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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E186ED it is the complementary color #1E7912. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E186ED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E186ED shade: #E686E8, #F798FB, #FFAAFF, #FFBCFF and #FFCEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E186ED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E186ED shade: #E186ED, #D074DA, #BF62C7, #AE50B4 and #9D3EA1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E186ED shade: #E187ED, #ED87DD, #ED87C2, #ED87A6 and #ED878B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E186ED shade: #E187ED, #C587ED, #AA87ED, #8E87ED and #8787ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E186ED shade matches the following richer shades: #E187ED and #E97CF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E186ED shade: #E187ED, #D892E1, #D09DD6, #C7A8CB and #BFB3C0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E186ED shade: #AA87ED, #C687ED, #E187ED, #ED87DD and #ED87C2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E186ED shade: #CF3FE2, #D863E7, #E187ED, #EAABF2 and #F3CEF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E186ED shade: #E186ED, #ED8F87 and #87EDB8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E186ED shade: #E186ED, #EDE187 and #87EDE1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E186ED shade: #E186ED, #ED8F87, #93ED87 and #87E4ED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E186ED shade: #E186ED, #EDAE87, #93ED87 and #87C6ED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 43 / 0 / 7

HEX #E186ED

RGB 225 134 237

HSL 293.01, 0.74%, 0.73%

LAB 68.88, 50.46, -37.67

 

Complementary color

CMYK 75 / 0 / 85 / 53

HEX #1E7912

RGB 30 121 18

HSL 113.01, 0.74%, 0.27%

LAB 44.22, -45.3, 44.25

 

CMYK 1 / 42 / 0 / 9

HEX #E686E8

RGB 230 134 232

HSL 298.78, 0.68%, 0.72%

LAB 69.25, 51, -34.28

 

CMYK 2 / 39 / 0 / 2

HEX #F798FB

RGB 247 152 251

HSL 297.58, 0.93%, 0.79%

LAB 75.57, 50.27, -34.71

 

CMYK 0 / 33 / 0 / 0

HEX #FFAAFF

RGB 255 170 255

HSL 300, 1%, 0.83%

LAB 80.31, 44.16, -29.5

 

CMYK 0 / 26 / 0 / 0

HEX #FFBCFF

RGB 255 188 255

HSL 300, 1%, 0.87%

LAB 84.2, 34.77, -23.56

 

CMYK 0 / 19 / 0 / 0

HEX #FFCEFF

RGB 255 206 255

HSL 300, 1%, 0.9%

LAB 88.27, 25.32, -17.41

 

CMYK 5 / 43 / 0 / 7

HEX #E186ED

RGB 225 134 237

HSL 293.01, 0.74%, 0.73%

LAB 68.88, 50.46, -37.67

 

CMYK 5 / 47 / 0 / 15

HEX #D074DA

RGB 208 116 218

HSL 294.12, 0.58%, 0.65%

LAB 62.48, 51.19, -37.26

 

CMYK 4 / 51 / 0 / 22

HEX #BF62C7

RGB 191 98 199

HSL 295.25, 0.47%, 0.58%

LAB 56.02, 51.86, -36.77

 

CMYK 3 / 56 / 0 / 29

HEX #AE50B4

RGB 174 80 180

HSL 296.4, 0.4%, 0.51%

LAB 49.53, 52.43, -36.16

 

CMYK 2 / 61 / 0 / 37

HEX #9D3EA1

RGB 157 62 161

HSL 297.58, 0.44%, 0.44%

LAB 43.04, 52.78, -35.34

 

CMYK 5 / 43 / 0 / 7

HEX #E187ED

RGB 225 135 237

HSL 292.94, 0.74%, 0.73%

LAB 69.08, 49.95, -37.35

 

CMYK 0 / 43 / 7 / 7

HEX #ED87DD

RGB 237 135 221

HSL 309.41, 0.74%, 0.73%

LAB 69.86, 50.66, -27.21

 

