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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E13BC6 it is the complementary color #1EC439. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E13BC6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E13BC6 shade: #E63BC1, #F74DD4, #FF5FE7, #FF71FA and #FF83FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E13BC6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E13BC6 shade: #E13BC6, #D029B3, #BF17A0, #AE058D and #9D007A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E13BC6 shade: #E03CC6, #E03C99, #E03C6D, #E03C41 and #E03C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E13BC6 shade: #E03CC6, #CF3CE0, #A33CE0, #763CE0 and #4A3CE0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E13BC6 shade matches the following richer shades: #E03CC6 and #F22AD2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E13BC6 shade: #E03CC6, #CE4FB9, #BC61AD, #AA73A1 and #988595

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E13BC6 shade: #A13CE0, #CD3CE0, #E03CC8, #E03C9C and #E03C70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E13BC6 shade: #AF1B97, #D320B6, #E03CC6, #E660D0 and #EB84DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E13BC6 shade: #E13BC6, #E0763C and #3CE0B7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E13BC6 shade: #E13BC6, #C8E03C and #3CC8E0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E13BC6 shade: #E13BC6, #E0763C, #3CE055 and #3CA7E0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E13BC6 shade: #E13BC6, #E0A73C, #3CE055 and #3C76E0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 12 / 12

HEX #E13BC6

RGB 225 59 198

HSL 309.76, 0.73%, 0.56%

LAB 55.29, 75.98, -36.99

 

Complementary color

CMYK 85 / 0 / 71 / 23

HEX #1EC439

RGB 30 196 57

HSL 129.76, 0.73%, 0.44%

LAB 69.51, -66.22, 55.73

 

CMYK 0 / 74 / 16 / 10

HEX #E63BC1

RGB 230 59 193

HSL 312.98, 0.77%, 0.57%

LAB 55.89, 76.41, -33.12

 

CMYK 0 / 69 / 14 / 3

HEX #F74DD4

RGB 247 77 212

HSL 312.35, 0.91%, 0.64%

LAB 61.51, 77.17, -34.98

 

CMYK 0 / 63 / 9 / 0

HEX #FF5FE7

RGB 255 95 231

HSL 309, 1%, 0.69%

LAB 65.91, 75.25, -38.67

 

CMYK 0 / 56 / 2 / 0

HEX #FF71FA

RGB 255 113 250

HSL 302.11, 1%, 0.72%

LAB 69.45, 70.84, -43.62

 

CMYK 0 / 49 / 0 / 0

HEX #FF83FF

RGB 255 131 255

HSL 300, 1%, 0.76%

LAB 72.7, 63.55, -41.27

 

CMYK 0 / 74 / 12 / 12

HEX #E13BC6

RGB 225 59 198

HSL 309.76, 0.73%, 0.56%

LAB 55.29, 75.98, -36.99

 

CMYK 0 / 80 / 14 / 18

HEX #D029B3

RGB 208 41 179

HSL 310.42, 0.67%, 0.49%

LAB 49.8, 74.57, -34.79

 

CMYK 0 / 88 / 16 / 25

HEX #BF17A0

RGB 191 23 160

HSL 311.07, 0.79%, 0.42%

LAB 44.56, 72.21, -31.97

 

CMYK 0 / 97 / 19 / 32

HEX #AE058D

RGB 174 5 141

HSL 311.72, 0.94%, 0.35%

LAB 39.63, 68.67, -28.4

 

CMYK 0 / 100 / 22 / 38

HEX #9D007A

RGB 157 0 122

HSL 313.38, 1%, 0.31%

LAB 35.15, 63.53, -23.87

 

CMYK 0 / 73 / 12 / 12

HEX #E03CC6

RGB 224 60 198

HSL 309.51, 0.73%, 0.56%

LAB 55.23, 75.45, -37.09

 

CMYK 0 / 73 / 32 / 12

HEX #E03C99

RGB 224 60 153

HSL 325.98, 0.73%, 0.56%

LAB 53.36, 69.71, -13.74

 

