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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E146F3 it is the complementary color #1EB90C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E146F3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E146F3 shade: #E646EE, #F758FF, #FF6AFF, #FF7CFF and #FF8EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E146F3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E146F3 shade: #E146F3, #D034E0, #BF22CD, #AE10BA and #9D00A7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E146F3 shade: #E044F3, #F344D6, #F344A6, #F34477 and #F34448

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E146F3 shade: #E044F3, #B144F3, #8244F3, #5344F3 and #4444F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E146F3 shade matches the following richer shades: #E044F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E146F3 shade: #E044F3, #D454E2, #C764D2, #BA74C2 and #AD84B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E146F3 shade: #8144F3, #AF44F3, #DE44F3, #F344D8 and #F344AA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E146F3 shade: #C10DD6, #DA1DF0, #E044F3, #E76AF5 and #ED91F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E146F3 shade: #E146F3, #F35244 and #44F398

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E146F3 shade: #E146F3, #F3DE44 and #44F3DE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E146F3 shade: #E146F3, #F35244, #58F344 and #44E4F3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E146F3 shade: #E146F3, #F38744, #58F344 and #44AFF3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 71 / 0 / 5

HEX #E146F3

RGB 225 70 243

HSL 293.76, 0.88%, 0.61%

LAB 58.84, 79.46, -56.81

 

Complementary color

CMYK 84 / 0 / 94 / 27

HEX #1EB90C

RGB 30 185 12

HSL 113.76, 0.88%, 0.39%

LAB 65.75, -65.5, 64.18

 

CMYK 3 / 71 / 0 / 7

HEX #E646EE

RGB 230 70 238

HSL 297.14, 0.83%, 0.6%

LAB 59.32, 79.65, -53.22

 

CMYK 3 / 65 / 0 / 0

HEX #F758FF

RGB 247 88 255

HSL 297.13, 1%, 0.67%

LAB 64.94, 79.79, -53.55

 

CMYK 0 / 58 / 0 / 0

HEX #FF6AFF

RGB 255 106 255

HSL 300, 1%, 0.71%

LAB 68.6, 74.61, -47.7

 

CMYK 0 / 51 / 0 / 0

HEX #FF7CFF

RGB 255 124 255

HSL 300, 1%, 0.74%

LAB 71.48, 66.79, -43.17

 

CMYK 0 / 44 / 0 / 0

HEX #FF8EFF

RGB 255 142 255

HSL 300, 1%, 0.78%

LAB 74.72, 58.28, -38.13

 

CMYK 7 / 71 / 0 / 5

HEX #E146F3

RGB 225 70 243

HSL 293.76, 0.88%, 0.61%

LAB 58.84, 79.46, -56.81

 

CMYK 7 / 77 / 0 / 12

HEX #D034E0

RGB 208 52 224

HSL 294.42, 0.74%, 0.54%

LAB 53.22, 78.49, -55.28

 

CMYK 7 / 83 / 0 / 20

HEX #BF22CD

RGB 191 34 205

HSL 295.09, 0.72%, 0.47%

LAB 47.79, 76.75, -53.28

 

CMYK 6 / 91 / 0 / 27

HEX #AE10BA

RGB 174 16 186

HSL 295.76, 0.84%, 0.4%

LAB 42.63, 73.93, -50.64

 

CMYK 6 / 100 / 0 / 35

HEX #9D00A7

RGB 157 0 167

HSL 296.41, 1%, 0.33%

LAB 37.77, 69.94, -47.34

 

CMYK 8 / 72 / 0 / 5

HEX #E044F3

RGB 224 68 243

HSL 293.49, 0.88%, 0.61%

LAB 58.46, 79.91, -57.43

 

CMYK 0 / 72 / 12 / 5

HEX #F344D6

RGB 243 68 214

HSL 309.94, 0.88%, 0.61%

LAB 59.93, 79.47, -38.64

 

CMYK 0 / 72 / 32 / 5

HEX #F344A6

RGB 243 68 166

HSL 326.4, 0.88%, 0.61%

LAB 57.98, 73.43, -14.07

 

CMYK 0 / 72 / 51 / 5

HEX #F34477

RGB 243 68 119

HSL 342.51, 0.88%, 0.61%

LAB 56.61, 68.97, 11.58

 

CMYK 0 / 72 / 70 / 5

HEX #F34448

RGB 243 68 72

HSL 358.63, 0.88%, 0.61%

LAB 55.74, 66.08, 37.95

 

CMYK 8 / 72 / 0 / 5

HEX #E044F3

RGB 224 68 243

HSL 293.49, 0.88%, 0.61%

LAB 58.46, 79.91, -57.43

 

CMYK 27 / 72 / 0 / 5

HEX #B144F3

RGB 177 68 243

HSL 277.37, 0.88%, 0.61%

LAB 51.78, 70.85, -68.53

 

CMYK 47 / 72 / 0 / 5

HEX #8244F3

RGB 130 68 243

HSL 261.26, 0.88%, 0.61%

LAB 46.11, 62.78, -78.01

 

CMYK 66 / 72 / 0 / 5

HEX #5344F3

RGB 83 68 243

HSL 245.14, 0.88%, 0.61%

LAB 41.91, 56.49, -85.06

 

CMYK 72 / 72 / 0 / 5

HEX #4444F3

RGB 68 68 243

HSL 240, 0.88%, 0.61%

LAB 40.95, 55, -86.68

 

CMYK 8 / 72 / 0 / 5

HEX #E044F3

RGB 224 68 243

HSL 293.49, 0.88%, 0.61%

LAB 58.46, 79.91, -57.43

 

CMYK 8 / 72 / 0 / 5

HEX #E044F3

RGB 224 68 243

HSL 293.49, 0.88%, 0.61%

LAB 58.46, 79.91, -57.43

 