CMYK 0 / 43 / 18 / 7

HEX #ED87C2

RGB 237 135 194

HSL 325.29, 0.74%, 0.73%

LAB 68.92, 46.37, -13.64

 

CMYK 0 / 43 / 30 / 7

HEX #ED87A6

RGB 237 135 166

HSL 341.76, 0.74%, 0.73%

LAB 68.08, 42.46, 0.82

 

CMYK 0 / 43 / 41 / 7

HEX #ED878B

RGB 237 135 139

HSL 357.65, 0.74%, 0.73%

LAB 67.42, 39.27, 15.06

 

CMYK 5 / 43 / 0 / 7

HEX #E187ED

RGB 225 135 237

HSL 292.94, 0.74%, 0.73%

LAB 69.08, 49.95, -37.35

 

CMYK 17 / 43 / 0 / 7

HEX #C587ED

RGB 197 135 237

HSL 276.47, 0.74%, 0.73%

LAB 65.99, 41.91, -42.4

 

CMYK 28 / 43 / 0 / 7

HEX #AA87ED

RGB 170 135 237

HSL 260.59, 0.74%, 0.73%

LAB 63.33, 34.38, -46.76

 

CMYK 40 / 43 / 0 / 7

HEX #8E87ED

RGB 142 135 237

HSL 244.12, 0.74%, 0.73%

LAB 60.95, 27.05, -50.69

 

CMYK 43 / 43 / 0 / 7

HEX #8787ED

RGB 135 135 237

HSL 240, 0.74%, 0.73%

LAB 60.42, 25.33, -51.56

 

CMYK 5 / 43 / 0 / 7

HEX #E187ED

RGB 225 135 237

HSL 292.94, 0.74%, 0.73%

LAB 69.08, 49.95, -37.35

 

CMYK 6 / 50 / 0 / 3

HEX #E97CF8

RGB 233 124 248

HSL 292.74, 0.9%, 0.73%

LAB 68.4, 59.71, -44.38

 

CMYK 5 / 43 / 0 / 7

HEX #E187ED

RGB 225 135 237

HSL 292.94, 0.74%, 0.73%

LAB 69.08, 49.95, -37.35

 

CMYK 4 / 35 / 0 / 12

HEX #D892E1

RGB 216 146 225

HSL 293.16, 0.57%, 0.73%

LAB 69.89, 39.22, -29.57

 

CMYK 3 / 27 / 0 / 16

HEX #D09DD6

RGB 208 157 214

HSL 293.68, 0.41%, 0.73%

LAB 71.13, 28.62, -21.69

 

CMYK 2 / 17 / 0 / 20

HEX #C7A8CB

RGB 199 168 203

HSL 293.14, 0.25%, 0.73%

LAB 72.53, 17.48, -13.6

 

CMYK 1 / 7 / 0 / 25

HEX #BFB3C0

RGB 191 179 192

HSL 295.38, 0.09%, 0.73%

LAB 74.27, 6.64, -5.06

 

CMYK 28 / 43 / 0 / 7

HEX #AA87ED

RGB 170 135 237

HSL 260.59, 0.74%, 0.73%

LAB 63.33, 34.38, -46.76

 

CMYK 16 / 43 / 0 / 7

HEX #C687ED

RGB 198 135 237

HSL 277.06, 0.74%, 0.73%

LAB 66.1, 42.19, -42.23

 

CMYK 5 / 43 / 0 / 7

HEX #E187ED

RGB 225 135 237

HSL 292.94, 0.74%, 0.73%

LAB 69.08, 49.95, -37.35

 

CMYK 0 / 43 / 7 / 7

HEX #ED87DD

RGB 237 135 221

HSL 309.41, 0.74%, 0.73%

LAB 69.86, 50.66, -27.21

 

CMYK 0 / 43 / 18 / 7

HEX #ED87C2

RGB 237 135 194

HSL 325.29, 0.74%, 0.73%

LAB 68.92, 46.37, -13.64

 

