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Color name
HEX #E14B2D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E14B2D it is the complementary color #1EB4D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E14B2D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E14B2D shade: #E64B28, #F75D3B, #FF6F4E, #FF8161 and #FF9374

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E14B2D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E14B2D shade: #E14B2D, #D0391A, #BF2707, #AE1500 and #9D0300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E14B2D shade: #E14B2D and #E12D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E14B2D shade: #E14B2D, #E17B2D, #E1AC2D, #E1DC2D and #B4E12D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E14B2D shade matches the following richer shades: #E14B2D and #F43E19

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E14B2D shade: #E14B2D, #CD5840, #BA6554, #A67267 and #937E7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E14B2D shade: #E12D6F, #E12D3F, #E14B2D, #E17B2D and #E1AB2D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E14B2D shade: #A42E17, #C8391C, #E14B2D, #E66A51 and #EB8975

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E14B2D shade: #E14B2D, #9FE12D and #2D57E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E14B2D shade: #E14B2D, #2DE14B and #4B2DE1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E14B2D shade: #E14B2D, #9FE12D, #2DC3E1 and #6F2DE1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E14B2D shade: #E14B2D, #69E12D, #2DC3E1 and #A52DE1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 80 / 12

HEX #E14B2D

RGB 225 75 45

HSL 10, 0.75%, 0.53%

LAB 53.2, 56.81, 48.73

 

Complementary color

CMYK 86 / 14 / 0 / 18

HEX #1EB4D2

RGB 30 180 210

HSL 190, 0.75%, 0.47%

LAB 67.7, -26.17, -25.56

 

CMYK 0 / 67 / 83 / 10

HEX #E64B28

RGB 230 75 40

HSL 11.05, 0.79%, 0.53%

LAB 54.04, 58.31, 52.21

 

CMYK 0 / 62 / 76 / 3

HEX #F75D3B

RGB 247 93 59

HSL 10.85, 0.92%, 0.6%

LAB 59.82, 57.23, 49.63

 

CMYK 0 / 56 / 69 / 0

HEX #FF6F4E

RGB 255 111 78

HSL 11.19, 1%, 0.65%

LAB 64.31, 52.85, 45.12

 

CMYK 0 / 49 / 62 / 0

HEX #FF8161

RGB 255 129 97

HSL 12.15, 1%, 0.69%

LAB 67.89, 45.36, 39.3

 

CMYK 0 / 42 / 55 / 0

HEX #FF9374

RGB 255 147 116

HSL 13.38, 1%, 0.73%

LAB 71.82, 37.69, 34.04

 

CMYK 0 / 67 / 80 / 12

HEX #E14B2D

RGB 225 75 45

HSL 10, 0.75%, 0.53%

LAB 53.2, 56.81, 48.73

 

CMYK 0 / 73 / 88 / 18

HEX #D0391A

RGB 208 57 26

HSL 10.22, 0.78%, 0.46%

LAB 47.51, 57.6, 51.27

 

CMYK 0 / 80 / 96 / 25

HEX #BF2707

RGB 191 39 7

HSL 10.43, 0.93%, 0.39%

LAB 42.07, 57.87, 52.72

 

CMYK 0 / 88 / 100 / 32

HEX #AE1500

RGB 174 21 0

HSL 7.24, 1%, 0.34%

LAB 36.99, 57.23, 50.82

 

CMYK 0 / 98 / 100 / 38

HEX #9D0300

RGB 157 3 0

HSL 1.15, 1%, 0.31%

LAB 32.33, 55.34, 46.28

 

CMYK 0 / 67 / 80 / 12

HEX #E14B2D

RGB 225 75 45

HSL 10, 0.75%, 0.53%

LAB 53.2, 56.81, 48.73

 

CMYK 0 / 80 / 80 / 12

HEX #E12D2D

RGB 225 45 45

HSL 0, 0.75%, 0.53%

LAB 49.59, 66.81, 45.18

 

CMYK 0 / 67 / 80 / 12

HEX #E14B2D

RGB 225 75 45

HSL 10, 0.75%, 0.53%

LAB 53.2, 56.81, 48.73

 

CMYK 0 / 45 / 80 / 12

HEX #E17B2D

RGB 225 123 45

HSL 26, 0.75%, 0.53%

LAB 61.97, 34.24, 57.03

 

CMYK 0 / 24 / 80 / 12

HEX #E1AC2D

RGB 225 172 45

HSL 42.33, 0.75%, 0.53%

LAB 73.35, 8.21, 67.37

 

CMYK 0 / 2 / 80 / 12

HEX #E1DC2D

RGB 225 220 45

HSL 58.33, 0.75%, 0.53%

LAB 85.7, -16.41, 78.19

 

CMYK 20 / 0 / 80 / 12

HEX #B4E12D

RGB 180 225 45

HSL 75, 0.75%, 0.53%

LAB 83.83, -37.12, 75.31

 

CMYK 0 / 67 / 80 / 12

HEX #E14B2D

RGB 225 75 45

HSL 10, 0.75%, 0.53%

LAB 53.2, 56.81, 48.73

 

CMYK 0 / 75 / 90 / 4

HEX #F43E19

RGB 244 62 25

HSL 10.14, 0.91%, 0.53%

LAB 54.81, 66.97, 60.09

 

CMYK 0 / 67 / 80 / 12

HEX #E14B2D

RGB 225 75 45

HSL 10, 0.75%, 0.53%

LAB 53.2, 56.81, 48.73

 