CMYK 0 / 73 / 51 / 12

HEX #E03C6D

RGB 224 60 109

HSL 342.07, 0.73%, 0.56%

LAB 52.04, 65.49, 10.66

 

CMYK 0 / 73 / 71 / 12

HEX #E03C41

RGB 224 60 65

HSL 358.17, 0.73%, 0.56%

LAB 51.22, 62.77, 35.77

 

CMYK 0 / 73 / 73 / 12

HEX #E03C3C

RGB 224 60 60

HSL 0, 0.73%, 0.56%

LAB 51.16, 62.56, 38.55

 

CMYK 0 / 73 / 12 / 12

HEX #E03CC6

RGB 224 60 198

HSL 309.51, 0.73%, 0.56%

LAB 55.23, 75.45, -37.09

 

CMYK 8 / 73 / 0 / 12

HEX #CF3CE0

RGB 207 60 224

HSL 293.78, 0.73%, 0.56%

LAB 53.9, 75.9, -54.21

 

CMYK 27 / 73 / 0 / 12

HEX #A33CE0

RGB 163 60 224

HSL 277.68, 0.73%, 0.56%

LAB 47.5, 67.41, -64.85

 

CMYK 47 / 73 / 0 / 12

HEX #763CE0

RGB 118 60 224

HSL 261.22, 0.73%, 0.56%

LAB 41.95, 59.73, -74.12

 

CMYK 67 / 73 / 0 / 12

HEX #4A3CE0

RGB 74 60 224

HSL 245.12, 0.73%, 0.56%

LAB 37.97, 53.95, -80.81

 

CMYK 0 / 73 / 12 / 12

HEX #E03CC6

RGB 224 60 198

HSL 309.51, 0.73%, 0.56%

LAB 55.23, 75.45, -37.09

 

CMYK 0 / 83 / 13 / 5

HEX #F22AD2

RGB 242 42 210

HSL 309.6, 0.88%, 0.56%

LAB 57.26, 85.37, -40.57

 

CMYK 0 / 73 / 12 / 12

HEX #E03CC6

RGB 224 60 198

HSL 309.51, 0.73%, 0.56%

LAB 55.23, 75.45, -37.09

 

CMYK 0 / 62 / 10 / 19

HEX #CE4FB9

RGB 206 79 185

HSL 309.92, 0.56%, 0.56%

LAB 54.26, 62.28, -31.33

 

CMYK 0 / 48 / 8 / 26

HEX #BC61AD

RGB 188 97 173

HSL 309.89, 0.4%, 0.56%

LAB 54.3, 46.83, -24.52

 

CMYK 0 / 32 / 5 / 33

HEX #AA73A1

RGB 170 115 161

HSL 309.82, 0.24%, 0.56%

LAB 55.46, 29.13, -15.97

 

CMYK 0 / 13 / 2 / 40

HEX #988595

RGB 152 133 149

HSL 309.47, 0.08%, 0.56%

LAB 57.67, 10.15, -5.9

 

CMYK 28 / 73 / 0 / 12

HEX #A13CE0

RGB 161 60 224

HSL 276.95, 0.73%, 0.56%

LAB 47.22, 67.04, -65.3

 

CMYK 8 / 73 / 0 / 12

HEX #CD3CE0

RGB 205 60 224

HSL 293.05, 0.73%, 0.56%

LAB 53.59, 75.5, -54.71

 

CMYK 0 / 73 / 11 / 12

HEX #E03CC8

RGB 224 60 200

HSL 308.78, 0.73%, 0.56%

LAB 55.33, 75.74, -38.09

 

CMYK 0 / 73 / 30 / 12

HEX #E03C9C

RGB 224 60 156

HSL 324.88, 0.73%, 0.56%

LAB 53.47, 70.05, -15.34

 

CMYK 0 / 73 / 50 / 12

HEX #E03C70

RGB 224 60 112

HSL 340.98, 0.73%, 0.56%

LAB 52.12, 65.73, 8.96

 

