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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E12CAF it is the complementary color #1ED350. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E12CAF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E12CAF shade: #E62CAA, #F73EBD, #FF50D0, #FF62E3 and #FF74F6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E12CAF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E12CAF shade: #E12CAF, #D01A9C, #BF0889, #AE0076 and #9D0063

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E12CAF shade: #E12DAF, #E12D7E, #E12D4E and #E12D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E12CAF shade: #E12DAF, #E12DDF, #B12DE1, #812DE1 and #502DE1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E12CAF shade matches the following richer shades: #E12DAF and #F419B8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E12CAF shade: #E12DAF, #CD40A6, #BA549E, #A66795 and #937A8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E12CAF shade: #B12DE1, #E12DE1, #E12DB1, #E12D81 and #E12D51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E12CAF shade: #A4177D, #C81C98, #E12DAF, #E651BD and #EB75CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E12CAF shade: #E12CAF, #E1812D and #2DE1C9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E12CAF shade: #E12CAF, #B1E12D and #2DB1E1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E12CAF shade: #E12CAF, #E1812D, #2DE15D and #2D8DE1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E12CAF shade: #E12CAF, #E1B72D, #2DE15D and #2D57E1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 22 / 12

HEX #E12CAF

RGB 225 44 175

HSL 316.57, 0.75%, 0.53%

LAB 52.84, 76.98, -27.47

 

Complementary color

CMYK 86 / 0 / 62 / 17

HEX #1ED350

RGB 30 211 80

HSL 136.57, 0.75%, 0.47%

LAB 74.47, -68.43, 51.75

 

CMYK 0 / 81 / 26 / 10

HEX #E62CAA

RGB 230 44 170

HSL 319.35, 0.79%, 0.54%

LAB 53.52, 77.48, -23.42

 

CMYK 0 / 75 / 23 / 3

HEX #F73EBD

RGB 247 62 189

HSL 318.81, 0.92%, 0.61%

LAB 58.88, 78.9, -25.96

 

CMYK 0 / 69 / 18 / 0

HEX #FF50D0

RGB 255 80 208

HSL 316.11, 1%, 0.66%

LAB 62.97, 77.51, -30.36

 

CMYK 0 / 62 / 11 / 0

HEX #FF62E3

RGB 255 98 227

HSL 310.7, 1%, 0.69%

LAB 66.17, 73.49, -36.05

 

CMYK 0 / 55 / 4 / 0

HEX #FF74F6

RGB 255 116 246

HSL 303.88, 1%, 0.73%

LAB 69.76, 68.88, -40.95

 

CMYK 0 / 80 / 22 / 12

HEX #E12CAF

RGB 225 44 175

HSL 316.57, 0.75%, 0.53%

LAB 52.84, 76.98, -27.47

 

CMYK 0 / 88 / 25 / 18

HEX #D01A9C

RGB 208 26 156

HSL 317.14, 0.78%, 0.46%

LAB 47.69, 74.7, -24.46

 

CMYK 0 / 96 / 28 / 25

HEX #BF0889

RGB 191 8 137

HSL 317.7, 0.92%, 0.39%

LAB 42.85, 71.29, -20.7

 

CMYK 0 / 100 / 32 / 32

HEX #AE0076

RGB 174 0 118

HSL 319.31, 1%, 0.34%

LAB 38.39, 66.52, -16.07

 

CMYK 0 / 100 / 37 / 38

HEX #9D0063

RGB 157 0 99

HSL 322.17, 1%, 0.31%

LAB 34.13, 60.92, -10.81

 

CMYK 0 / 80 / 22 / 12

HEX #E12DAF

RGB 225 45 175

HSL 316.67, 0.75%, 0.53%

LAB 52.93, 76.74, -27.34

 

CMYK 0 / 80 / 44 / 12

HEX #E12D7E

RGB 225 45 126

HSL 333, 0.75%, 0.53%

LAB 51.14, 71.54, -0.88

 

CMYK 0 / 80 / 65 / 12

HEX #E12D4E

RGB 225 45 78

HSL 349, 0.75%, 0.53%

LAB 50.02, 68.15, 26.68

 

CMYK 0 / 80 / 80 / 12

HEX #E12D2D

RGB 225 45 45

HSL 0, 0.75%, 0.53%

LAB 49.59, 66.81, 45.18

 

CMYK 0 / 80 / 22 / 12

HEX #E12DAF

RGB 225 45 175

HSL 316.67, 0.75%, 0.53%

LAB 52.93, 76.74, -27.34

 

CMYK 0 / 80 / 1 / 12

HEX #E12DDF

RGB 225 45 223

HSL 300.67, 0.75%, 0.53%

LAB 55.29, 83.3, -51.25

 

CMYK 21 / 80 / 0 / 12

HEX #B12DE1

RGB 177 45 225

HSL 284, 0.75%, 0.53%

LAB 47.83, 75.09, -64.78

 

CMYK 43 / 80 / 0 / 12

HEX #812DE1

RGB 129 45 225

HSL 268, 0.75%, 0.53%

LAB 41.18, 67.7, -75.89

 

CMYK 64 / 80 / 0 / 12

HEX #502DE1

RGB 80 45 225

HSL 251.67, 0.75%, 0.53%

LAB 36.02, 62.04, -84.58

 

CMYK 0 / 80 / 22 / 12

HEX #E12DAF

RGB 225 45 175

HSL 316.67, 0.75%, 0.53%

LAB 52.93, 76.74, -27.34

 

CMYK 0 / 90 / 25 / 4

HEX #F419B8

RGB 244 25 184

HSL 316.44, 0.91%, 0.53%

LAB 55.47, 85.37, -28.38

 