CMYK 0 / 57 / 69 / 20

HEX #CD5840

RGB 205 88 64

HSL 10.21, 0.59%, 0.53%

LAB 52.21, 44.89, 36.67

 

CMYK 0 / 46 / 55 / 27

HEX #BA6554

RGB 186 101 84

HSL 10, 0.43%, 0.53%

LAB 52.27, 32.38, 24.77

 

CMYK 0 / 31 / 38 / 35

HEX #A67267

RGB 166 114 103

HSL 10.48, 0.26%, 0.53%

LAB 53.08, 19.1, 14.38

 

CMYK 0 / 14 / 17 / 42

HEX #937E7A

RGB 147 126 122

HSL 9.6, 0.1%, 0.53%

LAB 54.58, 7.36, 5.15

 

CMYK 0 / 80 / 51 / 12

HEX #E12D6F

RGB 225 45 111

HSL 338, 0.75%, 0.53%

LAB 50.72, 70.29, 7.61

 

CMYK 0 / 80 / 72 / 12

HEX #E12D3F

RGB 225 45 63

HSL 354, 0.75%, 0.53%

LAB 49.79, 67.44, 35.3

 

CMYK 0 / 67 / 80 / 12

HEX #E14B2D

RGB 225 75 45

HSL 10, 0.75%, 0.53%

LAB 53.2, 56.81, 48.73

 

CMYK 0 / 45 / 80 / 12

HEX #E17B2D

RGB 225 123 45

HSL 26, 0.75%, 0.53%

LAB 61.97, 34.24, 57.03

 

CMYK 0 / 24 / 80 / 12

HEX #E1AB2D

RGB 225 171 45

HSL 42, 0.75%, 0.53%

LAB 73.1, 8.74, 67.15

 

CMYK 0 / 72 / 86 / 36

HEX #A42E17

RGB 164 46 23

HSL 9.79, 0.75%, 0.37%

LAB 37.68, 47.23, 41.07

 

CMYK 0 / 72 / 86 / 22

HEX #C8391C

RGB 200 57 28

HSL 10.12, 0.75%, 0.45%

LAB 46.03, 55.09, 48.58

 

CMYK 0 / 67 / 80 / 12

HEX #E14B2D

RGB 225 75 45

HSL 10, 0.75%, 0.53%

LAB 53.2, 56.81, 48.73

 

CMYK 0 / 54 / 65 / 10

HEX #E66A51

RGB 230 106 81

HSL 10.07, 0.75%, 0.61%

LAB 59.64, 46.38, 37.08

 

CMYK 0 / 42 / 50 / 8

HEX #EB8975

RGB 235 137 117

HSL 10.17, 0.75%, 0.69%

LAB 67.16, 35.32, 26.92

 

CMYK 0 / 67 / 80 / 12

HEX #E14B2D

RGB 225 75 45

HSL 10, 0.75%, 0.53%

LAB 53.2, 56.81, 48.73

 

CMYK 29 / 0 / 80 / 12

HEX #9FE12D

RGB 159 225 45

HSL 82, 0.75%, 0.53%

LAB 82.6, -45.08, 73.74

 

CMYK 80 / 61 / 0 / 12

HEX #2D57E1

RGB 45 87 225

HSL 226, 0.75%, 0.53%

LAB 42.48, 35.51, -74.03

 

CMYK 0 / 67 / 80 / 12

HEX #E14B2D

RGB 225 75 45

HSL 10, 0.75%, 0.53%

LAB 53.2, 56.81, 48.73

 

CMYK 80 / 0 / 67 / 12

HEX #2DE14B

RGB 45 225 75

HSL 130, 0.75%, 0.53%

LAB 78.99, -71.78, 58.88

 

CMYK 67 / 80 / 0 / 12

HEX #4B2DE1

RGB 75 45 225

HSL 250, 0.75%, 0.53%

LAB 35.61, 61.6, -85.27

 

CMYK 0 / 67 / 80 / 12

HEX #E14B2D

RGB 225 75 45

HSL 10, 0.75%, 0.53%

LAB 53.2, 56.81, 48.73

 

CMYK 29 / 0 / 80 / 12

HEX #9FE12D

RGB 159 225 45

HSL 82, 0.75%, 0.53%

LAB 82.6, -45.08, 73.74

 

CMYK 80 / 13 / 0 / 12

HEX #2DC3E1

RGB 45 195 225

HSL 190, 0.75%, 0.53%

LAB 72.91, -27.64, -25.76

 

CMYK 51 / 80 / 0 / 12

HEX #6F2DE1

RGB 111 45 225

HSL 262, 0.75%, 0.53%

LAB 39.06, 65.36, -79.47

 

CMYK 0 / 67 / 80 / 12

HEX #E14B2D

RGB 225 75 45

HSL 10, 0.75%, 0.53%

LAB 53.2, 56.81, 48.73

 

CMYK 53 / 0 / 80 / 12

HEX #69E12D

RGB 105 225 45

HSL 100, 0.75%, 0.53%

LAB 80.2, -62.45, 70.67

 

CMYK 80 / 13 / 0 / 12

HEX #2DC3E1

RGB 45 195 225

HSL 190, 0.75%, 0.53%

LAB 72.91, -27.64, -25.76

 

CMYK 27 / 80 / 0 / 12

HEX #A52DE1

RGB 165 45 225

HSL 280, 0.75%, 0.53%

LAB 46.06, 73.11, -67.73

 

Description

Color code: HEX #E14B2D | qconv.com Color code: HEX #E14B2D | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 75 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 75 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 80 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 80% 12% C M Y K

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Provide designers and agencies with accurate color values.

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