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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E19325 it is the complementary color #1E6CDA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E19325. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E19325 shade: #E69320, #F7A533, #FFB746, #FFC959 and #FFDB6C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E19325. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E19325 shade: #E19325, #D08112, #BF6F00, #AE5D00 and #9D4B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E19325 shade: #E19223, #E15F23, #E12B23 and #E12323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E19325 shade: #E19223, #E1C523, #C9E123, #96E123 and #62E123

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E19325 shade matches the following richer shades: #E19223 and #F5950E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E19325 shade: #E19223, #CC8E37, #B88B4B, #A4875F and #908473

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E19325 shade: #E12C23, #E15F23, #E19123, #E1C423 and #CAE123

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E19325 shade: #9C6415, #C07B1A, #E19223, #E5A447 and #EAB66B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E19325 shade: #E19325, #4CE123 and #4523E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E19325 shade: #E19325, #23E191 and #9123E1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E19325 shade: #E19325, #4CE123, #2372E1 and #B723E1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E19325 shade: #E19325, #23E132, #2372E1 and #E123D1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 84 / 12

HEX #E19325

RGB 225 147 37

HSL 35.11, 0.76%, 0.51%

LAB 67.28, 21.31, 64.67

 

Complementary color

CMYK 86 / 50 / 0 / 15

HEX #1E6CDA

RGB 30 108 218

HSL 215.11, 0.76%, 0.49%

LAB 47.06, 18.24, -62.61

 

CMYK 0 / 36 / 86 / 10

HEX #E69320

RGB 230 147 32

HSL 34.85, 0.8%, 0.51%

LAB 67.87, 23.3, 66.93

 

CMYK 0 / 33 / 79 / 3

HEX #F7A533

RGB 247 165 51

HSL 34.9, 0.92%, 0.58%

LAB 74.14, 21.47, 66.94

 

CMYK 0 / 28 / 73 / 0

HEX #FFB746

RGB 255 183 70

HSL 36.65, 1%, 0.64%

LAB 79.37, 16.12, 64.96

 

CMYK 0 / 21 / 65 / 0

HEX #FFC959

RGB 255 201 89

HSL 40.48, 1%, 0.67%

LAB 83.84, 7.75, 61.59

 

CMYK 0 / 14 / 58 / 0

HEX #FFDB6C

RGB 255 219 108

HSL 45.31, 1%, 0.71%

LAB 88.45, -0.24, 58.23

 

CMYK 0 / 35 / 84 / 12

HEX #E19325

RGB 225 147 37

HSL 35.11, 0.76%, 0.51%

LAB 67.28, 21.31, 64.67

 

CMYK 0 / 38 / 91 / 18

HEX #D08112

RGB 208 129 18

HSL 35.05, 0.84%, 0.44%

LAB 60.92, 23.3, 63.94

 

CMYK 0 / 42 / 100 / 25

HEX #BF6F00

RGB 191 111 0

HSL 34.87, 1%, 0.37%

LAB 54.5, 25.51, 61.82

 

CMYK 0 / 47 / 100 / 32

HEX #AE5D00

RGB 174 93 0

HSL 32.07, 1%, 0.34%

LAB 48.04, 27.99, 56.6

 

CMYK 0 / 52 / 100 / 38

HEX #9D4B00

RGB 157 75 0

HSL 28.66, 1%, 0.31%

LAB 41.53, 30.49, 51.36

 

CMYK 0 / 35 / 84 / 12

HEX #E19223

RGB 225 146 35

HSL 35.05, 0.76%, 0.51%

LAB 67.04, 21.79, 65.1

 

CMYK 0 / 58 / 84 / 12

HEX #E15F23

RGB 225 95 35

HSL 18.95, 0.76%, 0.51%

LAB 56.4, 47.83, 56.12

 

CMYK 0 / 81 / 84 / 12

HEX #E12B23

RGB 225 43 35

HSL 2.53, 0.76%, 0.51%

LAB 49.32, 67.07, 50.02

 

CMYK 0 / 84 / 84 / 12

HEX #E12323

RGB 225 35 35

HSL 0, 0.76%, 0.51%

LAB 48.67, 68.91, 49.46

 

CMYK 0 / 35 / 84 / 12

HEX #E19223

RGB 225 146 35

HSL 35.05, 0.76%, 0.51%

LAB 67.04, 21.79, 65.1

 

CMYK 0 / 12 / 84 / 12

HEX #E1C523

RGB 225 197 35

HSL 51.16, 0.76%, 0.51%

LAB 79.65, -5.13, 75.57

 

CMYK 11 / 0 / 84 / 12

HEX #C9E123

RGB 201 225 35

HSL 67.58, 0.76%, 0.51%

LAB 85.19, -29.05, 79.39

 

CMYK 33 / 0 / 84 / 12

HEX #96E123

RGB 150 225 35

HSL 83.68, 0.76%, 0.51%

LAB 82.09, -48.69, 75.51

 

CMYK 56 / 0 / 84 / 12

HEX #62E123

RGB 98 225 35

HSL 100.11, 0.76%, 0.51%

LAB 79.94, -64.72, 72.8

 

CMYK 0 / 35 / 84 / 12

HEX #E19223

RGB 225 146 35

HSL 35.05, 0.76%, 0.51%

LAB 67.04, 21.79, 65.1

 

CMYK 0 / 39 / 94 / 4

HEX #F5950E

RGB 245 149 14

HSL 35.06, 0.92%, 0.51%

LAB 70.13, 28.24, 73.42

 

CMYK 0 / 35 / 84 / 12

HEX #E19223

RGB 225 146 35

HSL 35.05, 0.76%, 0.51%

LAB 67.04, 21.79, 65.1

 

