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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E1ABC6 it is the complementary color #1E5439. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E1ABC6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E1ABC6 shade: #E6ABC1, #F7BDD4, #FFCFE7, #FFE1FA and #FFF3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E1ABC6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E1ABC6 shade: #E1ABC6, #D099B3, #BF87A0, #AE758D and #9D637A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E1ABC6 shade: #E1ACC6, #E1ACB8 and #E1ACAC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E1ABC6 shade: #E1ACC6, #E1ACD5, #DFACE1, #D0ACE1 and #C2ACE1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E1ABC6 shade matches the following richer shades: #E1ACC6, #EAA3C6, #F39AC6 and #FC91C6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E1ABC6 shade: #E1ACC6, #D8B5C6, #CFBEC6, #C6C7C6 and #BCD0C6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E1ABC6 shade: #DFACE1, #E1ACD4, #E1ACC6, #E1ACB8 and #E1AEAC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E1ABC6 shade: #CB6F9D, #D68EB2, #E1ACC6, #ECCADB and #F7E9F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E1ABC6 shade: #E1ABC6, #E1D1AC and #ACDBE1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E1ABC6 shade: #E1ABC6, #C6E1AC and #ACC6E1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E1ABC6 shade: #E1ABC6, #E1D1AC, #ACE1C6 and #ACBCE1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E1ABC6 shade: #E1ABC6, #E1E1AC, #ACE1C6 and #ACACE1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 12 / 12

HEX #E1ABC6

RGB 225 171 198

HSL 330, 0.47%, 0.78%

LAB 75.58, 23.93, -6.05

 

Complementary color

CMYK 64 / 0 / 32 / 67

HEX #1E5439

RGB 30 84 57

HSL 150, 0.47%, 0.22%

LAB 31.61, -25.07, 10.6

 

CMYK 0 / 26 / 16 / 10

HEX #E6ABC1

RGB 230 171 193

HSL 337.63, 0.54%, 0.79%

LAB 75.95, 24.89, -2.73

 

CMYK 0 / 23 / 14 / 3

HEX #F7BDD4

RGB 247 189 212

HSL 336.21, 0.78%, 0.85%

LAB 82.34, 24.28, -3.43

 

CMYK 0 / 19 / 9 / 0

HEX #FFCFE7

RGB 255 207 231

HSL 330, 1%, 0.91%

LAB 87.8, 20.65, -5.42

 

CMYK 0 / 12 / 2 / 0

HEX #FFE1FA

RGB 255 225 250

HSL 310, 1%, 0.94%

LAB 92.58, 14.5, -8.34

 

CMYK 0 / 5 / 0 / 0

HEX #FFF3FF

RGB 255 243 255

HSL 300, 1%, 0.98%

LAB 97.06, 6.1, -4.32

 

CMYK 0 / 24 / 12 / 12

HEX #E1ABC6

RGB 225 171 198

HSL 330, 0.47%, 0.78%

LAB 75.58, 23.93, -6.05

 

CMYK 0 / 26 / 14 / 18

HEX #D099B3

RGB 208 153 179

HSL 331.64, 0.37%, 0.71%

LAB 69.07, 24.55, -5.39

 

CMYK 0 / 29 / 16 / 25

HEX #BF87A0

RGB 191 135 160

HSL 333.21, 0.3%, 0.64%

LAB 62.46, 25.23, -4.68

 

CMYK 0 / 33 / 19 / 32

HEX #AE758D

RGB 174 117 141

HSL 334.74, 0.26%, 0.57%

LAB 55.73, 25.97, -3.89

 

CMYK 0 / 37 / 22 / 38

HEX #9D637A

RGB 157 99 122

HSL 336.21, 0.23%, 0.5%

LAB 48.88, 26.78, -3.02

 

CMYK 0 / 24 / 12 / 12

HEX #E1ACC6

RGB 225 172 198

HSL 330.57, 0.47%, 0.78%

LAB 75.82, 23.4, -5.71

 