CMYK 6 / 63 / 0 / 11

HEX #D454E2

RGB 212 84 226

HSL 294.08, 0.71%, 0.61%

LAB 57.87, 68.51, -48.96

 

CMYK 5 / 52 / 0 / 18

HEX #C764D2

RGB 199 100 210

HSL 294, 0.55%, 0.61%

LAB 57.95, 55.14, -39.93

 

CMYK 4 / 40 / 0 / 24

HEX #BA74C2

RGB 186 116 194

HSL 293.85, 0.39%, 0.61%

LAB 58.81, 40.08, -29.62

 

CMYK 3 / 26 / 0 / 30

HEX #AD84B2

RGB 173 132 178

HSL 293.48, 0.23%, 0.61%

LAB 60.43, 23.83, -18.16

 

CMYK 47 / 72 / 0 / 5

HEX #8144F3

RGB 129 68 243

HSL 260.91, 0.88%, 0.61%

LAB 46.01, 62.63, -78.19

 

CMYK 28 / 72 / 0 / 5

HEX #AF44F3

RGB 175 68 243

HSL 276.69, 0.88%, 0.61%

LAB 51.52, 70.48, -68.97

 

CMYK 9 / 72 / 0 / 5

HEX #DE44F3

RGB 222 68 243

HSL 292.8, 0.88%, 0.61%

LAB 58.16, 79.51, -57.92

 

CMYK 0 / 72 / 11 / 5

HEX #F344D8

RGB 243 68 216

HSL 309.26, 0.88%, 0.61%

LAB 60.02, 79.75, -39.62

 

CMYK 0 / 72 / 30 / 5

HEX #F344AA

RGB 243 68 170

HSL 325.03, 0.88%, 0.61%

LAB 58.12, 73.87, -16.18

 

CMYK 10 / 94 / 0 / 16

HEX #C10DD6

RGB 193 13 214

HSL 293.73, 0.89%, 0.45%

LAB 47.6, 81.76, -58.74

 

CMYK 9 / 88 / 0 / 6

HEX #DA1DF0

RGB 218 29 240

HSL 293.74, 0.88%, 0.53%

LAB 54.11, 87.75, -62.79

 

CMYK 8 / 72 / 0 / 5

HEX #E044F3

RGB 224 68 243

HSL 293.49, 0.88%, 0.61%

LAB 58.46, 79.91, -57.43

 

CMYK 6 / 57 / 0 / 4

HEX #E76AF5

RGB 231 106 245

HSL 293.96, 0.87%, 0.69%

LAB 64.87, 67.02, -48.29

 

CMYK 4 / 42 / 0 / 3

HEX #ED91F8

RGB 237 145 248

HSL 293.59, 0.88%, 0.77%

LAB 72.91, 50.37, -37.29

 

CMYK 7 / 71 / 0 / 5

HEX #E146F3

RGB 225 70 243

HSL 293.76, 0.88%, 0.61%

LAB 58.84, 79.46, -56.81

 

CMYK 0 / 66 / 72 / 5

HEX #F35244

RGB 243 82 68

HSL 4.8, 0.88%, 0.61%

LAB 57.57, 60.77, 42.28

 

CMYK 72 / 0 / 37 / 5

HEX #44F398

RGB 68 243 152

HSL 148.8, 0.88%, 0.61%

LAB 85.8, -63.8, 31.53

 

CMYK 7 / 71 / 0 / 5

HEX #E146F3

RGB 225 70 243

HSL 293.76, 0.88%, 0.61%

LAB 58.84, 79.46, -56.81

 

CMYK 0 / 9 / 72 / 5

HEX #F3DE44

RGB 243 222 68

HSL 52.8, 0.88%, 0.61%

LAB 87.83, -9.01, 73.63

 

CMYK 72 / 0 / 9 / 5

HEX #44F3DE

RGB 68 243 222

HSL 172.8, 0.88%, 0.61%

LAB 87.29, -48.11, -2.55

 

CMYK 7 / 71 / 0 / 5

HEX #E146F3

RGB 225 70 243

HSL 293.76, 0.88%, 0.61%

LAB 58.84, 79.46, -56.81

 

CMYK 0 / 66 / 72 / 5

HEX #F35244

RGB 243 82 68

HSL 4.8, 0.88%, 0.61%

LAB 57.57, 60.77, 42.28

 

CMYK 64 / 0 / 72 / 5

HEX #58F344

RGB 88 243 68

HSL 113.14, 0.88%, 0.61%

LAB 85.3, -71.16, 68.31

 

CMYK 72 / 6 / 0 / 5

HEX #44E4F3

RGB 68 228 243

HSL 185.14, 0.88%, 0.61%

LAB 83.54, -35.63, -19.19

 

CMYK 7 / 71 / 0 / 5

HEX #E146F3

RGB 225 70 243

HSL 293.76, 0.88%, 0.61%

LAB 58.84, 79.46, -56.81

 

CMYK 0 / 44 / 72 / 5

HEX #F38744

RGB 243 135 68

HSL 22.97, 0.88%, 0.61%

LAB 67.13, 36.15, 52.75

 

CMYK 64 / 0 / 72 / 5

HEX #58F344

RGB 88 243 68

HSL 113.14, 0.88%, 0.61%

LAB 85.3, -71.16, 68.31

 

CMYK 72 / 28 / 0 / 5

HEX #44AFF3

RGB 68 175 243

HSL 203.31, 0.88%, 0.61%

LAB 68.29, -8.74, -42.66

 

Description

Color code: HEX #E146F3 | qconv.com Color code: HEX #E146F3 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 70 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 70 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 71 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 71% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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