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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E127F5 it is the complementary color #1ED80A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E127F5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E127F5 shade: #E627F0, #F739FF, #FF4BFF, #FF5DFF and #FF6FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E127F5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E127F5 shade: #E127F5, #D015E2, #BF03CF, #AE00BC and #9D00A9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E127F5 shade: #E128F4, #F428D1, #F4289A, #F42863 and #F4282C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E127F5 shade: #E128F4, #A928F4, #7228F4, #3B28F4 and #2828F4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E127F5 shade matches the following richer shades: #E128F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E127F5 shade: #E128F4, #D23AE2, #C34DD0, #B55FBE and #A671AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E127F5 shade: #7328F4, #AA28F4, #E028F4, #F428D2 and #F4289C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E127F5 shade: #AF09C1, #D30AE9, #E128F4, #E650F6 and #EC77F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E127F5 shade: #E127F5, #F43D28 and #28F48E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E127F5 shade: #E127F5, #F4E028 and #28F4E0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E127F5 shade: #E127F5, #F43D28, #3DF428 and #28E0F4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E127F5 shade: #E127F5, #F47A28, #3DF428 and #28A3F4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 84 / 0 / 4

HEX #E127F5

RGB 225 39 245

HSL 294.17, 0.91%, 0.56%

LAB 56.14, 87.94, -62.26

 

Complementary color

CMYK 86 / 0 / 95 / 15

HEX #1ED80A

RGB 30 216 10

HSL 114.17, 0.91%, 0.44%

LAB 75.71, -74.3, 72.64

 

CMYK 4 / 84 / 0 / 6

HEX #E627F0

RGB 230 39 240

HSL 297.01, 0.87%, 0.55%

LAB 56.65, 88.01, -58.6

 

CMYK 3 / 78 / 0 / 0

HEX #F739FF

RGB 247 57 255

HSL 297.58, 1%, 0.61%

LAB 61.59, 89.36, -58.89

 

CMYK 0 / 71 / 0 / 0

HEX #FF4BFF

RGB 255 75 255

HSL 300, 1%, 0.65%

LAB 64.57, 85.88, -54.06

 

CMYK 0 / 64 / 0 / 0

HEX #FF5DFF

RGB 255 93 255

HSL 300, 1%, 0.68%

LAB 66.76, 79.72, -50.61

 

CMYK 0 / 56 / 0 / 0

HEX #FF6FFF

RGB 255 111 255

HSL 300, 1%, 0.72%

LAB 69.36, 72.52, -46.5

 

CMYK 8 / 84 / 0 / 4

HEX #E127F5

RGB 225 39 245

HSL 294.17, 0.91%, 0.56%

LAB 56.14, 87.94, -62.26

 

CMYK 8 / 91 / 0 / 11

HEX #D015E2

RGB 208 21 226

HSL 294.73, 0.83%, 0.48%

LAB 51.19, 85.09, -59.67

 

CMYK 8 / 99 / 0 / 19

HEX #BF03CF

RGB 191 3 207

HSL 295.29, 0.97%, 0.41%

LAB 46.51, 81.21, -56.49

 

CMYK 7 / 100 / 0 / 26

HEX #AE00BC

RGB 174 0 188

HSL 295.53, 1%, 0.37%

LAB 42.2, 75.92, -52.52

 

CMYK 7 / 100 / 0 / 34

HEX #9D00A9

RGB 157 0 169

HSL 295.74, 1%, 0.33%

LAB 37.9, 70.26, -48.32

 

CMYK 8 / 84 / 0 / 4

HEX #E128F4

RGB 225 40 244

HSL 294.41, 0.9%, 0.56%

LAB 56.14, 87.59, -61.69

 

CMYK 0 / 84 / 14 / 4

HEX #F428D1

RGB 244 40 209

HSL 310.29, 0.9%, 0.56%

LAB 57.42, 86.02, -39.72

 

CMYK 0 / 84 / 37 / 4

HEX #F4289A

RGB 244 40 154

HSL 326.47, 0.9%, 0.56%

LAB 55.16, 79.78, -11.27

 

CMYK 0 / 84 / 59 / 4

HEX #F42863

RGB 244 40 99

HSL 342.65, 0.9%, 0.56%

LAB 53.66, 75.45, 19.49

 

CMYK 0 / 84 / 82 / 4

HEX #F4282C

RGB 244 40 44

HSL 358.82, 0.9%, 0.56%

LAB 52.88, 73.14, 50.16

 

CMYK 8 / 84 / 0 / 4

HEX #E128F4

RGB 225 40 244

HSL 294.41, 0.9%, 0.56%

LAB 56.14, 87.59, -61.69

 

CMYK 31 / 84 / 0 / 4

HEX #A928F4

RGB 169 40 244

HSL 277.94, 0.9%, 0.56%

LAB 47.6, 78.86, -75.93

 

CMYK 53 / 84 / 0 / 4

HEX #7228F4

RGB 114 40 244

HSL 261.76, 0.9%, 0.56%

LAB 40.62, 72.11, -87.66

 

CMYK 76 / 84 / 0 / 4

HEX #3B28F4

RGB 59 40 244

HSL 245.59, 0.9%, 0.56%

LAB 35.94, 67.9, -95.55

 

CMYK 84 / 84 / 0 / 4

HEX #2828F4

RGB 40 40 244

HSL 240, 0.9%, 0.56%

LAB 35, 67.09, -97.14

 

CMYK 8 / 84 / 0 / 4

HEX #E128F4

RGB 225 40 244

HSL 294.41, 0.9%, 0.56%

LAB 56.14, 87.59, -61.69

 

