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Color name
HEX #E1839C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E1839C it is the complementary color #1E7C63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E1839C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E1839C shade: #E68397, #F795AA, #FFA7BD, #FFB9D0 and #FFCBE3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E1839C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E1839C shade: #E1839C, #D07189, #BF5F76, #AE4D63 and #9D3B50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E1839C shade: #E1839C and #E18383

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E1839C shade: #E1839C, #E183B5, #E183CE, #DA83E1 and #C083E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E1839C shade matches the following richer shades: #E1839C, #ED7796 and #F96B91

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E1839C shade: #E1839C, #D490A2, #C89CA8, #BCA8AE and #AFB5B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E1839C shade: #E183CE, #E183B5, #E1839C, #E18383 and #E19C83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E1839C shade: #D14167, #D96282, #E1839C, #E9A5B7 and #F1C6D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E1839C shade: #E1839C, #E1DA83 and #83C2E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E1839C shade: #E1839C, #9CE183 and #839CE1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E1839C shade: #E1839C, #E1DA83, #83E1C8 and #838AE1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E1839C shade: #E1839C, #CBE183, #83E1C8 and #9983E1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 31 / 12

HEX #E1839C

RGB 225 131 156

HSL 344.04, 0.61%, 0.7%

LAB 65.47, 39.03, 2.48

 

Complementary color

CMYK 76 / 0 / 20 / 51

HEX #1E7C63

RGB 30 124 99

HSL 164.04, 0.61%, 0.3%

LAB 46.43, -33.11, 6.02

 

CMYK 0 / 43 / 34 / 10

HEX #E68397

RGB 230 131 151

HSL 347.88, 0.66%, 0.71%

LAB 65.97, 40.18, 6.12

 

CMYK 0 / 40 / 31 / 3

HEX #F795AA

RGB 247 149 170

HSL 347.14, 0.86%, 0.78%

LAB 72.34, 39.28, 4.92

 

CMYK 0 / 35 / 26 / 0

HEX #FFA7BD

RGB 255 167 189

HSL 345, 1%, 0.83%

LAB 77.62, 35.26, 2.23

 

CMYK 0 / 27 / 18 / 0

HEX #FFB9D0

RGB 255 185 208

HSL 340.29, 1%, 0.86%

LAB 82.12, 28.57, -1.51

 

CMYK 0 / 20 / 11 / 0

HEX #FFCBE3

RGB 255 203 227

HSL 332.31, 1%, 0.9%

LAB 86.76, 22.09, -4.84

 

CMYK 0 / 42 / 31 / 12

HEX #E1839C

RGB 225 131 156

HSL 344.04, 0.61%, 0.7%

LAB 65.47, 39.03, 2.48

 

CMYK 0 / 46 / 34 / 18

HEX #D07189

RGB 208 113 137

HSL 344.84, 0.5%, 0.63%

LAB 59, 39.94, 3.71

 

CMYK 0 / 50 / 38 / 25

HEX #BF5F76

RGB 191 95 118

HSL 345.63, 0.43%, 0.56%

LAB 52.47, 40.87, 5.15

 

CMYK 0 / 56 / 43 / 32

HEX #AE4D63

RGB 174 77 99

HSL 346.39, 0.39%, 0.49%

LAB 45.92, 41.79, 6.87

 

CMYK 0 / 62 / 49 / 38

HEX #9D3B50

RGB 157 59 80

HSL 347.14, 0.45%, 0.42%

LAB 39.37, 42.59, 9

 

CMYK 0 / 42 / 31 / 12

HEX #E1839C

RGB 225 131 156

HSL 344.04, 0.61%, 0.7%

LAB 65.47, 39.03, 2.48

 

CMYK 0 / 42 / 42 / 12

HEX #E18383

RGB 225 131 131

HSL 0, 0.61%, 0.7%

LAB 64.87, 36.06, 15.77

 

CMYK 0 / 42 / 31 / 12

HEX #E1839C

RGB 225 131 156

HSL 344.04, 0.61%, 0.7%

LAB 65.47, 39.03, 2.48

 

CMYK 0 / 42 / 20 / 12

HEX #E183B5

RGB 225 131 181

HSL 328.09, 0.61%, 0.7%

LAB 66.19, 42.52, -10.58

 

CMYK 0 / 42 / 8 / 12

HEX #E183CE

RGB 225 131 206

HSL 312.13, 0.61%, 0.7%

LAB 67.05, 46.49, -23.31

 

CMYK 3 / 42 / 0 / 12

HEX #DA83E1

RGB 218 131 225

HSL 295.53, 0.61%, 0.7%

LAB 66.96, 47.72, -34.09

 

CMYK 15 / 42 / 0 / 12

HEX #C083E1

RGB 192 131 225

HSL 278.94, 0.61%, 0.7%

LAB 64.06, 40.07, -38.82

 

CMYK 0 / 42 / 31 / 12

HEX #E1839C

RGB 225 131 156

HSL 344.04, 0.61%, 0.7%

LAB 65.47, 39.03, 2.48

 

CMYK 0 / 50 / 37 / 7

HEX #ED7796

RGB 237 119 150

HSL 344.24, 0.77%, 0.7%

LAB 64.48, 48.55, 4.66

 

CMYK 0 / 57 / 42 / 2

HEX #F96B91

RGB 249 107 145

HSL 343.94, 0.92%, 0.7%

LAB 63.92, 57.63, 6.94

 

CMYK 0 / 42 / 31 / 12

HEX #E1839C

RGB 225 131 156

HSL 344.04, 0.61%, 0.7%

LAB 65.47, 39.03, 2.48

 

