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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E19427 it is the complementary color #1E6BD8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E19427. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E19427 shade: #E69422, #F7A635, #FFB848, #FFCA5B and #FFDC6E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E19427. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E19427 shade: #E19427, #D08214, #BF7001, #AE5E00 and #9D4C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E19427 shade: #E19427, #E16227, #E13027 and #E12727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E19427 shade: #E19427, #E1C627, #CAE127, #98E127 and #65E127

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E19427 shade matches the following richer shades: #E19427 and #F59813

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E19427 shade: #E19427, #CD913B, #BA8D4F, #A68A62 and #928676

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E19427 shade: #E13027, #E16227, #E19427, #E1C527 and #CBE127

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E19427 shade: #A06715, #C57E1A, #E19427, #E6A64B and #EBB870

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E19427 shade: #E19427, #4FE127 and #4927E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E19427 shade: #E19427, #27E194 and #9427E1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E19427 shade: #E19427, #4FE127, #2775E1 and #B927E1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E19427 shade: #E19427, #27E137, #2775E1 and #E127D2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 83 / 12

HEX #E19427

RGB 225 148 39

HSL 35.16, 0.76%, 0.52%

LAB 67.53, 20.83, 64.23

 

Complementary color

CMYK 86 / 50 / 0 / 15

HEX #1E6BD8

RGB 30 107 216

HSL 215.16, 0.76%, 0.48%

LAB 46.64, 18.11, -62.15

 

CMYK 0 / 36 / 85 / 10

HEX #E69422

RGB 230 148 34

HSL 34.9, 0.8%, 0.52%

LAB 68.11, 22.82, 66.54

 

CMYK 0 / 33 / 79 / 3

HEX #F7A635

RGB 247 166 53

HSL 34.95, 0.92%, 0.59%

LAB 74.38, 21.02, 66.44

 

CMYK 0 / 28 / 72 / 0

HEX #FFB848

RGB 255 184 72

HSL 36.72, 1%, 0.64%

LAB 79.62, 15.69, 64.39

 

CMYK 0 / 21 / 64 / 0

HEX #FFCA5B

RGB 255 202 91

HSL 40.61, 1%, 0.68%

LAB 84.1, 7.35, 60.99

 

CMYK 0 / 14 / 57 / 0

HEX #FFDC6E

RGB 255 220 110

HSL 45.52, 1%, 0.72%

LAB 88.72, -0.6, 57.62

 

CMYK 0 / 34 / 83 / 12

HEX #E19427

RGB 225 148 39

HSL 35.16, 0.76%, 0.52%

LAB 67.53, 20.83, 64.23

 

CMYK 0 / 38 / 90 / 18

HEX #D08214

RGB 208 130 20

HSL 35.11, 0.82%, 0.45%

LAB 61.16, 22.79, 63.66

 

CMYK 0 / 41 / 99 / 25

HEX #BF7001

RGB 191 112 1

HSL 35.05, 0.99%, 0.38%

LAB 54.73, 24.98, 61.77

 

CMYK 0 / 46 / 100 / 32

HEX #AE5E00

RGB 174 94 0

HSL 32.41, 1%, 0.34%

LAB 48.27, 27.45, 56.73

 

CMYK 0 / 52 / 100 / 38

HEX #9D4C00

RGB 157 76 0

HSL 29.04, 1%, 0.31%

LAB 41.75, 29.95, 51.49

 

CMYK 0 / 34 / 83 / 12

HEX #E19427

RGB 225 148 39

HSL 35.16, 0.76%, 0.52%

LAB 67.53, 20.83, 64.23

 

CMYK 0 / 56 / 83 / 12

HEX #E16227

RGB 225 98 39

HSL 19.03, 0.76%, 0.52%

LAB 56.97, 46.53, 54.97

 

CMYK 0 / 79 / 83 / 12

HEX #E13027

RGB 225 48 39

HSL 2.9, 0.76%, 0.52%

LAB 49.82, 65.84, 48.5

 

CMYK 0 / 83 / 83 / 12

HEX #E12727

RGB 225 39 39

HSL 0, 0.76%, 0.52%

LAB 49.01, 68.12, 47.76

 

CMYK 0 / 34 / 83 / 12

HEX #E19427

RGB 225 148 39

HSL 35.16, 0.76%, 0.52%

LAB 67.53, 20.83, 64.23

 

CMYK 0 / 12 / 83 / 12

HEX #E1C627

RGB 225 198 39

HSL 51.29, 0.76%, 0.52%

LAB 79.92, -5.54, 74.81

 

CMYK 10 / 0 / 83 / 12

HEX #CAE127

RGB 202 225 39

HSL 67.42, 0.76%, 0.52%

LAB 85.28, -28.53, 78.61

 

CMYK 32 / 0 / 83 / 12

HEX #98E127

RGB 152 225 39

HSL 83.55, 0.76%, 0.52%

LAB 82.2, -47.84, 74.75

 

CMYK 55 / 0 / 83 / 12

HEX #65E127

RGB 101 225 39

HSL 100, 0.76%, 0.52%

LAB 80.05, -63.79, 72.01

 

CMYK 0 / 34 / 83 / 12

HEX #E19427

RGB 225 148 39

HSL 35.16, 0.76%, 0.52%

LAB 67.53, 20.83, 64.23

 

CMYK 0 / 38 / 92 / 4

HEX #F59813

RGB 245 152 19

HSL 35.31, 0.92%, 0.52%

LAB 70.81, 26.73, 73.05

 

CMYK 0 / 34 / 83 / 12

HEX #E19427

RGB 225 148 39

HSL 35.16, 0.76%, 0.52%

LAB 67.53, 20.83, 64.23

 