CMYK 0 / 30 / 73 / 20

HEX #CC8E37

RGB 204 142 55

HSL 35.03, 0.59%, 0.51%

LAB 63.72, 15.66, 53.61

 

CMYK 0 / 24 / 59 / 28

HEX #B88B4B

RGB 184 139 75

HSL 35.23, 0.43%, 0.51%

LAB 60.93, 9.87, 40.36

 

CMYK 0 / 18 / 42 / 36

HEX #A4875F

RGB 164 135 95

HSL 34.78, 0.27%, 0.51%

LAB 58.08, 5.42, 25.64

 

CMYK 0 / 8 / 20 / 44

HEX #908473

RGB 144 132 115

HSL 35.17, 0.12%, 0.51%

LAB 55.76, 1.6, 10.82

 

CMYK 0 / 80 / 84 / 12

HEX #E12C23

RGB 225 44 35

HSL 2.84, 0.76%, 0.51%

LAB 49.41, 66.81, 50.1

 

CMYK 0 / 58 / 84 / 12

HEX #E15F23

RGB 225 95 35

HSL 18.95, 0.76%, 0.51%

LAB 56.4, 47.83, 56.12

 

CMYK 0 / 36 / 84 / 12

HEX #E19123

RGB 225 145 35

HSL 34.74, 0.76%, 0.51%

LAB 66.81, 22.32, 64.91

 

CMYK 0 / 13 / 84 / 12

HEX #E1C423

RGB 225 196 35

HSL 50.84, 0.76%, 0.51%

LAB 79.39, -4.61, 75.36

 

CMYK 10 / 0 / 84 / 12

HEX #CAE123

RGB 202 225 35

HSL 67.26, 0.76%, 0.51%

LAB 85.27, -28.64, 79.48

 

CMYK 0 / 36 / 87 / 39

HEX #9C6415

RGB 156 100 21

HSL 35.11, 0.76%, 0.35%

LAB 47.28, 16.49, 49.56

 

CMYK 0 / 36 / 86 / 25

HEX #C07B1A

RGB 192 123 26

HSL 35.06, 0.76%, 0.43%

LAB 57.51, 19.79, 58.31

 

CMYK 0 / 35 / 84 / 12

HEX #E19223

RGB 225 146 35

HSL 35.05, 0.76%, 0.51%

LAB 67.04, 21.79, 65.1

 

CMYK 0 / 28 / 69 / 10

HEX #E5A447

RGB 229 164 71

HSL 35.32, 0.75%, 0.59%

LAB 72, 15.29, 56.04

 

CMYK 0 / 22 / 54 / 8

HEX #EAB66B

RGB 234 182 107

HSL 35.43, 0.75%, 0.67%

LAB 77.29, 10.26, 45.03

 

CMYK 0 / 35 / 84 / 12

HEX #E19325

RGB 225 147 37

HSL 35.11, 0.76%, 0.51%

LAB 67.28, 21.31, 64.67

 

CMYK 66 / 0 / 84 / 12

HEX #4CE123

RGB 76 225 35

HSL 107.05, 0.76%, 0.51%

LAB 79.33, -69.7, 72.04

 

CMYK 69 / 84 / 0 / 12

HEX #4523E1

RGB 69 35 225

HSL 250.74, 0.76%, 0.51%

LAB 33.78, 65.17, -88.32

 

CMYK 0 / 35 / 84 / 12

HEX #E19325

RGB 225 147 37

HSL 35.11, 0.76%, 0.51%

LAB 67.28, 21.31, 64.67

 

CMYK 84 / 0 / 36 / 12

HEX #23E191

RGB 35 225 145

HSL 154.74, 0.76%, 0.51%

LAB 79.76, -62.29, 26.9

 

CMYK 36 / 84 / 0 / 12

HEX #9123E1

RGB 145 35 225

HSL 274.74, 0.76%, 0.51%

LAB 42.24, 72.98, -74.08

 

CMYK 0 / 35 / 84 / 12

HEX #E19325

RGB 225 147 37

HSL 35.11, 0.76%, 0.51%

LAB 67.28, 21.31, 64.67

 

CMYK 66 / 0 / 84 / 12

HEX #4CE123

RGB 76 225 35

HSL 107.05, 0.76%, 0.51%

LAB 79.33, -69.7, 72.04

 

CMYK 84 / 49 / 0 / 12

HEX #2372E1

RGB 35 114 225

HSL 215.05, 0.76%, 0.51%

LAB 49.29, 17.47, -62.96

 

CMYK 19 / 84 / 0 / 12

HEX #B723E1

RGB 183 35 225

HSL 286.74, 0.76%, 0.51%

LAB 47.89, 78.58, -64.64

 

CMYK 0 / 35 / 84 / 12

HEX #E19325

RGB 225 147 37

HSL 35.11, 0.76%, 0.51%

LAB 67.28, 21.31, 64.67

 

CMYK 84 / 0 / 78 / 12

HEX #23E132

RGB 35 225 50

HSL 124.74, 0.76%, 0.51%

LAB 78.72, -74.8, 67.31

 

CMYK 84 / 49 / 0 / 12

HEX #2372E1

RGB 35 114 225

HSL 215.05, 0.76%, 0.51%

LAB 49.29, 17.47, -62.96

 

CMYK 0 / 84 / 7 / 12

HEX #E123D1

RGB 225 35 209

HSL 305.05, 0.76%, 0.51%

LAB 53.83, 83.33, -45.61

 

Description

Color code: HEX #E19325 | qconv.com Color code: HEX #E19325 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 147 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 147 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 84 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 84% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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