HEX #D0A7A8

RGB 208 167 168

HSL 358.54, 0.3%, 0.74%

LAB 72.14, 15.17, 5.19

 

CMYK 0 / 22 / 22 / 25

HEX #BF9595

RGB 191 149 149

HSL 0, 0.25%, 0.67%

LAB 65.55, 15.74, 6.05

 

CMYK 0 / 25 / 25 / 32

HEX #AE8382

RGB 174 131 130

HSL 1.36, 0.21%, 0.6%

LAB 58.83, 16.38, 6.97

 

CMYK 0 / 28 / 29 / 38

HEX #9D716F

RGB 157 113 111

HSL 2.61, 0.19%, 0.53%

LAB 51.98, 17.11, 8

 

CMYK 0 / 18 / 17 / 12

HEX #E0B7B9

RGB 224 183 185

HSL 357.07, 0.4%, 0.8%

LAB 78, 15.05, 4.55

 

CMYK 0 / 18 / 18 / 12

HEX #E0B7B7

RGB 224 183 183

HSL 0, 0.4%, 0.8%

LAB 77.95, 14.75, 5.57

 

CMYK 0 / 18 / 17 / 12

HEX #E0B7B9

RGB 224 183 185

HSL 357.07, 0.4%, 0.8%

LAB 78, 15.05, 4.55

 

CMYK 0 / 18 / 13 / 12

HEX #E0B7C4

RGB 224 183 196

HSL 340.98, 0.4%, 0.8%

LAB 78.29, 16.81, -1

 

CMYK 0 / 18 / 8 / 12

HEX #E0B7CF

RGB 224 183 207

HSL 324.88, 0.4%, 0.8%

LAB 78.59, 18.66, -6.51

 

CMYK 0 / 18 / 3 / 12

HEX #E0B7DA

RGB 224 183 218

HSL 308.78, 0.4%, 0.8%

LAB 78.91, 20.6, -11.98

 

CMYK 2 / 18 / 0 / 12

HEX #DBB7E0

RGB 219 183 224

HSL 292.68, 0.4%, 0.8%

LAB 78.64, 20.03, -15.67

 

CMYK 0 / 18 / 17 / 12

HEX #E0B7B9

RGB 224 183 185

HSL 357.07, 0.4%, 0.8%

LAB 78, 15.05, 4.55

 

CMYK 0 / 25 / 23 / 9

HEX #E8AFB2

RGB 232 175 178

HSL 356.84, 0.55%, 0.8%

LAB 76.7, 21.21, 6.58

 

CMYK 0 / 30 / 29 / 6

HEX #F0A7AA

RGB 240 167 170

HSL 357.53, 0.71%, 0.8%

LAB 75.49, 27.31, 9.33

 

CMYK 0 / 37 / 35 / 2

HEX #F99EA3

RGB 249 158 163

HSL 356.7, 0.88%, 0.8%

LAB 74.34, 34.46, 11.67

 

CMYK 0 / 18 / 17 / 12

HEX #E0B7B9

RGB 224 183 185

HSL 357.07, 0.4%, 0.8%

LAB 78, 15.05, 4.55

 

CMYK 0 / 12 / 11 / 15

HEX #D8BFC1

RGB 216 191 193

HSL 355.2, 0.24%, 0.8%

LAB 79.45, 9.18, 2.23

 

CMYK 0 / 3 / 3 / 19

HEX #CFC8C8

RGB 207 200 200

HSL 0, 0.07%, 0.8%

LAB 81.15, 2.43, 0.85

 

CMYK 4 / 0 / 0 / 18

HEX #C7D0CF

RGB 199 208 207

HSL 173.33, 0.09%, 0.8%

LAB 82.79, -3.24, -0.58

 

CMYK 12 / 0 / 0 / 15

HEX #BFD8D7

RGB 191 216 215

HSL 177.6, 0.24%, 0.8%

LAB 84.53, -8.48, -2.34

 

CMYK 0 / 18 / 8 / 12

HEX #E0B7CF

RGB 224 183 207

HSL 324.88, 0.4%, 0.8%

LAB 78.59, 18.66, -6.51

 

CMYK 0 / 18 / 13 / 12

HEX #E0B7C4

RGB 224 183 196

HSL 340.98, 0.4%, 0.8%

LAB 78.29, 16.81, -1

 

CMYK 0 / 18 / 17 / 12

HEX #E0B7B9

RGB 224 183 185

HSL 357.07, 0.4%, 0.8%

LAB 78, 15.05, 4.55

 