CMYK 0 / 29 / 71 / 20

HEX #CD913B

RGB 205 145 59

HSL 35.34, 0.59%, 0.52%

LAB 64.6, 14.65, 52.79

 

CMYK 0 / 24 / 58 / 27

HEX #BA8D4F

RGB 186 141 79

HSL 34.77, 0.44%, 0.52%

LAB 61.7, 9.95, 39.28

 

CMYK 0 / 17 / 41 / 35

HEX #A68A62

RGB 166 138 98

HSL 35.29, 0.28%, 0.52%

LAB 59.13, 4.94, 25.38

 

CMYK 0 / 8 / 19 / 43

HEX #928676

RGB 146 134 118

HSL 34.29, 0.11%, 0.52%

LAB 56.55, 1.75, 10.25

 

CMYK 0 / 79 / 83 / 12

HEX #E13027

RGB 225 48 39

HSL 2.9, 0.76%, 0.52%

LAB 49.82, 65.84, 48.5

 

CMYK 0 / 56 / 83 / 12

HEX #E16227

RGB 225 98 39

HSL 19.03, 0.76%, 0.52%

LAB 56.97, 46.53, 54.97

 

CMYK 0 / 34 / 83 / 12

HEX #E19427

RGB 225 148 39

HSL 35.16, 0.76%, 0.52%

LAB 67.53, 20.83, 64.23

 

CMYK 0 / 12 / 83 / 12

HEX #E1C527

RGB 225 197 39

HSL 50.97, 0.76%, 0.52%

LAB 79.66, -5.02, 74.59

 

CMYK 10 / 0 / 83 / 12

HEX #CBE127

RGB 203 225 39

HSL 67.1, 0.76%, 0.52%

LAB 85.35, -28.12, 78.7

 

CMYK 0 / 36 / 87 / 37

HEX #A06715

RGB 160 103 21

HSL 35.4, 0.77%, 0.35%

LAB 48.55, 16.59, 50.83

 

CMYK 0 / 36 / 87 / 23

HEX #C57E1A

RGB 197 126 26

HSL 35.09, 0.77%, 0.44%

LAB 58.85, 20.33, 59.67

 

CMYK 0 / 34 / 83 / 12

HEX #E19427

RGB 225 148 39

HSL 35.16, 0.76%, 0.52%

LAB 67.53, 20.83, 64.23

 

CMYK 0 / 28 / 67 / 10

HEX #E6A64B

RGB 230 166 75

HSL 35.23, 0.76%, 0.6%

LAB 72.63, 14.87, 54.94

 

CMYK 0 / 22 / 52 / 8

HEX #EBB870

RGB 235 184 112

HSL 35.12, 0.75%, 0.68%

LAB 77.94, 10.03, 43.35

 

CMYK 0 / 34 / 83 / 12

HEX #E19427

RGB 225 148 39

HSL 35.16, 0.76%, 0.52%

LAB 67.53, 20.83, 64.23

 

CMYK 65 / 0 / 83 / 12

HEX #4FE127

RGB 79 225 39

HSL 107.1, 0.76%, 0.52%

LAB 79.42, -68.92, 71.21

 

CMYK 68 / 83 / 0 / 12

HEX #4927E1

RGB 73 39 225

HSL 250.97, 0.76%, 0.52%

LAB 34.61, 63.93, -86.94

 

CMYK 0 / 34 / 83 / 12

HEX #E19427

RGB 225 148 39

HSL 35.16, 0.76%, 0.52%

LAB 67.53, 20.83, 64.23

 

CMYK 83 / 0 / 34 / 12

HEX #27E194

RGB 39 225 148

HSL 155.16, 0.76%, 0.52%

LAB 79.85, -61.35, 25.49

 

CMYK 34 / 83 / 0 / 12

HEX #9427E1

RGB 148 39 225

HSL 275.16, 0.76%, 0.52%

LAB 43.04, 72.29, -72.76

 

CMYK 0 / 34 / 83 / 12

HEX #E19427

RGB 225 148 39

HSL 35.16, 0.76%, 0.52%

LAB 67.53, 20.83, 64.23

 

CMYK 65 / 0 / 83 / 12

HEX #4FE127

RGB 79 225 39

HSL 107.1, 0.76%, 0.52%

LAB 79.42, -68.92, 71.21

 

CMYK 83 / 48 / 0 / 12

HEX #2775E1

RGB 39 117 225

HSL 214.84, 0.76%, 0.52%

LAB 50.2, 15.89, -61.48

 

CMYK 18 / 83 / 0 / 12

HEX #B927E1

RGB 185 39 225

HSL 287.1, 0.76%, 0.52%

LAB 48.51, 77.99, -63.61

 

CMYK 0 / 34 / 83 / 12

HEX #E19427

RGB 225 148 39

HSL 35.16, 0.76%, 0.52%

LAB 67.53, 20.83, 64.23

 

CMYK 83 / 0 / 76 / 12

HEX #27E137

RGB 39 225 55

HSL 125.16, 0.76%, 0.52%

LAB 78.79, -74.09, 65.84

 

CMYK 83 / 48 / 0 / 12

HEX #2775E1

RGB 39 117 225

HSL 214.84, 0.76%, 0.52%

LAB 50.2, 15.89, -61.48

 

CMYK 0 / 83 / 7 / 12

HEX #E127D2

RGB 225 39 210

HSL 304.84, 0.76%, 0.52%

LAB 54.15, 82.7, -45.68

 

Description

Color code: HEX #E19427 | qconv.com Color code: HEX #E19427 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 148 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 148 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 83 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 83% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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