CMYK 8 / 84 / 0 / 4

HEX #E128F4

RGB 225 40 244

HSL 294.41, 0.9%, 0.56%

LAB 56.14, 87.59, -61.69

 

CMYK 7 / 74 / 0 / 11

HEX #D23AE2

RGB 210 58 226

HSL 294.29, 0.74%, 0.56%

LAB 54.26, 77.45, -54.73

 

CMYK 6 / 63 / 0 / 18

HEX #C34DD0

RGB 195 77 208

HSL 294.05, 0.58%, 0.56%

LAB 53.45, 64.21, -45.93

 

CMYK 5 / 50 / 0 / 25

HEX #B55FBE

RGB 181 95 190

HSL 294.32, 0.42%, 0.56%

LAB 53.73, 48.85, -35.29

 

CMYK 3 / 34 / 0 / 33

HEX #A671AC

RGB 166 113 172

HSL 293.9, 0.26%, 0.56%

LAB 54.96, 31.02, -23.14

 

CMYK 53 / 84 / 0 / 4

HEX #7328F4

RGB 115 40 244

HSL 262.06, 0.9%, 0.56%

LAB 40.73, 72.21, -87.48

 

CMYK 30 / 84 / 0 / 4

HEX #AA28F4

RGB 170 40 244

HSL 278.24, 0.9%, 0.56%

LAB 47.75, 79, -75.69

 

CMYK 8 / 84 / 0 / 4

HEX #E028F4

RGB 224 40 244

HSL 294.12, 0.9%, 0.56%

LAB 55.98, 87.42, -61.96

 

CMYK 0 / 84 / 14 / 4

HEX #F428D2

RGB 244 40 210

HSL 310, 0.9%, 0.56%

LAB 57.47, 86.15, -40.22

 

CMYK 0 / 84 / 36 / 4

HEX #F4289C

RGB 244 40 156

HSL 325.88, 0.9%, 0.56%

LAB 55.23, 79.97, -12.34

 

CMYK 9 / 95 / 0 / 24

HEX #AF09C1

RGB 175 9 193

HSL 294.13, 0.91%, 0.4%

LAB 43, 75.99, -54.15

 

CMYK 9 / 96 / 0 / 9

HEX #D30AE9

RGB 211 10 233

HSL 294.08, 0.92%, 0.48%

LAB 51.78, 87.72, -62.66

 

CMYK 8 / 84 / 0 / 4

HEX #E128F4

RGB 225 40 244

HSL 294.41, 0.9%, 0.56%

LAB 56.14, 87.59, -61.69

 

CMYK 7 / 67 / 0 / 4

HEX #E650F6

RGB 230 80 246

HSL 294.22, 0.9%, 0.64%

LAB 60.97, 77.53, -55.05

 

CMYK 5 / 52 / 0 / 3

HEX #EC77F8

RGB 236 119 248

HSL 294.42, 0.9%, 0.72%

LAB 67.88, 62.89, -45.17

 

CMYK 8 / 84 / 0 / 4

HEX #E127F5

RGB 225 39 245

HSL 294.17, 0.91%, 0.56%

LAB 56.14, 87.94, -62.26

 

CMYK 0 / 75 / 84 / 4

HEX #F43D28

RGB 244 61 40

HSL 6.18, 0.9%, 0.56%

LAB 54.79, 67.57, 53.84

 

CMYK 84 / 0 / 42 / 4

HEX #28F48E

RGB 40 244 142

HSL 150, 0.9%, 0.56%

LAB 85.56, -69.05, 36.12

 

CMYK 8 / 84 / 0 / 4

HEX #E127F5

RGB 225 39 245

HSL 294.17, 0.91%, 0.56%

LAB 56.14, 87.94, -62.26

 

CMYK 0 / 8 / 84 / 4

HEX #F4E028

RGB 244 224 40

HSL 54.12, 0.9%, 0.56%

LAB 88.3, -10.55, 82.25

 

CMYK 84 / 0 / 8 / 4

HEX #28F4E0

RGB 40 244 224

HSL 174.12, 0.9%, 0.56%

LAB 87.26, -50.59, -3.69

 

CMYK 8 / 84 / 0 / 4

HEX #E127F5

RGB 225 39 245

HSL 294.17, 0.91%, 0.56%

LAB 56.14, 87.94, -62.26

 

CMYK 0 / 75 / 84 / 4

HEX #F43D28

RGB 244 61 40

HSL 6.18, 0.9%, 0.56%

LAB 54.79, 67.57, 53.84

 

CMYK 75 / 0 / 84 / 4

HEX #3DF428

RGB 61 244 40

HSL 113.82, 0.9%, 0.56%

LAB 84.92, -77.78, 75.79

 

CMYK 84 / 8 / 0 / 4

HEX #28E0F4

RGB 40 224 244

HSL 185.88, 0.9%, 0.56%

LAB 82, -36.03, -22.09

 

CMYK 8 / 84 / 0 / 4

HEX #E127F5

RGB 225 39 245

HSL 294.17, 0.91%, 0.56%

LAB 56.14, 87.94, -62.26

 

CMYK 0 / 50 / 84 / 4

HEX #F47A28

RGB 244 122 40

HSL 24.12, 0.9%, 0.56%

LAB 64.41, 42.1, 62.18

 

CMYK 75 / 0 / 84 / 4

HEX #3DF428

RGB 61 244 40

HSL 113.82, 0.9%, 0.56%

LAB 84.92, -77.78, 75.79

 

CMYK 84 / 33 / 0 / 4

HEX #28A3F4

RGB 40 163 244

HSL 203.82, 0.9%, 0.56%

LAB 64.3, -4.57, -49.52

 

Description

Color code: HEX #E127F5 | qconv.com Color code: HEX #E127F5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 39 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 39 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 84 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 84% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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