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Color name
HEX #E18C98

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E18C98 it is the complementary color #1E7367. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E18C98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E18C98 shade: #E68C93, #F79EA6, #FFB0B9, #FFC2CC and #FFD4DF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E18C98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E18C98 shade: #E18C98, #D07A85, #BF6872, #AE565F and #9D444C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E18C98 shade: #E18D99 and #E18D8D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E18C98 shade: #E18D99, #E18DB0, #E18DC6, #E18DDD and #CF8DE1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E18C98 shade matches the following richer shades: #E18D99, #ED8191 and #F87688

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E18C98 shade: #E18D99, #D699A1, #CAA4A9, #BFB0B2 and #B3BBBA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E18C98 shade: #E18DC7, #E18DB0, #E18D9A, #E1978D and #E1AD8D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E18C98 shade: #D04B5E, #D96C7C, #E18D99, #EAAEB6 and #F2CFD4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E18C98 shade: #E18C98, #DDE18D and #8DBBE1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E18C98 shade: #E18C98, #9AE18D and #8D9AE1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E18C98 shade: #E18C98, #DDE18D, #8DE1D5 and #918DE1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E18C98 shade: #E18C98, #C4E18D, #8DE1D5 and #AA8DE1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 32 / 12

HEX #E18C98

RGB 225 140 152

HSL 351.53, 0.59%, 0.72%

LAB 67.3, 33.79, 7.37

 

Complementary color

CMYK 74 / 0 / 10 / 55

HEX #1E7367

RGB 30 115 103

HSL 171.53, 0.59%, 0.28%

LAB 43.53, -27.74, -0.56

 

CMYK 0 / 39 / 36 / 10

HEX #E68C93

RGB 230 140 147

HSL 355.33, 0.64%, 0.73%

LAB 67.79, 35.01, 10.96

 

CMYK 0 / 36 / 33 / 3

HEX #F79EA6

RGB 247 158 166

HSL 354.61, 0.85%, 0.79%

LAB 74.18, 34.1, 9.76

 

CMYK 0 / 31 / 27 / 0

HEX #FFB0B9

RGB 255 176 185

HSL 353.16, 1%, 0.85%

LAB 79.51, 30.02, 7.13

 

CMYK 0 / 24 / 20 / 0

HEX #FFC2CC

RGB 255 194 204

HSL 350.16, 1%, 0.88%

LAB 84.07, 23.25, 3.49

 

CMYK 0 / 17 / 13 / 0

HEX #FFD4DF

RGB 255 212 223

HSL 344.65, 1%, 0.92%

LAB 88.77, 16.74, 0.23

 

CMYK 0 / 38 / 32 / 12

HEX #E18C98

RGB 225 140 152

HSL 351.53, 0.59%, 0.72%

LAB 67.3, 33.79, 7.37

 

CMYK 0 / 41 / 36 / 18

HEX #D07A85

RGB 208 122 133

HSL 352.33, 0.48%, 0.65%

LAB 60.8, 34.72, 8.61

 

CMYK 0 / 46 / 40 / 25

HEX #BF6872

RGB 191 104 114

HSL 353.1, 0.4%, 0.58%

LAB 54.23, 35.71, 10.02

 

CMYK 0 / 51 / 45 / 32

HEX #AE565F

RGB 174 86 95

HSL 353.86, 0.35%, 0.51%

LAB 47.6, 36.76, 11.67

 

CMYK 0 / 57 / 52 / 38

HEX #9D444C

RGB 157 68 76

HSL 354.61, 0.4%, 0.44%

LAB 40.94, 37.82, 13.67

 

CMYK 0 / 37 / 32 / 12

HEX #E18D99

RGB 225 141 153

HSL 351.43, 0.58%, 0.72%

LAB 67.54, 33.38, 7.16

 

CMYK 0 / 37 / 37 / 12

HEX #E18D8D

RGB 225 141 141

HSL 0, 0.58%, 0.72%

LAB 67.26, 31.91, 13.49

 

CMYK 0 / 37 / 32 / 12

HEX #E18D99

RGB 225 141 153

HSL 351.43, 0.58%, 0.72%

LAB 67.54, 33.38, 7.16

 

CMYK 0 / 37 / 22 / 12

HEX #E18DB0

RGB 225 141 176

HSL 335, 0.58%, 0.72%

LAB 68.16, 36.54, -4.85

 

CMYK 0 / 37 / 12 / 12

HEX #E18DC6

RGB 225 141 198

HSL 319.29, 0.58%, 0.72%

LAB 68.85, 39.96, -16.12

 

CMYK 0 / 37 / 2 / 12

HEX #E18DDD

RGB 225 141 221

HSL 302.86, 0.58%, 0.72%

LAB 69.67, 43.91, -27.63

 

CMYK 8 / 37 / 0 / 12

HEX #CF8DE1

RGB 207 141 225

HSL 287.14, 0.58%, 0.72%

LAB 67.84, 39.14, -32.82

 

CMYK 0 / 37 / 32 / 12

HEX #E18D99

RGB 225 141 153

HSL 351.43, 0.58%, 0.72%

LAB 67.54, 33.38, 7.16

 

CMYK 0 / 46 / 39 / 7

HEX #ED8191

RGB 237 129 145

HSL 351.11, 0.75%, 0.72%

LAB 66.33, 43, 10.14

 

CMYK 0 / 52 / 45 / 3

HEX #F87688

RGB 248 118 136

HSL 351.69, 0.9%, 0.72%

LAB 65.51, 51.31, 14.3

 

CMYK 0 / 37 / 32 / 12

HEX #E18D99

RGB 225 141 153

HSL 351.43, 0.58%, 0.72%

LAB 67.54, 33.38, 7.16

 