CMYK 0 / 32 / 24 / 17

HEX #D490A2

RGB 212 144 162

HSL 344.12, 0.44%, 0.7%

LAB 66.94, 28.25, 1.04

 

CMYK 0 / 22 / 16 / 22

HEX #C89CA8

RGB 200 156 168

HSL 343.64, 0.29%, 0.7%

LAB 68.67, 18.23, 0.05

 

CMYK 0 / 11 / 7 / 26

HEX #BCA8AE

RGB 188 168 174

HSL 342, 0.13%, 0.7%

LAB 70.7, 8.28, -0.45

 

CMYK 3 / 0 / 1 / 29

HEX #AFB5B3

RGB 175 181 179

HSL 160, 0.04%, 0.7%

LAB 73.17, -2.47, 0.28

 

CMYK 0 / 42 / 8 / 12

HEX #E183CE

RGB 225 131 206

HSL 312.13, 0.61%, 0.7%

LAB 67.05, 46.49, -23.31

 

CMYK 0 / 42 / 20 / 12

HEX #E183B5

RGB 225 131 181

HSL 328.09, 0.61%, 0.7%

LAB 66.19, 42.52, -10.58

 

CMYK 0 / 42 / 31 / 12

HEX #E1839C

RGB 225 131 156

HSL 344.04, 0.61%, 0.7%

LAB 65.47, 39.03, 2.48

 

CMYK 0 / 42 / 42 / 12

HEX #E18383

RGB 225 131 131

HSL 0, 0.61%, 0.7%

LAB 64.87, 36.06, 15.77

 

CMYK 0 / 31 / 42 / 12

HEX #E19C83

RGB 225 156 131

HSL 15.96, 0.61%, 0.7%

LAB 70.47, 22.77, 23.45

 

CMYK 0 / 69 / 51 / 18

HEX #D14167

RGB 209 65 103

HSL 344.17, 0.61%, 0.54%

LAB 49.88, 58.86, 10.86

 

CMYK 0 / 55 / 40 / 15

HEX #D96282

RGB 217 98 130

HSL 343.87, 0.61%, 0.62%

LAB 57.17, 49.73, 5.32

 

CMYK 0 / 42 / 31 / 12

HEX #E1839C

RGB 225 131 156

HSL 344.04, 0.61%, 0.7%

LAB 65.47, 39.03, 2.48

 

CMYK 0 / 29 / 21 / 9

HEX #E9A5B7

RGB 233 165 183

HSL 344.12, 0.61%, 0.78%

LAB 74.61, 27.64, 0.83

 

CMYK 0 / 18 / 13 / 5

HEX #F1C6D1

RGB 241 198 209

HSL 344.65, 0.61%, 0.86%

LAB 83.81, 16.95, 0.26

 

CMYK 0 / 42 / 31 / 12

HEX #E1839C

RGB 225 131 156

HSL 344.04, 0.61%, 0.7%

LAB 65.47, 39.03, 2.48

 

CMYK 0 / 3 / 42 / 12

HEX #E1DA83

RGB 225 218 131

HSL 55.53, 0.61%, 0.7%

LAB 85.9, -9.79, 43.58

 

CMYK 42 / 14 / 0 / 12

HEX #83C2E1

RGB 131 194 225

HSL 199.79, 0.61%, 0.7%

LAB 75.35, -12.2, -21.78

 

CMYK 0 / 42 / 31 / 12

HEX #E1839C

RGB 225 131 156

HSL 344.04, 0.61%, 0.7%

LAB 65.47, 39.03, 2.48

 

CMYK 31 / 0 / 42 / 12

HEX #9CE183

RGB 156 225 131

HSL 104.04, 0.61%, 0.7%

LAB 83.21, -38.7, 39.21

 

CMYK 42 / 31 / 0 / 12

HEX #839CE1

RGB 131 156 225

HSL 224.04, 0.61%, 0.7%

LAB 64.99, 8.72, -37.74

 

CMYK 0 / 42 / 31 / 12

HEX #E1839C

RGB 225 131 156

HSL 344.04, 0.61%, 0.7%

LAB 65.47, 39.03, 2.48

 

CMYK 0 / 3 / 42 / 12

HEX #E1DA83

RGB 225 218 131

HSL 55.53, 0.61%, 0.7%

LAB 85.9, -9.79, 43.58

 

CMYK 42 / 0 / 11 / 12

HEX #83E1C8

RGB 131 225 200

HSL 164.04, 0.61%, 0.7%

LAB 83.36, -33.71, 3.51

 

CMYK 42 / 39 / 0 / 12

HEX #838AE1

RGB 131 138 225

HSL 235.53, 0.61%, 0.7%

LAB 60.28, 19.17, -45.13

 

CMYK 0 / 42 / 31 / 12

HEX #E1839C

RGB 225 131 156

HSL 344.04, 0.61%, 0.7%

LAB 65.47, 39.03, 2.48

 

CMYK 10 / 0 / 42 / 12

HEX #CBE183

RGB 203 225 131

HSL 74.04, 0.61%, 0.7%

LAB 86.1, -21.79, 43.48

 

CMYK 42 / 0 / 11 / 12

HEX #83E1C8

RGB 131 225 200

HSL 164.04, 0.61%, 0.7%

LAB 83.36, -33.71, 3.51

 

CMYK 32 / 42 / 0 / 12

HEX #9983E1

RGB 153 131 225

HSL 254.04, 0.61%, 0.7%

LAB 60.29, 29.03, -45.02

 

Description

Color code: HEX #E1839C | qconv.com Color code: HEX #E1839C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 131 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 131 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 31 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 31% 12% C M Y K

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Provide designers and agencies with accurate color values.

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