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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E165B6 it is the complementary color #1E9A49. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E165B6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E165B6 shade: #E665B1, #F777C4, #FF89D7, #FF9BEA and #FFADFD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E165B6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E165B6 shade: #E165B6, #D053A3, #BF4190, #AE2F7D and #9D1D6A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E165B6 shade: #E065B6, #E06594, #E06573 and #E06565

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E165B6 shade: #E065B6, #E065D7, #C965E0, #A765E0 and #8665E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E165B6 shade matches the following richer shades: #E065B6, #EF56BA and #FE47BF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E165B6 shade: #E065B6, #D174B1, #C283AC, #B492A8 and #A5A1A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E165B6 shade: #C865E0, #E065D8, #E065B7, #E06596 and #E06576

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E165B6 shade: #CB2892, #D943A5, #E065B6, #E788C6 and #EEAAD6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E165B6 shade: #E165B6, #E0A765 and #65E0D8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E165B6 shade: #E165B6, #B7E065 and #65B7E0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E165B6 shade: #E165B6, #E0A765, #65E08E and #659FE0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E165B6 shade: #E165B6, #E0CC65, #65E08E and #657AE0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 19 / 12

HEX #E165B6

RGB 225 101 182

HSL 320.81, 0.67%, 0.64%

LAB 60.51, 57.44, -19.74

 

Complementary color

CMYK 81 / 0 / 53 / 40

HEX #1E9A49

RGB 30 154 73

HSL 140.81, 0.67%, 0.36%

LAB 55.96, -50.61, 33.2

 

CMYK 0 / 56 / 23 / 10

HEX #E665B1

RGB 230 101 177

HSL 324.65, 0.72%, 0.65%

LAB 61.05, 58.23, -15.99

 

CMYK 0 / 52 / 21 / 3

HEX #F777C4

RGB 247 119 196

HSL 323.91, 0.89%, 0.72%

LAB 67.24, 57.65, -17.16

 

CMYK 0 / 46 / 16 / 0

HEX #FF89D7

RGB 255 137 215

HSL 320.34, 1%, 0.77%

LAB 72.27, 54.22, -20.02

 

CMYK 0 / 39 / 8 / 0

HEX #FF9BEA

RGB 255 155 234

HSL 312.6, 1%, 0.8%

LAB 76.46, 48.24, -24.04

 

CMYK 0 / 32 / 1 / 0

HEX #FFADFD

RGB 255 173 253

HSL 301.46, 1%, 0.84%

LAB 80.87, 42.25, -27.56

 

CMYK 0 / 55 / 19 / 12

HEX #E165B6

RGB 225 101 182

HSL 320.81, 0.67%, 0.64%

LAB 60.51, 57.44, -19.74

 

CMYK 0 / 60 / 22 / 18

HEX #D053A3

RGB 208 83 163

HSL 321.6, 0.57%, 0.57%

LAB 54.28, 57.87, -18.47

 

CMYK 0 / 66 / 25 / 25

HEX #BF4190

RGB 191 65 144

HSL 322.38, 0.5%, 0.5%

LAB 48.1, 58.03, -16.89

 

CMYK 0 / 73 / 28 / 32

HEX #AE2F7D

RGB 174 47 125

HSL 323.15, 0.57%, 0.43%

LAB 42.02, 57.72, -14.87

 

CMYK 0 / 82 / 32 / 38

HEX #9D1D6A

RGB 157 29 106

HSL 323.91, 0.69%, 0.36%

LAB 36.15, 56.62, -12.21

 

CMYK 0 / 55 / 19 / 12

HEX #E065B6

RGB 224 101 182

HSL 320.49, 0.66%, 0.64%

LAB 60.37, 57.15, -19.97

 

CMYK 0 / 55 / 34 / 12

HEX #E06594

RGB 224 101 148

HSL 337.07, 0.66%, 0.64%

LAB 59.24, 52.66, -2.04

 