CMYK 0 / 14 / 18 / 12

HEX #E0C0B7

RGB 224 192 183

HSL 13.17, 0.4%, 0.8%

LAB 80.16, 9.95, 8.73

 

CMYK 0 / 9 / 18 / 12

HEX #E0CBB7

RGB 224 203 183

HSL 29.27, 0.4%, 0.8%

LAB 82.9, 4.15, 12.64

 

CMYK 0 / 37 / 35 / 22

HEX #C77D81

RGB 199 125 129

HSL 356.76, 0.4%, 0.64%

LAB 60.24, 29.23, 9.95

 

CMYK 0 / 27 / 26 / 17

HEX #D49A9D

RGB 212 154 157

HSL 356.9, 0.4%, 0.72%

LAB 69.14, 22.11, 7.02

 

CMYK 0 / 18 / 17 / 12

HEX #E0B7B9

RGB 224 183 185

HSL 357.07, 0.4%, 0.8%

LAB 78, 15.05, 4.55

 

CMYK 0 / 10 / 10 / 7

HEX #ECD4D5

RGB 236 212 213

HSL 357.5, 0.39%, 0.88%

LAB 86.86, 8.48, 2.53

 

CMYK 0 / 3 / 3 / 2

HEX #F9F1F1

RGB 249 241 241

HSL 0, 0.4%, 0.96%

LAB 95.75, 2.68, 0.94

 

CMYK 0 / 18 / 17 / 12

HEX #E1B9BB

RGB 225 185 187

HSL 357, 0.4%, 0.8%

LAB 78.63, 14.66, 4.39

 

CMYK 3 / 0 / 18 / 12

HEX #DAE0B7

RGB 218 224 183

HSL 68.78, 0.4%, 0.8%

LAB 87.79, -8.87, 19.43

 

CMYK 18 / 10 / 0 / 12

HEX #B7C9E0

RGB 183 201 224

HSL 213.66, 0.4%, 0.8%

LAB 80.3, -1.32, -13.47

 

CMYK 0 / 18 / 17 / 12

HEX #E1B9BB

RGB 225 185 187

HSL 357, 0.4%, 0.8%

LAB 78.63, 14.66, 4.39

 

CMYK 17 / 0 / 18 / 12

HEX #B9E0B7

RGB 185 224 183

HSL 117.07, 0.4%, 0.8%

LAB 85.53, -20.43, 15.93

 

CMYK 18 / 17 / 0 / 12

HEX #B7B9E0

RGB 183 185 224

HSL 237.07, 0.4%, 0.8%

LAB 76.16, 7.28, -19.71

 

CMYK 0 / 18 / 17 / 12

HEX #E1B9BB

RGB 225 185 187

HSL 357, 0.4%, 0.8%

LAB 78.63, 14.66, 4.39

 

CMYK 3 / 0 / 18 / 12

HEX #DAE0B7

RGB 218 224 183

HSL 68.78, 0.4%, 0.8%

LAB 87.79, -8.87, 19.43

 

CMYK 18 / 0 / 1 / 12

HEX #B7E0DE

RGB 183 224 222

HSL 177.07, 0.4%, 0.8%

LAB 86.33, -13.68, -3.46

 

CMYK 16 / 18 / 0 / 12

HEX #BDB7E0

RGB 189 183 224

HSL 248.78, 0.4%, 0.8%

LAB 76.11, 10.26, -19.74

 

CMYK 0 / 18 / 17 / 12

HEX #E1B9BB

RGB 225 185 187

HSL 357, 0.4%, 0.8%

LAB 78.63, 14.66, 4.39

 

CMYK 8 / 0 / 18 / 12

HEX #CEE0B7

RGB 206 224 183

HSL 86.34, 0.4%, 0.8%

LAB 86.92, -13.16, 18.09

 

CMYK 18 / 0 / 1 / 12

HEX #B7E0DE

RGB 183 224 222

HSL 177.07, 0.4%, 0.8%

LAB 86.33, -13.68, -3.46

 

CMYK 10 / 18 / 0 / 12

HEX #C9B7E0

RGB 201 183 224

HSL 266.34, 0.4%, 0.8%

LAB 77.08, 14.12, -18.18

 

Description

Color code: HEX #E1B9BB | qconv.com Color code: HEX #E1B9BB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 185 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 185 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 17 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 17% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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