CMYK 0 / 80 / 22 / 12

HEX #E12DAF

RGB 225 45 175

HSL 316.67, 0.75%, 0.53%

LAB 52.93, 76.74, -27.34

 

CMYK 0 / 69 / 19 / 20

HEX #CD40A6

RGB 205 64 166

HSL 316.6, 0.59%, 0.53%

LAB 51.15, 65.12, -25.08

 

CMYK 0 / 55 / 15 / 27

HEX #BA549E

RGB 186 84 158

HSL 316.47, 0.43%, 0.53%

LAB 50.98, 50.19, -20.88

 

CMYK 0 / 38 / 10 / 35

HEX #A66795

RGB 166 103 149

HSL 316.19, 0.26%, 0.53%

LAB 51.81, 32.29, -14.54

 

CMYK 0 / 17 / 5 / 42

HEX #937A8C

RGB 147 122 140

HSL 316.8, 0.1%, 0.53%

LAB 54.04, 12.91, -6.13

 

CMYK 21 / 80 / 0 / 12

HEX #B12DE1

RGB 177 45 225

HSL 284, 0.75%, 0.53%

LAB 47.83, 75.09, -64.78

 

CMYK 0 / 80 / 0 / 12

HEX #E12DE1

RGB 225 45 225

HSL 300, 0.75%, 0.53%

LAB 55.4, 83.6, -52.21

 

CMYK 0 / 80 / 21 / 12

HEX #E12DB1

RGB 225 45 177

HSL 316, 0.75%, 0.53%

LAB 53.01, 76.99, -28.37

 

CMYK 0 / 80 / 43 / 12

HEX #E12D81

RGB 225 45 129

HSL 332, 0.75%, 0.53%

LAB 51.23, 71.81, -2.56

 

CMYK 0 / 80 / 64 / 12

HEX #E12D51

RGB 225 45 81

HSL 348, 0.75%, 0.53%

LAB 50.07, 68.31, 24.94

 

CMYK 0 / 86 / 24 / 36

HEX #A4177D

RGB 164 23 125

HSL 316.6, 0.75%, 0.37%

LAB 37.82, 62, -21.49

 

CMYK 0 / 86 / 24 / 22

HEX #C81C98

RGB 200 28 152

HSL 316.74, 0.75%, 0.45%

LAB 46.15, 72.19, -24.56

 

CMYK 0 / 80 / 22 / 12

HEX #E12DAF

RGB 225 45 175

HSL 316.67, 0.75%, 0.53%

LAB 52.93, 76.74, -27.34

 

CMYK 0 / 65 / 18 / 10

HEX #E651BD

RGB 230 81 189

HSL 316.51, 0.75%, 0.61%

LAB 58.4, 68.33, -26.93

 

CMYK 0 / 50 / 14 / 8

HEX #EB75CA

RGB 235 117 202

HSL 316.78, 0.75%, 0.69%

LAB 65.47, 55.87, -23.37

 

CMYK 0 / 80 / 22 / 12

HEX #E12CAF

RGB 225 44 175

HSL 316.57, 0.75%, 0.53%

LAB 52.84, 76.98, -27.47

 

CMYK 0 / 43 / 80 / 12

HEX #E1812D

RGB 225 129 45

HSL 28, 0.75%, 0.53%

LAB 63.26, 31.1, 58.23

 

CMYK 80 / 0 / 11 / 12

HEX #2DE1C9

RGB 45 225 201

HSL 172, 0.75%, 0.53%

LAB 81.09, -48.36, -0.62

 

CMYK 0 / 80 / 22 / 12

HEX #E12CAF

RGB 225 44 175

HSL 316.57, 0.75%, 0.53%

LAB 52.84, 76.98, -27.47

 

CMYK 21 / 0 / 80 / 12

HEX #B1E12D

RGB 177 225 45

HSL 76, 0.75%, 0.53%

LAB 83.65, -38.28, 75.07

 

CMYK 80 / 21 / 0 / 12

HEX #2DB1E1

RGB 45 177 225

HSL 196, 0.75%, 0.53%

LAB 67.6, -18.45, -33.93

 

CMYK 0 / 80 / 22 / 12

HEX #E12CAF

RGB 225 44 175

HSL 316.57, 0.75%, 0.53%

LAB 52.84, 76.98, -27.47

 

CMYK 0 / 43 / 80 / 12

HEX #E1812D

RGB 225 129 45

HSL 28, 0.75%, 0.53%

LAB 63.26, 31.1, 58.23

 

CMYK 80 / 0 / 59 / 12

HEX #2DE15D

RGB 45 225 93

HSL 136, 0.75%, 0.53%

LAB 79.16, -69.78, 51.46

 

CMYK 80 / 37 / 0 / 12

HEX #2D8DE1

RGB 45 141 225

HSL 208, 0.75%, 0.53%

LAB 57.12, 1.73, -50.4

 

CMYK 0 / 80 / 22 / 12

HEX #E12CAF

RGB 225 44 175

HSL 316.57, 0.75%, 0.53%

LAB 52.84, 76.98, -27.47

 

CMYK 0 / 19 / 80 / 12

HEX #E1B72D

RGB 225 183 45

HSL 46, 0.75%, 0.53%

LAB 76.11, 2.42, 69.82

 

CMYK 80 / 0 / 59 / 12

HEX #2DE15D

RGB 45 225 93

HSL 136, 0.75%, 0.53%

LAB 79.16, -69.78, 51.46

 

CMYK 80 / 61 / 0 / 12

HEX #2D57E1

RGB 45 87 225

HSL 226, 0.75%, 0.53%

LAB 42.48, 35.51, -74.03

 

Description

Color code: HEX #E12CAF | qconv.com Color code: HEX #E12CAF | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 44 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 44 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 22 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 22% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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