CMYK 0 / 55 / 49 / 12

HEX #E06573

RGB 224 101 115

HSL 353.17, 0.66%, 0.64%

LAB 58.41, 49.19, 15.97

 

CMYK 0 / 55 / 55 / 12

HEX #E06565

RGB 224 101 101

HSL 0, 0.66%, 0.64%

LAB 58.13, 48, 23.69

 

CMYK 0 / 55 / 19 / 12

HEX #E065B6

RGB 224 101 182

HSL 320.49, 0.66%, 0.64%

LAB 60.37, 57.15, -19.97

 

CMYK 0 / 55 / 4 / 12

HEX #E065D7

RGB 224 101 215

HSL 304.39, 0.66%, 0.64%

LAB 61.71, 62.29, -36.62

 

CMYK 10 / 55 / 0 / 12

HEX #C965E0

RGB 201 101 224

HSL 288.78, 0.66%, 0.64%

LAB 59.07, 57.84, -46.03

 

CMYK 25 / 55 / 0 / 12

HEX #A765E0

RGB 167 101 224

HSL 272.2, 0.66%, 0.64%

LAB 54.97, 49.17, -52.79

 

CMYK 40 / 55 / 0 / 12

HEX #8665E0

RGB 134 101 224

HSL 256.1, 0.66%, 0.64%

LAB 51.56, 41.24, -58.45

 

CMYK 0 / 55 / 19 / 12

HEX #E065B6

RGB 224 101 182

HSL 320.49, 0.66%, 0.64%

LAB 60.37, 57.15, -19.97

 

CMYK 0 / 64 / 22 / 6

HEX #EF56BA

RGB 239 86 186

HSL 320.78, 0.83%, 0.64%

LAB 60.38, 68.34, -22.03

 

CMYK 0 / 72 / 25 / 0

HEX #FE47BF

RGB 254 71 191

HSL 320.66, 0.99%, 0.64%

LAB 61.08, 78.08, -23.62

 

CMYK 0 / 55 / 19 / 12

HEX #E065B6

RGB 224 101 182

HSL 320.49, 0.66%, 0.64%

LAB 60.37, 57.15, -19.97

 

CMYK 0 / 44 / 15 / 18

HEX #D174B1

RGB 209 116 177

HSL 320.65, 0.5%, 0.64%

LAB 60.98, 44.38, -16.37

 

CMYK 0 / 32 / 11 / 24

HEX #C283AC

RGB 194 131 172

HSL 320.95, 0.34%, 0.64%

LAB 62.24, 30.5, -11.8

 

CMYK 0 / 19 / 7 / 29

HEX #B492A8

RGB 180 146 168

HSL 321.18, 0.18%, 0.64%

LAB 64.23, 16.5, -6.71

 

CMYK 0 / 2 / 1 / 35

HEX #A5A1A3

RGB 165 161 163

HSL 330, 0.02%, 0.64%

LAB 66.62, 1.82, -0.53

 

CMYK 11 / 55 / 0 / 12

HEX #C865E0

RGB 200 101 224

HSL 288.29, 0.66%, 0.64%

LAB 58.95, 57.58, -46.24

 

CMYK 0 / 55 / 4 / 12

HEX #E065D8

RGB 224 101 216

HSL 303.9, 0.66%, 0.64%

LAB 61.75, 62.45, -37.12

 

CMYK 0 / 55 / 18 / 12

HEX #E065B7

RGB 224 101 183

HSL 320, 0.66%, 0.64%

LAB 60.4, 57.29, -20.48

 

CMYK 0 / 55 / 33 / 12

HEX #E06596

RGB 224 101 150

HSL 336.1, 0.66%, 0.64%

LAB 59.3, 52.9, -3.11

 

CMYK 0 / 55 / 47 / 12

HEX #E06576

RGB 224 101 118

HSL 351.71, 0.66%, 0.64%

LAB 58.47, 49.47, 14.32

 