CMYK 0 / 29 / 25 / 16

HEX #D699A1

RGB 214 153 161

HSL 352.13, 0.43%, 0.72%

LAB 69.22, 23.96, 4.93

 

CMYK 0 / 19 / 16 / 21

HEX #CAA4A9

RGB 202 164 169

HSL 352.11, 0.26%, 0.72%

LAB 70.85, 14.74, 2.7

 

CMYK 0 / 8 / 7 / 25

HEX #BFB0B2

RGB 191 176 178

HSL 352, 0.1%, 0.72%

LAB 73.12, 5.71, 0.91

 

CMYK 4 / 0 / 1 / 27

HEX #B3BBBA

RGB 179 187 186

HSL 172.5, 0.06%, 0.72%

LAB 75.25, -2.96, -0.47

 

CMYK 0 / 37 / 12 / 12

HEX #E18DC7

RGB 225 141 199

HSL 318.57, 0.58%, 0.72%

LAB 68.88, 40.12, -16.62

 

CMYK 0 / 37 / 22 / 12

HEX #E18DB0

RGB 225 141 176

HSL 335, 0.58%, 0.72%

LAB 68.16, 36.54, -4.85

 

CMYK 0 / 37 / 32 / 12

HEX #E18D9A

RGB 225 141 154

HSL 350.71, 0.58%, 0.72%

LAB 67.57, 33.51, 6.63

 

CMYK 0 / 33 / 37 / 12

HEX #E1978D

RGB 225 151 141

HSL 7.14, 0.58%, 0.72%

LAB 69.51, 26.58, 16.64

 

CMYK 0 / 23 / 37 / 12

HEX #E1AD8D

RGB 225 173 141

HSL 22.86, 0.58%, 0.72%

LAB 74.71, 14.78, 23.77

 

CMYK 0 / 64 / 55 / 18

HEX #D04B5E

RGB 208 75 94

HSL 351.43, 0.59%, 0.55%

LAB 50.98, 53.8, 17.77

 

CMYK 0 / 50 / 43 / 15

HEX #D96C7C

RGB 217 108 124

HSL 351.19, 0.59%, 0.64%

LAB 58.91, 44.2, 11.29

 

CMYK 0 / 37 / 32 / 12

HEX #E18D99

RGB 225 141 153

HSL 351.43, 0.58%, 0.72%

LAB 67.54, 33.38, 7.16

 

CMYK 0 / 26 / 22 / 8

HEX #EAAEB6

RGB 234 174 182

HSL 352, 0.59%, 0.8%

LAB 76.76, 23.05, 4.52

 

CMYK 0 / 14 / 12 / 5

HEX #F2CFD4

RGB 242 207 212

HSL 351.43, 0.57%, 0.88%

LAB 86.13, 13.04, 2.07

 

CMYK 0 / 38 / 32 / 12

HEX #E18C98

RGB 225 140 152

HSL 351.53, 0.59%, 0.72%

LAB 67.3, 33.79, 7.37

 

CMYK 2 / 0 / 37 / 12

HEX #DDE18D

RGB 221 225 141

HSL 62.86, 0.58%, 0.72%

LAB 87.56, -13.78, 40.65

 

CMYK 37 / 17 / 0 / 12

HEX #8DBBE1

RGB 141 187 225

HSL 207.14, 0.58%, 0.72%

LAB 73.96, -5.87, -23.86

 

CMYK 0 / 38 / 32 / 12

HEX #E18C98

RGB 225 140 152

HSL 351.53, 0.59%, 0.72%

LAB 67.3, 33.79, 7.37

 

CMYK 32 / 0 / 37 / 12

HEX #9AE18D

RGB 154 225 141

HSL 110.71, 0.58%, 0.72%

LAB 83.25, -37.95, 34.23

 

CMYK 37 / 32 / 0 / 12

HEX #8D9AE1

RGB 141 154 225

HSL 230.71, 0.58%, 0.72%

LAB 65.13, 12.51, -37.48

 

CMYK 0 / 38 / 32 / 12

HEX #E18C98

RGB 225 140 152

HSL 351.53, 0.59%, 0.72%

LAB 67.3, 33.79, 7.37

 

CMYK 2 / 0 / 37 / 12

HEX #DDE18D

RGB 221 225 141

HSL 62.86, 0.58%, 0.72%

LAB 87.56, -13.78, 40.65

 

CMYK 37 / 0 / 5 / 12

HEX #8DE1D5

RGB 141 225 213

HSL 171.43, 0.58%, 0.72%

LAB 84.13, -28.19, -2.19

 

CMYK 36 / 37 / 0 / 12

HEX #918DE1

RGB 145 141 225

HSL 242.86, 0.58%, 0.72%

LAB 62.09, 21.09, -42.22

 

CMYK 0 / 38 / 32 / 12

HEX #E18C98

RGB 225 140 152

HSL 351.53, 0.59%, 0.72%

LAB 67.3, 33.79, 7.37

 

CMYK 13 / 0 / 37 / 12

HEX #C4E18D

RGB 196 225 141

HSL 80.71, 0.58%, 0.72%

LAB 85.76, -23.24, 37.98

 

CMYK 37 / 0 / 5 / 12

HEX #8DE1D5

RGB 141 225 213

HSL 171.43, 0.58%, 0.72%

LAB 84.13, -28.19, -2.19

 

CMYK 24 / 37 / 0 / 12

HEX #AA8DE1

RGB 170 141 225

HSL 260.71, 0.58%, 0.72%

LAB 64.19, 28.1, -38.78

 

Description

Color code: HEX #E18C98 | qconv.com Color code: HEX #E18C98 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 140 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 140 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 32 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 32% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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