CMYK 0 / 85 / 14 / 31

HEX #AF1B97

RGB 175 27 151

HSL 309.73, 0.73%, 0.4%

LAB 41.43, 66.99, -31.67

 

CMYK 0 / 85 / 14 / 17

HEX #D320B6

RGB 211 32 182

HSL 309.72, 0.74%, 0.48%

LAB 49.81, 77.51, -36.49

 

CMYK 0 / 73 / 12 / 12

HEX #E03CC6

RGB 224 60 198

HSL 309.51, 0.73%, 0.56%

LAB 55.23, 75.45, -37.09

 

CMYK 0 / 58 / 10 / 10

HEX #E660D0

RGB 230 96 208

HSL 309.85, 0.73%, 0.64%

LAB 61.43, 64.97, -33.04

 

CMYK 0 / 44 / 7 / 8

HEX #EB84DA

RGB 235 132 218

HSL 309.9, 0.72%, 0.72%

LAB 68.92, 51.06, -27.02

 

CMYK 0 / 74 / 12 / 12

HEX #E13BC6

RGB 225 59 198

HSL 309.76, 0.73%, 0.56%

LAB 55.29, 75.98, -36.99

 

CMYK 0 / 47 / 73 / 12

HEX #E0763C

RGB 224 118 60

HSL 21.22, 0.73%, 0.56%

LAB 60.9, 37, 49.19

 

CMYK 73 / 0 / 18 / 12

HEX #3CE0B7

RGB 60 224 183

HSL 165, 0.73%, 0.56%

LAB 80.57, -50.93, 8.2

 

CMYK 0 / 74 / 12 / 12

HEX #E13BC6

RGB 225 59 198

HSL 309.76, 0.73%, 0.56%

LAB 55.29, 75.98, -36.99

 

CMYK 11 / 0 / 73 / 12

HEX #C8E03C

RGB 200 224 60

HSL 68.78, 0.73%, 0.56%

LAB 84.95, -28.08, 72.41

 

CMYK 73 / 11 / 0 / 12

HEX #3CC8E0

RGB 60 200 224

HSL 188.78, 0.73%, 0.56%

LAB 74.6, -28.87, -22.6

 

CMYK 0 / 74 / 12 / 12

HEX #E13BC6

RGB 225 59 198

HSL 309.76, 0.73%, 0.56%

LAB 55.29, 75.98, -36.99

 

CMYK 0 / 47 / 73 / 12

HEX #E0763C

RGB 224 118 60

HSL 21.22, 0.73%, 0.56%

LAB 60.9, 37, 49.19

 

CMYK 73 / 0 / 62 / 12

HEX #3CE055

RGB 60 224 85

HSL 129.15, 0.73%, 0.56%

LAB 79, -68.45, 54.83

 

CMYK 73 / 25 / 0 / 12

HEX #3CA7E0

RGB 60 167 224

HSL 200.85, 0.73%, 0.56%

LAB 64.95, -11.77, -37.49

 

CMYK 0 / 74 / 12 / 12

HEX #E13BC6

RGB 225 59 198

HSL 309.76, 0.73%, 0.56%

LAB 55.29, 75.98, -36.99

 

CMYK 0 / 25 / 73 / 12

HEX #E0A73C

RGB 224 167 60

HSL 39.15, 0.73%, 0.56%

LAB 72.1, 11.03, 60.65

 

CMYK 73 / 0 / 62 / 12

HEX #3CE055

RGB 60 224 85

HSL 129.15, 0.73%, 0.56%

LAB 79, -68.45, 54.83

 

CMYK 73 / 47 / 0 / 12

HEX #3C76E0

RGB 60 118 224

HSL 218.78, 0.73%, 0.56%

LAB 51.04, 17.1, -59.54

 

Description

Color code: HEX #E13BC6 | qconv.com Color code: HEX #E13BC6 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 59 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 59 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 12 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 12% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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