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Color name
HEX #E1286A

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E1286A it is the complementary color #1ED795. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E1286A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E1286A shade: #E62865, #F73A78, #FF4C8B, #FF5E9E and #FF70B1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E1286A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E1286A shade: #E1286A, #D01657, #BF0444, #AE0031 and #9D001E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E1286A shade: #E12769, #E12737 and #E12727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E1286A shade: #E12769, #E1279C, #E127CE, #C227E1 and #9027E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E1286A shade matches the following richer shades: #E12769 and #F51364

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E1286A shade: #E12769, #CD3B6F, #BA4F75, #A6627A and #927680

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E1286A shade: #E127CF, #E1279D, #E1276B, #E1273A and #E14627

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E1286A shade: #A01547, #C51A57, #E12769, #E64B83 and #EB709C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E1286A shade: #E1286A, #E1C227 and #27B6E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E1286A shade: #E1286A, #6BE127 and #276BE1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E1286A shade: #E1286A, #E1C227, #27E19D and #2746E1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E1286A shade: #E1286A, #C8E127, #27E19D and #4027E1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 53 / 12

HEX #E1286A

RGB 225 40 106

HSL 338.59, 0.76%, 0.52%

LAB 50.18, 71.12, 9.88

 

Complementary color

CMYK 86 / 0 / 31 / 16

HEX #1ED795

RGB 30 215 149

HSL 158.59, 0.76%, 0.48%

LAB 76.71, -58.19, 20.66

 

CMYK 0 / 83 / 56 / 10

HEX #E62865

RGB 230 40 101

HSL 340.74, 0.79%, 0.53%

LAB 51.01, 72.04, 14.24

 

CMYK 0 / 77 / 51 / 3

HEX #F73A78

RGB 247 58 120

HSL 340.32, 0.92%, 0.6%

LAB 56.24, 73.22, 10.58

 

CMYK 0 / 70 / 45 / 0

HEX #FF4C8B

RGB 255 76 139

HSL 338.88, 1%, 0.65%

LAB 60.15, 71.26, 5.13

 

CMYK 0 / 63 / 38 / 0

HEX #FF5E9E

RGB 255 94 158

HSL 336.15, 1%, 0.68%

LAB 63.12, 66.35, -1.57

 

CMYK 0 / 56 / 31 / 0

HEX #FF70B1

RGB 255 112 177

HSL 332.73, 1%, 0.72%

LAB 66.54, 60.82, -7.38

 

CMYK 0 / 82 / 53 / 12

HEX #E1286A

RGB 225 40 106

HSL 338.59, 0.76%, 0.52%

LAB 50.18, 71.12, 9.88

 

CMYK 0 / 89 / 58 / 18

HEX #D01657

RGB 208 22 87

HSL 339.03, 0.81%, 0.45%

LAB 45.18, 69.06, 14.14

 

CMYK 0 / 98 / 64 / 25

HEX #BF0444

RGB 191 4 68

HSL 339.47, 0.96%, 0.38%

LAB 40.54, 65.92, 19.26

 

CMYK 0 / 100 / 72 / 32

HEX #AE0031

RGB 174 0 49

HSL 343.1, 1%, 0.34%

LAB 36.41, 61.3, 25.36

 

CMYK 0 / 100 / 81 / 38

HEX #9D001E

RGB 157 0 30

HSL 348.54, 1%, 0.31%

LAB 32.4, 56.33, 31.7

 

CMYK 0 / 83 / 53 / 12

HEX #E12769

RGB 225 39 105

HSL 338.71, 0.76%, 0.52%

LAB 50.07, 71.28, 10.34

 

CMYK 0 / 83 / 76 / 12

HEX #E12737

RGB 225 39 55

HSL 354.84, 0.76%, 0.52%

LAB 49.17, 68.6, 39.22

 

CMYK 0 / 83 / 83 / 12

HEX #E12727

RGB 225 39 39

HSL 0, 0.76%, 0.52%

LAB 49.01, 68.12, 47.76

 

CMYK 0 / 83 / 53 / 12

HEX #E12769

RGB 225 39 105

HSL 338.71, 0.76%, 0.52%

LAB 50.07, 71.28, 10.34

 

CMYK 0 / 83 / 31 / 12

HEX #E1279C

RGB 225 39 156

HSL 322.26, 0.76%, 0.52%

LAB 51.68, 75.91, -18.06

 

CMYK 0 / 83 / 8 / 12

HEX #E127CE

RGB 225 39 206

HSL 306.13, 0.76%, 0.52%

LAB 53.94, 82.14, -43.72

 

CMYK 14 / 83 / 0 / 12

HEX #C227E1

RGB 194 39 225

HSL 290, 0.76%, 0.52%

LAB 49.93, 79.48, -61.26

 

CMYK 36 / 83 / 0 / 12

HEX #9027E1

RGB 144 39 225

HSL 273.87, 0.76%, 0.52%

LAB 42.49, 71.72, -73.69

 

CMYK 0 / 83 / 53 / 12

HEX #E12769

RGB 225 39 105

HSL 338.71, 0.76%, 0.52%

LAB 50.07, 71.28, 10.34

 

CMYK 0 / 92 / 59 / 4

HEX #F51364

RGB 245 19 100

HSL 338.5, 0.92%, 0.52%

LAB 52.73, 79.04, 17.66

 

CMYK 0 / 83 / 53 / 12

HEX #E12769

RGB 225 39 105

HSL 338.71, 0.76%, 0.52%

LAB 50.07, 71.28, 10.34

 