CMYK 0 / 80 / 28 / 20

HEX #CB2892

RGB 203 40 146

HSL 320.98, 0.67%, 0.48%

LAB 47.35, 69.53, -19.05

 

CMYK 0 / 69 / 24 / 15

HEX #D943A5

RGB 217 67 165

HSL 320.8, 0.66%, 0.56%

LAB 53.47, 66.98, -20.75

 

CMYK 0 / 55 / 19 / 12

HEX #E065B6

RGB 224 101 182

HSL 320.49, 0.66%, 0.64%

LAB 60.37, 57.15, -19.97

 

CMYK 0 / 41 / 14 / 9

HEX #E788C6

RGB 231 136 198

HSL 320.84, 0.66%, 0.72%

LAB 68.51, 44.53, -16.55

 

CMYK 0 / 29 / 10 / 7

HEX #EEAAD6

RGB 238 170 214

HSL 321.18, 0.67%, 0.8%

LAB 77.15, 31.59, -12.3

 

CMYK 0 / 55 / 19 / 12

HEX #E165B6

RGB 225 101 182

HSL 320.81, 0.67%, 0.64%

LAB 60.51, 57.44, -19.74

 

CMYK 0 / 25 / 55 / 12

HEX #E0A765

RGB 224 167 101

HSL 32.2, 0.66%, 0.64%

LAB 72.51, 13.62, 42

 

CMYK 55 / 0 / 4 / 12

HEX #65E0D8

RGB 101 224 216

HSL 176.1, 0.66%, 0.64%

LAB 82.4, -36.12, -6.51

 

CMYK 0 / 55 / 19 / 12

HEX #E165B6

RGB 225 101 182

HSL 320.81, 0.67%, 0.64%

LAB 60.51, 57.44, -19.74

 

CMYK 18 / 0 / 55 / 12

HEX #B7E065

RGB 183 224 101

HSL 80, 0.66%, 0.64%

LAB 84.13, -31.96, 54.98

 

CMYK 55 / 18 / 0 / 12

HEX #65B7E0

RGB 101 183 224

HSL 200, 0.66%, 0.64%

LAB 70.88, -13.55, -28.19

 

CMYK 0 / 55 / 19 / 12

HEX #E165B6

RGB 225 101 182

HSL 320.81, 0.67%, 0.64%

LAB 60.51, 57.44, -19.74

 

CMYK 0 / 25 / 55 / 12

HEX #E0A765

RGB 224 167 101

HSL 32.2, 0.66%, 0.64%

LAB 72.51, 13.62, 42

 

CMYK 55 / 0 / 37 / 12

HEX #65E08E

RGB 101 224 142

HSL 140, 0.66%, 0.64%

LAB 80.76, -52.28, 30.02

 

CMYK 55 / 29 / 0 / 12

HEX #659FE0

RGB 101 159 224

HSL 211.71, 0.66%, 0.64%

LAB 64.12, -0.34, -38.68

 

CMYK 0 / 55 / 19 / 12

HEX #E165B6

RGB 225 101 182

HSL 320.81, 0.67%, 0.64%

LAB 60.51, 57.44, -19.74

 

CMYK 0 / 9 / 55 / 12

HEX #E0CC65

RGB 224 204 101

HSL 50.24, 0.66%, 0.64%

LAB 81.82, -5.8, 53.1

 

CMYK 55 / 0 / 37 / 12

HEX #65E08E

RGB 101 224 142

HSL 140, 0.66%, 0.64%

LAB 80.76, -52.28, 30.02

 

CMYK 55 / 46 / 0 / 12

HEX #657AE0

RGB 101 122 224

HSL 229.76, 0.66%, 0.64%

LAB 54.1, 21.51, -54.52

 

Description

Color code: HEX #E165B6 | qconv.com Color code: HEX #E165B6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 101 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 101 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 19 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 19% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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