CMYK 8 / 72 / 0 / 11

HEX #CF3FE2

RGB 207 63 226

HSL 293.01, 0.74%, 0.57%

LAB 54.36, 75.26, -54.6

 

CMYK 6 / 57 / 0 / 9

HEX #D863E7

RGB 216 99 231

HSL 293.18, 0.73%, 0.65%

LAB 61.04, 63.9, -46.71

 

CMYK 5 / 43 / 0 / 7

HEX #E187ED

RGB 225 135 237

HSL 292.94, 0.74%, 0.73%

LAB 69.08, 49.95, -37.35

 

CMYK 3 / 29 / 0 / 5

HEX #EAABF2

RGB 234 171 242

HSL 293.24, 0.73%, 0.81%

LAB 77.89, 34.73, -26.4

 

CMYK 2 / 17 / 0 / 3

HEX #F3CEF7

RGB 243 206 247

HSL 294.15, 0.72%, 0.89%

LAB 86.95, 19.95, -15.26

 

CMYK 5 / 43 / 0 / 7

HEX #E186ED

RGB 225 134 237

HSL 293.01, 0.74%, 0.73%

LAB 68.88, 50.46, -37.67

 

CMYK 0 / 40 / 43 / 7

HEX #ED8F87

RGB 237 143 135

HSL 4.71, 0.74%, 0.73%

LAB 69.04, 34.7, 19.53

 

CMYK 43 / 0 / 22 / 7

HEX #87EDB8

RGB 135 237 184

HSL 148.82, 0.74%, 0.73%

LAB 86.59, -41.49, 16.53

 

CMYK 5 / 43 / 0 / 7

HEX #E186ED

RGB 225 134 237

HSL 293.01, 0.74%, 0.73%

LAB 68.88, 50.46, -37.67

 

CMYK 0 / 5 / 43 / 7

HEX #EDE187

RGB 237 225 135

HSL 52.94, 0.74%, 0.73%

LAB 88.74, -8.18, 45.37

 

CMYK 43 / 0 / 5 / 7

HEX #87EDE1

RGB 135 237 225

HSL 172.94, 0.74%, 0.73%

LAB 87.56, -32.61, -3.51

 

CMYK 5 / 43 / 0 / 7

HEX #E186ED

RGB 225 134 237

HSL 293.01, 0.74%, 0.73%

LAB 68.88, 50.46, -37.67

 

CMYK 0 / 40 / 43 / 7

HEX #ED8F87

RGB 237 143 135

HSL 4.71, 0.74%, 0.73%

LAB 69.04, 34.7, 19.53

 

CMYK 38 / 0 / 43 / 7

HEX #93ED87

RGB 147 237 135

HSL 112.94, 0.74%, 0.73%

LAB 86.27, -46.29, 41.05

 

CMYK 43 / 4 / 0 / 7

HEX #87E4ED

RGB 135 228 237

HSL 185.29, 0.74%, 0.73%

LAB 85.38, -25.38, -13.05

 

CMYK 5 / 43 / 0 / 7

HEX #E186ED

RGB 225 134 237

HSL 293.01, 0.74%, 0.73%

LAB 68.88, 50.46, -37.67

 

CMYK 0 / 27 / 43 / 7

HEX #EDAE87

RGB 237 174 135

HSL 22.94, 0.74%, 0.73%

LAB 76.09, 18.3, 29.05

 

CMYK 38 / 0 / 43 / 7

HEX #93ED87

RGB 147 237 135

HSL 112.94, 0.74%, 0.73%

LAB 86.27, -46.29, 41.05

 

CMYK 43 / 16 / 0 / 7

HEX #87C6ED

RGB 135 198 237

HSL 202.94, 0.74%, 0.73%

LAB 77.07, -10.12, -25.61

 

Description

Color code: HEX #E186ED | qconv.com Color code: HEX #E186ED | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 134 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 134 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 43 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 43% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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