CMYK 0 / 71 / 46 / 20

HEX #CD3B6F

RGB 205 59 111

HSL 338.63, 0.59%, 0.52%

LAB 48.58, 60.59, 4.05

 

CMYK 0 / 58 / 37 / 27

HEX #BA4F75

RGB 186 79 117

HSL 338.69, 0.44%, 0.52%

LAB 48.66, 46.95, 0.13

 

CMYK 0 / 41 / 27 / 35

HEX #A6627A

RGB 166 98 122

HSL 338.82, 0.28%, 0.52%

LAB 49.79, 30.69, -1.54

 

CMYK 0 / 19 / 12 / 43

HEX #927680

RGB 146 118 128

HSL 338.57, 0.11%, 0.52%

LAB 52.54, 12.63, -1.34

 

CMYK 0 / 83 / 8 / 12

HEX #E127CF

RGB 225 39 207

HSL 305.81, 0.76%, 0.52%

LAB 53.99, 82.28, -44.21

 

CMYK 0 / 83 / 30 / 12

HEX #E1279D

RGB 225 39 157

HSL 321.94, 0.76%, 0.52%

LAB 51.72, 76.02, -18.59

 

CMYK 0 / 83 / 52 / 12

HEX #E1276B

RGB 225 39 107

HSL 338.06, 0.76%, 0.52%

LAB 50.12, 71.42, 9.19

 

CMYK 0 / 83 / 74 / 12

HEX #E1273A

RGB 225 39 58

HSL 353.87, 0.76%, 0.52%

LAB 49.21, 68.71, 37.54

 

CMYK 0 / 69 / 83 / 12

HEX #E14627

RGB 225 70 39

HSL 10, 0.76%, 0.52%

LAB 52.44, 58.58, 50.89

 

CMYK 0 / 87 / 56 / 37

HEX #A01547

RGB 160 21 71

HSL 338.42, 0.77%, 0.35%

LAB 34.93, 55.98, 8.63

 

CMYK 0 / 87 / 56 / 23

HEX #C51A57

RGB 197 26 87

HSL 338.6, 0.77%, 0.44%

LAB 43.21, 65.65, 11.07

 

CMYK 0 / 83 / 53 / 12

HEX #E12769

RGB 225 39 105

HSL 338.71, 0.76%, 0.52%

LAB 50.07, 71.28, 10.34

 

CMYK 0 / 67 / 43 / 10

HEX #E64B83

RGB 230 75 131

HSL 338.32, 0.76%, 0.6%

LAB 55.58, 63.8, 2.7

 

CMYK 0 / 52 / 34 / 8

HEX #EB709C

RGB 235 112 156

HSL 338.54, 0.75%, 0.68%

LAB 63.05, 51.98, -0.88

 

CMYK 0 / 82 / 53 / 12

HEX #E1286A

RGB 225 40 106

HSL 338.59, 0.76%, 0.52%

LAB 50.18, 71.12, 9.88

 

CMYK 0 / 14 / 83 / 12

HEX #E1C227

RGB 225 194 39

HSL 50, 0.76%, 0.52%

LAB 78.89, -3.48, 73.94

 

CMYK 83 / 19 / 0 / 12

HEX #27B6E1

RGB 39 182 225

HSL 193.87, 0.76%, 0.52%

LAB 68.98, -21.57, -31.8

 

CMYK 0 / 82 / 53 / 12

HEX #E1286A

RGB 225 40 106

HSL 338.59, 0.76%, 0.52%

LAB 50.18, 71.12, 9.88

 

CMYK 52 / 0 / 83 / 12

HEX #6BE127

RGB 107 225 39

HSL 98.06, 0.76%, 0.52%

LAB 80.25, -62.19, 72.27

 

CMYK 83 / 52 / 0 / 12

HEX #276BE1

RGB 39 107 225

HSL 218.06, 0.76%, 0.52%

LAB 47.47, 22.24, -65.9

 

CMYK 0 / 82 / 53 / 12

HEX #E1286A

RGB 225 40 106

HSL 338.59, 0.76%, 0.52%

LAB 50.18, 71.12, 9.88

 

CMYK 0 / 14 / 83 / 12

HEX #E1C227

RGB 225 194 39

HSL 50, 0.76%, 0.52%

LAB 78.89, -3.48, 73.94

 

CMYK 83 / 0 / 30 / 12

HEX #27E19D

RGB 39 225 157

HSL 158.06, 0.76%, 0.52%

LAB 80.02, -59.47, 21.06

 

CMYK 83 / 69 / 0 / 12

HEX #2746E1

RGB 39 70 225

HSL 230, 0.76%, 0.52%

LAB 38.28, 45.6, -80.92

 

CMYK 0 / 82 / 53 / 12

HEX #E1286A

RGB 225 40 106

HSL 338.59, 0.76%, 0.52%

LAB 50.18, 71.12, 9.88

 

CMYK 11 / 0 / 83 / 12

HEX #C8E127

RGB 200 225 39

HSL 68.06, 0.76%, 0.52%

LAB 85.14, -29.34, 78.44

 

CMYK 83 / 0 / 30 / 12

HEX #27E19D

RGB 39 225 157

HSL 158.06, 0.76%, 0.52%

LAB 80.02, -59.47, 21.06

 

CMYK 72 / 83 / 0 / 12

HEX #4027E1

RGB 64 39 225

HSL 248.06, 0.76%, 0.52%

LAB 33.94, 63.29, -88.07

 

Description

Color code: HEX #E1286A | qconv.com Color code: HEX #E1286A | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 40 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 40 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 53 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 53% 12% C M Y K

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Provide designers and agencies with accurate color values.

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