CMYK 0 / 24 / 18 / 12

HEX #E1ACB8

RGB 225 172 184

HSL 346.42, 0.47%, 0.78%

LAB 75.43, 21.16, 1.39

 

CMYK 0 / 24 / 24 / 12

HEX #E1ACAC

RGB 225 172 172

HSL 0, 0.47%, 0.78%

LAB 75.13, 19.37, 7.51

 

CMYK 0 / 24 / 12 / 12

HEX #E1ACC6

RGB 225 172 198

HSL 330.57, 0.47%, 0.78%

LAB 75.82, 23.4, -5.71

 

CMYK 0 / 24 / 5 / 12

HEX #E1ACD5

RGB 225 172 213

HSL 313.58, 0.47%, 0.78%

LAB 76.26, 25.96, -13.22

 

CMYK 1 / 24 / 0 / 12

HEX #DFACE1

RGB 223 172 225

HSL 297.74, 0.47%, 0.78%

LAB 76.45, 27.47, -19.48

 

CMYK 8 / 24 / 0 / 12

HEX #D0ACE1

RGB 208 172 225

HSL 280.75, 0.47%, 0.78%

LAB 75.05, 22.58, -21.75

 

CMYK 14 / 24 / 0 / 12

HEX #C2ACE1

RGB 194 172 225

HSL 264.91, 0.47%, 0.78%

LAB 73.81, 18.09, -23.74

 

CMYK 0 / 24 / 12 / 12

HEX #E1ACC6

RGB 225 172 198

HSL 330.57, 0.47%, 0.78%

LAB 75.82, 23.4, -5.71

 

CMYK 0 / 30 / 15 / 8

HEX #EAA3C6

RGB 234 163 198

HSL 330.42, 0.63%, 0.78%

LAB 74.68, 31.35, -7.29

 

CMYK 0 / 37 / 19 / 5

HEX #F39AC6

RGB 243 154 198

HSL 330.34, 0.79%, 0.78%

LAB 73.7, 39.17, -8.63

 

CMYK 0 / 42 / 21 / 1

HEX #FC91C6

RGB 252 145 198

HSL 330.28, 0.95%, 0.78%

LAB 72.91, 46.8, -9.7

 

CMYK 0 / 24 / 12 / 12

HEX #E1ACC6

RGB 225 172 198

HSL 330.57, 0.47%, 0.78%

LAB 75.82, 23.4, -5.71

 

CMYK 0 / 16 / 8 / 15

HEX #D8B5C6

RGB 216 181 198

HSL 330.86, 0.31%, 0.78%

LAB 77.12, 15.39, -3.89

 

CMYK 0 / 8 / 4 / 19

HEX #CFBEC6

RGB 207 190 198

HSL 331.76, 0.15%, 0.78%

LAB 78.56, 7.39, -1.86

 

CMYK 1 / 0 / 1 / 22

HEX #C6C7C6

RGB 198 199 198

HSL 120, 0.01%, 0.78%

LAB 80.14, -0.52, 0.37

 

CMYK 10 / 0 / 5 / 18

HEX #BCD0C6

RGB 188 208 198

HSL 150, 0.18%, 0.78%

LAB 81.77, -8.63, 2.66

 

CMYK 1 / 24 / 0 / 12

HEX #DFACE1

RGB 223 172 225

HSL 297.74, 0.47%, 0.78%

LAB 76.45, 27.47, -19.48

 

CMYK 0 / 24 / 6 / 12

HEX #E1ACD4

RGB 225 172 212

HSL 314.72, 0.47%, 0.78%

LAB 76.23, 25.78, -12.72

 

CMYK 0 / 24 / 12 / 12

HEX #E1ACC6

RGB 225 172 198

HSL 330.57, 0.47%, 0.78%

LAB 75.82, 23.4, -5.71

 

CMYK 0 / 24 / 18 / 12

HEX #E1ACB8

RGB 225 172 184

HSL 346.42, 0.47%, 0.78%

LAB 75.43, 21.16, 1.39

 

CMYK 0 / 23 / 24 / 12

HEX #E1AEAC

RGB 225 174 172

HSL 2.26, 0.47%, 0.78%

LAB 75.61, 18.3, 8.2

 

CMYK 0 / 45 / 23 / 20

HEX #CB6F9D

RGB 203 111 157

HSL 330, 0.47%, 0.62%

LAB 58.51, 41.94, -8.66

 

CMYK 0 / 34 / 17 / 16

HEX #D68EB2

RGB 214 142 178

HSL 330, 0.47%, 0.7%

LAB 67.17, 32.48, -7.58

 

CMYK 0 / 24 / 12 / 12

HEX #E1ACC6

RGB 225 172 198

HSL 330.57, 0.47%, 0.78%

LAB 75.82, 23.4, -5.71

 

CMYK 0 / 14 / 7 / 7

HEX #ECCADB

RGB 236 202 219

HSL 330, 0.47%, 0.86%

LAB 84.58, 14.74, -3.99

 

CMYK 0 / 6 / 3 / 3

HEX #F7E9F0

RGB 247 233 240

HSL 330, 0.47%, 0.94%

LAB 93.6, 5.93, -1.7

 

CMYK 0 / 24 / 12 / 12

HEX #E1ABC6

RGB 225 171 198

HSL 330, 0.47%, 0.78%

LAB 75.58, 23.93, -6.05

 

CMYK 0 / 7 / 24 / 12

HEX #E1D1AC

RGB 225 209 172

HSL 41.89, 0.47%, 0.78%

LAB 84.27, -0.21, 20.39

 

CMYK 24 / 3 / 0 / 12

HEX #ACDBE1

RGB 172 219 225

HSL 186.79, 0.47%, 0.78%

LAB 84.42, -13.83, -7.94

 

CMYK 0 / 24 / 12 / 12

HEX #E1ABC6

RGB 225 171 198

HSL 330, 0.47%, 0.78%

LAB 75.58, 23.93, -6.05

 

CMYK 12 / 0 / 24 / 12

HEX #C6E1AC

RGB 198 225 172

HSL 90.57, 0.47%, 0.78%

LAB 86.42, -18.21, 23.04

 

CMYK 24 / 12 / 0 / 12

HEX #ACC6E1

RGB 172 198 225

HSL 210.57, 0.47%, 0.78%

LAB 78.81, -2.89, -16.33

 

CMYK 0 / 24 / 12 / 12

HEX #E1ABC6

RGB 225 171 198

HSL 330, 0.47%, 0.78%

LAB 75.58, 23.93, -6.05

 

CMYK 0 / 7 / 24 / 12

HEX #E1D1AC

RGB 225 209 172

HSL 41.89, 0.47%, 0.78%

LAB 84.27, -0.21, 20.39

 

CMYK 24 / 0 / 12 / 12

HEX #ACE1C6

RGB 172 225 198

HSL 149.43, 0.47%, 0.78%

LAB 85.35, -22.41, 7.69

 

CMYK 24 / 16 / 0 / 12

HEX #ACBCE1

RGB 172 188 225

HSL 221.89, 0.47%, 0.78%

LAB 76.18, 2.48, -20.3

 

CMYK 0 / 24 / 12 / 12

HEX #E1ABC6

RGB 225 171 198

HSL 330, 0.47%, 0.78%

LAB 75.58, 23.93, -6.05

 

CMYK 0 / 0 / 24 / 12

HEX #E1E1AC

RGB 225 225 172

HSL 60, 0.47%, 0.78%

LAB 88.37, -8.4, 26.02

 

CMYK 24 / 0 / 12 / 12

HEX #ACE1C6

RGB 172 225 198

HSL 149.43, 0.47%, 0.78%

LAB 85.35, -22.41, 7.69

 

CMYK 24 / 24 / 0 / 12

HEX #ACACE1

RGB 172 172 225

HSL 240, 0.47%, 0.78%

LAB 72.04, 11.26, -26.62

 

Description

Color code: HEX #E1ABC6 | qconv.com Color code: HEX #E1ABC6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 171 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 171 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 12 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 12% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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